Project Gutenberg V1 The Home Book of Verse, by Burton Stevenson #1 in our 8 volume Home Book of Verse series by Stevenson
V4 and V5 correspond to the two halves of "Part IV" as they were in two volume editions of over 3700 pages: half is in each Vol.
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Title: The Home Book of Verse, Volume 1
Author: Burton Egbert Stevenson
May, 2001 [Etext #2619]
Project Gutenberg V1 The Home Book of Verse, by Burton Stevenson ******This file should be named 1hbov10.txt or 1hbov10.zip******
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The Home Book of Verse, Volume 1
by Burton Egbert Stevenson
Contents of Volume I of the two volume set This includes contents of Volumes 1 through 4 of our Etext editions.
PART I
POEMS OF YOUTH AND AGE
The Human Seasons John Keats
THE BABY
"Only a Baby Small" Matthias Barr Only Harriet Prescott Spofford Infant Joy William Blake Baby George Macdonald To a New-Born Baby Girl Grace Hazard Conkling To Little Renee William Aspenwall Bradley A Rhyme of One Frederick Locker-Lampson To a New-Born Child Cosmo Monkhouse Baby May William Cox Bennett Alice Herbert Bashford Songs for Fragoletta Richard Le Gallienne Choosing a Name Mary Lamb Weighing the Baby Ethel Lynn Beers Etude Realiste Algernon Charles Swinburne Little Feet Elizabeth Akers The Babie Jeremiah Eames Rankin Little Hands Laurence Binyon Bartholomew Norman Gale The Storm-Child May Byron "On Parent Knees" William Jones "Philip, My King" Dinah Maria Mulock Craik The King of the Cradle Joseph Ashby-Sterry The Firstborn John Arthur Goodchild No Baby in the House Clara Dolliver Our Wee White Rose Gerald Massey Into the World and Out Sarah M. P. Piatt "Baby Sleeps" Samuel Hinds Baby Bell Thomas Bailey Aldrich
IN THE NURSERY
Mother Goose's Melodies Unknown Jack and Jill Unknown The Queen of Hearts Unknown Little Bo-Peep Unknown Mary's Lamb Sarah Josepha Hale The Star Jane Taylor "Sing a Song of Sixpence" Unknown Simple Simon Unknown A Pleasant Ship Unknown "I Had a Little Husband" Unknown "When I Was a Bachelor" Unknown "Johnny Shall Have a New Bonnet" Unknown The City Mouse and the Garden Mouse Christina Rossetti Robin Redbreast Unknown Solomon Grundy Unknown "Merry Are the Bells" Unknown "When Good King Arthur Ruled This Land" Unknown The Bells of London Unknown "The Owl and the Eel and the Warming Pan" Laura E. Richards The Cow Ann Taylor The Lamb William Blake Little Raindrops Unknown
"Moon, So Round and Yellow" Matthias Barr
The House That Jack Built Unknown
Old Mother Hubbard Unknown
The Death and Burial of
Cock Robin Unknown Baby-Land George Cooper The First Tooth William Brighty Rands Baby's Breakfast Emilie Poulsson The Moon Eliza Lee Follen Baby at Play Unknown The Difference Laura E. Richards Foot Soldiers John Banister Tabb Tom Thumb's Alphabet Unknown Grammar in Rhyme Unknown Days of the Month Unknown The Garden Year Sara Coleridge Riddles Unknown Proverbs Unknown Kind Hearts Unknown Weather Wisdom Unknown Old Superstitions Unknown
THE ROAD TO SLUMBERLAND
Wynken, Blynken, and Nod Eugene Field The Sugar-Plum Tree Eugene Field When the Sleepy Man Comes Charles G. D. Roberts Auld Daddy Darkness James Ferguson Willie Winkle William Miller The Sandman Margaret Thomson Janvier The Dustman Frederick Edward Weatherly Sephestia's Lullaby Robert Greene "Golden Slumbers Kiss Your Eyes" Thomas Dekker "Sleep, Baby, Sleep" George Wither Mother's Song Unknown A Lullaby Richard Rowlands A Cradle Hymn Isaac Watts Cradle Song William Blake Lullaby Carolina Nairne Lullaby of an Infant Chief Walter Scott Good-Night Jane Taylor "Lullaby, O Lullaby" William Cox Bennett Lullaby Alfred Tennyson The Cottager to Her Infant Dorothy Wordsworth Trot, Trot! Mary F. Butts Holy Innocents Christina Georgina Rossetti Lullaby Josiah Gilbert Holland Cradle Song Josiah Gilbert Holland An Irish Lullaby Alfred Perceval Graves Cradle Song Josephine Preston Peabody Mother-Song from "Prince Lucifer" Alfred Austin Kentucky Babe Richard Henry Buck Minnie and Winnie Alfred Tennyson Bed-Time Song Emilie Poulsson Tucking the Baby In Curtis May "Jenny Wi' the Airn Teeth" Alexander Anderson Cuddle Doon Alexander Anderson Bedtime Francis Robert St. Clair Erskine
THE DUTY OF CHILDREN
Happy Thought Robert Louis Stevenson Whole Duty of Children Robert Louis Stevenson Politeness Elizabeth Turner Rules of Behavior Unknown Little Fred Unknown The Lovable Child Emilie Poulsson Good and Bad Children Robert Louis Stevenson Rebecca's After-Thought Elizabeth Turner Kindness to Animals Unknown A Rule for Birds' Nesters Unknown "Sing on, Blithe Bird" William Motherwell "I Like Little Pussy" Jane Taylor Little Things Julia Fletcher Carney The Little Gentleman Unknown The Crust of Bread Unknown "How Doth the Little Busy Bee" Isaac Watts The Brown Thrush Lucy Larcom The Sluggard Isaac Watts The Violet Jane Taylor Dirty Jim Jane Taylor The Pin Ann Taylor Jane and Eliza Ann Taylor Meddlesome Matty Ann Taylor Contented John Jane Taylor Friends Abbie Farwell Brown Anger Charles and Mary Lamb
"There Was a Little Girl" H. W. Longfellow The Reformation of Godfrey
Gore William Brighty Rands The Best Firm Walter G. Doty A Little Page's Song William Alexander Percy How the Little Kite Learned to Fly Unknown The Butterfly and the Bee William Lisle Bowles The Butterfly Adelaide O'Keefe Morning Jane Taylor Buttercups and Daisies Mary Howitt The Ant and the Cricket Unknown After Wings Sarah M. B. Piatt Deeds of Kindness Epes Sargent The Lion and the Mouse Jeffreys Taylor The Boy and the Wolf John Hookham Frere The Story of Augustus, Who Would Not Have Any Soup Heinrich Hoffman The Story of Little Suck-A-Thumb Heinrich Hoffman Written in a Little Lady's Little Album Frederick William Faber My Lady Wind Unknown To a Child William Wordsworth A Farewell Charles Kingsley
RHYMES OF CHILDHOOD
Reeds of Innocence William Blake The Wonderful World William Brighty Rands The World's Music Gabriel Setoun A Boy's Song James Hogg Going Down Hill On a Bicycle Henry Charles Beeching Playgrounds Laurence Alma-Tadema "Who Has Seen the Wind?" Christina Georgina Rossetti The Wind's Song Gabriel Setoun The Piper on the Hill Dora Sigerson Shorter The Wind and the Moon George Macdonald Child's Song in Spring Edith Nesbit Baby Seed Song Edith Nesbit Little Dandelion Helen Barron Bostwick Little White Lily George Macdonald Wishing William Allingham In the Garden Ernest Crosby The Gladness of Nature William Cullen Bryant Glad Day W. Graham Robertson The Tiger William Blake Answer to a Child's Question Samuel Taylor Coleridge How the Leaves Came Down Susan Coolidge A Legend of the Northland Phoebe Cary The Cricket's Story Emma Huntington Nason The Singing-Lesson Jean Ingelow Chanticleer Katherine Tynan "What Does Little Birdie Say?" Alfred Tennyson Nurse's Song William Blake Jack Frost Gabriel Setoun October's Party George Cooper The Shepherd William Blake Nikolina Celia Thaxter Little Gustava Celia Thaxter Prince Tatters Laura E. Richards The Little Black Boy William Blake The Blind Boy Colley Cibber Bunches of Grapes Walter de la Mare My Shadow Robert Louis Stevenson The Land of Counterpane Robert Louis Stevenson The Land of Story-Books Robert Louis Stevenson The Gardener Robert Louis Stevenson Foreign Lands Robert Louis Stevenson My Bed is a Boat Robert Louis Stevenson The Peddler's Caravan William Brighty Rands Mr. Coggs Edward Verrall Lucas The Building of the Nest Margaret Sangster "There was a Jolly Miller" Isaac Bickerstaff One and One Mary Mapes Dodge A Nursery Song Laura E. Richards A Mortifying Mistake Anna Maria Pratt The Raggedy Man James Whitcomb Riley The Man in the Moon James Whitcomb Riley Little Orphant Annie James Whitcomb Riley Our Hired Girl James Whitcomb Riley See'n Things Eugene Field The Duel Eugene Field Holy Thursday William Blake A Story for a Child Bayard Taylor The Spider and the Fly Mary Howitt The Captain's Daughter James Thomas Fields The Nightingale and the Glow-Worm William Cowper Sir Lark and King Sun: A Parable George Macdonald
The Courtship, Merry
Marriage, and Picnic
Dinner of Cock Robin
and Jenny Wren Unknown The Babes in the Wood Unknown God's Judgment on a Wicked Bishop Robert Southey
The Pied Piper of Hamelin Robert Browning
THE GLAD EVANGEL
A Carol Unknown
"God Rest You Merry
Gentlemen" Unknown
'O Little Town of Bethlehem" Phillips Brooks
A Christmas Hymn Alfred Domett
"While Shepherds Watched
their Flocks by Night" Nahum Tate Christmas Carols Edmund Hamilton Sears The Angels William Drummond The Burning Babe Robert Southwell Tryste Noel Louise Imogen Guiney Christmas Carol Unknown "Brightest and Best of the Sons of the Morning" Reginald Heber Christmas Bells Henry Wadsworth Longfellow A Christmas Carol Gilbert Keith Chesterton The House of Christmas Gilbert Keith Chesterton The Feast of the Snow Gilbert Keith Chesterton Mary's Baby Shaemas OSheel Gates and Doors Joyce Kilmer The Three Kings Henry Wadsworth Longfellow Lullaby in Bethlehem Henry Howarth Bashford A Child's Song of Christmas Marjorie L. C. Pickthall Jest 'Fore Christmas Eugene Field A Visit from St. Nicholas Clement Clarke Moore Ceremonies for Christmas Robert Herrick On the Morning of Christ's Nativity John Milton
FAIRYLAND
The Fairy Book Norman Gale Fairy Songs William Shakespeare Queen Mab Ben Jonson The Elf and the Dormouse Oliver Herford "Oh! Where Do Fairies Hide Their Heads?" Thomas Haynes Bayly Fairy Song Leigh Hunt Dream Song Richard Middleton Fairy Song John Keats Queen Mab Thomas Hood The Fairies of the Caldon-Low Mary Howitt The Fairies William Allingham The Fairy Thrall Mary C. G. Byron Farewell to the Fairies Richard Corbet The Fairy Folk Robert Bird The Fairy Book Abbie Farwell Brown The Visitor Patrick R. Chalmers The Little Elf John Kendrick Bangs The Satyrs and the Moon Herbert S. Gorman
THE CHILDREN
The Children Charles Monroe Dickinson The Children's Hour Henry Wadsworth Longfellow Laus Infantium William Canton The Desire Katherine Tynan A Child's Laughter Algernon Charles Swinburne Seven Years Old Algernon Charles Swinburne Creep Afore Ye Gang James Ballantine Castles in the Air James Ballantine Under My Window Thomas Westwood Little Bell Thomas Westwood The Barefoot Boy John Greenleaf Whittier The Heritage James Russell Lowell Letty's Globe Charles Tennyson Turner Dove's Nest Joseph Russell Taylor The Oracle Arthur Davison Ficke To a Little Girl Helen Parry Eden To a Little Girl Gustav Kobbe A Parental Ode to My Son Thomas Hood A New Poet William Canton To Laura W-, Two Years Old Nathaniel Parker Willis To Rose Sara Teasdale To Charlotte Pulteney Ambrose Philips
The Picture of Little T. C.
in a Prospect of Flowers Andrew Marvell
To Hartley Coleridge William Wordsworth To a Child of Quality Matthew Prior Ex Ore Infantium Francis Thompson Obituary Thomas William Parsons The Child's Heritage John G. Neihardt A Girl of Pompeii Edward Sandford Martin On the Picture of a "Child Tired of Play" Nathaniel Parker Willis The Reverie of Poor Susan William Wordsworth Children's Song Ford Madox Hueffer The Mitherless Bairn William Thom The Cry of the Children Elizabeth Barrett Browning The Shadow-Child Harriet Monroe Mother Wept Joseph Skipsey Duty Ralph Waldo Emerson Lucy Gray William Wordsworth In the Children's Hospital Alfred Tennyson "If I Were Dead" Coventry Patmore The Toys Coventry Patmore A Song of Twilight Unknown Little Boy Blue Eugene Field The Discoverer Edmund Clarence Stedman A Chrysalis Mary Emily Bradley Mater Dolorosa William Barnes The Little Ghost Katherine Tynan Motherhood Josephine Daskam Bacon The Mother's Prayer Dora Sigerson Shorter Da Leetla Boy Thomas Augustin Daly On the Moor Gale Young Rice Epitaph of Dionysia Unknown For Charlie's Sake John Williamson Palmer "Are the Children at Home?" Margaret Sangster The Morning-Glory Maria White Lowell She Came and Went James Russell Lowell The First Snow-fall James Russell Lowell "We Are Seven" William Wordsworth My Child John Pierpont The Child's Wish Granted George Parsons Lathrop Challenge Kenton Foster Murray Tired Mothers May Riley Smith My Daughter Louise Homer Greene "I Am Lonely" George Eliot Sonnets from "Mimma Bella" Eugene Lee-Hamilton Rose-Marie of the Angels Adelaide Crapsey
MAIDENHOOD
Maidenhood Henry Wadsworth Longfellow
To the Virgins, to Make
Much of Time Robert Herrick
To Mistress Margaret Hussey John Skelton
On Her Coming To London Edmund Waller "O, Saw Ye Bonny Lesley" Robert Burns To a Young Lady William Cowper Ruth Thomas Hood The Solitary Reaper William Wordsworth The Three Cottage Girls William Wordsworth Blackmwore Maidens William Barnes A Portrait Elizabeth Barrett Browning To a Child of Fancy Lewis Morris Daisy Francis Thompson To Petronilla, Who Has Put Up Her Hair Henry Howarth Bashford The Gipsy Girl Henry Alford Fanny Anne Reeve Aldrich Somebody's Child Louise Chandler Moulton Emilia Sarah N. Cleghorn To a Greek Girl Austin Dobson "Chamber Scene" Nathaniel Parker Willis "Ah, Be Not False" Richard Watson Gilder A Life-Lesson James Whitcomb Riley
THE MAN
The Breaking Margaret Steele Anderson The Flight of Youth Richard Henry Stoddard "Days of My Youth" St. George Tucker Ave Atque Vale Rosamund Marriott Watson To Youth Walter Savage Landor
Stanzas Written on the Road
Between Florence and Pisa George Gordon Byron
Stanzas for Music George Gordon Byron "When As a Lad" Isabel Ecclestone Mackay "Around the Child" Walter Savage Landor Aladdin James Russell Lowell The Quest Ellen Mackey Hutchinson Cortissoz My Birth-Day Thomas Moore
Sonnet on His having Arrived
to the Age of Twenty-Three John Milton
On This Day I Complete My
Thirty-Sixth Year George Gordon Byron Growing Gray Austin Dobson The One White Hair Walter Savage Landor Ballade of Middle Age Andrew Lang Middle Age Rudolph Chambers Lehmann To Critics Walter Learned The Rainbow William Wordsworth Leavetaking William Watson Equinoctial Adeline D. T. Whitney "Before the Beginning of Years" Algernon Charles Swinburne Man Henry Vaughan The Pulley George Herbert
Ode on the Intimations of
Immortality from Recollections
of Early Childhood William Wordsworth
THE WOMAN
Woman Eaton Stannard Barrett Woman From the Sanskrit of Calidasa Simplex Munditiis Ben Jonson Delight in Disorder Robert Herrick A Praise of His Lady John Heywood On a Certain Lady at Court Alexander Pope Perfect Woman William Wordsworth The Solitary-Hearted Hartley Coleridge Of Those Who Walk Alone Richard Burton "She Walks in Beauty" George Gordon Byron Preludes from "The Angel in The House" Coventry Patmore A Health Edward Coote Pinkney Our Sister Horatio Nelson Powers From Life Brian Hooker The Rose of the World William Butler Yeats Dawn of Womanhood Harold Monro The Shepherdess Alice Meynell A Portrait Brian Hooker The Wife Theodosia Garrison "Trusty, Dusky, Vivid, True" Robert Louis Stevenson The Shrine Digby Mackworth Dolben The Voice Norman Gale Mother Theresa Helburn Ad Matrem Julian Fane C.L.M John Masefield
STEPPING WESTWARD
Stepping Westward William Wordsworth A Farewell to Arms George Peele The World Francis Bacon "When That I Was and a Little Tiny Boy" William Shakespeare Of the Last Verses in the Book Edmund Waller A Lament Chidiock Tichborne To-morrow John Collins Late Wisdom George Crabbe Youth and Age Samuel Taylor Coleridge The Old Man's Comforts Robert Southey To Age Walter Savage Lander Late Leaves Walter Savage Lander Years Walter Savage Lander The River of Life Thomas Campbell "Long Time a Child" Hartley Coleridge The World I am Passing Through Lydia Maria Child Terminus Ralph Waldo Emerson Rabbi Ben Ezra Robert Browning Human Life Audrey Thomas de Vere Young and Old Charles Kingsley The Isle of the Long Ago Benjamin Franklin Taylor Growing Old Matthew Arnold Past John Galsworthy Twilight A. Mary F. Robinson Youth and Age George Arnold Forty Years On Edward Ernest Bowen Dregs Ernest Dowson The Paradox of Time Austin Dobson Age William Winter Omnia Sonmia Rosamund Marriott Watson The Year's End Timothy Cole An Old Man's Song Richard Le Gallienne Songs of Seven Jean Ingelow Auspex James Russell Lowell
LOOKING BACKWARD
The Retreat Henry Vaughan A Superscription Dante Gabriel Rossetti The Child in the Garden Henry Van Dyke Castles in the Air Thomas Love Peacock Sometimes Thomas S. Jones, Jr The Little Ghosts Thomas S. Jones, Jr My Other Me Grace Denio Litchfield A Shadow Boat Arlo Bates A Lad That is Gone Robert Louis Stevenson Carcassonne John R. Thompson Childhood John Banister Tabb The Wastrel Reginald Wright Kauffman Troia Fuit Reginald Wright Kauffman Temple Garlands A. Mary F. Robinson Time Long Past Percy Bysshe Shelley "I Remember, I Remember" Thomas Hood My Lost Youth Henry Wadsworth Longfellow
"Voice of the Western Wind" Edmund Clarence Stedman "Langsyne, When Life Was
Bonnie" Alexander Anderson The Shoogy-Shoo Winthrop Packard Babylon Viola Taylor The Road of Remembrance Lizette Woodworth Reese The Triumph of Forgotten Things Edith M. Thomas In the Twilight James Russell Lowell An Immorality Ezra Pound Three Seasons Christina Georgina Rossetti The Old Familiar Faces Charles Lamb The Light of Other Days Thomas Moore "Tears, Idle Tears" Alfred Tennyson The Pet Name Elizabeth Barrett Browning Threescore and Ten Richard Henry Stoddard Rain on the Roof Coates Kinney Alone by the Hearth George Arnold The Old Man Dreams Oliver Wendell Holmes The Garret William Makepeace Thackeray Auld Lang Syne Robert Burns Rock Me to Sleep Elizabeth Akers The Bucket Samuel Woodworth The Grape-Vine Swing William Gilmore Simms The Old Swimmin'-Hole James Whitcomb Riley Forty Years Ago Unknown Ben Bolt Thomas Dunn English "Break, Break, Break" Alfred Tennyson
PART II
POEMS OF LOVE
Eros Ralph Waldo Emerson
"NOW WHAT IS LOVE"
"Now What is Love" Walter Raleigh
Wooing Song, "Love is the
Blossom where there blows" Giles Fletcher
Rosalind's Madrigal, "Love
in My bosom" Thomas Lodge
Song, "Love is a sickness
full of woes" Samuel Daniel Love's Perjuries William Shakespeare Venus' Runaway Ben Jonson What is Love John Fletcher Love's Emblems John Fletcher The Power of Love John Fletcher Advice to a Lover Unknown Love's Horoscope Richard Crashaw "Ah, how Sweet it is to Love" John Dryden Song, "Love still has something of the sea" Charles Sedley The Vine James Thomson Song, "Fain would I change that Note" Unknown Cupid Stung Thomas Moore Cupid Drowned Leigh Hunt Song, "Oh! say not woman's love is bought" Isaac Pocock "In the Days of Old" Thomas Love Peacock Song, "How delicious is the winning" Thomas Campbell Stanzas, "Could love for ever" George Gordon Byron "They Speak o' Wiles" William Thom "Love will Find Out the Way" Unknown A Woman's Shortcomings Elizabeth Barrett Browning "Love hath a Language" Helen Selina Sheridan Song, "O, let the solid ground" Alfred Tennyson Amaturus William Johnson-Cory The Surface and the Depths Lewis Morris A Ballad of Dreamland Algernon Charles Swinburne Endymion Henry Wadsworth Longfellow Fate Susan Marr Spalding "Give all to Love" Ralph Waldo Emerson "O, Love is not a Summer Mood" Richard Watson Gilder "When will Love Come" Pakenham Beatty "Awake, My Heart" Robert Bridges The Secret George Edward Woodberry The Rose of Stars George Edward Woodberry Song of Eros from "Agathon" George Edward Woodberry Love is Strong Richard Burton "Love once was like an April Dawn" Robert Underwood Johnson The Garden of Shadow Ernest Dowson The Call Reginald Wright Kauffman The Highway Louise Driscoll Song, "Take it, love" Richard Le Gallienne
"Never Give all the Heart" William Butler Yeats Song, "I came to the door of
the house of love" Alfred Noyes "Child, Child" Sara Teasdale Wisdom Ford Madox Hueffer Epilogue from "Emblems of Love" Lascelles Abercrombie On Hampstead Heath Wilfrid Wilson Gibson Once on a Time Kendall Banning
IN PRAISE OF HER
First Song from
"Astrophel and Stella" Philip Sidney Silvia William Shakespeare Cupid and Campaspe John Lyly
Apollo's Song from "Midas" John Lyly
"Fair is my Love for April's
in her Face" Robert Greene Samela Robert Greene Damelus' Song of His Diaphenia Henry Constable
Madrigal, "My Love in her
attire doth show her wit" Unknown
On Chloris Walking in
the Snow William Strode
"There is a Lady Sweet
and Kind" Unknown Cherry-Ripe Thomas Campion Amarillis Thomas Campion Elizabeth of Bohemia Henry Wotton Her Triumph Ben Jonson Of Phillis William Drummond A Welcome William Browne The Complete Lover William Browne Rubies and Pearls Robert Herrick Upon Julia's Clothes Robert Herrick To Cynthia on Concealment of her Beauty Francis Kynaston Song, "Ask me no more where Jove bestows" Thomas Carew A Devout Lover Thomas Randolph On a Girdle Edmund Waller Castara William Habington To Amarantha that She would Dishevel her Hair Richard Lovelace Chloe Divine Thomas D'Urfey My Peggy Allan Ramsay Song, "O ruddier than the cherry" John Gay "Tell me, my Heart, if this be Love" George Lyttleton The Fair Thief Charles Wyndham Amoret Mark Akenside Song, "The shape alone let others Prize" Mark Akenside Kate of Aberdeen John Cunningham Song, "Who has robbed the ocean cave" John Shaw Chloe Robert Burns "O Mally's Meek, Mally's Sweet" Robert Burns The Lover's Choice Thomas Bedingfield Rondeau Redouble John Payne "My Love She's but a Lassie yet" James Hogg Jessie, the Flower o' Dunblane Robert Tannahill Margaret and Dora Thomas Campbell Dagonet's Canzonet Ernest Rhys
Stanzas for Music, "There be
none of Beauty's daughters" George Gordon Byron
"Flowers I would Bring" Aubrey Thomas de Vere
"It is not Beauty I Demand" George Darley
Song, "She is not fair to
outward view" Hartley Coleridge
Song, "A violet in her
lovely hair" Charles Swain Eileen Aroon Gerald Griffin Annie Laurie Unknown To Helen Edgar Allan Poe
"A Voice by the Cedar Tree" Alfred Tennyson Song, "Nay, but you, who do
not love her" Robert Browning The Henchman John Green1eaf Whittier Lovely Mary Donnelly William Allingham Love in the Valley George Meredith Marian George Meredith Praise of My Lady William Morris Madonna Mia Algernon Charles Swinburne "Meet we no Angels, Pansie" Thomas Ashe To Daphne Walter Besant "Girl of the Red Mouth" Martin MacDermott The Daughter of Mendoza Mirabeau Bonaparte Lamar "If She be made of White and Red" Herbert P. Horne The Lover's Song Edward Rowland Sill "When First I Saw Her" George Edward Woodberry My April Lady Henry Van Dyke The Milkmaid Austin Dobson Song, "This peach is pink with such a pink" Norman Gale In February Henry Simpson "Love, I Marvel What You Are" Trumbull Stickney Ballade of My Lady's Beauty Joyce Kilmer Ursula Robert Underwood Johnson Villanelle of His Lady's Treasures Ernest Dowson Song, "Love, by that loosened hair" Bliss Carman Song, "O, like a queen's her happy tread" William Watson Any Lover, Any Lass Richard Middleton Songs Ascending Witter Bynner
Song, "'Oh! Love,' they
said, 'is King of Kings'" Rupert Brooke
Song, "How do I love you" Irene Rutherford McLeod
To . . . . In Church Alan Seeger After Two Years Richard Aldington Praise Seumas O'Sullivan
PLAINTS AND PROTESTATIONS
"Forget not Yet" Thomas Wyatt Fawnia Robert Greene The Passionate Shepherd to His Love Christopher Marlowe The Nymph's Reply to the Passionate Shepherd Walter Raleigh "Wrong not, Sweet Empress of My Heart" Walter Raleigh To His Coy Love Michael Drayton Her Sacred Bower Thomas Campion To Lesbia Thomas Campion "Love me or Not" Thomas Campion "There is None, O None but You" Thomas Campion Of Corinna's Singing Thomas Campion "Were my Heart as some Men's are" Thomas Campion "Kind are her Answers" Thomas Campion To Celia Ben Jonson Song, "O, do not wanton with those eyes" Ben Jonson Song, "Go and catch a falling star" John Donne The Message John Donne Song, "Ladies, though to your conquering eyes" George Etherege To a Lady Asking Him how Long He would Love Her" George Etherege To Aenone Robert Herrick To Anthea, who may Command him Anything Robert Herrick The Bracelet: To Julia Robert Herrick To the Western Wind Robert Herrick To my Inconstant Mistress Thomas Carew Persuasions to Enjoy Thomas Carew Mediocrity in Love Rejected Thomas Carew The Message Thomas Heywood "How Can the Heart forget Her" Francis Davison To Roses in the Bosom of Castara William Habington To Flavia Edmund Waller "Love not Me for Comely Grace" Unknown "When, Dearest, I but Think of Thee" Suckling or Felltham A Doubt of Martyrdom John Suckling To Chloe William Cartwright I'll Never Love Thee More James Graham To Althea, from Prison Richard Lovelace Why I Love Her Alexander Brome To his Coy Mistress Andrew Marvell A Deposition from Beauty Thomas Stanley "Love in thy Youth, Fair Maid" Unknown To Celia Charles Cotton To Celia Charles Sedley A Song, "My dear mistress Has a Heart" John Wilmot Love and Life John Wilmot Constancy John Wilmot Song, "Too late, alas, I must Confess" John Wilmot Song, "Come, Celia, let's agree at last" John Sheffield The Enchantment Thomas Otway Song, "Only tell her that I love" John Cutts "False though She be" William Congreve To Silvia Anne Finch "Why, Lovely Charmer" Unknown Against Indifference Charles Webbe A Song to Amoret Henry Vaughan
The Lass of Richmond Hill James Upton Song, "Let my voice ring out
and over the earth" James Thomson Gifts James Thomson Amynta Gilbert Elliot "O Nancy! wilt Thou go with Me" Thomas Percy Cavalier's Song Robert Cunninghame-Graham "My Heart is a Lute" Anne Barnard Song, "Had I a heart for falsehood framed" Richard Brinsley Sheridan Meeting George Crabbe "O Were my Love you Lilac Fair" Robert Burns "Bonnie Wee Thing" Robert Burns Rose Aylmer Walter Savage Landor
"Take back the Virgin Page" Thomas Moore "Believe me, if all Those
Endearing Young Charms" Thomas Moore The Nun Leigh Hunt Only of Thee and Me Louis Untermeyer To - Percy Bysshe Shelley From the Arabic Percy Bysshe Shelley
The Wandering Knight's Song John Gibson Lockhart Song, "Love's on the
highroad" Dana Burnett The Secret Love A. E. The Flower of Beauty George Darley My Share of the World Alice Furlong Song, "A lake and a fairy boat" Thomas Hood
"Smile and Never Heed Me" Charles Swain Are They not all Ministering
Spirits Robert Stephen Hawker Maiden Eyes Gerald Griffin Hallowed Places Alice Freeman Palmer The Lady's "Yes" Elizabeth Barrett Browning Song, "It is the miller's daughter" Alfred Tennyson Lilian Alfred Tennyson Bugle Song, from "The Princess" Alfred Tennyson Ronsard to His Mistress William Makepeace Thackeray "When You are Old" William Butler Yeats Song, "You'll love me yet, and I can tarry" Robert Browning Love in a Life Robert Browning Life in a Love Robert Browning The Welcome Thomas Osborne Davis Urania Matthew Arnold Three Shadows Dante Gabriel Rossetti Since we Parted Edward Robert Bulwer Lytton A Match Algernon Charles Swinburne A Ballad of Life Algernon Charles Swinburne A Leave-Taking Algernon Charles Swinburne A Lyric Algernon Charles Swinburne Maureen John Todhunter A Love Symphony Arthur O'Shaughnessy Love on the Mountain Thomas Boyd Kate Temple's Song Mortimer Collins My Queen Unknown "Darling, Tell me Yes" John Godfrey Saxe "Do I Love Thee" John Godfrey Saxe "O World, be Nobler" Laurence Binyon "In the Dark, in the Dew" Mary Newmarch Prescott Nanny Francis Davis A Trifle Henry Timrod Romance Robert Louis Stevenson "Or Ever the Knightly Years were Gone" William Ernest Henley Rus in Urbe Clement Scott My Road Oliver Opdyke A White Rose John Boyle O'Reilly "Some Day of Days" Nora Perry The Telephone Robert Frost Where Love is Amelia Josephine Burr That Day You Came Lizette Woodworth Reese Amantium Irae Ernest Dowson In a Rose Garden John Bennett "God Bless You, Dear, To-day" John Bennett To-day Benjamin R. C. Low To Arcady Charles Buxton Going Wild Wishes Ethel M. Hewitt "Because of You" Sophia Almon Hensley Then Rose Terry Cooke The Missive Edmund Gosse Plymouth Harbor Mrs. Ernest Radford The Serf's Secret William Vaughn Moody "O, Inexpressible as Sweet" George Edward Woodberry The Cyclamen Arlo Bates The West-Country Lover Alice Brown "Be Ye in Love with April-Tide" Clinton Scollard Unity Alfred Noyes The Queen William Winter A Lover's Envy Henry Van Dyke Star Song Robert Underwood Johnson "My Heart Shall be Thy Garden" Alice Meynell At Night Alice Meynell Song, "Song is so old" Hermann Hagedorn "All Last Night" Lascelles Abercrombie The Last Word Frederic Lawrence Knowles "Heart of my Heart" Unknown My Laddie Amelie Rives The Shaded Pool Norman Gale Good-Night S. Weir Mitchell The Mystic Witter Bynner "I Am the Wind" Zoe Akins "I Love my Life, But not Too Well" Harriet Monroe
"This is my Love for You" Grace Fallow Norton
MY LADY'S LIPS
Lips and Eyes Thomas Middleton The Kiss Ben Jonson "Take, O Take Those Lips Away" John Fletcher A Stolen Kiss George Wither Song, "My Love bound me with a kiss" Unknown To Electra Robert Herrick "Come, Chloe, and Give Me Sweet Kisses" Charles Hanbury Williams A Riddle William Cowper To a Kiss John Wolcot Song, "Often I have heard it said" Walter Savage Landor The First Kiss of Love George Gordon Byron "Jenny Kissed Me" Leigh Hunt "I Fear Thy Kisses, Gentle Maiden" Percy Bysshe Shelley Love's Philosophy Percy Bysshe Shelley Song, "The moth's kiss, first" Robert Browning Summum Bonum Robert Browning The First Kiss Theodore Watts-Dunton To My Love John Godfrey Saxe To Lesbia John Godfrey Saxe Make Believe Alice Cary Kissing's No Sin Unknown To Anne William Maxwell Song, "There is many a love in the land, my love" Joaquin Miller Phyllis and Corydon Arthur Colton
AT HER WINDOW
"Hark, Hark, the Lark" William Shakespeare "Sleep, Angry Beauty" Thomas Campion Matin Song Nathaniel Field The Night-Piece: To Julia Robert Herrick Morning William D'Avenant Matin Song Thomas Heywood The Rose Richard Lovelace Song, "See, see, she wakes! Sabina wakes" William Congreve Mary Morison Robert Burns Wake, Lady Joanna Baillie The Sleeping Beauty Samuel Rogers "The Young May Moon" Thomas Moore "Row Gently Here" Thomas Moore Morning Serenade Madison Cawein Serenade Aubrey Thomas De Vere Lines to an Indian Air Percy Bysshe Shelley Good-Night Percy Bysshe Shelley Serenade George Darley Serenade Thomas Hood Serenade Edward Coote Pinkney Serenade Henry Timrod Serenade Henry Wadsworth Longfellow "Come into the Garden, Maud" Alfred Tennyson At Her Window Frederick Locker-Lampson Bedouin Song Bayard Taylor Night and Love Edward George Earle Bulwer-Lytton Nocturne Thomas Bailey Aldrich Palabras Carinosas Thomas Bailey Aldrich Serenade Oscar Wilde The Little Red Lark Alfred Perceval Graves Serenade Richard Middleton
THE COMEDY OF LOVE
A Lover's Lullaby George Gascoigne Phillida and Corydon Nicholas Breton "Crabbed Age and Youth" William Shakespeare "It Was a Lover and His Lass" William Shakespeare "I Loved a Lass" George Wither To Chloris Charles Sedley Song, "The merchant, to secure his Treasure" Matthew Prior Pious Selinda William Congreve Fair Hebe John West A Maiden's Ideal of a Husband Henry Carey "Phillada Flouts Me" Unknown "When Molly Smiles" Unknown Contentions Unknown "I Asked My Fair, One Happy Day" Samuel Taylor Coleridge The Exchange Samuel Taylor Coleridge "Comin' Through the Rye" Robert Burns "Green Grow the Rashes, O" Robert Burns Defiance Walter Savage Landor Of Clementina Walter Savage Landor "The Time I've Lost in Wooing" Thomas Moore Dear Fanny Thomas Moore A Certain Young Lady Washington Irving "Where Be You Going, You Devon Maid" John Keats Love in a Cottage Nathaniel Parker Willis Song of the Milkmaid from "Queen Mary" Alfred Tennyson "Wouldn't You Like to Know" John Godfrey Saxe "Sing Heigh-ho" Charles Kingsley The Golden Fish George Arnold The Courtin' James Russell Lowell L'Eau Dormante Thomas Bailey Aldrich A Primrose Dame Gleeson White If James Jeffrey Roche Don't James Jeffrey Roche An Irish Love-Song Robert Underwood Johnson Growing Old Walter Learned Time's Revenge Walter Learned In Explanation Walter Learned Omnia Vincit Alfred Cochrane A Pastoral Norman Gale A Rose Arlo Bates
"Wooed and Married and A'" Alexander Ross
"Owre the Moor Amang the
Heather" Jean Glover
Marriage and the Care O't Robert Lochore
The Women Folk James Hogg
"Love is Like a Dizziness" James Hogg
"Behave Yoursel' before
Folk" Alexander Rodger
Rory O'More; or, Good Omens Samuel Lover
Ask and Have Samuel Lover Kitty of Coleraine Charles Dawson Shanly The Plaidie Charles Sibley Kitty Neil John Francis Waller "The Dule's i' this Bonnet o' Mine" Edwin Waugh The Ould Plaid Shawl Francis A. Fahy Little Mary Cassidy Francis A. Fahy The Road Patrick R. Chalmers Twickenham Ferry Theophile Marzials
THE HUMOR OF LOVE
Song, "I prithee send me
back my Heart" John Suckling A Ballad Upon a Wedding John Suckling To Chloe Jealous Matthew Prior Jack and Joan Thomas Campion Phillis and Corydon Richard Greene Sally in Our Alley Henry Carey The Country Wedding Unknown "O Merry may the Maid be" John Clerk The Lass o' Gowrie Carolina Nairne The Constant Swain and Virtuous Maid Unknown When the Kye Comes Hame James Hogg The Low-Backed Car Samuel Lover The Pretty Girl of Loch Dan Samuel Ferguson Muckle-Mouth Meg Robert Browning Muckle-Mou'd Meg James Ballantine Glenlogie Unknown Lochinvar Walter Scott Jock of Hazeldean Walter Scott Candor Henry Cuyler Bunner "Do you Remember" Thomas Haynes Bayly Because Edward Fitzgerald Love and Age Thomas Love Peacock To Helen Winthrop Mackworth Praed At the Church Gate William Makepeace Thackeray Mabel, in New Hampshire James Thomas Fields Toujours Amour Edmund Clarence Stedman The Doorstep Edmund Clarence Stedman The White Flag John Hay A Song of the Four Seasons Austin Dobson The Love-Knot Nora Perry Riding Down Nora Perry "Forgettin'" Moira O'Neill "Across the Fields to Anne" Richard Burton Pamela in Town Ellen Mackay Hutchinson Cortissoz Yes? Henry Cuyler Bunner The Prime of Life Walter Learned
Thoughts on the Commandments George Augustus Baker
THE IRONY OF LOVE
"Sigh no More, Ladies" William Shakespeare A Renunciation Edward Vere A Song, "Ye happy swains, whose hearts are free" George Etherege To His Forsaken Mistress Robert Ayton To an Inconstant Robert Ayton Advice to a Girl Thomas Campion Song, "Follow a shadow, it still flies you" Ben Jonson True Beauty Francis Beaumont The Indifferent Francis Beaumont The Lover's Resolution George Wither His Further Resolution Unknown Song, "Shall I tell you whom I love" William Browne To Dianeme Robert Herrick Ingrateful Beauty Threatened Thomas Carew Disdain Returned Thomas Carew "Love Who Will, for I'll Love None" William Browne Valerius on Women Thomas Heywood Dispraise of Love, and Lovers' Follies Francis Davison The Constant Lover John Suckling Song, "Why so pale and wan, fond Lover" John Suckling Wishes to His Supposed Mistress Richard Crashaw Song, "Love in fantastic Triumph sate" Aphra Behn Les Amours Charles Cotton Rivals William Walsh I Lately Vowed, but 'Twas in Haste John Oldmixon The Touchstone Samuel Bishop Air, "I ne'er could any luster see" Richard Brinsley Sheridan "I Took a Hansom on Today" William Ernest Henley Da Capo Henry Cuyler Bunner Song Against Women Willard Huntington Wright Song of Thyrsis Philip Freneau The Test Walter Savage Landor "The Fault is not Mine" Walter Savage Landor The Snake Thomas Moore "When I Loved You" Thomas Moore A Temple to Friendship Thomas Moore The Glove and the Lions Leigh Hunt To Woman George Gordon Byron Love's Spite Aubrey Thomas de Vere Lady Clara Vere de Vere Alfred Tennyson Shadows Richard Monckton Milnes Sorrows of Werther William Makepeace Thackeray The Age of Wisdom William Makepeace Thackeray Andrea del Sarto Robert Browning My Last Duchess Robert Browning Adam, Lilith, and Eve Robert Browning The Lost Mistress Robert Browning Friend and Lover Mary Ainge de Vere Lost Love Andrew Lang Vobiscum est Iope Thomas Campion Four Winds Sara Teasdale To Marion Wilfrid Scawen Blunt Crowned Amy Lowell Hebe James Russell Lowell "Justine, You Love me Not" John Godfrey Saxe Snowdrop William Wetmore Story When the Sultan Goes to Ispahan Thomas Bailey Aldrich The Shadow Dance Louise Chandler Moulton "Along the Field as we Came by" Alfred Edward Housman "When I was One-and-Twenty" Alfred Edward Housman "Grieve Not, Ladies" Anna Hempstead Branch Suburb Harold Monro The Betrothed Rudyard Kipling
LOVE'S SADNESS
"The Night has a Thousand
Eyes" Francis William Bourdillon "I Saw my Lady Weep" Unknown Love's Young Dream Thomas Moore "Not Ours the Vows" Bernard Barton The Grave of Love Thomas Love Peacock
"We'll go no More a Roving" George Gordon Byron
Song, "Sing the old song,
amid the sounds dispersing" Aubrey Thomas de Vere
The Question Percy Bysshe Shelley The Wanderer Austin Dobson Egyptian Serenade George William Curtis The Water Lady Thomas Hood "Tripping Down the Field-path" Charles Swain Love Not Caroline Elizabeth Sarah Norton "A Place in Thy Memory" Gerald Griffin Inclusions Elizabeth Barrett Browning Mariana Alfred Tennyson Ask Me no More Alfred Tennyson A Woman's Last Word Robert Browning The Last Ride Together Robert Browning Youth and Art Robert Browning Two in the Campagna Robert Browning One Way of Love Robert Browning "Never the Time and the Place" Robert Browning Song, "Oh! that we two were Maying" Charles Kingsley For He Had Great Possessions Richard Middleton Windle-straws Edward Dowden Jessie Thomas Edward Brown The Chess-board Edward Robert Bulwer Lytton Aux Italiens Edward Robert Bulwer Lytton Song, "I saw the day's white rapture" Charles Hanson Towne The Lonely Road Kenneth Rand Evensong Ridgely Torrence The Nymph's Song to Hylas William Morris No and Yes Thomas Ashe Love in Dreams John Addington Symonds "A Little While I fain would Linger Yet" Paul Hamilton Hayne Song, "I made another garden, yea" Arthur O'Shaughnessy Song, "Has summer come without the rose" Arthur O'Shaughnessy After Philip Bourke Marston After Summer Philip Bourke Marston Rococo Algernon Charles Swinburne Rondel Algernon Charles Swinburne The Oblation Algernon Charles Swinburne The Song of the Bower Dante Gabriel Rossetti Song, "We break the glass, whose sacred wine" Edward Coote Pinkney Maud Muller John Greenleaf Whittier La Grisette Oliver Wendell Holmes The Dark Man Nora Hopper Eurydice Francis William Bourdillon A Woman's Thought Richard Watson Gilder Laus Veneris Louise Chandler Moulton Adonais Will Wallace Harney Face to Face Frances Cochrane Ashore Laurence Hope Khristna and His Flute Laurence Hope Impenitentia Ultima Ernest Dowson Non Sum Quails Eram Bonae sub Regno Cynarae Ernest Dowson Quid non Speremus, Amantes? Ernest Dowson "So Sweet Love Seemed" Robert Bridges An Old Tune Andrew Lang Refuge William Winter Midsummer Ella Wheeler Wilcox Ashes of Roses Elaine Goodale Sympathy Althea Gyles The Look Sara Teasdale "When My Beloved Sleeping Lies" Irene Rutherford McLeod Love and Life Julie Mathilde Lippman Love's Prisoner Mariana Griswold Van Rensselaer Rosies Agnes I. Hanrahan At the Comedy Arthur Stringer "Sometime It may Be" Arthur Colton "I heard a Soldier" Herbert Trench The Last Memory Arthur Symonds "Down by the Salley Gardens" William Butler Yates Ashes of Life Edna St. Vincent Millay A Farewell Alice Brown
THE PARTED LOVERS
Song, "O mistress mine,
where are you roaming" William Shakespeare "Go, Lovely Rose" Edmund Waller To the Rose: A Song Robert Herrick Memory William Browne To Lucasta, Going to the Wars Richard Lovelace To Lucasta, Going beyond the Seas Richard Lovelace
Song to a Fair Young Lady,
Going out of the Town in
the Spring John Dryden
Song, "To all you ladies now
at land" Charles Sackville
Song, "In vain you tell your
parting lover" Matthew Prior Black-Eyed Susan John Gay Irish Molly O Unknown Song, "At setting day and rising morn" Allan Ramsay Lochaber no More Allan Ramsey Willie and Helen Hew Ainslie Absence Richard Jago "My Mother Bids me Bind my Hair" Anne Hunter "Blow High! Blow Low" Charles Dibdin The Siller Croun Susanna Blamire "My Nannie's Awa" Robert Burns "Ae Fond Kiss" Robert Burns "The Day Returns" Robert Burns My Bonnie Mary Robert Burns A Red, Red Rose Robert Burns I Love My Jean Robert Burns and John Hamilton The Rover's Adieu, from "Rokeby" Walter Scott "Loudoun's Bonnie Woods and Braes" Robert Tannahill "Fare Thee Well" George Gordon Byron "Maid of Athens, Ere We Part" George Gordon Byron "When We Two Parted" George Gordon Byron "Go, Forget Me" Charles Wolfe Last Night George Darley Adieu Thomas Carlyle Jeanie Morrison William Motherwell The Sea-lands Orrick Johns Fair Ines Thomas Hood A Valediction Elizabeth Barrett Browning Farewell John Addington Symonds "I Do Not Love Thee" Caroline Elizabeth Sarah Norton
The Palm-tree and the Pine Richard Monckton Milnes "O Swallow, Swallow Flying
South" Alfred Tennyson The Flower's Name Robert Browning To Marguerite Matthew Arnold Separation Matthew Arnold Longing Matthew Arnold Divided Jean Ingelow My Playmate John Greenleaf Whittier A Farewell Coventry Patmore Departure Coventry Patmore A song of Parting H. C. Compton Mackenzie Song, "Fair is the night, and fair the day" William Morris At Parting Algernon Charles Swinburne "If She But Knew" Arthur O'Shaughnessy Kathleen Mavourneen Louisa Macartney Crawford Robin Adair Caroline Keppel "If You Were Here" Philip Bourke Marston "Come to Me, Dearest" Joseph Brenan Song, "'Tis said that absence Conquers love" Frederick William Thomas Parting Gerald Massey The Parting Hour Olive Custance A Song of Autumn Rennell Rodd The Girl I Left Behind Me Unknown "When We are Parted" Hamilton Aide Remember or Forget Hamilton Aide Nancy Dawson Herbert P. Horne My Little Love Charles B. Hawley For Ever William Caldwell Roscoe Auf Wiedersehen James Russell Lowell "Forever and a Day" Thomas Bailey Aldrich Old Gardens Arthur Upson Ferry Hinksey Laurence Binyon Wearyin' fer You Frank L. Stanton The Lovers of Marchaid Marjorie L. C. Pickthall Song, "She's somewhere in the sunlight strong" Richard Le Gallienne The Lover Thinks of His Lady in the North Shaemas O Sheel Chanson de Rosemonde Richard Hovey Ad Domnulam Suam Ernest Dawson Marian Drury Bliss Carman Love's Rosary Alfred Noyes When She Comes Home James Whitcomb Riley
THE TRAGEDY OF LOVE
Song, "My silks and fine
array" William Blake The Flight of Love Percy Bysshe Shelley "Farewell! If ever Fondest Prayer" George Gordon Byron Porphyria's Lover Robert Browning Modern Beauty Arthur Symons La Belle Dame Sans Merci John Keats Tantalus--Texas Joaquin Miller Enchainment Arthur O'Shaughnessy Auld Robin Gray Anne Barnard Lost Light Elizabeth Akers A Sigh Harriet Prescott Spofford Hereafter Harriet Prescott Spofford Endymion Oscar Wilde "Love is a Terrible Thing" Grace Fallow Norton The Ballad of the Angel Theodosia Garrison "Love Came Back at Fall o' Dew" Lizette Woodworth Reese I Shall not Care Sara Teasdale Outgrown Julia C. R. Dorr A Tragedy Edith Nesbit Left Behind Elizabeth Akers The Forsaken Merman Matthew Arnold The Portrait Edward Robert Bulwer Lytton The Rose and Thorn Paul Hamilton Hayne To Her--Unspoken Amelia Josephine Burr A Light Woman Robert Browning From the Turkish George Gordon Byron A Summer Wooing Louise Chandler Moulton Butterflies John Davidson Unseen Spirits Nathaniel Parker Willis "Grandmither, Think Not I Forget" Willa Sibert Cather Little Wild Baby Margaret Thomson Janvier A Cradle Song Nicholas Breton Lady Anne Bothwell's Lament Unknown A Woman's Love John Hay A Tragedy Theophile Marzials "Mother, I Cannot Mind My Wheel" Walter Savage Landor Airly Beacon Charles Kingsley A Sea Child Bliss Carman From the Harbor Hill Gustav Kobbe Allan Water Matthew Gregory Lewis Forsaken Unknown Bonnie Doon Robert Burns The Two Lovers Richard Hovey The Vampire Rudyard Kipling Agatha Alfred Austin "A Rose Will Fade" Dora Sigerson Shorter Affaire d'Amour Margaret Deland A Casual Song Roden Noel The Way of It John Vance Cheney "When Lovely Woman Stoops to Folly" Oliver Goldsmith Folk-Song Louis Untermeyer A Very Old Song William Laird "She Was Young and Blithe and Fair" Harold Monro The Lass that Died of Love Richard Middleton The Passion-Flower Margaret Fuller Norah Zoe Akins Of Joan's Youth Louise Imogen Guiney There's Wisdom in Women Rupert Brooke Goethe and Frederika Henry Sidgwick The Song of the King's Minstrel Richard Middleton Annie Shore and Johnnie Doon Patrick Orr Emmy Arthur Symons
The Ballad of Camden Town James Elroy Flecker
LOVE AND DEATH
Helen of Kirconnell Unknown Willy Drowned in Yarrow Unknown Annan Water Unknown The Lament of the Border Widow Unknown Aspatia's Song from "The Maid's Tragedy" John Fletcher A Ballad, "'Twas when the seas were roaring" John Gay The Braes of Yarrow John Logan
The Churchyard on the Sands Lord de Tabley The Minstrel's Song
from "Aella" Thomas Chatterton Highland Mary Robert Burns To Mary in Heaven Robert Burns Lucy William Wordsworth Proud Maisie Walter Scott Song, "Earl March looked on His dying child" Thomas Campbell The Maid's Lament Walter Savage Landor
"She is Far from the Land" Thomas Moore "At the Mid Hour of Night" Thomas Moore
On a Picture by Poussin John Addington Symonds Threnody Ruth Guthrie Harding Strong as Death Henry Cuyler Banner "I Shall not Cry Return" Ellen M. H. Gates "Oh! Snatched away in Beauty's Bloom" George Gordon Byron To Mary Charles Wolfe My Heart and I Elizabeth Barrett Browning Rosalind's Scroll Elizabeth Barrett Browning
Lament of the Irish Emigrant Helen Selina Sheridan The King of Denmark's Ride Caroline E. S. Norton
The Watcher James Stephens The Three Sisters Arthur Davison Ficke Ballad May Kendall "O that 'Twere Possible" Alfred Tennyson "Home They Brought Her Warrior Dead" Alfred Tennyson Evelyn Hope Robert Browning Remembrance Emily Bronte Song,"The linnet in the rocky dells" Emily Bronte Song of the Old Love Jean Ingelow Requiescat Matthew Arnold Too Late Dinah Maria Mulock Craik Four Years Dinah Maria Mulock Craik Barbara Alexander Smith Song, "When I am dead, my dearest" Christina Georgina Rossetti Sarrazine's Song to Her Dead Lover Arthur O'Shaughnessy Love and Death Rosa Mulholland To One in Paradise Edgar Allan Poe Annabel Lee Edgar Allan Poe For Annie Edgar Allan Poe Telling the Bees John Greenleaf Whittier A Tryst Louise Chandler Moulton Love's Resurrection Day Louise Chandler Moulton Heaven Martha Gilbert Dickinson Janette's Hair Charles Graham Halpine The Dying Lover Richard Henry Stoddard "When the Grass Shall Cover Me" Ina Coolbrith Give Love Today Ethel Talbot Until Death Elizabeth Akers Florence Vane Phillip Pendleton Cooke "If Spirits Walk" Sophie Jewett Requiescat Oscar Wilde
Lyric, "You would have
understood me, had you
waited" Ernest Dowson Romance Andrew Lang Good-Night Hester A. Benedict Requiescat Rosamund Marriott Watson The Four Winds Charles Henry Luders The King's Ballad Joyce Kilmer Heliotrope Harry Thurston Peck "Lydia is Gone this Many a Year" Lizette Woodworth Reese After Lizette Woodworth Reese Memories Arthur Stringer To Diane Helen Hay Whitney "Music I Heard" Conrad Aiken Her Dwelling-place Ada Foster Murray The Wife from Fairyland Richard Le Gallienne In the Fall o' Year Thomas S. Jones, Jr The Invisible Bride Edwin Markham Rain on a Grave Thomas Hardy Patterns Amy Lowell Dust Rupert Brooke Ballad, "The roses in my garden" Maurice Baring "The Little Rose is Dust, My Dear" Grace Hazard Conkling Dirge Adelaide Crapsey The Little Red Ribbon James Whitcomb Riley The Rosary Robert Cameron Rogers
LOVE'S FULFILLMENT
"My True-love Hath My Heart" Philip Sidney
Song, "O sweet delight" Thomas Campion The Good-Morrow John Donne "There's Gowd in the Breast" James Hogg The Beggar Maid Alfred Tennyson Refuge A.E. At Sunset Louis V. Ledoux "One Morning Oh! so Early" Jean Ingelow Across the Door Padraic Colum May Margaret Theophile Marzials Rondel, "Kissing her hair, I sat against her feet" Algernon Charles Swinburne A Spring Journey Alice Freeman Palmer The Brookside Richard Monckton Milnes Song, "For me the jasmine buds unfold" Florence Earle Coates What My Lover Said Homer Greene May-Music Rachel Annand Taylor Song, "Flame at the core of the World" Arthur Upson A Memory Frederic Lawrence Knowles Love Triumphant Frederic Lawrence Knowles Lines, "Love within the lover's breast" George Meredith Love among the Ruins Robert Browning Earl Mertoun's Song Robert Browning Meeting at Night Robert Browning Parting at Morning Robert Browning The Turn of the Road Alice Rollit Coe "My Delight and Thy Delight" Robert Bridges "O, Saw Ye the Lass" Richard Ryan Love at Sea Algernon Charles Swinburne Mary Beaton's Song Algernon Charles Swinburne Plighted Dinah Maria Mulock Craik A Woman's Question Adelaide Anne Procter "Dinna Ask Me" John Dunlop A Song, "Sing me a sweet, low song of night" Hildegarde Hawthorne The Reason James Oppenheim "My Own Cailin Donn" George Sigerson Nocturne Amelia Josephine Burr Surrender Amelia Josephine Burr "By Yon Burn Side" Robert Tannahill A Pastoral, "Flower of the medlar" Theophile Marzials "When Death to Either shall Come" Robert Bridges The Reconciliation Alfred Tennyson Song, "Wait but a little while" Norman Gale Content Norman Gale Che Sara Sara Victor Plarr "Bid Adieu to Girlish Days" James Joyce To F.C. Mortimer Collins Spring Passion Joel Elias Spingarn Advice to a Lover S. Charles Jellicoe "Yes" Richard Doddridge Blackmore Love Samuel Taylor Coleridge Nested Habberton Lulham The Letters Alfred Tennyson Prothalamion Edmund Spenser Epithalamion Edmund Spenser The Kiss Sara Teasdale Marriage Wilfrid Wilson Gibson The Newly-wedded Winthrop Mackworth Praed I Saw Two Clouds at Morning John Gardiner Calkins Brainard Holy Matrimony John Keble The Bride Laurence Hope A Marriage Charm Nora Hopper "Like a Laverock in the Lift" Jean Ingelow My Owen Ellen Mary Patrick Downing Doris: A Pastoral Arthur Joseph Munby "He'd Nothing but His Violin" Mary Kyle Dallas Love's Calendar William Bell Scott Home Dora Greenwell Two Lovers George Eliot The Land of Heart's Desire Emily Huntington Miller My Ain Wife Alexander Laing The Irish Wife Thomas D'Arcy McGee My Wife's a Winsome Wee Thing Robert Burns Lettice Dinah Maria Mulock Craik "If Thou Wert by My Side, My Love" Reginald Heber
The Shepherd's Wife's Song Robert Greene "Truth doth Truth Deserve" Philip Sidney
The Married Lover Coventry Patmore My Love James Russell Lowell Margaret to Dolcino Charles Kingsley Dolcino to Margaret Charles Kingsley At Last Richard Henry Stoddard The Wife to Her Husband Unknown A Wife's Song William Cox Bennett The Sailor's Wife William Julius Mickle Jerry an' Me Hiram Rich "Don't be Sorrowful, Darling" Rembrandt Peale Winifreda Unknown An Old Man's Idyl Richard Realf The Poet's Song to his Wife Bryan Waller Procter John Anderson Robert Burns To Mary Samuel Bishop The Golden Wedding David Gray Moggy and Me James Hogg "O, Lay Thy Hand in Mine, Dear" Gerald Massey The Exequy Henry King
LOVE SONNETS
Sonnets from "Amoretti" Edmund Spenser Sonnets from "Astrophel and
Stella" Philip Sidney Sonnets from "To Delia" Samuel Daniel Sonnets from "Idea" Michael Drayton Sonnets from "Diana" Henry Constable Sonnets William Shakespeare
"Alexis, Here She Stayed" William Drummond "Were I as Base as is the
Lowly Plain" Joshua Sylvester A Sonnet of the Moon Charles Best To Mary Unwin William Cowper "Why art Thou Silent" William Wordsworth Sonnets from "The House of Life" Dante Gabriel Rossetti Sonnets Christina Georgina Rossetti How My Songs of Her Began Philip Bourke Marston At the Last Philip Bourke Marston To One who Would Make a Confession Wilfrid Scawen Blunt The Pleasures of Love Wilfrid Scawen Blunt "Were but my Spirit Loosed upon the Air" Louise Chandler Moulton Renouncement Alice Meynell "My Love for Thee" Richard Watson Gilder
Sonnets after the Italian Richard Watson Gilder Stanzas from "Modern Love" George Meredith
Love in the Winds Richard Hovey "Oh, Death Will Find Me" Rupert Brooke The Busy Heart Rupert Brooke The Hill Rupert Brooke Sonnets from "Sonnets to Miranda" William Watson Sonnets from "Thysia" Morton Luce Sonnets from "Sonnets from the Portuguese" Elizabeth Barrett Browning One Word More Robert Browning
PART III
POEMS OF NATURE
"The World is too Much With
Us" William Wordsworth
MOTHER NATURE
The Book of the World William Drummond Nature Jones Very Compensation Celia Thaxter The Last Hour Ethel Clifford Nature Henry David Thoreau Song of Nature Ralph Waldo Emerson "Great Nature is an Army Gay" Richard Watson Gilder To Mother Nature Frederic Lawrence Knowles Quiet Work Matthew Arnold Nature Henry Wadsworth Longfellow "As an Old Mercer" Mahlon Leonard Fisher Good Company Karle Wilson Baker
"Here is the Place where
Loveliness Keeps House" Madison Cawein
God's World Edna St. Vincent Millay Wild Honey Maurice Thompson Patmos Edith M. Thomas
DAWN AND DARK
Song, "Phoebus, arise" William Drummond Hymn of Apollo Percy Bysshe Shelley Prelude to "The New Day" Richard Watson Gilder Dawn on the Headland William Watson The Miracle of the Dawn Madison Cawein Dawn-angels A. Mary F. Robinson Music of the Dawn Virginia Bioren Harrison Sunrise on Mansfield Mountain Alice Brown Ode to Evening William Collins "It is a Beauteous Evening Calm and Free" William Wordsworth Gloaming Robert Adger Bowen Evening Melody Aubrey de Vere In the Cool of the Evening Alfred Noyes Twilight Olive Custance Twilight at Sea Amelia C. Welby "This is My Hour" Zoe Akins Song to the Evening Star Thomas Campbell The Evening Cloud John Wilson Song: To Cynthia Ben Jonson My Star Robert Browning Night William Blake To Night Percy Bysshe Shelly To Night Joseph Blanco White Night John Addington Symonds Night James Montgomery He Made the Night Lloyd Mifflin Hymn to the Night Henry Wadsworth Longfellow Night's Mardi Gras Edward J. Wheeler Dawn and Dark Norman Gale Dawn George B. Logan, Jr A Wood Song Ralph Hodgson
THE CHANGING YEAR
A Song for the Seasons Bryan Waller Procter A Song of the Seasons Cosmo Monkhouse Turn o' the Year Katherine Tynan The Waking Year Emily Dickinson Song, "The year's at the spring" Robert Browning Early Spring Alfred Tennyson Lines Written in Early Spring William Wordsworth In Early Spring Alice Meynell Spring Thomas Nashe
A Starling's Spring Rondel James Cousins
"When Daffodils begin to
Peer" William Shakespeare
Spring, from "In Memoriam" Alfred Tennyson
The Spring Returns Charles Leonard Moore
"When the Hounds of Spring" Algernon Charles Swinburne
Song, "Again rejoicing
Nature sees" Robert Burns To Spring William Blake An Ode on the Spring Thomas Gray Spring Henry Timrod The Meadows in Spring Edward Fitzgerald The Spring William Barnes "When Spring Comes Back to England" Alfred Noyes New Life Amelia Josephine Burr "Over the Wintry Threshold" Bliss Carman March William Morris Song in March William Gilmore Simms March Nora Hopper Written in March William Wordsworth The Passing of March Robert Burns Wilson Home Thoughts, from Abroad Robert Browning Song, "April, April" William Watson An April Adoration Charles G. D. Roberts Sweet Wild April William Force Stead Spinning in April Josephine Preston Peabody Song: On May Morning John Milton A May Burden Francis Thompson Corinna's Going a-Maying Robert Herrick "Sister, Awake" Unknown May Edward Hovell-Thurlow May Henry Sylvester Cornwell A Spring Lilt Unknown Summer Longings Denis Florence MacCarthy Midsummer John Townsend Trowbridge A Midsummer Song Richard Watson Gilder June, from "The Vision of Sir Launfal" James Russell Lowell June Harrison Smith Morris Harvest Ellen Mackay Hutchinson Cortissoz Scythe Song Andrew Lang September George Arnold Indian Summer Emily Dickinson Prevision Ada Foster Murray A Song of Early Autumn Richard Watson Gilder To Autumn John Keats Ode to Autumn Thomas Hood Ode to the West Wind Percy Bysshe Shelley Autumn: a Dirge Percy Bysshe Shelley Autumn Emily Dickinson "When the Frost is on the Punkin" James Whitcomb Riley Kore Frederic Manning Old October Thomas Constable November C. L. Cleaveland November Mahlon Leonard Fisher Storm Fear Robert Frost Winter: a Dirge Robert Burns Old Winter Thomas Noel The Frost Hannah Flagg Gould The Frosted Pane Charles G. D. Roberts The Frost Spirit John Greenleaf Whittier Snow Elizabeth Akers To a Snowflake Francis Thompson The Snow-Shower William Cullen Bryant Midwinter John Townsend Trowbridge A Glee for Winter Alfred Domett The Death of the Old Year Alfred Tennyson Dirge for the Year Percy Bysshe Shelley
WOOD AND FIELD AND RUNNTNG BROOK
Waldeinsamkeit Ralph Waldo Emerson "When in the Woods I Wander
All Alone" Edward Hovell-Thurlow Aspects of the Pines Paul Hamilton Hayne Out in the Fields Unknown Under the Leaves Albert Laighton "On Wenlock Edge" Alfred Edward Housman "What Do We Plant" Henry Abbey The Tree Jones Very The Brave Old Oak Henry Fothergill Chorley "The Girt Woak Tree that's in the Dell" William Barnes To the Willow-tree Robert Herrick Enchantment Madison Cawein Trees Joyce Kilmer The Holly-tree Robert Southey The Pine Augusta Webster
"Woodman, Spare that Tree" George Pope Morris The Beech Tree's Petition Thomas Campbell The Poplar Field William Cowper The Planting of the
Apple-Tree William Cullen Bryant Of an Orchard Katherine Tynan An Orchard at Avignon A. Mary F. Robinson The Tide River Charles Kingsley The Brook's Song Alfred Tennyson Arethusa Percy Bysshe Shelley The Cataract of Lodore Robert Southey
Song of the Chattahoochee Sidney Lanier "Flow Gently, Sweet Afton" Robert Burns
Canadian Boat-Song Thomas Moore The Marshes of Glynn Sidney Lanier The Trosachs William Wordsworth Hymn before Sunrise in the Vale of Chamouni Samuel Taylor Coleridge The Peaks Stephen Crane Kinchinjunga Cale Young Rice The Hills Julian Grenfell Hemlock Mountain Sarah N. Cleghorn Sunrise on Rydal Water John Drinkwater The Deserted Pasture Bliss Carman To Meadows Robert Herrick The Cloud Percy Bysshe Shelley April Rain Robert Loveman Summer Invocation William Cox Bennett April Rain Mathilde Blind To the Rainbow Thomas Campbell
GREEN THINGS GROWING
My Garden Thomas Edward Brown The Garden Andrew Marvell A Garden Andrew Marvell A Garden Song Austin Dobson In Green Old Gardens Violet Fane A Benedictine Garden Alice Brown An Autumn Garden Bliss Carman Unguarded Ada Foster Murray The Deserted Garden Elizabeth Barrett Browning A Forsaken Garden Algernon Charles Swinburne Green Things Growing Dinah Maria Mulock Craik A Chanted Calendar Sydney Dobell Flowers Henry Wadsworth Longfellow Flowers Thomas Hood A Contemplation Upon Flowers Henry King Almond Blossom Edwin Arnold White Azaleas Harriet McEwen Kimball Buttercups Wilfrid Thorley The Broom Flower Mary Howitt The Small Celandine William Wordsworth To the Small Celandine William Wordsworth Four-leaf Clover Ella Higginson Sweet Clover Wallace Rice "I Wandered Lonely as a Cloud" William Wordsworth To Daffodils Robert Herrick To a Mountain Daisy Robert Burns A Field Flower James Montgomery To Daisies, Not to Shut so Soon Robert Herrick Daisies Bliss Carman To the Daisy William Wordsworth To Daisies Francis Thompson To the Dandelion James Russell Lowell Dandelion Annie Rankin Annan The Dandelions Helen Gray Cone To the Fringed Gentian William Cullen Bryant Goldenrod Elaine Goodale Eastman Lessons from the Gorse Elizabeth Barrett Browning The Voice of The Grass Sarah Roberts Boyle A Song the Grass Sings Charles G. Blanden The Wild Honeysuckle Philip Freneau The Ivy Green Charles Dickens Yellow Jessamine Constance Fenimore Woolson Knapweed Arthur Christopher Benson Moly Edith Matilda Thomas The Morning-Glory Florence Earle Coates The Mountain Heart's-Ease Bret Harte The Primrose Robert Herrick To Primroses filled with Morning Dew Robert Herrick To an Early Primrose Henry Kirke White The Rhodora Ralph Waldo Emerson The Rose William Browne Wild Roses Edgar Fawcett The Rose of May Mary Howitt A Rose Richard Fanshawe The Shamrock Maurice Francis Egan To Violets Robert Herrick The Violet William Wetmore Story To a Wood-Violet John Banister Tabb The Violet and the Rose Augusta Webster To a Wind-Flower Madison Cawein To Blossoms Robert Herrick "'Tis the Last Rose of Summer" Thomas Moore The Death of the Flowers William Cullen Bryant
GOD'S CREATURES
Once on a Time Margaret Benson To a Mouse Robert Burns The Grasshopper Abraham Cowley On the Grasshopper and Cricket John Keats To the Grasshopper and the Cricket Leigh Hunt The Cricket William Cowper To a Cricket William Cox Bennett To an Insect Oliver Wendell Holmes The Snail William Cowper The Housekeeper Charles Lamb The Humble-Bee Ralph Waldo Emerson To a Butterfly William Wordsworth Ode to a Butterfly Thomas Wentworth Higginson The Butterfly Alice Freeman Palmer Fireflies Edgar Fawcett The Blood Horse Bryan Waller Procter Birds Moira O'Neill Birds Richard Henry Stoddard Sea-Birds Elizabeth Akers The Little Beach Bird Richard Henry Dana The Blackbird Frederick Tennyson The Blackbird Alfred Edward Housman The Blackbird William Ernest Henley The Blackbird William Barnes Robert of Lincoln William Cullen Bryant The O'Lincon Family Wilson Flagg The Bobolink Thomas Hill My Catbird William Henry Venable The Herald Crane Hamlin Garland The Crow William Canton To the Cuckoo John Logan The Cuckoo Frederick Locker-Lampson To the Cuckoo William Wordsworth The Eagle Alfred Tennyson The Hawkbit Charles G. D. Roberts The Heron Edward Hovell-Thurlow The Jackdaw William Cowper The Green Linnet William Wordsworth To the Man-of-War-Bird Walt Whitman The Maryland Yellow-Throat Henry Van Dyke Lament of a Mocking-bird Frances Anne Kemble "O Nightingale! Thou Surely Art" William Wordsworth Philomel Richard Barnfield Philomela Matthew Arnold On a Nightingale in April William Sharp To the Nightingale William Drummond The Nightingale Mark Akenside To the Nightingale John Milton Philomela Philip Sidney Ode to a Nightingale John Keats Song, 'Tis sweet to hear the merry lark Hartley Coleridge Bird Song Laura E. Richards The Song the Oriole Sings William Dean Howells To an Oriole Edgar Fawcett Song: the Owl Alfred Tennyson "Sweet Suffolk Owl" Thomas Vautor The Pewee John Townsend Trowbridge Robin Redbreast George Washington Doane Robin Redbreast William Allingham The Sandpiper Celia Thaxter The Sea-Mew Elizabeth Barrett Browning To a Skylark William Wordsworth To a Skylark William Wordsworth The Skylark James Hogg The Skylark Frederick Tennyson To a Skylark Percy Bysshe Shelley The Stormy Petrel Bryan Waller Procter The First Swallow Charlotte Smith To a Swallow Building Under our Eaves Jane Welsh Carlyle Chimney Swallows Horatio Nelson Powers Itylus Algernon Charles Swinburne The Throstle Alfred Tennyson Overflow John Banister Tabb Joy-Month David Atwood Wasson My Thrush Mortimer Collins "Blow Softly, Thrush" Joseph Russell Taylor The Black Vulture George Sterling Wild Geese Frederick Peterson To a Waterfowl William Cullen Bryant The Wood-Dove's Note Emily Huntington Miller
THE SEA
Song for all Seas, all Ships Walt Whitman
Stanzas from "The Triumph
of Time" Algernon Charles Swinburne
The Sea from "Childe
Harold's Pilgrimage" George Gordon Byron On the Sea John Keats "With Ships the Sea was Sprinkled" William Wordsworth A Song of Desire Frederic Lawrence Knowles The Pines and the Sea Christopher Pearse Cranch Sea Fever John Masefield Hastings Mill C. Fox Smith "A Wet Sheet and a Flowing Sea" Allan Cunningham The Sea Bryan Waller Procter Sailor's Song from "Death's Jest Book" Thomas Lovell Beddoes "A Life on the Ocean Wave" Epes Sargent Tacking Ship off Shore Walter Mitchell In Our Boat Dinah Maria Mulock Craik Poor Jack Charles Dibdin "Rocked in the Cradle of the Deep" Emma Hart Willard Outward John G. Neihardt A Passer-by Robert Bridges Off Riviere du Loup Duncan Campbell Scott Christmas at Sea Robert Louis Stevenson The Port o' Heart's Desire John S. McGroarty On the Quay John Joy Bell The Forging of the Anchor Samuel Ferguson Drifting Thomas Buchanan Read "How's My Boy" Sydney Dobell The Long White Seam Jean Ingelow Storm Song Bayard Taylor The Mariner's Dream William Dimond The Inchcape Rock Robert Southey The Sea Richard Henry Stoddard The Sands of Dee Charles Kingsley The Three Fishers Charles Kingsley Ballad Harriet Prescott Spofford The Northern Star Unknown The Fisher's Widow Arthur Symons Caller Herrin' Carolina Nairne Hannah Binding Shoes Lucy Larcom The Sailor William Allingham The Burial of the Dane Henry Howard Brownell Tom Bowling Charles Dibdin Messmates Henry Newbolt The Last Buccaneer Charles Kingsley The Last Buccaneer Thomas Babington Macaulay The Leadman's Song Charles Dibdin Homeward Bound William Allingham
THE SIMPLE LIFE
The Lake Isle of Innisfree William Butler Yeats
A Wish Samuel Rogers Ode on Solitude Alexander Pope "Thrice Happy He" William Drummond "Under the Greenwood Tree" William Shakespeare Coridon's Song John Chalkhill The Old Squire Wilfrid Scawen Blunt Inscription in a Hermitage Thomas Warton The Retirement Charles Cotton The Country Faith Norman Gale Truly Great William H. Davies Early Morning at Bargis Hermann Hagedorn The Cup John Townsend Trowbridge A Strip of Blue Lucy Larcom An Ode to Master Anthony Stafford Thomas Randolph "The Midges Dance Aboon the Burn" Robert Tannahill The Plow Richard Hengist Horne The Useful Plow Unknown "To One Who has Been Long in City Pent" John Keats The Quiet Life William Byrd The Wish Abraham Cowley Expostulation and Reply William Wordsworth The Tables Turned William Wordsworth Simple Nature George John Romanes "I Fear no Power a Woman Wields" Ernest McGaffey A Runnable Stag John Davidson Hunting Song Richard Hovey "A-Hunting We Will Go" Henry Fielding The Angler's Invitation Thomas Tod Stoddart The Angler's Wish Izaak Walton The Angler John Chalkhill
WANDERLUST
To Jane: the Invitation Percy Bysshe Shelley "My Heart's in the
Highlands" Robert Burns "Afar in the Desert" Thomas Pringle Spring Song in the City Robert Buchanan In City Streets Ada Smith The Vagabond Robert Louis Stevenson In the Highlands Robert Louis Stevenson The Song my Paddle Sings E. Pauline Johnson The Gipsy Trail Rudyard Kipling Wanderlust Gerald Gould The Footpath Way Katherine Tynan A Maine Trail Gertrude Huntington McGiffert Afoot Charles G. D. Roberts From Romany to Rome Wallace Irwin The Toil of the Trail Hamlin Garland "Do You Fear the Wind?" Hamlin Garland The King's Highway John S. McGroarty The Forbidden Lure Fannie Stearns Davis The Wander-Lovers Richard Hovey The Sea-Gipsy Richard Hovey A Vagabond Song Bliss Carman Spring Song Bliss Carman The Mendicants Bliss Carman The Joys of the Road Bliss Carman The Song of the Forest Ranger Herbert Bashford A Drover Padraic Colum Ballad of Low-lie-down Madison Cawein The Good Inn Herman Knickerbocker Viele Night for Adventures Victor Starbuck Song, "Something calls and whispers" Georgiana Goddard King The Voortrekker Rudyard Kipling The Long Trail Rudyard Kipling
PART IV
FAMILIAR VERSE, AND POEMS HUMOROUS AND SATIRIC
Ballade of the Primitive Jest Andrew Lang
THE KINDLY MUSE
Time to be Wise Walter Savage Landor Under the Lindens Walter Savage Landor Advice Walter Savage Landor To Fanny Thomas Moore "I'd be a Butterfly" Thomas Haynes Bayly "I'm not a Single Man" Thomas Hood To ----- Winthrop Mackworth Praed The Vicar Winthrop Mackworth Praed
The Belle of the Ball-room Winthrop Mackworth Praed
The Fine Old English
Gentleman Unknown
A Ternerie of Littles, upon
a Pipkin of Jelly Sent to
a Lady Robert Herrick Chivalry at a Discount Edward Fitzgerald The Ballad of Bouillabaisse William Makepeace Thackeray To my Grandmother Frederick Locker-Lampson My Mistress's Boots Frederick Locker-Lampson A Garden Lyric Frederick Locker-Lampson Mrs. Smith Frederick Locker-Lampson The Skeleton in the Cupboard Frederick Locker-Lampson A Terrible Infant Frederick Locker-Lampson Companions Charles Stuart Calverley Dorothy Q Oliver Wendell Holmes My Aunt Oliver Wendell Holmes The Last Leaf Oliver Wendell Holmes Contentment Oliver Wendell Holmes The Boys Oliver Wendell Holmes The Jolly Old Pedagogue George Arnold On an Intaglio Head of Minerva Thomas Bailey Aldrich Thalia Thomas Bailey Aldrich Pan in Wall Street Edmund Clarence Stedman Upon Lesbia - Arguing Alfred Cochrane To Anthea, who May Command Him Anything Alfred Cochrane The Eight-Day Clock Alfred Cochrane A Portrait Joseph Ashby-Sterry "Old Books are Best" Beverly Chew Impression Edmund Gosse "With Strawberries" William Ernest Henley Ballade of Ladies' Names William Ernest Henley To a Pair of Egyptian Slippers Edwin Arnold Without and Within James Russell Lowell "She was a Beauty" Henry Cuyler Bunner Nell Gwynne's Looking-Glass Laman Blanchard Mimnermus in Church William Johnson-Cory Clay Edward Verrall Lucas Aucassin and Nicolete Francis William Bourdillon Aucassin and Nicolette Edmund Clarence Stedman On the Hurry of This Time Austin Dobson "Good-Night, Babette" Austin Dobson A Dialogue from Plato Austin Dobson The Ladies of St. James's Austin Dobson The Cure's Progress Austin Dobson A Gentleman of the Old School Austin Dobson On a Fan Austin Dobson "When I Saw You Last, Rose" Austin Dobson Urceus Exit Austin Dobson A Corsage Bouquet Charles Henry Luders Two Triolets Harrison Robertson The Ballad of Dead Ladies Dante Gabriel Rossetti Ballade of Dead Ladies Andrew Lang A Ballad of Dead Ladies Justin Huntly McCarthy If I Were King Justin Huntly McCarthy A Ballade of Suicide Gilbert Keith Chesterton Chiffons! William Samuel Johnson The Court Historian Walter Thornbury Miss Lou Walter de La Mare The Poet and the Wood-louse Helen Parry Eden Students Florence Wilkinson "One, Two, Three" Henry Cuyler Bunner The Chaperon Henry Cuyler Bunner "A Pitcher of Mignonette" Henry Cuyler Bunner Old King Cole Edwin Arlington Robinson The Master Mariner George Sterling A Rose to the Living Nixon Waterman A Kiss Austin Dobson Biftek aux Champignons Henry Augustin Beers Evolution Langdon Smith A Reasonable Affliction Matthew Prior A Moral in Sevres Mildred Howells On the Fly-leaf of a Book of Old Plays Walter Learned The Talented Man Winthrop Mackworth Praed A Letter of Advice Winthrop Mackworth Praed A Nice Correspondent Frederick Locker-Lampson Her Letter Bret Harte A Dead Letter Austin Dobson The Nymph Complaining for the Death of her Fawn Andrew Marvell
On the Death of a Favorite
Cat Drowned in a Tub of
Goldfishes Thomas Gray Verses on a Cat Charles Daubeny Epitaph on a Hare William Cowper
On the Death of Mrs.
Throckmorton's Bullfinch William Cowper
An Elegy on a Lap-Dog John Gay My Last Terrier John Halsham Geist's Grave Matthew Arnold "Hold" Patrick R. Chalmers
THE BARB OF SATIRE
The Vicar of Bray Unknown The Lost Leader Robert Browning Ichabod John Greenleaf Whittier What Mr. Robinson Thinks James Russell Lowell The Debate in the Sennit James Russell Lowell The Marquis of Carabas Robert Brough A Modest Wit Selleck Osborn Jolly Jack William Makepeace Thackeray The King of Brentford William Makepeace Thackeray Kaiser & Co A. Macgregor Rose Nongtongpaw Charles Dibdin The Lion and the Cub John Gay
The Hare with Many Friends John Gay
The Sycophantic Fox and the
Gullible Raven Guy Wetmore Carryl
The Friend of Humanity and
the Knife-Grinder George Canning
Villon's Straight Tip to all
Cross Coves William Ernest Henley Villon's Ballade Andrew Lang A Little Brother of the Rich Edward Sandford Martin The World's Way Thomas Bailey Aldrich For My Own Monument Matthew Prior
The Bishop Orders His Tomb
at Saint Praxed's Church Robert Browning
Up at a Villa - Down in the
City Robert Browning All Saints' Edmund Yates An Address to the Unco Guid Robert Burns The Deacon's Masterpiece Oliver Wendell Holmes Ballade of a Friar Andrew Lang The Chameleon James Merrick The Blind Men and the Elephant John Godfrey Saxe The Philosopher's Scales Jane Taylor The Maiden and the Lily John Fraser The Owl-Critic James Thomas Fields The Ballad of Imitation Austin Dobson The Conundrum of the Workshops Rudyard Kipling The V-a-s-e James Jeffrey Roche Hem and Haw Bliss Carmen Miniver Cheevy Edwin Arlington Robinson Then Ag'in Sam Walter Foss A Conservative Charlotte Perkins Stetson Gilman Similar Cases Charlotte Perkins Stetson Gilman Man and the Ascidian Andrew Lang The Calf-Path Sam Walter Foss Wedded Bliss Charlotte Perkins Stetson Gilman Paradise: A Hindoo Legend George Birdseye Ad Chloen, M. A. Mortimer Collins "As Like the Woman as You Can" William Ernest Henley "No Fault in Women" Robert Herrick "Are Women Fair" Francis Davison (?) A Strong Hand Aaron Hill Women's Longing John Fletcher Triolet Robert Bridges The Fair Circassian Richard Garnett The Female Phaeton Matthew Prior The Lure John Boyle O'Reilly
The Female of the Species Rudyard Kipling The Woman with the Serpent's
Tongue William Watson Suppose Anne Reeve Aldrich Too Candid by Half John Godfrey Saxe Fable Ralph Waldo Emerson Woman's Will Unknown Woman's Will John Godfrey Saxe Plays Walter Savage Landor Remedy Worse than the Disease Matthew Prior The Net of Law James Jeffrey Roche Cologne Samuel Taylor Coleridge Epitaph on Charles II John Wilmot Certain Maxims of Hafiz Rudyard Kipling A Baker's Duzzen uv Wise Sawz Edward Rowland Sill Epigram Samuel Taylor Coleridge Epigram Unknown Epigram Richard Garnett Epigram Richard Garnett Epigram Walter Savage Landor Epigram William Erskine Epigram Richard Brinsley Sheridan Epigram Alexander Pope Epigram Samuel Johnson Epigram John Gay Epigram Alexander Pope Epigram Samuel Taylor Coleridge Epigram Unknown Epigram Samuel Taylor Coleridge Epigram Unknown Epigram Matthew Prior Epigram George Macdonald Epigram Jonathan Swift Epigram Byron's epitaph for Pitt Epigram David Garrick Epigram John Harington Epigram John Byrom Epigram Richard Garnett Epigram Thomas Moore Epigram Unknown Epigram Samuel Taylor Coleridge Epigram John Dryden Epigram Thomas Hood Written on a Looking-glass Unknown An Epitaph George John Cayley On the Aristocracy of Harvard John Collins Bossidy On the Democracy of Yale Frederick Scheetz Jones A General Summary Rudyard Kipling
THE MIMICS
An Omar for Ladies Josephine Daskam Bacon "When Lovely Woman" Phoebe Cary Fragment in Imitation of Wordsworth Catherine M. Fanshaw Only Seven Henry Sambrooke Leigh Lucy Lake Newton Mackintosh Jane Smith Rudyard Kipling Father William Lewis Carroll The New Arrival George Washington Cable Disaster Charles Stuart Calverley 'Twas Ever Thus Henry Sambrooke Leigh A Grievance James Kenneth Stephen "Not a Sou Had he Got" Richard Harris Barham The Whiting and the Snail Lewis Carroll The Recognition William Sawyer The Higher Pantheism in a Nutshell Algernon Charles Swinburne The Willow-tree William Makepeace Thackeray Poets and Linnets Tom Hood, the Younger The Jam-pot Rudyard Kipling Ballad Charles Stuart Calverley The Poster-girl Carolyn Wells After Dilletante Concetti Henry Duff Traill If Mortimer Collins Nephilidia Algernon Charles Swinburne Commonplaces Rudyard Kipling The Promissory Note Bayard Taylor Mrs. Judge Jenkins Bret Harte The Modern Hiawatha George A. Strong How Often Ben King "If I should Die To-night" Ben King Sincere Flattery James Kenneth Stephen Culture in the Slums William Ernest Henley The Poets at Tea Barry Pain Wordsworth James Kenneth Stephen
PART I
POEMS OF YOUTH AND AGE
THE HUMAN SEASONS
Four Seasons fill the measure of the year; There are four seasons in the mind of man: He has his lusty Spring, when fancy clear Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honeyed cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto Heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness - to let fair things
Pass by unheeded as a threshold brook: -
He has his Winter too of pale misfeature, Or else he would forego his mortal nature.
John Keats [1795-1821]
THE BABY
"ONLY A BABY SMALL"
Only a baby small,
Dropped from the skies,
Only a laughing face,
Two sunny eyes;
Only two cherry lips,
One chubby nose;
Only two little hands,
Ten little toes.
Only a golden head,
Curly and soft;
Only a tongue that wags
Loudly and oft;
Only a little brain,
Empty of thought;
Only a little heart,
Troubled with naught.
Only a tender flower
Sent us to rear;
Only a life to love
While we are here;
Only a baby small,
Never at rest;
Small, but how dear to us,
God knoweth best.
Matthias Barr [1831-?]
ONLY
Something to live for came to the place,
Something to die for maybe,
Something to give even sorrow a grace,
And yet it was only a baby!
Cooing, and laughter, and gurgles, and cries,
Dimples for tenderest kisses,
Chaos of hopes, and of raptures, and sighs,
Chaos of fears and of blisses.
Last year, like all years, the rose and the thorn;
This year a wilderness maybe;
But heaven stooped under the roof on the morn
That it brought them only a baby.
Harriet Prescott Spofford [1835-1921]
INFANT JOY
"I have no name;
I am but two days old."
What shall I call thee?
"I happy am,
Joy is my name."
Sweet joy befall thee!
Pretty joy!
Sweet joy, but two days old.
Sweet joy I call thee;
Thou dost smile,
I sing the while;
Sweet joy befall thee!
William Blake [1757-1827]
BABY
From "At the Back of the North Wind"
Where did you come from, baby dear?
Out of the everywhere into the here.
Where did you get those eyes so blue?
Out of the sky as I came through.
What makes the light in them sparkle and spin? Some of the starry spikes left in.
Where did you get that little tear?
I found it waiting when I got here.
What makes your forehead so smooth and high? A soft hand stroked it as I went by.
What makes your cheek like a warm white rose? I saw something better than any one knows.
Whence that three-cornered smile of bliss? Three angels gave me at once a kiss.
Where did you get this pearly ear?
God spoke, and it came out to hear.
Where did you get those arms and hands? Love made itself into bonds and bands.
Feet, where did you come, you darling things? From the same box as the cherubs' wings.
How did they all just come to be you?
God thought about me, and so I grew.
But how did you come to us, you dear?
God thought about you, and so I am here.
George Macdonald [1824-1905]
TO A NEW-BORN BABY GIRL
And did thy sapphire shallop slip
Its moorings suddenly, to dip
Adown the clear, ethereal sea
From star to star, all silently?
What tenderness of archangels
In silver, thrilling syllables
Pursued thee, or what dulcet hymn
Low-chanted by the cherubim?
And thou departing must have heard
The holy Mary's farewell word,
Who with deep eyes and wistful smile
Remembered Earth a little while.
Now from the coasts of morning pale
Comes safe to port thy tiny sail.
Now have we seen by early sun,
Thy miracle of life begun.
All breathing and aware thou art,
With beauty templed in thy heart
To let thee recognize the thrill
Of wings along far azure hill,
And hear within the hollow sky
Thy friends the angels rushing by.
These shall recall that thou hast known
Their distant country as thine own,
To spare thee word of vales and streams,
And publish heaven through thy dreams.
The human accents of the breeze
Through swaying star-acquainted trees
Shall seem a voice heard earlier,
Her voice, the adoring sigh of her,
When thou amid rosy cherub-play
Didst hear her call thee, far away,
And dream in very Paradise
The worship of thy mother's eyes.
Grace Hazard Conkling [1878-
TO LITTLE RENEE ON FIRST SEEING HER LYING IN HER CRADLE
Who is she here that now I see,
This dainty new divinity,
Love's sister, Venus' child? She shows
Her hues, white lily and pink rose,
And in her laughing eyes the snares
That hearts entangle unawares.
Ah, woe to men if Love should yield
His arrows to this girl to wield
Even in play, for she would give
Sore wounds that none might take and live.
Yet no such wanton strain is hers,
Nor Leda's child and Jupiter's
Is she, though swans no softer are
Than whom she fairer is by far.
For she was born beside the rill
That gushes from Parnassus' hill,
And by the bright Pierian spring
She shall receive an offering
From every youth who pipes a strain
Beside his flocks upon the plain.
But I, the first, this very day,
Will tune for her my humble lay,
Invoking this new Muse to render
My oaten reed more sweet and tender,
Within its vibrant hollows wake
Such dulcet voices for her sake
As, curved hand at straining ear,
I long have stood and sought to hear
Borne with the warm midsummer breeze
With scent of hay and hum of bees
Faintly from far-off Sicily....
Ah, well I know that not for us
Are Virgil and Theocritus,
And that the golden age is past
Whereof they sang, and thou, the last,
Sweet Spenser, of their god-like line,
Soar far too swift for verse of mine
One strain to compass of your song.
Yet there are poets that prolong
Of your rare voice the ravishment
In silver cadences; content
Were I if I could but rehearse
One stave of Wither's starry verse,
Weave such wrought richness as recalls
Britannia's lovely Pastorals,
Or in some garden-spot suspire
One breath of Marvell's magic fire
When in the green and leafy shade
He sees dissolving all that's made.
Ah, little Muse still far too high
On weak, clipped wings my wishes fly.
Transform them then and make them doves,
Soft-moaning birds that Venus loves,
That they may circle ever low
Above the abode where you shall grow
Into your gracious womanhood.
And you shall feed the gentle brood
From out your hand - content they'll be
Only to coo their songs to thee.
William Aspenwall Bradley [1878-
RHYME OF ONE
You sleep upon your mother's breast,
Your race begun,
A welcome, long a wished-for Guest,
Whose age is One.
A Baby-Boy, you wonder why
You cannot run;
You try to talk - how hard you try! -
You're only One.
Ere long you won't be such a dunce:
You'll eat your bun,
And fly your kite, like folk who once
Were only One.
You'll rhyme and woo, and fight and joke,
Perhaps you'll pun!
Such feats are never done by folk
Before they're One.
Some day, too, you may have your joy,
And envy none;
Yes, you, yourself, may own a Boy,
Who isn't One.
He'll dance, and laugh, and crow; he'll do
As you have done:
(You crown a happy home, though you
Are only One.)
But when he's grown shall you be here
To share his fun,
And talk of times when he (the Dear!)
Was hardly One?
Dear Child, 'tis your poor lot to be
My little Son;
I'm glad, though I am old, you see, -
While you are One.
Frederick Locker-Lampson [1821-1895]
TO A NEW-BORN CHILD
Small traveler from an unseen shore,
By mortal eye ne'er seen before,
To you, good-morrow.
You are as fair a little dame
As ever from a glad world came
To one of sorrow.
We smile above you, but you fret;
We call you gentle names, and yet
Your cries redouble.
'Tis hard for little babes to prize
The tender love that underlies
A life of trouble.
And have you come from Heaven to earth?
That were a road of little mirth,
A doleful travel.
"Why did I come?" you seem to cry,
But that's a riddle you and I
Can scarce unravel.
Perhaps you really wished to come,
But now you are so far from home
Repent the trial.
What! did you leave celestial bliss
To bless us with a daughter's kiss?
What self-denial!
Have patience for a little space,
You might have come to a worse place,
Fair Angel-rover.
No wonder now you would have stayed,
But hush your cries, my little maid,
The journey's over.
For, utter stranger as you are,
There yet are many hearts ajar
For your arriving,
And trusty friends and lovers true
Are waiting, ready-made for you,
Without your striving.
The earth is full of lovely things,
And if at first you miss your wings,
You'll soon forget them;
And others, of a rarer kind
Will grow upon your tender mind -
If you will let them -
Until you find that your exchange
Of Heaven for earth expands your range
E'en as a flier,
And that your mother, you and I,
If we do what we should, may fly
Than Angels higher.
Cosmo Monkhouse [1840-1901]
BABY MAY
Cheeks as soft as July peaches,
Lips whose dewy scarlet teaches
Poppies paleness - round large eyes
Ever great with new surprise,
Minutes filled with shadeless gladness,
Minutes just as brimmed with sadness,
Happy smiles and wailing cries,
Crows and laughs and tearful eyes,
Lights and shadows swifter born
Than on wind-swept Autumn corn,
Ever some new tiny notion
Making every limb all motion -
Catching up of legs and arms,
Throwings back and small alarms,
Clutching fingers - straightening jerks,
Twining feet whose each toe works,
Kickings up and straining risings,
Mother's ever new surprisings,
Hands all wants and looks all wonder
At all things the heavens under,
Tiny scorns of smiled reprovings
That have more of love than lovings,
Mischiefs done with such a winning
Archness, that we prize such sinning,
Breakings dire of plates and glasses,
Graspings small at all that passes,
Pullings off of all that's able
To be caught from tray or table;
Silences - small meditations,
Deep as thoughts of cares for nations,
Breaking into wisest speeches
In a tongue that nothing teaches,
All the thoughts of whose possessing
Must be wooed to light by guessing;
Slumbers - such sweet angel-seemings,
That we'd ever have such dreamings,
Till from sleep we see thee breaking,
And we'd always have thee waking;
Wealth for which we know no measure,
Pleasure high above all pleasure,
Gladness brimming over gladness,
Joy in care - delight in sadness,
Loveliness beyond completeness,
Sweetness distancing all sweetness,
Beauty all that beauty may be -
That's May Bennett, that's my baby.
William Cox Bennett [1820-1895]
ALICE
Of deepest blue of summer skies
Is wrought the heaven of her eyes.
Of that fine gold the autumns wear
Is wrought the glory of her hair.
Of rose leaves fashioned in the south
Is shaped the marvel of her mouth.
And from the honeyed lips of bliss
Is drawn the sweetness of her kiss,
'Mid twilight thrushes that rejoice
Is found the cadence of her voice,
Of winds that wave the western fir
Is made the velvet touch of her.
Of all earth's songs God took the half
To make the ripple of her laugh.
I hear you ask, "Pray who is she?" -
This maid that is so dear to me.
"A reigning queen in Fashion's whirl?"
Nay, nay! She is my baby girl.
Herbert Bashford [1871-1928]
SONGS FOR FRAGOLETTA
I
Fragoletta, blessed one!
What think you of the light of the sun?
Do you think the dark was best,
Lying snug in mother's breast?
Ah! I knew that sweetness, too,
Fragoletta, before you!
But, Fragoletta, now you're born,
You must learn to love the morn,
Love the lovely working light,
Love the miracle of sight,
Love the thousand things to do -
Little girl, I envy you! -
Love the thousand things to see,
Love your mother, and - love me!
And some night, Fragoletta, soon,
I'll take you out to see the moon;
And for the first time, child of ours,
You shall - think of it! - look on flowers,
And smell them, too, if you are good,
And hear the green leaves in the wood
Talking, talking, all together
In the happy windy weather;
And if the journey's not too far
For little limbs so lately made,
Limb upon limb like petals laid,
We'll go and picnic in a star.
II
Blue eyes, looking up at me,
I wonder what you really see,
Lying in your cradle there,
Fragrant as a branch of myrrh?
Helpless little hands and feet,
O so helpless! O so sweet!
Tiny tongue that cannot talk,
Tiny feet that cannot walk,
Nothing of you that can do
Aught, except those eyes of blue.
How they open, how they close! -
Eyelids of the baby-rose.
Open and shut - so blue, so wise,
Baby-eyelids, baby-eyes.
III
That, Fragoletta, is the rain
Beating upon the window-pane;
But lo! The golden sun appears,
To kiss away the window's tears.
That, Fragoletta, is the wind,
That rattles so the window-blind;
And yonder shining thing's a star,
Blue eyes - you seem ten times as far.
That, Fragoletta, is a bird
That speaks, yet never says a word;
Upon a cherry tree it sings,
Simple as all mysterious things;
Its little life to peck and pipe,
As long as cherries ripe and ripe,
And minister unto the need
Of baby-birds that feed and feed.
This, Fragoletta, is a flower,
Open and fragrant for an hour,
A flower, a transitory thing,
Each petal fleeting as a wing,
All a May morning blows and blows,
And then for everlasting goes.
IV
Blue eyes, against the whiteness pressed
Of little mother's hallowed breast,
The while your trembling lips are fed,
Look up at mother's bended head,
All benediction over you -
O blue eyes looking into blue!
Fragoletta is so small,
We wonder that she lives at all -
Tiny alabaster girl,
Hardly bigger than a pearl;
That is why we take such care,
Lest some one run away with her.
Richard Le Gallienne [1866-
CHOOSING A NAME
I have got a new-born sister:
I was nigh the first that kissed her.
When the nursing-woman brought her
To papa, his infant daughter,
How papa's dear eyes did glisten!
She will shortly be to christen;
And papa has made the offer,
I shall have the naming of her.
Now I wonder what would please her, -
Charlotte, Julia, or Louisa?
Ann and Mary, they're too common;
Joan's too formal for a woman;
Jane's a prettier name beside;
But we had a Jane that died.
They would say, if 'twas Rebecca,
That she was a little Quaker.
Edith's pretty, but that looks
Better in old English books;
Ellen's left off long ago;
Blanche is out of fashion now.
None that I have named as yet
Is so good as Margaret.
Emily is neat and fine;
What do you think of Caroline?
How I'm puzzled and perplexed
What to choose or think of next!
I am in a little fever
Lest the name that I should give her
Should disgrace her or defame her; -
I will leave papa to name her.
Mary Lamb [1764-1847]
WEIGHING THE BABY
"How many pounds does the baby weigh -
Baby who came but a month ago?
How many pounds from the crowning curl
To the rosy point of the restless toe?"
Grandfather ties the 'kerchief knot,
Tenderly guides the swinging weight,
And carefully over his glasses peers
To read the record, "only eight."
Softly the echo goes around:
The father laughs at the tiny girl;
The fair young mother sings the words,
While grandmother smooths the golden curl.
And stooping above the precious thing,
Nestles a kiss within a prayer,
Murmuring softly "Little one,
Grandfather did not weigh you fair."
Nobody weighed the baby's smile,
Or the love that came with the helpless one;
Nobody weighed the threads of care,
From which a woman's life is spun.
No index tells the mighty worth
Of a little baby's quiet breath -
A soft, unceasing metronome,
Patient and faithful until death.
Nobody weighed the baby's soul,
For here on earth no weights there be
That could avail; God only knows
Its value in eternity.
Only eight pounds to hold a soul
That seeks no angel's silver wing,
But shrines it in this human guise,
Within so frail and small a thing!
Oh, mother! laugh your merry note,
Be gay and glad, but don't forget
From baby's eyes looks out a soul
That claims a home in Eden yet.
Ethel Lynn Beers [1827-1879]
ETUDE REALISTE
I
A baby's feet, like seashells pink,
Might tempt, should heaven see meet,
An angel's lips to kiss, we think,
A baby's feet.
Like rose-hued sea-flowers toward the heat
They stretch and spread and wink
Their ten soft buds that part and meet.
No flower-bells that expand and shrink
Gleam half so heavenly sweet,
As shine on life's untrodden brink
A baby's feet.
II
A baby's hands, like rosebuds furled,
Where yet no leaf expands,
Ope if you touch, though close upcurled, -
A baby's hands.
Then, even as warriors grip their brands
When battle's bolt is hurled,
They close, clenched hard like tightening bands.
No rosebuds yet by dawn impearled
Match, even in loveliest lands,
The sweetest flowers in all the world, -
A baby's hands.
III
A baby's eyes, ere speech begin,
Ere lips learn words or sighs,
Bless all things bright enough to win
A baby's eyes.
Love, while the sweet thing laughs and lies,
And sleep flows out and in,
Sees perfect in them Paradise!
Their glance might cast out pain and sin,
Their speech make dumb the wise,
By mute glad godhead felt within
A baby's eyes.
Algernon Charles Swinburne [1837-1909]
LITTLE FEET
Two little feet, so small that both may nestle
In one caressing hand, -
Two tender feet upon the untried border
Of life's mysterious land.
Dimpled, and soft, and pink as peach-tree blossoms,
In April's fragrant days,
How can they walk among the briery tangles,
Edging the world's rough ways?
These rose-white feet, along the doubtful future,
Must bear a mother's load;
Alas! since Woman has the heavier burden,
And walks the harder road.
Love, for a while, will make the path before them
All dainty, smooth, and fair, -
Will cull away the brambles, letting only
The roses blossom there.
But when the mother's watchful eyes are shrouded
Away from sight of men,
And these dear feet are left without her guiding,
Who shall direct them then?
How will they be allured, betrayed, deluded,
Poor little untaught feet!
Into what dreary mazes will they wander,
What dangers will they meet?
Will they go stumbling blindly in the darkness
Of Sorrow's tearful shades?
Or find the upland slopes of Peace and Beauty,
Whose sunlight never fades?
Will they go toiling up Ambition's summit,
The common world above?
Or in some nameless vale, securely sheltered,
Walk side by side with Love?
Some feet there be which walk Life's track unwounded,
Which find but pleasant ways:
Some hearts there be to which this life is only
A round of happy days.
But these are few. Far more there are who wander
Without a hope or friend, -
Who find their journey full of pains and losses,
And long to reach the end.
How shall it be with her, the tender stranger,
Fair-faced and gentle-eyed,
Before whose unstained feet the world's rude highway
Stretches so fair and wide?
Ah! who may read the future? For our darling
We crave all blessings sweet,
And pray that He who feeds the crying ravens
Will guide the baby's feet.
Elizabeth Akers [1832-1911]
THE BABIE
Nae shoon to hide her tiny taes,
Nae stockin' on her feet;
Her supple ankles white as snaw,
Or early blossoms sweet.
Her simple dress o' sprinkled pink,
Her double, dimplit chin,
Her puckered lips, an' baumy mou',
With na ane tooth within.
Her een sae like her mither's een,
Twa gentle, liquid things;
Her face is like an angel's face, -
We're glad she has nae wings.
She is the buddin' of our luve,
A giftie God gied us:
We maun na luve the gift owre weel,
'Twad be nae blessin' thus.
We still maun luve the Giver mair,
An' see Him in the given;
An' sae she'll lead us up to Him,
Our babie straight frae Heaven.
Jeremiah Eames Rankin [1828-1904]
LITTLE HANDS
Soft little hands that stray and clutch,
Like fern fronds curl and uncurl bold,
While baby faces lie in such
Close sleep as flowers at night that fold,
What is it you would, clasp and hold,
Wandering outstretched with wilful touch?
O fingers small of shell-tipped rose,
How should you know you hold so much?
Two full hearts beating you inclose,
Hopes, fears, prayers, longings, joys and woes, -
All yours to hold, O little hands!
More, more than wisdom understands
And love, love only knows.
Laurence Binyon [1869-
BARTHOLOMEW
Bartholomew is very sweet,
From sandy hair to rosy feet.
Bartholomew is six months old,
And dearer far than pearls or gold.
Bartholomew has deep blue eyes,
Round pieces dropped from out the skies.
Bartholomew is hugged and kissed:
He loves a flower in either fist.
Bartholomew's my saucy son:
No mother has a sweeter one!
Norman Gale [1862-
THE STORM-CHILD
My child came to me with the equinox,
The wild wind blew him to my swinging door,
With flakes of tawny foam from off the shore,
And shivering spindrift whirled across the rocks.
Flung down the sky, the wheeling swallow-flocks
Cried him a greeting, and the lordly woods,
Waving lean arms of welcome one by one,
Cast down their russet cloaks and golden hoods,
And bid their dancing leaflets trip and run
Before the tender feet of this my son.
Therefore the sea's swift fire is in his veins,
And in his heart the glory of the sea;
Therefore the storm-wind shall his comrade be,
That strips the hills and sweeps the cowering plains.
October, shot with flashing rays and rains,
Inhabits all his pulses; he shall know
The stress and splendor of the roaring gales,
The creaking boughs shall croon him fairy tales,
And the sea's kisses set his blood aglow,
While in his ears the eternal bugles blow.
May Byron [1861-
"ON PARENT KNEES"
On parent knees, a naked new-born child, Weeping thou sat'st while all around thee smiled: So live, that, sinking to thy life's last sleep, Calm thou may'st smile, while all around thee weep.
William Jones [1746-1794]
"PHILIP, MY KING"
"Who bears upon his baby brow the round and top of sovereignty."
Look at me with thy large brown eyes,
Philip, my king!
Round whom the enshadowing purple lies
Of babyhood's royal dignities.
Lay on my neck thy tiny hand
With love's invisible scepter laden;
I am thine Esther to command
Till thou shalt find a queen-handmaiden,
Philip, my king.
O the day when thou goest a-wooing,
Philip, my king!
When those beautiful lips are suing,
And some gentle heart's bars undoing,
Thou dost enter, love-crowned, and there
Sittest love-glorified. Rule kindly,
Tenderly, over thy kingdom fair,
For we that love, ah! we love so blindly,
Philip, my king.
Up from thy sweet mouth, - up to thy brow,
Philip, my king!
The spirit that there lies sleeping now
May rise like a giant and make men bow
As to one heaven-chosen among his peers.
My Saul, than thy brethren taller and fairer,
Let me behold thee in future years! -
Yet thy head needeth a circlet rarer,
Philip, my king.
- A wreath not of gold, but palm. One day, Philip, my king! Thou too must tread, as we trod, a way Thorny and cruel and cold and gray: Rebels within thee, and foes without, Will snatch at thy crown. But march on, glorious, Martyr, yet monarch! till angels shout, As thou sittest at the feet of God victorious, "Philip, the king!"
Dinah Maria Mulock Craik [1826-1887]
THE KING OF THE CRADLE
Draw back the cradle curtains, Kate,
While watch and ward you're keeping,
Let's see the monarch in his state,
And view him while he's sleeping.
He smiles and clasps his tiny hand,
With sunbeams o'er him gleaming, -
A world of baby fairyland
He visits while he's dreaming.
Monarch of pearly powder-puff,
Asleep in nest so cosy,
Shielded from breath of breezes rough
By curtains warm and rosy:
He slumbers soundly in his cell,
As weak as one decrepid,
Though King of Coral, Lord of Bell,
And Knight of Bath that's tepid.
Ah, lucky tyrant! Happy lot!
Fair watchers without number,
Who sweetly sing beside his cot,
And hush him off to slumber;
White hands in wait to smooth so neat
His pillow when its rumpled -
A couch of rose leaves soft and sweet,
Not one of which is crumpled!
Will yonder dainty dimpled hand -
Size, nothing and a quarter -
E'er grasp a saber, lead a band
To glory and to slaughter?
Or, may I ask, will those blue eyes -
In baby patois, "peepers" -
E'er in the House of Commons rise,
And try to catch the Speaker's?
Will that smooth brow o'er Hansard frown,
Confused by lore statistic?
Or will those lips e'er stir the town
From pulpit ritualistic?
Will e'er that tiny Sybarite
Become an author noted?
That little brain the world's delight,
Its works by all men quoted?
Though rosy, dimpled, plump, and round
Though fragile, soft, and tender,
Sometimes, alas! it may be found
The thread of life is slender!
A little shoe, a little glove -
Affection never waning -
The shattered idol of our love
Is all that is remaining!
Then does one chance, in fancy, hear,
Small feet in childish patter,
Tread soft as they a grave draw near,
And voices hush their chatter;
'Tis small and new; they pause in fear,
Beneath the gray church tower,
To consecrate it with a tear,
And deck it with a flower.
Who can predict the future, Kate -
Your fondest aspiration!
Who knows the solemn laws of fate,
That govern all creation?
Who knows what lot awaits your boy -
Of happiness or sorrow?
Sufficient for to-day is joy,
Leave tears, Sweet, for to-morrow!
Joseph Ashby-Sterry [1838-1917]
THE FIRSTBORN
So fair, so dear, so warm upon my bosom,
And in my hands the little rosy feet.
Sleep on, my little bird, my lamb, my blossom;
Sleep on, sleep on, my sweet.
What is it God hath given me to cherish, This living, moving wonder which is mine - Mine only? Leave it with me or I perish, Dear Lord of love divine.
Dear Lord, 'tis wonderful beyond all wonder,
This tender miracle vouchsafed to me,
One with myself, yet just so far asunder
That I myself may see.
Flesh of my flesh, and yet so subtly linking New selfs with old, all things that I have been With present joys beyond my former thinking And future things unseen.
There life began, and here it links with heaven, The golden chain of years scarce dipped adown From birth, ere once again a hold is given And nearer to God's Throne.
Seen, held in arms and clasped around so tightly, - My love, my bird, I will not let thee go. Yet soon the little rosy feet must lightly Go pattering to and fro.
Mine, Lord, all mine Thy gift and loving token. Mine - yes or no, unseen its soul divine? Mine by the chain of love with links unbroken, Dear Saviour, Thine and mine.
John Arthur Goodchild [1851-
NO BABY IN THE HOUSE
No baby in the house, I know,
'Tis far too nice and clean.
No toys, by careless fingers strewn,
Upon the floors are seen.
No finger-marks are on the panes,
No scratches on the chairs;
No wooden men setup in rows,
Or marshaled off in pairs;
No little stockings to be darned,
All ragged at the toes;
No pile of mending to be done,
Made up of baby-clothes;
No little troubles to be soothed;
No little hands to fold;
No grimy fingers to be washed;
No stories to be told;
No tender kisses to be given;
No nicknames, "Dove" and "Mouse";
No merry frolics after tea, -
No baby in the house!
Clara Dolliver [18 -
OUR WEE WHITE ROSE
From "The Mother's Idol Broken"
All in our marriage garden
Grew, smiling up to God,
A bonnier flower than ever
Sucked the green warmth of the sod;
O, beautiful unfathomably
Its little life unfurled;
And crown of all things was our wee
White Rose of all the world.
From out a balmy bosom
Our bud of beauty grew;
It fed on smiles for sunshine,
On tears for daintier dew:
Aye nestling warm and tenderly,
Our leaves of love were curled
So close and close about our wee
White Rose of all the world.
With mystical faint fragrance
Our house of life she filled;
Revealed each hour some fairy tower
Where winged hopes might build!
We saw - though none like us might see -
Such precious promise pearled
Upon the petals of our wee
White Rose of all the world.
But evermore the halo
Of angel-light increased,
Like the mystery of moonlight
That folds some fairy feast.
Snow-white, snow-soft, snow-silently
Our darling bud uncurled,
And dropped in the grave - God's lap - our wee
White Rose of all the world.
Our Rose was but in blossom,
Our life was but in spring,
When down the solemn midnight
We heard the spirits sing,
"Another bud of infancy
With holy dews impearled!"
And in their hands they bore our wee
White Rose of all the world.
You scarce could think so small a thing
Could leave a loss so large;
Her little light such shadow fling
From dawn to sunset's marge.
In other springs our life may be
In bannered bloom unfurled,
But never, never match our wee
White Rose of all the world.
Gerald Massey [1828-1907]
INTO THE WORLD AND OUT
Into the world he looked with sweet surprise; The children laughed so when they saw his eyes.
Into the world a rosy hand in doubt
He reached - a pale hand took one rosebud out.
"And that was all - quite all!" No, surely! But The children cried so when his eyes were shut.
Sarah M. B. Piatt [1836-1919]
"BABY SLEEPS"
She is not dead, but sleepeth. - Luke viii. 52.
The baby wept;
The mother took it from the nurse's arms,
And hushed its fears, and soothed its vain alarms,
And baby slept.
Again it weeps,
And God doth take it from the mother's arms,
From present griefs, and future unknown harms,
And baby sleeps.
Samuel Hinds [1793-1872]
BABY BELL
I
Have you not heard the poets tell
How came the dainty Baby Bell
Into this world of ours?
The gates of heaven were left ajar:
With folded hands and dreamy eyes,
Wandering out of Paradise,
She saw this planet, like a star,
Hung in the glistening depths of even -
Its bridges, running to and fro,
O'er which the white-winged Angels go,
Bearing the holy Dead to heaven.
She touched a bridge of flowers - those feet,
So light they did not bend the bells
Of the celestial asphodels,
They fell like dew upon the flowers:
Then all the air grew strangely sweet.
And thus came dainty Baby Bell
Into this world of ours.
II
She came and brought delicious May;
The swallows built beneath the eaves;
Like sunlight, in and out the leaves
The robins went, the livelong day;
The lily swung its noiseless bell;
And on the porch the slender vine
Held out its cups of fairy wine.
How tenderly the twilights fell!
Oh, earth was full of singing-birds
And opening springtide flowers,
When the dainty Baby Bell
Came to this world of ours.
III
O Baby, dainty Baby Bell,
How fair she grew from day to day!
What woman-nature filled her eyes,
What poetry within them lay -
Those deep and tender twilight eyes,
So full of meaning, pure and bright
As if she yet stood in the light
Of those oped gates of Paradise.
And so we loved her more and more:
Ah, never in our hearts before
Was love so lovely born:
We felt we had a link between
This real world and that unseen -
The land beyond the morn;
And for the love of those dear eyes,
For love of her whom God led forth,
(The mother's being ceased on earth
When Baby came from Paradise,) -
For love of Him who smote our lives,
And woke the chords of joy and pain,
We said, Dear Christ! - our hearts bowed down
Like violets after rain.
IV
And now the orchards, which were white
And pink with blossoms when she came,
Were rich in autumn's mellow prime;
The clustered apples burnt like flame,
The folded chestnut burst its shell,
The grapes hung purpling, range on range;
And time wrought just as rich a change
In little Baby Bell.
Her lissome form more perfect grew,
And in her features we could trace,
In softened curves, her mother's face.
Her angel-nature ripened too:
We thought her lovely when she came,
But she was holy, saintly now ...
Around her pale angelic brow
We saw a slender ring of flame.
V
God's hand had taken away the seal
That held the portals of her speech;
And oft she said a few strange words
Whose meaning lay beyond our reach.
She never was a child to us,
We never held her being's key;
We could not teach her holy things
Who was Christ's self in purity.
VI
It came upon us by degrees,
We saw its shadow ere it fell -
The knowledge that our God had sent
His messenger for Baby Bell.
We shuddered with unlanguaged pain,
And all our hopes were changed to fears,
And all our thoughts ran into tears
Like sunshine into rain.
We cried aloud in our belief,
"Oh, smite us gently, gently, God!
Teach us to bend and kiss the rod,
And perfect grow through grief."
Ah! how we loved her, God can tell;
Her heart was folded deep in ours.
Our hearts are broken, Baby Bell!
VII
At last he came, the messenger,
The messenger from unseen lands:
And what did dainty Baby Bell?
She only crossed her little hands,
She only looked more meek and fair!
We parted back her silken hair,
We wove the roses round her brow -
White buds, the summer's drifted snow -
Wrapped her from head to foot in flowers ...
And thus went dainty Baby Bell
Out of this world of ours.
Thomas Bailey Aldrich [1837-1907]
IN THE NURSERY
MOTHER GOOSE'S MELODIES
Mistress Mary, quite contrary,
How does your garden grow?
With cockle-shells, and silver bells,
And pretty maids all in a row.
There was an old woman who lived in a shoe, She had so many children she didn't know what to do; She gave them some broth without any bread; Then whipped them all soundly and put them to bed.
Peter, Peter, pumpkin eater,
Had a wife and couldn't keep her;
He put her in a pumpkin shell
And there he kept her very well.
Run-a-dub-dub,
Three men in a tub,
And who do you think they be?
The butcher, the baker,
The candlestick-maker;
Turn 'em out, knaves all three!
I'll tell you a story
About Jack a Nory -
And now my story's begun;
I'll tell you another
About Johnny, his brother -
And now my story is done.
Hickory, dickory, dock,
The mouse ran up the clock;
The clock struck one,
The mouse ran down,
Hickory, dickory, dock.
A dillar, a dollar,
A ten o'clock scholar,
What makes you come so soon?
You used to come at ten o'clock
But now you come at noon.
There was a little man,
And he had a little gun,
And his bullets were made of lead, lead, lead;
He shot Johnny Sprig
Through the middle of his wig,
And knocked it right off his head, head, head.
There was an old woman, and what do you think? She lived upon nothing but victuals and drink: Victuals and drink were the chief of her diet: Yet this little old woman could never be quiet.
She went to a baker to buy her some bread, And when she came home, her husband was dead; She went to the clerk to toll the bell, And when she came back her husband was well.
If I had as much money as I could spend,
I never would cry old chairs to mend;
Old chairs to mend, old chairs to mend;
I never would cry old chairs to mend.
If I had as much money as I could tell,
I never would cry old clothes to sell;
Old clothes to sell, old clothes to sell;
I never would cry old clothes to sell.
One misty, moisty morning,
When cloudy was the weather,
I met a little old man
Clothed all in leather;
He began to bow and scrape,
And I began to grin, -
How do you do, and how do you do,
And how do you do again?
If all the world were apple-pie,
And all the sea were ink,
And all the trees were bread and cheese,
What should we have to drink?
Pease-pudding hot,
Pease-pudding cold,
Pease-pudding in the pot,
Nine days old.
Some like it hot,
Some like it cold,
Some like it in the pot,
Nine days old.
Hey, diddle, diddle,
The cat and the fiddle,
The cow jumped over the moon;
The little dog laughed
To see such sport,
And the dish ran away with the spoon.
Little Jack Horner sat in the corner
Eating a Christmas pie;
He put in his thumb, and pulled out a plum,
And said, "What a good boy am I!"
Little Miss Muffet,
Sat on a tuffet,
Eating of curds and whey;
There came a great spider
That sat down beside her,
And frightened Miss Muffet away.
There was a crooked man, and he went a crooked mile. He found a crooked sixpence against a crooked stile: He bought a crooked cat, which caught a crooked mouse, And they all lived together in a little crooked house.
Little Polly Flinders,
Sat among the cinders,
Warming her pretty little toes;
Her mother came and caught her,
And whipped her little daughter
For spoiling her nice new clothes.
Barber, barber, shave a pig,
How many hairs will make a wig?
"Four-and-twenty, that's enough."
Give the barber a pinch of snuff.
Little Boy Blue, come blow up your horn,
The sheep's in the meadow, the cow's in the corn;
But where is the boy that looks after the sheep?
He's under a hay-cock, fast asleep.
Will you awake him? No, not I;
For if I do, he'll be sure to cry.
There was a man of our town,
And he was wondrous wise,
He jumped into a bramble bush,
And scratched out both his eyes:
But when he saw his eyes were out,
With all his might and main,
He jumped into another bush,
And scratched 'em in again.
The north wind doth blow,
And we shall have snow,
And what will poor Robin do then,
Poor thing?
He'll sit in a barn,
And to keep himself warm,
Will hide his head under his wing,
Poor thing!
Higgleby, piggleby, my black hen,
She lays eggs for gentlemen;
Sometimes nine, and sometimes ten,
Higgleby, piggleby, my black hen.
Three wise men of Gotham
Went to sea in a bowl;
If the bowl had been stronger,
My song had been longer.
There was an old woman lived under a hill, And if she's not gone, she lives there still.
Pussy-cat, pussy-cat, where have you been? I've been to London to look at the Queen. Pussy-cat, pussy-cat, what did you there? I frightened a little mouse under the chair.
There were two blackbirds sitting on a hill,
The one named Jack, the other named Jill;
Fly away, Jack! Fly away, Jill!
Come again, Jack! Come again, Jill!
Goosey, goosey, gander,
Whither shall I wander,
Up stairs, down stairs,
And in my lady's chamber.
There I met an old man
Who would not say his prayers;
I took him by his left leg
And threw him down the stairs.
Baa, baa, black sheep, have you any wool?
Yes, sir; yes, sir, three, bags full.
One for my master, one for my dame,
And one for the little boy that lives in the lane.
Bye, baby bunting,
Daddy's gone a-hunting
To get a little rabbit-skin
To wrap the baby bunting in.
Old King Cole was a merry old soul,
And a merry old soul was he;
He called for his pipe, and he called for his bowl,
And he called for his fiddlers three.
Every fiddler, he had a fiddle, and a very fine fiddle had he;
Twee tweedle dee, tweedle dee, went the fiddlers.
Oh, there's none so rare, as can compare
With King Cole and his fiddlers three!
Ride a cock-horse to Banbury Cross,
To see a fine lady ride on a white horse,
Rings on her fingers, and bells on her toes,
She shall have music wherever she goes.
Hector Protector was dressed all in green; Hector Protector was sent to the Queen. The Queen did not like him, no more did the King; So Hector Protector was sent back again.
Peter Piper picked a peck of pickled peppers; A peck of pickled peppers Peter Piper picked; If Peter Piper picked a peck of pickled peppers, Where's the peck of pickled peppers Peter Piper picked?
Jack Sprat could eat no fat,
His wife could eat no lean,
And so, betwixt them both, you see,
They licked the platter clean.
The lion and the unicorn
Were fighting for the crown;
The lion beat the unicorn
All round about the town.
Some gave them white bread,
And some gave them brown;
Some gave them plum cake,
And sent them out of town.
As Tommy Snooks and Bessy Brooks
Were walking out one Sunday,
Says Tommy Snooks to Bessy Brooks,
"To-morrow will be Monday."
Curly locks! Curly locks!
Wilt thou be mine?
Thou shalt not wash dishes
Nor yet feed the swine;
But sit on a cushion
And sew a fine seam,
And feed upon strawberries,
Sugar and cream.
Blow, wind, blow! and go, mill, go!
That the miller may grind his corn;
That the baker may take it and into rolls make it,
And send us some hot in the morn.
Six little mice sat down to spin,
Pussy passed by, and she peeped in.
"What are you at, my little men?"
"Making coats for gentlemen."
"Shall I come in and bite off your threads?"
"No, no, Miss Pussy, you'll snip off our heads."
"Oh, no, I'll not, I'll help you to spin."
"That may be so, but you don't come in!"
Bobby Shaftoe's gone to sea,
Silver buckles at his knee;
When he comes back, he'll marry me,
Bonny Bobby Shaftoe.
Bobby Shaftoe's fat and fair,
Combing down his yellow hair;
He's my love for evermair,
Bonny Bobby Shaftoe.
Rock-a-bye, baby, thy cradle is green;
Father's a nobleman, mother's a queen;
And Betty's a lady, and wears a gold ring;
And Johnny's a drummer, and drums for the King.
Hush-a-bye, baby, on the tree-top,
When the wind blows the cradle will rock;
When the bough breaks, the cradle will fall,
Down will come baby, bough, cradle, and all.
To market, to market, to buy a fat pig,
Home again, home again, jiggety-jig;
To market, to market, to buy a fat hog,
Home again, home again, jiggety-jog;
To market, to market, to buy a plum bun,
Home again, home again, market is done.
JACK AND JILL
Jack and Jill went up the hill,
To fetch a pail of water;
Jack fell down and broke his crown
And Jill came tumbling after.
Up Jack got and home did trot
As fast as he could caper,
And went to bed to mend his head
With vinegar and brown paper.
THE QUEEN OF HEARTS
The Queen of Hearts
She made some tarts,
All on a summer's day;
The Knave of Hearts
He stole those tarts,
And with them ran away.
The King of Hearts
Called for the tarts,
And beat the Knave full sore;
The Knave of Hearts
Brought back the tarts,
And vowed he'd steal no more!
LITTLE BO-PEEP
Little Bo-peep has lost her sheep,
And can't tell where to find them;
Leave them alone, and they'll come home,
And bring their tails behind them.
Little Bo-peep fell fast asleep,
And dreamed she heard them bleating;
But when she awoke, she found it a joke,
For they were still a-fleeting.
Then up she took her little crook,
Determined for to find them;
She found them indeed, but it made her heart bleed,
For they'd left their tails behind them!
It happened one day, as Bo-peep did stray,
Unto a meadow hard by,
There she espied their tails side by side,
All hung on a tree to dry.
She heaved a sigh, and wiped her eye,
And over the hillocks she raced;
And tried what she could, as a shepherdess should,
That each tail should be properly placed.
MARY'S LAMB
Mary had a little lamb,
Its fleece was white as snow,
And every where that Mary went
The lamb was sure to go;
He followed her to school one day -
That was against the rule,
It made the children laugh and play,
To see a lamb at school.
And so the Teacher turned him out,
But still he lingered near,
And waited patiently about,
Till Mary did appear;
And then he ran to her, and laid
His head upon her arm,
As if he said - "I'm not afraid -
You'll keep me from all harm."
"What makes the lamb love Mary so?"
The eager children cry -
"O, Mary loves the lamb, you know,"
The Teacher did reply; -
"And you each gentle animal
In confidence may bind,
And make them follow at your call,
If you are always kind."
Sarah Josepha Hale [1788-1879]
THE STAR
Twinkle, twinkle, little star,
How I wonder what you are,
Up above the world so high,
Like a diamond in the sky.
When the blazing sun is set,
And the grass with dew is wet,
Then you show your little light,
Twinkle, twinkle, all the night.
Then the traveler in the dark
Thanks you for your tiny spark,
He could not see where to go
If you did not twinkle so.
In the dark blue sky you keep,
And often through my curtains peep,
For you never shut your eye
Till the sun is in the sky.
As your bright and tiny spark
Lights the traveler in the dark,
Though I know not what you are,
Twinkle, twinkle, little star.
Jane Taylor [1783-1824)
"SING A SONG OF SIXPENCE"
Sing a song of sixpence,
A pocket full of rye;
Four-and-twenty blackbirds
Baked in a pie;
When the pie was opened
The birds began to sing;
Wasn't that a dainty dish
To set before the King?
The King was in his counting-house,
Counting out his money;
The Queen was in the parlor,
Eating bread and honey;
The maid was in the garden
Hanging out the clothes;
When down came a blackbird,
And nipped off her nose.
SIMPLE SIMON
Simple Simon met a pieman
Going to the fair;
Says Simple Simon to the pieman,
"Let me taste your ware."
Says the pieman to Simple Simon,
"Show me first your penny";
Says Simple Simon to the pieman,
"Indeed I have not any."
Simple Simon went a-fishing
For to catch a whale;
All the water he had got
Was in his mother's pail.
Simple Simon went to look
If plums grew on a thistle;
He pricked his fingers very much,
Which made poor Simon whistle.
A PLEASANT SHIP
I saw a ship a-sailing,
A-sailing on the sea,
And oh! it was all laden
With pretty things for thee!
There were comfits in the cabin,
And apples in the hold;
The sails were made of silk,
And the masts were made of gold.
The four-and-twenty sailors
That stood between the decks
Were four-and-twenty white mice,
With chains about their necks.
The captain was a duck,
With a packet on his back,
And when the ship began to move,
The captain said "Quack! Quack!"
"I HAD A LITTLE HUSBAND"
I had a little husband
No bigger than my thumb;
I put him in a pint pot,
And there I bade him drum.
I bought a little horse,
That galloped up and down;
I bridled him and saddled him,
And sent him out of town.
I gave him some garters,
To garter up his hose,
And a little handkerchief,
To wipe his pretty nose.
"WHEN I WAS A BACHELOR"
When I was a bachelor
I lived by myself;
And all the bread and cheese I got
I put upon the shelf.
The rats and the mice
They made such a strife,
I was forced to go to London
To buy me a wife.
The streets were so bad,
And the lanes were so narrow,
I was forced to bring my wife home
In a wheelbarrow.
The wheelbarrow broke,
And my wife had a fall,
Down came wheelbarrow,
Little wife and all.
"JOHNNY SHALL HAVE A NEW BONNET"
Johnny shall have a new bonnet,
And Johnny shall go to the fair,
And Johnny shall have a blue ribbon
To tie up his bonny brown hair.
And why may not I love Johnny,
And why may not Johnny love me?
And why may not I love Johnny
As well as another body?
And here's a leg for a stocking,
And here's a foot for a shoe;
And he has a kiss for his daddy,
And one for his mammy, too.
And why may not I love Johnny,
And why may not Johnny love me?
And why may not I love Johnny,
As well as another body?
THE CITY MOUSE AND THE GARDEN MOUSE
The city mouse lives in a house; -
The garden mouse lives in a bower,
He's friendly with the frogs and toads,
And sees the pretty plants in flower.
The city mouse eats bread and cheese; -
The garden mouse eats what he can;
We will not grudge him seeds and stocks,
Poor little timid furry man.
Christina Georgina Rossetti [1830-1894]
ROBIN REDBREAST
Little Robin Redbreast sat upon a tree,
Up went pussy-cat, and down went he;
Down came pussy-cat, and away Robin ran;
Said little Robin Redbreast, "Catch me if you can."
Little Robin Redbreast jumped upon a wall, Pussy-cat jumped after him, and almost got a fall; Little Robin chirped and sang, and what did pussy say? Pussy-cat said naught but "Mew," and Robin flew away.
SOLOMON GRUNDY
Solomon Grundy,
Born on a Monday,
Christened on Tuesday,
Married on Wednesday,
Took ill on Thursday,
Worse on Friday,
Died on Saturday,
Buried on Sunday,
This is the end of
Solomon Grundy.
"MERRY ARE THE BELLS"
Merry are the bells, and merry would they ring, Merry was myself, and merry could I sing; With a merry ding-dong, happy, gay, and free, And a merry sing-song, happy let us be!
Waddle goes your gait, and hollow are your hose: Noddle goes your pate, and purple is your nose: Merry is your sing-song, happy, gay, and free; With a merry ding-dong, happy let us be!
Merry have we met, and merry have we been; Merry let us part, and merry meet again; With our merry sing-song, happy, gay, and free, With a merry ding-dong, happy let us be!
"WHEN GOOD KING ARTHUR RULED THIS LAND"
When good King Arthur ruled this land,
He was a goodly king;
He stole three pecks of barley meal,
To make a bag-pudding.
A bag-pudding the queen did make,
And stuffed it well with plums:
And in it put great lumps of fat,
As big as my two thumbs.
The king and queen did eat thereof,
And noblemen beside;
And what they could not eat that night,
The queen next morning fried.
THE BELLS OF LONDON
Gay go up, and gay go down,
To ring the bells of London town.
Bull's eyes and targets,
Say the bells of Saint Marg'ret's.
Brickbats and tiles,
Say the bells of Saint Giles'.
Half-pence and farthings,
Say the bells of Saint Martin's.
Oranges and lemons,
Say the bells of Saint Clement's.
Pancakes and fritters,
Say the bells of Saint Peter's.
Two sticks and an apple,
Say the bells of Whitechapel.
Old Father Baldpate,
Say the slow bells at Aldgate.
Pokers and tongs,
Say the bells of Saint John's.
Kettles and pans,
Say the bells of Saint Ann's.
You owe me ten shillings,
Say the bells of Saint Helen's.
When will you pay me?
Say the bells at Old Bailey.
When I grow rich,
Say the bells at Shoreditch.
Pray, when will that be?
Say the bells of Stepney.
I am sure I don't know,
Says the great bell at Bow.
THE OWL, THE EEL AND THE WARMING-PAN
The owl and the eel and the warming-pan,
They went to call on the soap-fat man.
The soap-fat man he was not within:
He'd gone for a ride on his rolling-pin.
So they all came back by the way of the town,
And turned the meeting-house upside down.
Laura E. Richards [1850-
THE COW
Thank you, pretty cow, that made
Pleasant milk to soak my bread,
Every day, and every night,
Warm, and fresh, and sweet, and white.
Do not chew the hemlock rank,
Growing on the weedy bank;
But the yellow cowslips eat,
They will make it very sweet.
Where the purple violet grows,
Where the bubbling water flows,
Where the grass is fresh and fine,
Pretty cow, go there and dine.
Ann Taylor [1782-1866]
THE LAMB
Little Lamb, who made thee?
Dost thou know who made thee,
Gave thee life, and bade thee feed
By the stream and o'er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice,
Making all the vales rejoice?
Little Lamb, who made thee?
Dost thou know who made thee?
Little Lamb, I'll tell thee,
Little Lamb, I'll tell thee;
He is called by thy name,
For He calls Himself a Lamb.
He is meek, and He is mild;
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little Lamb, God bless thee!
Little Lamb, God bless thee.
William Blake [1757-1827]
LITTLE RAINDROPS
Oh, where do you come from,
You little drops of rain,
Pitter patter, pitter patter,
Down the window-pane?
They won't let me walk,
And they won't let me play,
And they won't let me go
Out of doors at all to-day.
They put away my playthings
Because I broke them all,
And then they locked up all my bricks,
And took away my ball.
Tell me, little raindrops,
Is that the way you play,
Pitter patter, pitter patter,
All the rainy day?
They say I'm very naughty,
But I've nothing else to do
But sit here at the window;
I should like to play with you.
The little raindrops cannot speak,
But "pitter, patter pat"
Means, "We can play on this side:
Why can't you play on that?"
"MOON, SO ROUND AND YELLOW"
Moon, so round and yellow,
Looking from on high,
How I love to see you
Shining in the sky.
Oft and oft I wonder,
When I see you there,
How they get to light you,
Hanging in the air:
Where you go at morning,
When the night is past,
And the sun comes peeping
O'er the hills at last.
Sometime I will watch you
Slyly overhead,
When you think I'm sleeping
Snugly in my bed.
Matthias Barr [1831-?]
THE HOUSE THAT JACK BUILT
This is the house that Jack built.
This is the malt
That lay in the house that Jack built.
This is the rat
That ate the malt
That lay in the house that Jack built.
This is the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the man all tattered and torn
That kissed the maiden
That milked the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the priest all shaven and shorn
That married the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the cock that crowed in the morn
That waked the priest all shaven and shorn
That married the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
This is the farmer sowing his corn
That kept the cock that crowed in the morn
That waked the priest all shaven and shorn
That married the man all tattered and torn
That kissed the maiden all forlorn
That milked the cow with the crumpled horn
That tossed the dog
That worried the cat
That killed the rat
That ate the malt
That lay in the house that Jack built.
OLD MOTHER HUBBARD
Old Mother Hubbard
Went to the cupboard,
To get her poor dog a bone:
But when she got there
The cupboard was bare,
And so the poor dog had none.
She went to the baker's
To buy him some bread,
But when she came back
The poor dog was dead.
She went to the joiner's
To buy him a coffin,
But when she came back
The poor dog was laughing.
She took a clean dish
To get him some tripe,
But when she came back
He was smoking a pipe.
She went to the fishmonger's
To buy him some fish,
But when she came back
He was licking the dish.
She went to the tavern
For white wine and red,
But when she came back
The dog stood on his head.
She went to the hatter's
To buy him a hat,
But when she came back
He was feeding the cat.
She went to the barber's
To buy him a wig,
But when she came back
He was dancing a jig.
She went to the fruiterer's
To buy him some fruit,
But when she came back
He was playing the flute.
She went to the tailor's
To buy him a coat,
But when she came back
He was riding a goat.
She went to the cobbler's
To buy him some shoes,
But when she came back
He was reading the news.
She went to the seamstress
To buy him some linen,
But when she came back
The dog was spinning.
She went to the hosier's
To buy him some hose,
But when she came back
He was dressed in his clothes.
The dame made a curtesy,
The dog made a bow,
The dame said, "Your servant,"
The dog said, "Bow-wow."
This wonderful dog
Was Dame Hubbard's delight;
He could sing, he could dance,
He could read, he could write.
She gave him rich dainties
Whenever he fed,
And built him a monument
When he was dead.
THE DEATH AND BURIAL OF COCK ROBIN
Who killed Cock Robin?
"I," said the Sparrow,
"With my bow and arrow,
I killed Cock Robin."
Who saw him die?
"I'" said the Fly,
"With my little eye,
I saw him die."
Who caught his blood?
"I," said the Fish,
"With my little dish,
I caught his blood."
Who'll make his shroud?
"I," said the Beetle,
"With my thread and needle,
I'll make his shroud."
Who'll dig his grave?
"I," said the Owl,
"With my spade and trowel,
I'll dig his grave."
Who'll be the parson?
"I," said the Rook,
"With my little book.
I'll be the parson."
Who'll be the clerk?
"I," said the Lark,
"I'll say Amen in the dark;
I'll be the clerk."
Who'll be chief mourner?
"I," said the Dove,
"I mourn for my love;
I'll be chief mourner."
Who'll bear the torch?
"I," said the Linnet,
"I'll come in a minute,
I'll bear the torch."
Who'll sing his dirge?
"I," said the thrush.
"As I sing in the bush
I'll sing his dirge."
Who'll bear the pall?
"We," said the Wren,
Both the Cock and the Hen;
"We'll bear the pall."
Who'll carry his coffin?
"I," said the Kite,
"If it be in the night,
I'll carry his coffin."
Who'll toll the bell?
"I," said the Bull,
"Because I can pull,
I'll toll the bell."
All the birds of the air
Fell to sighing and sobbing
When they heard the bell toll
For poor Cock Robin.
BABY-LAND
"Which is the way to Baby-land?"
"Any one can tell;
Up one flight,
To your right;
Please to ring the bell."
"What can you see in Baby-land?"
"Little folks in white -
Downy heads,
Cradle-beds,
Faces pure and bright!"
"What do they do in Baby-land?"
"Dream and wake and play,
Laugh and crow,
Shout and grow;
Jolly times have they!"
"What do they say in Baby-land?"
"Why, the oddest things;
Might as well
Try to tell
What a birdie sings!"
"Who is the Queen of Baby-land?"
"Mother, kind and sweet;
And her love,
Born above,
Guides the little feet."
George Cooper [1840-1927]
THE FIRST TOOTH
There once was a wood, and a very thick wood, So thick that to walk was as much as you could; But a sunbeam got in, and the trees understood.
I went to this wood, at the end of the snows,
And as I was walking I saw a primrose;
Only one! Shall I show you the place where it grows?
There once was a house, and a very dark house, As dark, I believe, as the hole of a mouse, Or a tree in my wood, at the thick of the boughs.
I went to this house, and I searched it aright, I opened the chambers, and I found a light; Only one! Shall I show you this little lamp bright?
There once was a cave, and this very dark cave One day took a gift from an incoming wave; And I made up my mind to know what the sea gave.
I took a lit torch, I walked round the ness When the water was lowest; and in a recess In my cave was a jewel. Will nobody guess?
O there was a baby, he sat on my knee,
With a pearl in his mouth that was precious to me,
His little dark mouth like my cave of the sea!
I said to my heart, "And my jewel is bright! He blooms like a primrose! He shines like a light!" Put your hand in his mouth! Do you feel? He can bite!
William Brighty Rands [1823-1882]
BABY'S BREAKFAST
Baby wants his breakfast,
Oh! what shall I do?
Said the cow, "I'll give him
Nice fresh milk - moo-oo!"
Said the hen, "Cut-dah cut!
I have laid an egg
For the Baby's breakfast -
Take it now, I beg!"
And the buzzing bee said,
"Here is honey sweet.
Don't you think the Baby
Would like that to eat?"
Then the baker kindly
Brought the Baby's bread.
"Breakfast is all ready,"
Baby's mother said;
"But before the Baby
Eats his dainty food,
Will he not say 'Thank you!'
To his friends so good?"
Then the bonny Baby
Laughed and laughed away.
That was all the "Thank you"
He knew how to say.
Emilie Poulsson [1853-
THE MOON
O, look at the moon!
She is shining up there;
O mother, she looks
Like a lamp in the air.
Last week she was smaller,
And shaped like a bow;
But now she's grown bigger,
And round as an O.
Pretty moon, pretty moon,
How you shine on the door,
And make it all bright
On my nursery floor!
You shine on my playthings,
And show me their place,
And I love to look up
At your pretty bright face.
And there is a star
Close by you, and maybe
That small twinkling star
Is your little baby.
Eliza Lee Fallen [1787-1859]
BABY AT PLAY
Brow bender, Eye peeper,
Nose smeller, Mouth eater,
Chin chopper,
Knock at the door - peep in,
Lift up the latch - walk in.
Here sits the Lord Mayor, here sit his two men, Here sits the cock, and here sits the hen; Here sit the chickens, and here they go in, Chippety, chippety, chippety, chin.
This little pig went to market;
This little pig stayed at home;
This little pig got roast beef;
This little pig got none;
This little pig cried wee, wee, all the way home.
One, two,
Buckle my shoe;
Three, four,
Shut the door;
Five, six,
Pick up sticks;
Seven, eight,
Lay them straight;
Nine, ten,
A good fat hen;
Eleven, twelve,
Who will delve?
Thirteen, fourteen,
Maids a-courting;
Fifteen, sixteen,
Maids a-kissing;
Seventeen, eighteen,
Maids a-waiting;
Nineteen, twenty,
My stomach's empty.
THE DIFFERENCE
Eight fingers,
Ten toes,
Two eyes,
And one nose.
Baby said
When she smelt the rose,
"Oh! what a pity
I've only one nose!"
Ten teeth
In even rows,
Three dimples,
And one nose.
Baby said
When she smelt the snuff,
"Deary me!
One nose is enough."
Laura E. Richards [1850-
FOOT SOLDIERS
'Tis all the way to Toe-town,
Beyond the Knee-high hill,
That Baby has to travel down
To see the soldiers drill.
One, two, three, four, five, a-row -
A captain and his men -
And on the other side, you know,
Are six, seven, eight, nine, ten.
John Banister Tabb [1845-1909]
TOM THUMB'S ALPHABET
A was an Archer, who shot at a frog;
B was a Butcher, who had a great dog;
C was a Captain, all covered with lace;
D was a Drunkard, and had a red face;
E was an Esquire, with pride on his brow;
F was a Farmer, and followed the plow;
G was a Gamester, who had but ill luck;
H was a Hunter, who hunted a buck;
I was an Innkeeper, who loved to bouse;
J was a Joiner, who built up a house;
K was a King, so mighty and grand;
L was a Lady, who had a white hand;
M was a Miser, and hoarded his gold;
N was a Nobleman, gallant and bold;
O was an Oysterman, who went about town;
P was a Parson, and wore a black gown;
Q was a Quack, with a wonderful pill;
R was a Robber, who wanted to kill;
S was a Sailor, who spent all he got;
T was a Tinker, and mended a pot;
U was an Usurer, a miserable elf;
V was a Vintner, who drank all himself;
W was a Watchman, who guarded the door;
X was Expensive, and so became poor;
Y was a Youth, that did not love school;
Z was a Zany, a poor harmless fool.
GRAMMAR IN RHYME
Three little words, you often see,
Are articles A, An, and The.
A Noun is the name of anything,
As School, or Garden, Hoop, or Swing.
Adjectives tell the kind of Noun,
As Great, Small, Pretty, White, or Brown.
Instead of Nouns the Pronouns stand,
Her head, His face, Your arm, My hand.
Verbs tell something being done -
To Read, Count, Laugh, Sing, Jump, or Run.
How things are done the Adverbs tell,
As Slowly, Quickly, Ill, or Well.
Conjunctions join the words together -
As men And women, wind Or weather.
The Preposition stands before
A noun, as In or Through a door,
The Interjection shows surprise,
As Oh! how pretty! Ah! how wise!
The Whole are called nine parts of speech,
Which reading, writing, speaking teach.
DAYS OF THE MONTH
Thirty days hath September,
April, June, and November;
All the rest have thirty-one;
February twenty-eight alone, -
Except in leap year, at which time
February's days are twenty-nine.
THE GARDEN YEAR
January brings the snow,
Makes our feet and fingers glow.
February brings the rain,
Thaws the frozen lake again.
March brings breezes, loud and shrill,
To stir the dancing daffodil.
April brings the primrose sweet,
Scatters daisies at our feet.
May brings flocks of pretty lambs
Skipping by their fleecy dams.
June brings tulips, lilies, roses,
Fills the children's hands with posies.
Hot July brings cooling showers,
Apricots, and gillyflowers.
August brings the sheaves of corn,
Then the harvest home is borne.
Warm September brings the fruit;
Sportsmen then begin to shoot.
Fresh October brings the pheasant;
Then to gather nuts is pleasant.
Dull November brings the blast;
Then the leaves are whirling fast.
Chill December brings the sleet,
Blazing fire, and Christmas treat.
Sara Coleridge [1802-1852]
RIDDLES
There was a girl in our town,
Silk an' satin was her gown,
Silk an' satin, gold an' velvet,
Guess her name, three times I've telled it.
(Ann.)
As soft as silk, as white as milk,
As bitter as gall, a thick green wall,
And a green coat covers me all.
(A walnut.)
Make three fourths of a cross,
And a circle complete;
And let two semicircles
On a perpendicular meet;
Next add a triangle
That stands on two feet;
Next two semicircles,
And a circle complete.
(TOBACCO.)
Flour of England, fruit of Spain,
Met together in a shower of rain;
Put in a bag tied round with a string,
If you'll tell me this riddle, I'll give you a ring.
(A plum-pudding.)
In marble walls as white as milk,
Lined with a skin as soft as silk,
Within a fountain crystal clear,
A golden apple doth appear.
No doors there are to this stronghold,
Yet thieves break in and steal the gold.
(An egg.)
Little Nanny Etticoat,
In a white petticoat,
And a red nose;
The longer she stands,
The shorter she grows.
(A candle.)
Long legs, crooked thighs,
Little head and no eyes.
(A pair of tongs.)
Thirty white horses upon a red hill,
Now they tramp, now they champ, now they stand still.
(The teeth.)
Formed long ago, yet made to-day,
Employed while others sleep;
What few would like to give away,
Nor any wish to keep.
(A bed.)
Lives in winter,
Dies in summer,
And grows with its root upwards.
(An icicle.)
Elizabeth, Lizzy, Betsy and Bess,
All went together to seek a bird's nest;
They found a nest with five eggs in it;
They each took one and left four in it.
Thomas a Tattamus took two T's,
To tie two tups to two tall trees,
To frighten the terrible Thomas a Tattamus!
Tell me how many T's there are in all THAT!
Old Mother Twitchett had but one eye,
And a long tail which she let fly;
And every time she went over a gap,
She left a bit of her tail in a trap.
(A needle and thread.)
As I went through a garden gap,
Who should I meet but Dick Red-Cap!
A stick in his hand, a stone in his throat,
If you'll tell me this riddle, I'll give you a groat.
(A cherry.)
Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall;
All the king's horses and all the king's men
Cannot put Humpty Dumpty together again.
(An egg.)
As I was going to St. Ives,
I met a man with seven wives,
Every wife had seven sacks,
Every sack had seven cats,
Every cat had seven kits -
Kits, cats, sacks, and wives,
How many were going to St. Ives?
(One.)
Two legs sat upon three legs,
With one leg in his lap;
In comes four legs
And runs away with one leg;
Up jumps two legs,
Catches up three legs,
Throws it after four legs,
And makes him drop one leg.
(A man, a stool, a leg of mutton, and a dog.)
PROVERBS
If wishes were horses,
Beggars would ride;
If turnips were watches,
I'd wear one by my side.
A man of words, and not of deeds,
Is like a garden full of weeds;
For when the weeds begin to grow,
Then doth the garden overflow.
He that would thrive
Must rise at five;
He that hath thriven
May lie till seven;
And he that by the plough would thrive,
Himself must either hold or drive.
A swarm of bees in May
Is worth a load of hay;
A swarm of bees in June
Is worth a silver spoon;
A swarm of bees in July
Is not worth a fly.
They that wash on Monday
Have all the week to dry;
They that wash on Tuesday
Are not so much awry;
They that wash on Wednesday
Are not so much to blame;
They that wash on Thursday,
Wash for shame;
They that wash on Friday,
Wash in need;
And they that wash on Saturday,
Oh, they are slovens, indeed.
Needles and pins, needles and pins,
When a man marries, his trouble begins.
For every evil under the sun,
There is a remedy, or there is none.
If there be one, try and find it;
If there be none, never mind it.
Tommy's tears, and Mary's fears,
Will make them old before their years.
If "ifs" and "ands"
Were pots and pans,
There would be no need for tinkers!
For want of a nail, the shoe was lost;
For want of the shoe, the horse was lost;
For want of the horse, the rider was lost;
For want of the rider, the battle was lost;
For want of the battle, the kingdom was lost;
And all from the want of a horseshoe nail.
KIND HEARTS
Kind hearts are the gardens,
Kind thoughts are the roots,
Kind words are the blossoms,
Kind deeds are the fruits;
Love is the sweet sunshine
That warms into life,
For only in darkness
Grow hatred and strife.
WEATHER WISDOM
A sunshiny shower
Won't last half an hour.
Rain before seven,
Fair by eleven.
The South wind brings wet weather,
The North wind wet and cold together;
The West wind always brings us rain,
The East wind blows it back again.
March winds and April showers
Bring forth May flowers.
Evening red and morning gray
Set the traveller on his way,
But evening gray and morning red,
Bring the rain upon his head.
Rainbow at night
Is the sailor's delight;
Rainbow at morning,
Sailors, take warning.
OLD SUPERSTITIONS
See a pin and pick it up,
All the day you'll have good luck;
See a pin and let it lay,
Bad luck you will have all day.
Cut your nails on Monday, cut them for news;
Cut them on Tuesday, a pair of new shoes;
Cut them on Wednesday, cut them for health;
Cut them on Thursday, cut them for wealth;
Cut them on Friday, cut them for woe;
Cut them on Saturday, a journey you'll go;
Cut them on Sunday, you'll cut them for evil,
For all the next week you'll be ruled by the devil.
Marry Monday, marry for wealth;
Marry Tuesday, marry for health;
Marry Wednesday, the best day of all;
Marry Thursday, marry for crosses;
Marry Friday, marry for losses;
Marry Saturday, no luck at all.
Sneeze on a Monday, you sneeze for danger;
Sneeze on a Tuesday, you'll kiss a stranger;
Sneeze on a Wednesday, you sneeze for a letter;
Sneeze on a Thursday, for something better;
Sneeze on a Friday, you sneeze for sorrow;
Sneeze on a Saturday, your sweetheart to-morrow;
Sneeze on a Sunday, your safety seek -
The devil will have you the whole of the week.
Monday's child is fair of face,
Tuesday's child is full of grace,
Wednesday's child is full of woe,
Thursday's child has far to go,
Friday's child is loving and giving,
Saturday's child works hard for its living,
And a child that's born on the Sabbath day
Is fair and wise and good and gay.
THE ROAD TO SLUMBERLAND
WYNKEN, BLYNKEN, AND NOD
Dutch Lullaby
Wynken, Blynken, and Nod one night
Sailed off in a wooden shoe, -
Sailed on a river of crystal light
Into a sea of dew.
"Where are you going, and what do you wish?"
The old moon asked the three.
"We have come to fish for the herring fish
That live in this beautiful sea;
Nets of silver and gold have we!"
Said Wynken,
Blynken,
And Nod.
The old moon laughed and sang a song,
As they rocked in the wooden shoe;
And the wind that sped them all night long
Ruffled the waves of dew.
The little stars were the herring fish
That lived in that beautiful sea -
"Now cast your nets wherever you wish, -
Never afeard are we!"
So cried the stars to the fishermen three,
Wynken,
Blynken,
And Nod.
All night long their nets they threw
To the stars in the twinkling foam, -
Then down from the skies came the wooden shoe,
Bringing the fishermen home:
'Twas all so pretty a sail, it seemed
As if it could not be;
And some folk thought 'twas a dream they'd dreamed
Of sailing that beautiful sea;
But I shall name you the fishermen three:
Wynken,
Blynken,
And Nod.
Wynken and Blynken are two little eyes,
And Nod is a little head,
And the wooden shoe that sailed the skies
Is a wee one's trundle-bed;
So shut your eyes while Mother sings
Of wonderful sights that be,
And you shall see the beautiful things
As you rock in the misty sea
Where the old shoe rocked the fishermen three: -
Wynken,
Blynken,
And Nod.
Eugene Field [1850-1895]
THE SUGAR-PLUM TREE
Have you ever heard of the Sugar-Plum Tree?
'Tis a marvel of great renown!
It blooms on the shore of the Lollypop sea
In the garden of Shut-Eye Town;
The fruit that it bears is so wondrously sweet
(As those who have tasted it say)
That good little children have only to eat
Of that fruit to be happy next day.
When you've got to the tree, you would have a hard time
To capture the fruit which I sing;
The tree is so tall that no person could climb
To the boughs where the sugar-plums swing!
But up in that tree sits a chocolate cat,
And a gingerbread dog prowls below -
And this is the way you contrive to get at
Those sugar-plums tempting you so:
You say but the word to that gingerbread dog
And he barks with such terrible zest
That the chocolate cat is at once all agog,
As her swelling proportions attest.
And the chocolate cat goes cavorting around
From this leafy limb unto that,
And the sugar-plums tumble, of course, to the ground -
Hurrah for that chocolate cat!
There are marshmallows, gumdrops, and peppermint canes,
With stripings of scarlet or gold,
And you carry away of the treasure that rains,
As much as your apron can hold!
So come, little child, cuddle closer to me
In your dainty white nightcap and gown,
And I'll rock you away to that Sugar-Plum Tree
In the garden of Shut-Eye Town.
Eugene Field [1850-1895]
WHEN THE SLEEPY MAN COMES
When the Sleepy Man comes with the dust on his eyes,
(Oh, weary, my Dearie, so weary!)
He shuts up the earth, and he opens the skies.
(So hush-a-by, weary my Dearie!)
He smiles through his fingers, and shuts up the sun;
(Oh, weary, my Dearie, so weary!)
The stars that he loves he lets out one by one.
(So hush-a-by, weary my Dearie!)
He comes from the castles of Drowsy-boy Town;
(Oh, weary, my Dearie, so weary!)
At the touch of his hand the tired eyelids fall down.
(So hush-a-by, weary my Dearie!)
He comes with a murmur of dream in his wings;
(Oh, weary, my Dearie, so weary!)
And whispers of mermaids and wonderful things.
(So hush-a-by, weary my Dearie!)
Then the top is a burden, the bugle a bane;
(Oh, weary, my Dearie, so weary!)
When one would be faring down Dream-a-way Lane.
(So hush-a-by, weary my Dearie!)
When one would be wending in Lullaby Wherry,
(Oh, weary, my Dearie, so weary!)
To Sleepy Man's Castle, by Comforting Ferry.
(So hush-a-by, weary my Dearie!)
Charles G. D. Roberts [1860-
AULD DADDY DARKNESS
Auld Daddy Darkness creeps frae his hole, Black as a blackamoor, blin' as a mole: Stir the fire till it lowes, let the bairnie sit, Auld Daddy Darkness is no wantit yit.
See him in the corners hidin' frae the licht, See him at the window gloomin' at the nicht; Turn up the gas licht, close the shutters a', An' Auld Daddy Darkness will flee far awa'.
Awa' to hide the birdie within its cosy nest, Awa' to lap the wee flooers on their mither's breast, Awa' to loosen Gaffer Toil frae his daily ca', For Auld Daddy Darkness is kindly to a'.
He comes when we're weary to wean's frae oor waes, He comes when the bairnies are getting aff their claes; To cover them sae cosy, an' bring bonnie dreams, So Auld Daddy Darkness is better than he seems.
Steek yer een, my wee tot, ye'll see Daddy then; He's in below the bed claes, to cuddle ye he's fain; Noo nestle to his bosie, sleep and dream yer fill, Till Wee Davie Daylicht comes keekin' owre the hill.
James Ferguson [18 - ?]
WILLIE WINKIE
Wee Willie Winkie rins through the town, Upstairs and doon stairs, in his nicht-gown, Tirlin' at the window, cryin' at the lock, "Are the weans in their bed? - for it's noo ten o'clock."
Hey, Willie Winkie! are ye comin' ben?
The cat's singin' gay thrums to the sleepin' hen,
The doug's speldered on the floor, and disna gie a cheep;
But here's a waukrife laddie, that winna fa' asleep.
Onything but sleep, ye rogue! - glowrin' like the moon, Rattlin' in an airn jug wi' an airn spoon, Rumblin', tumblin' roun' about, crawin' like a cock, Skirlin' like a kenna-what - wauknin' sleepin' folk!
Hey, Willie Winkie! the wean's in a creel! Waumblin' aff a bodie's knee like a vera eel, Ruggin' at the cat's lug, and ravellin' a' her thrums: Hey, Willie Winkie! - See, there he comes!
William Miller [1810-1872]
THE SANDMAN
The rosy clouds float overhead,
The sun is going down;
And now the sandman's gentle tread
Comes stealing through the town.
"White sand, white sand," he softly cries,
And as he shakes his hand,
Straightway there lies on babies' eyes
His gift of shining sand.
Blue eyes, gray eyes, black eyes, and brown,
As shuts the rose, they softly close, when he goes through the town.
From sunny beaches far away -
Yes, in another land -
He gathers up at break of day
His stone of shining sand.
No tempests beat that shore remote,
No ships may sail that way;
His little boat alone may float
Within that lovely bay.
Blue eyes, gray eyes, black eyes, and brown,
As shuts the rose, they softly close, when he goes through the town.
He smiles to see the eyelids close
Above the happy eyes;
And every child right well he knows, -
Oh, he is very wise!
But if, as he goes through the land,
A naughty baby cries,
His other hand takes dull gray sand
To close the wakeful eyes.
Blue eyes, gray eyes, black eyes, and brown,
As shuts the rose, they softly close, when he goes through the town.
So when you hear the sandman's song
Sound through the twilight sweet,
Be sure you do not keep him long
A-waiting in the street.
Lie softly down, dear little head,
Rest quiet, busy hands,
Till, by your bed his good-night said,
He strews the shining sands.
Blue eyes, gray eyes, black eyes, and brown,
As shuts the rose, they softly close, when he goes through the town.
Margaret Thomson Janvier [1845-1913]
THE DUSTMAN
When the toys are growing weary,
And the twilight gathers in;
When the nursery still echoes
With the children's merry din;
Then unseen, unheard, unnoticed
Comes an old man up the stair,
Lightly to the children passes,
Lays his hand upon their hair.
Softly smiles the good old Dustman;
In their eyes the dust he throws,
Till their little heads are falling,
And their weary eyes must close.
Then the Dustman very gently
Takes each little dimpled hand
Leads them through the sweet green shadows,
Far away in slumberland.
Frederic Edward Weatherly [1848-1929]
SEPHESTIA'S LULLABY
From "Menaphon"
Weep not, my wanton, smile upon my knee;
When thou art old there's grief enough for thee.
Mother's wag, pretty boy,
Father's sorrow, father's joy;
When thy father first did see
Such a boy by him and me,
He was glad, I was woe;
Fortune changed made him so,
When he left his pretty boy,
Last his sorrow, first his joy.
Weep not, my wanton, smile upon my knee;
When thou art old there's grief enough for thee.
Streaming tears that never stint,
Like pearl-drops from a flint,
Fell by course from his eyes,
That one another's place supplies;
Thus he grieved in every part,
Tears of blood fell from his heart,
When he left his pretty boy,
Father's sorrow, father's joy.
Weep not, my wanton, smile upon my knee;
When thou art old there's grief enough for thee.
The wanton smiled, father wept,
Mother cried, baby leapt;
More he crowed, more we cried,
Nature could not sorrow hide:
He must go, he must kiss
Child and mother, baby bliss,
For he left his pretty boy,
Father's sorrow, father's joy.
Weep not, my wanton, smile upon my knee,
When thou art old there's grief enough for thee.
Robert Greene [1560?-1592]
"GOLDEN SLUMBERS KISS YOUR EYES"
From "Patient Grissel"
Golden slumbers kiss your eyes,
Smiles awake you when you rise.
Sleep, pretty wantons, do not cry,
And I will sing a lullaby.
Rock them, rock them, lullaby.
Care is heavy, therefore sleep you,
You are care, and care must keep you.
Sleep, pretty wantons, do not cry,
And I will sing a lullaby.
Rock them, rock them, lullaby.
Thomas Dekker [1570?-1641?]
"SLEEP, BABY, SLEEP"
Sleep, baby, sleep! what ails my dear,
What ails my darling thus to cry?
Be still, my child, and lend thine ear,
To hear me sing thy lullaby.
My pretty lamb, forbear to weep;
Be still, my dear; sweet baby, sleep.
Thou blessed soul, what canst thou fear?
What thing to thee can mischief do?
Thy God is now thy father dear,
His holy Spouse thy mother too.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Though thy conception was in sin,
A sacred bathing thou hast had;
And though thy birth unclean hath been,
A blameless babe thou art now made.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
While thus thy lullaby I sing,
For thee great blessings ripening be;
Thine Eldest Brother is a king,
And hath a kingdom bought for thee.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Sweet baby, sleep, and nothing fear;
For whosoever thee offends
By thy protector threatened are,
And God and angels are thy friends.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
When God with us was dwelling here,
In little babes He took delight;
Such innocents as thou, my dear,
Are ever precious in His sight.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
A little infant once was He;
And strength in weakness then was laid
Upon His Virgin Mother's knee,
That power to thee might be conveyed.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
In this thy frailty and thy need
He friends and helpers doth prepare,
Which thee shall cherish, clothe, and feed,
For of thy weal they tender are.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
The King of Kings when He was born,
Had not so much for outward ease;
By Him such dressings were not worn,
Nor such like swaddling-clothes as these.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby sleep.
Within a manger lodged thy Lord,
Where oxen lay and asses fed:
Warm rooms we do to thee afford,
An easy cradle for a bed.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
The wants that He did then sustain
Have purchased wealth, my babe, for thee,
And by His torments and His pain
Thy rest and ease secured be.
My baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
Thou hast, yet more, to perfect this
A promise and an earnest got
Of gaining everlasting bliss,
Though thou, my babe, perceiv'st it not.
Sweet baby, then forbear to weep;
Be still, my babe; sweet baby, sleep.
George Wither [1588-1667]
MOTHER'S SONG
My heart is like a fountain true
That flows and flows with love to you.
As chirps the lark unto the tree
So chirps my pretty babe to me.
And it's O! sweet, sweet! and a lullaby.
There's not a rose where'er I seek,
As comely as my baby's cheek.
There's not a comb of honey-bee,
So full of sweets as babe to me.
And it's O! sweet, sweet! and a lullaby.
There's not a star that shines on high,
Is brighter than my baby's eye.
There's not a boat upon the sea,
Can dance as baby does to me.
And it's O! sweet, sweet! and a lullaby.
No silk was ever spun so fine
As is the hair of baby mine.
My baby smells more sweet to me
Than smells in spring the elder tree.
And it's O! sweet, sweet! and a lullaby.
A little fish swims in the well,
So in my heart does baby dwell.
A little flower blows on the tree,
My baby is the flower to me.
And it's O! sweet, sweet! and a lullaby.
The Queen has sceptre, crown and ball,
You are my sceptre, crown and all.
For all her robes of royal silk,
More fair your skin, as white as milk.
And it's O! sweet, sweet! and a lullaby.
Ten thousand parks where deer do run,
Ten thousand roses in the sun,
Ten thousand pearls beneath the sea,
My babe more precious is to me.
And it's O! sweet, sweet! and a lullaby.
Unknown
A LULLABY
Upon my lap my sovereign sits
And sucks upon my breast;
Meanwhile his love sustains my life
And gives my body rest.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!
When thou hast taken thy repast,
Repose, my babe, on me;
So may thy mother and thy nurse
Thy cradle also be.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!
I grieve that duty doth not work
All that my wishing would,
Because I would not be to thee
But in the best I should.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!
Yet as I am, and as I may,
I must and will be thine,
Though all too little for thy self
Vouchsafing to be mine.
Sing lullaby, my little boy,
Sing lullaby, mine only joy!
Richard Rowlands [fl. 1565-1620]
A CRADLE HYMN
Hush! my dear, lie still and slumber,
Holy angels guard thy bed!
Heavenly blessings without number
Gently falling on thy head.
Sleep, my babe; thy food and raiment,
House and home, thy friends provide;
All without thy care or payment:
All thy wants are well supplied.
How much better thou'rt attended
Than the Son of God could be,
When from heaven He descended
And became a child like thee!
Soft and easy is thy cradle:
Coarse and hard thy Saviour lay,
When His birthplace was a stable
And His softest bed was hay.
Blessed babe! what glorious features -
Spotless fair, divinely bright!
Must He dwell with brutal creatures?
How could angels bear the sight?
Was there nothing but a manger
Cursed sinners could afford
To receive the heavenly stranger?
Did they thus affront their Lord?
Soft, my child: I did not chide thee,
Though my song might sound too hard;
'Tis thy mother sits beside thee,
And her arms shall be thy guard.
Yet to read the shameful story
How the Jews abused their King,
How they served the Lord of Glory,
Makes me angry while I sing.
See the kinder shepherds round Him,
Telling wonders from the sky!
Where they sought Him, there they found Him,
With His Virgin mother by.
See the lovely babe a-dressing;
Lovely infant, how He smiled!
When He wept, the mother's blessing
Soothed and hushed the holy child.
Lo, He slumbers in His manger,
Where the horned oxen fed;
Peace, my darling; here's no danger,
Here's no ox anear thy bed.
'Twas to save thee, child, from dying,
Save my dear from burning flame,
Bitter groans and endless crying,
That thy blest Redeemer came.
May'st thou live to know and fear Him,
Trust and love Him all thy days;
Then go dwell forever near Him,
See His face, and sing His praise!
Isaac Watts [1674-1748]
CRADLE SONG
Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.
Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.
As thy softest limbs I feel
Smiles as of the morning steal
O'er thy cheek, and o'er thy breast
Where thy little heart doth rest.
O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.
William Blake [1757-1827]
LULLABY
Baloo, loo, lammy, now baloo, my dear,
Does wee lammy ken that its daddy's no here?
Ye're rocking full sweetly on mammy's warm knee,
But daddy's a-rocking upon the salt sea.
Now hushaby, lammy, now hushaby, dear;
Now hushaby, lammy, for mother is near.
The wild wind is raving, and mammy's heart's sair;
The wild wind is raving, and ye dinna care.
Sing baloo, loo, lammy, sing baloo, my dear; Sing baloo, loo, lammy, for mother is here. My wee bairnie's dozing, it's dozing now fine, And O may its wakening be blither than mine!
Carolina Nairne [1763-1845]
LULLABY OF AN INFANT CHIEF
O, hush thee, my babie, thy sire was a knight, Thy mother a lady, both lovely and bright; The woods and the glens, from the towers which we see, They are all belonging, dear babie, to thee. O ho ro, i ri ri, cadul gu lo.
O, fear not the bugle, though loudly it blows, It calls but the warders that guard thy repose; Their bows would be bended, their blades would be red, Ere the step of a foeman draws near to thy bed. O ho ro, i ri ri, cadul gu lo.
O, hush thee, my babie, the time soon will come, When thy sleep shall be broken by trumpet and drum; Then hush thee, my darling, take rest while you may, For strife comes with manhood, and waking with day. O ho ro, i ri ri, cadul gu lo.
Walter Scott [1771-1832]
GOOD-NIGHT
Little baby, lay your head
On your pretty cradle-bed;
Shut your eye-peeps, now the day
And the light are gone away;
All the clothes are tucked in tight;
Little baby dear, good-night.
Yes, my darling, well I know
How the bitter wind doth blow;
And the winter's snow and rain
Patter on the window-pane:
But they cannot come in here,
To my little baby dear;
For the window shutteth fast,
Till the stormy night is past;
And the curtains warm are spread
Round about her cradle bed:
So till morning shineth bright,
Little baby dear, good-night.
Jane Taylor [1783-1824]
"LULLABY, O LULLABY"
Lullaby! O lullaby!
Baby, hush that little cry!
Light is dying,
Bats are flying,
Bees to-day with work have done;
So, till comes the morrow's sun,
Let sleep kiss those bright eyes dry!
Lullaby! O lullaby.
Lullaby! O lullaby!
Hushed are all things far and nigh;
Flowers are closing,
Birds reposing,
All sweet things with life are done.
Sweet, till dawns the morning sun,
Sleep, then kiss those blue eyes dry.
Lullaby! O lullaby!
William Cox Bennett [1820-1895]
LULLABY
From "The Princess"
Sweet and low, sweet and low,
Wind of the western sea,
Low, low, breathe and blow,
Wind of the western sea!
Over the rolling waters go,
Come from the dying moon, and blow,
Blow him again to me;
While my little one, while my pretty one, sleeps.
Sleep and rest, sleep and rest,
Father will come to thee soon;
Rest, rest, on mother's breast,
Father will come to thee soon;
Father will come to his babe in the nest,
Silver sails all out of the west
Under the silver moon:
Sleep, my little one, sleep, my pretty one, sleep.
Alfred Tennyson [1809-1892]
THE COTTAGER TO HER INFANT
The days are cold, the nights are long,
The north-wind sings a doleful song;
Then hush again upon my breast;
All merry things are now at rest,
Save thee, my pretty love!
The kitten sleeps upon the hearth;
The crickets long have ceased their mirth;
There's nothing stirring in the house
Save one wee, hungry, nibbling mouse;
Then why so busy thou?
Nay! start not at that sparkling light;
'Tis but the moon that shines so bright
On the window-pane bedropped with rain:
There, little darling! sleep again,
And wake when it is day!
Dorothy Wordsworth [1804-1847]
TROT, TROT!
Every evening Baby goes
Trot, trot, to town,
Across the river, through the fields,
Up hill and down.
Trot, trot, the Baby goes,
Up hill and down,
To buy a feather for her hat,
To buy a woolen gown.
Trot, trot, the Baby goes;
The birds fly down, alack!
"You cannot have our feathers, dear,"
They say, "so please trot back."
Trot, trot, the Baby goes;
The lambs come bleating near.
"You cannot have our wool," they say,
"But we are sorry, dear."
Trot, trot, the Baby goes,
Trot, trot, to town;
She buys a red rose for her hat,
She buys a cotton gown.
Mary F. Butts [1836-1902]
HOLY INNOCENTS
Sleep, little Baby, sleep;
The holy Angels love thee,
And guard thy bed, and keep
A blessed watch above thee.
No spirit can come near
Nor evil beast to harm thee:
Sleep, Sweet, devoid of fear
Where nothing need alarm thee.
The Love which doth not sleep,
The eternal Arms surround thee:
The Shepherd of the sheep
In perfect love hath found thee.
Sleep through the holy night,
Christ-kept from snare and sorrow,
Until thou wake to light
And love and warmth to-morrow.
Christina Georgina Rossetti [1830-1894]
LULLABY
From "The Mistress of the Manse"
Rockaby, lullaby, bees in the clover!
Crooning so drowsily, crying so low,
Rockaby, lullaby, dear little rover!
Down into wonderland,
Down to the under-land
Go, oh go!
Down into wonderland go!
Rockaby, lullaby, rain on the clover!
(Tears on the eyelids that waver and weep!)
Rockaby, lullaby - bending it over!
Down on the mother-world,
Down on the other world,
Sleep, oh sleep!
Down on the mother-world sleep!
Rockaby, lullaby, dew on the clover!
Dew on the eyes that will sparkle at dawn!
Rockaby, lullaby, dear little rover!
Into the stilly world,
Into the lily world,
Gone! oh gone!
Into the lily world gone!
Josiah Gilbert Holland [1819-1881]
CRADLE SONG
From "Bitter-Sweet"
What is the little one thinking about?
Very wonderful things, no doubt!
Unwritten history!
Unfathomed mystery!
Yet he laughs and cries, and eats and drinks,
And chuckles and crows, and nods and winks,
As if his head were as full of kinks
And curious riddles as any sphinx!
Warped by colic, and wet by tears,
Punctured by pins, and tortured by fears,
Our little nephew will lose two years;
And he'll never know
Where the summers go; -
He need not laugh, for he'll find it so!
Who can tell what a baby thinks?
Who can follow the gossamer links
By which the mannikin feels his way
Out from the shore of the great unknown,
Blind, and wailing, and alone,
Into the light of day? -
Out from the shore of the unknown sea,
Tossing in pitiful agony; -
Of the unknown sea that reels and rolls,
Specked with the barks of little souls, -
Barks that were launched on the other side,
And slipped from Heaven on an ebbing tide!
What does he think of his mother's eyes?
What does he think of his mother's hair?
What of the cradle-roof, that flies
Forward and backward through the air?
What does he think of his mother's breast,
Bare and beautiful, smooth and white,
Seeking it ever with fresh delight, -
Cup of his life, and couch of his rest?
What does he think when her quick embrace
Presses his hand and buries his face
Deep where the heart-throbs sink and swell
With a tenderness she can never tell,
Though she murmur the words
Of all the birds, -
Words she has learned to murmur well?
Now he thinks he'll go to sleep!
I can see the shadow creep
Over his eyes, in soft eclipse,
Over his brow, and over his lips,
Out to his little finger-tips!
Softly sinking, down he goes!
Down he goes! down he goes!
See! he is hushed in sweet repose!
Josiah Gilbert Holland [1819-1881]
AN IRISH LULLABY
I've found my bonny babe a nest
On Slumber Tree,
I'll rock you there to rosy rest,
Asthore Machree!
Oh, lulla lo! sing all the leaves
On Slumber Tree,
Till everything that hurts or grieves
Afar must flee.
I've put my pretty child to float
Away from me,
Within the new moon's silver boat
On Slumber Sea.
And when your starry sail is o'er
From Slumber Sea,
My precious one, you'll step to shore
On Mother's knee.
Alfred Perceval Graves [1846-1931]
CRADLE SONG
I
Lord Gabriel, wilt thou not rejoice
When at last a little boy's
Cheek lies heavy as a rose,
And his eyelids close?
Gabriel, when that hush may be,
This sweet hand all heedfully
I'll undo, for thee alone,
From his mother's own.
Then the far blue highways paven
With the burning stars of heaven,
He shall gladden with the sweet
Hasting of his feet -
Feet so brightly bare and cool,
Leaping, as from pool to pool;
From a little laughing boy
Splashing rainbow joy!
Gabriel, wilt thou understand
How to keep his hovering hand -
Never shut, as in a bond,
From the bright beyond? -
Nay, but though it cling and close
Tightly as a climbing rose,
Clasp it only so - aright,
Lest his heart take fright.
(Dormi, dormi tu:
The dusk is hung with blue.)
II
Lord Michael, wilt not thou rejoice
When at last a little boy's
Heart, a shut-in murmuring bee,
Turns him unto thee?
Wilt thou heed thine armor well -
To take his hand from Gabriel,
So his radiant cup of dream
May not spill a gleam?
He will take thy heart in thrall,
Telling o'er thy breastplate, all
Colors, in his bubbling speech,
With his hand to each.
(Dormi, dormi tu.
Sapphire is the blue:
Pearl and beryl, they are called,
Chrysoprase and emerald,
Sard and amethyst.
Numbered so, and kissed.)
Ah, but find some angel word
For thy sharp, subduing sword!
Yea, Lord Michael, make no doubt
He will find it out:
(Dormi, dormi tu!
His eyes will look at you.)
III
Last, a little morning space,
Lead him to that leafy place
Where Our Lady sits awake,
For all mothers' sake.
Bosomed with the Blessed One,
He shall mind her of her Son,
Once so folded from all harms,
In her shrining arms.
(In her veil of blue,
Dormi, dormi tu.)
So; - and fare thee well.
Softly, - Gabriel . . .
When the first faint red shall come,
Bid the Day-star lead him home,
For the bright world's sake -
To my heart, awake.
Josephine Preston Peabody [1874-1922]
MOTHER-SONG FROM "PRINCE LUCIFER"
White little hands!
Pink little feet!
Dimpled all over,
Sweet, sweet, sweet!
What dost thou wail for?
The unknown? the unseen?
The ills that are coming,
The joys that have been?
Cling to me closer,
Closer and closer,
Till the pain that is purer
Hath banished the grosser.
Drain, drain at the stream, love,
Thy hunger is freeing,
That was born in a dream, love,
Along with thy being!
Little fingers that feel
For their home on my breast,
Little lips that appeal
For their nurture, their rest!
Why, why dost thou weep, dear?
Nay, stifle thy cries,
Till the dew of thy sleep, dear,
Lies soft on thine eyes.
Alfred Austin [1835-1913]
KENTUCKY BABE
'Skeeters am a hummin' on de honeysuckle vine, -
Sleep, Kentucky Babe!
Sandman am a comin' to dis little coon of mine, -
Sleep, Kentucky Babe!
Silv'ry moon am shinin' in de heabens up above,
Bobolink am pinin' fo' his little lady love:
Yo' is mighty lucky,
Babe of old Kentucky, -
Close yo' eyes in sleep.
Fly away,
Fly away, Kentucky Babe, fly away to rest,
Fly away,
Lay yo' kinky, woolly head on yo' mammy's breast, -
Um - Um -,
Close yo' eyes in sleep.
Daddy's in de cane-brake wid his little dog and gun, -
Sleep, Kentucky Babe!
'Possum fo' yo' breakfast when yo' sleepin' time is done, -
Sleep, Kentucky Babe!
Bogie man'll catch yo' sure unless yo' close yo' eyes,
Waitin' jes outside de doo' to take yo' by surprise:
Bes' be keepin' shady,
Little colored lady, -
Close yo' eyes in sleep.
Richard Henry Buck [1869-
MINNIE AND WINNIE
Minnie and Winnie slept in a shell.
Sleep, little ladies! And they slept well.
Pink was the shell within, silver without; Sounds of the great sea wandered about.
Sleep, little ladies! Wake not soon!
Echo on echo dies to the moon.
Two bright stars peeped into the shell. "What are they dreaming of? Who can tell?"
Started a green linnet out of the croft; Wake, little ladies! The sun is aloft.
Alfred Tennyson [1809-1892]
BED-TIME SONG
Sleep, my baby, while I sing
Bed-time news of everything.
Chickens run to mother hen;
Piggy curls up in the pen.
In the field, all tired with play,
Quiet now the lambkins stay.
Kittens cuddle in a heap -
Baby, too, must go to sleep!
Sleep, my baby, while I sing
Bed-time news of everything.
Now the cows from pasture come;
Bees fly home with drowsy hum.
Little birds are in the nest,
Under mother-bird's soft breast.
Over all soft shadows creep -
Baby now must go to sleep.
Sleep, my baby, while I sing
Bed-time news of everything.
Sleepy flowers seem to nod,
Drooping toward the dewy sod;
While the big sun's fading light
Bids my baby dear good-night.
Mother loving watch will keep;
Baby now must go to sleep.
Emilie Poulsson [1853-
TUCKING THE BABY IN
The dark-fringed eyelids slowly close
On eyes serene and deep;
Upon my breast my own sweet child
Has gently dropped to sleep;
I kiss his soft and dimpled cheek,
I kiss his rounded chin,
Then lay him on his little bed,
And tuck my baby in.
How fair and innocent he lies;
Like some small angel strayed,
His face still warmed by God's own smile,
That slumbers unafraid;
Or like some new embodied soul,
Still pure from taint of sin -
My thoughts are reverent as I stoop
To tuck my baby in.
What toil must stain these tiny hands
That now lie still and white?
What shadows creep across the face
That shines with morning light?
These wee pink shoeless feet - how far
Shall go their lengthening tread,
When they no longer cuddled close
May rest upon this bed?
O what am I that I should train
An angel for the skies;
Or mix the potent draught that feeds
The soul within these eyes?
I reach him up to the sinless Hands
Before his cares begin, -
Great Father, with Thy folds of love,
O tuck my baby in.
Curtis May [18 -
"JENNY WI' THE AIRN TEETH"
What a plague is this o' mine,
Winna steek an e'e;
Though I hap him o'er the heid,
As cosy as can be.
Sleep an' let me to my wark -
A' thae claes to airn -
Jenny wi' the airn teeth,
Come an' tak' the bairn!
Tak' him to your ain den,
Whaur the bogie bides,
But first put baith your big teeth
In his wee plump sides;
Gie your auld gray pow a shake,
Rive him frae my grup,
Tak' him whaur nae kiss is gaun
When he waukens up.
Whatna noise is that I hear
Coomin' doon the street?
Weel I ken the dump, dump,
O' her beetle feet;
Mercy me! she's at the door!
Hear her lift the sneck;
Wheesht, an' cuddle mammy noo,
Closer roun' the neck.
Jenny wi' the airn teeth,
The bairn has aff his claes;
Sleepin' safe an' soun', I think -
Dinna touch his taes.
Sleepin' bairns are no for you,
Ye may turn aboot,
An' tak' awa' wee Tam next door -
I hear him screichin' oot.
Dump, dump, awa' she gangs
Back the road she cam',
I hear her at the ither door,
Speirin' after Tam;
He's a crabbit, greetin' thing -
The warst in a' the toon,
Little like my ain wee wean -
Losh, he's sleepin' soun'!
Mithers hae an awfu' wark
Wi' their bairns at nicht,
Chappin' on the chair wi' tangs,
To gie the rogues a fricht;
Aulder bairns are fleyed wi' less,
Weel eneuch we ken,
Bigger bogies, bigger Jennies,
Frichten muckle men.
Alexander Anderson [1845-1909]
CUDDLE DOON
The bairnies cuddle doon at nicht
Wi' muckie faucht an' din,
"O, try an' sleep, ye waukrife rogues,
Your father's comin' in."
They never heed a word I speak;
I try to gie a froon,
But aye I hap them up, an' cry,
"O bairnies, cuddle doon."
Wee Jamie wi' the curly heid -
He aye sleeps next the wa' -
Bangs up an' cries, "I want a piece;"
The rascal starts them a'.
I rin an' fetch them pieces, drinks,
They stop awee the soun';
Then draw the blankets up an' cry,
"Noo, weanies, cuddle doon."
But ere five minutes gang, wee Rab
Cries oot, frae 'neath the claes,
"Mither, mak' Tam gie ower at once -
He's kittlin' wi' his taes."
The mischief's in that Tam for tricks,
He'd bother half the toon;
But aye I hap them up an' cry,
"O bairnies, cuddle doon."
At length they hear their father's fit,
An', as he steeks the door,
They turn their faces to the wa',
While Tam pretends to snore.
"Hae a' the weans been gude?" he asks,
As he pits aff his shoon;
"The bairnies, John, are in their beds,
An' lang since cuddled doon."
An' just afore we bed oorsel's,
We look at oor wee lambs;
Tam has his airm roun' wee Rab's neck,
An' Rab his airm roun' Tam's.
I lift wee Jamie up the bed,
An' as I straik each croon,
I whisper, till my heart fills up,
"O bairnies, cuddle doon."
The bairnies cuddle doon at nicht
Wi' mirth that's dear to me;
But sune the big warl's cark an' care
Will quaten doon their glee.
Yet, come what will to ilka ane,
May He who sits aboon
Aye whisper, though their pows be bauld,
"O bairnies, cuddle doon."
Alexander Anderson [1845-1909]
BEDTIME
'Tis bedtime; say your hymn, and bid "Good-night; God bless Mamma, Papa, and dear ones all." Your half-shut eyes beneath your eyelids fall, Another minute, you will shut them quite. Yes, I will carry you, put out the light, And tuck you up, although you are so tall! What will you give me, sleepy one, and call My wages, if I settle you all right?
I laid her golden curls upon my arm,
I drew her little feet within my hand,
Her rosy palms were joined in trustful bliss,
Her heart next mine beat gently, soft and warm
She nestled to me, and, by Love's command,
Paid me my precious wages - "Baby's Kiss."
Francis Robert St. Clair Erskine [1833-1890]
THE DUTY OF CHILDREN
HAPPY THOUGHT
The world is so full of a number of things, I'm sure we should all be as happy as kings.
Robert Louis Stevenson [1850-1894]
WHOLE DUTY OF CHILDREN
A child should always say what's true
And speak when he is spoken to,
And behave mannerly at table;
At least as far as he is able.
Robert Louis Stevenson [1850-1894]
POLITENESS
Good little boys should never say
"I will," and "Give me these";
O, no! that never is the way,
But "Mother, if you please."
And "If you please," to Sister Ann
Good boys to say are ready;
And, "Yes, sir," to a Gentleman,
And, "Yes, ma'am," to a Lady.
Elizabeth Turner [ ? -1846]
RULES OF BEHAVIOR
Hearts, like doors, will ope with ease
To very, very little keys,
And don't forget that two of these
Are "I thank you" and "If you please."
Come when you're called,
Do what you're bid,
Close the door after you,
Never be chid.
Seldom "can't,"
Seldom "don't;"
Never "shan't,"
Never "won't."
LITTLE FRED
When little Fred
Was called to bed,
He always acted right;
He kissed Mama,
And then Papa,
And wished them all good-night.
He made no noise,
Like naughty boys,
But gently up the stairs
Directly went,
When he was sent,
And always said his prayers.
THE LOVABLE CHILD
Frisky as a lambkin,
Busy as a bee -
That's the kind of little girl
People like to see.
Modest as a violet,
As a rosebud sweet -
That's the kind of little girl
People like to meet.
Bright as is a diamond,
Pure as any pearl -
Everyone rejoices in
Such a little girl.
Happy as a robin,
Gentle as a dove -
That's the kind of little girl
Everyone will love.
Fly away and seek her,
Little song of mine,
For I choose that very girl
As my Valentine.
Emilie Poulsson [1853-
GOOD AND BAD CHILDREN
Children, you are very little,
And your bones are very brittle;
If you would grow great and stately,
You must try to walk sedately.
You must still be bright and quiet,
And content with simple diet;
And remain, through all bewild'ring,
Innocent and honest children.
Happy hearts and happy faces,
Happy play in grassy places -
That was how, in ancient ages,
Children grew to kings and sages.
But the unkind and the unruly,
And the sort who eat unduly,
They must never hope for glory -
Theirs is quite a different story!
Cruel children, crying babies,
All grow up as geese and gabies,
Hated, as their age increases,
By their nephews and their nieces.
Robert Louis Stevenson [1850-1894]
REBECCA'S AFTER-THOUGHT
Yesterday, Rebecca Mason,
In the parlor by herself,
Broke a handsome china basin,
Placed upon the mantel-shelf.
Quite alarmed, she thought of going
Very quietly away,
Not a single person knowing,
Of her being there that day.
But Rebecca recollected
She was taught deceit to shun;
And the moment she reflected,
Told her mother what was done;
Who commended her behavior,
Loved her better, and forgave her.
Elizabeth Turner [ ? -1846]
KINDNESS TO ANIMALS
Little children, never give
Pain to things that feel and live;
Let the gentle robin come
For the crumbs you save at home, -
As his meat you throw along
He'll repay you with a song;
Never hurt the timid hare
Peeping from her green grass lair,
Let her come and sport and play
On the lawn at close of day;
The little lark goes soaring high
To the bright windows of the sky,
Singing as if 'twere always spring,
And fluttering on an untired wing, -
Oh! let him sing his happy song,
Nor do these gentle creatures wrong.
A RULE FOR BIRDS' NESTERS
The robin and the red-breast,
The sparrow and the wren;
If ye take out o' their nest,
Ye'll never thrive again!
The robin and the red-breast,
The martin and the swallow;
If ye touch one o' their eggs,
Bad luck will surely follow!
"SING ON, BLITHE BIRD"
I've plucked the berry from the bush, the brown nut from the tree, But heart of happy little bird ne'er broken was by me. I saw them in their curious nests, close couching, slyly peer With their wild eyes, like glittering beads, to note if harm were near; I passed them by, and blessed them all; I felt that it was good To leave unmoved the creatures small whose home was in the wood.
And here, even now, above my head, a lusty rogue doth sing; He pecks his swelling breast and neck, and trims his little wing. He will not fly; he knows full well, while chirping on that spray, I would not harm him for the world, or interrupt his lay. Sing on, sing on, blithe bird! and fill my heart with summer gladness; It has been aching many a day with measures full of sadness!
William Motherwell [1797-1835]
"I LIKE LITTLE PUSSY"
I like little Pussy, her coat is so warm; And if I don't hurt her she'll do me no harm. So I'll not pull her tail, nor drive her away, But Pussy and I very gently will play.
She shall sit by my side, and I'll give her some food; And she'll love me because I am gentle and good. I'll pat little Pussy and then she will purr, And thus show her thanks for my kindness to her.
I'll not pinch her ears, nor tread on her paw, Lest I should provoke her to use her sharp claw; I never will vex her, nor make her displeased, For Pussy can't bear to be worried or teased.
Jane Taylor [1783-1824]
LITTLE THINGS
Little drops of water,
Little grains of sand,
Make the mighty ocean
And the pleasant land.
So the little moments,
Humble though they be,
Make the mighty ages
Of eternity.
So our little errors
Lead the soul away
From the path of virtue,
Far in sin to stray.
Little deeds of kindness,
Little words of love,
Help to make earth happy
Like the heaven above.
Julia Fletcher Carney [1823-1908]
THE LITTLE GENTLEMAN
From "Little Derwent's Breakfast"
Take your meals, my little man,
Always like a gentleman;
Wash your face and hands with care,
Change your shoes, and brush your hair;
Then so fresh, and clean, and neat,
Come and take your proper seat:
Do not loiter and be late,
Making other people wait;
Do not rudely point or touch:
Do not eat and drink too much:
Finish what you have, before
You even ask, or send for more:
Never crumble or destroy
Food that others might enjoy;
They who idly crumbs will waste
Often want a loaf to taste!
Never spill your milk or tea,
Never rude or noisy be;
Never choose the daintiest food,
Be content with what is good:
Seek in all things that you can
To be a little gentleman.
THE CRUST OF BREAD
I must not throw upon the floor
The crust I cannot eat;
For many little hungry ones
Would think it quite a treat.
My parents labor very hard
To get me wholesome food;
Then I must never waste a bit
That would do others good.
For wilful waste makes woeful want,
And I may live to say,
Oh! how I wish I had the bread
That once I threw away!
"HOW DOTH THE LITTLE BUSY BEE"
How doth the little busy bee
Improve each shining hour,
And gather honey all the day
From every opening flower!
How skilfully she builds her cell!
How neat she spreads the wax!
And labors hard to store it well
With the sweet food she makes.
In works of labor or of skill,
I would be busy too;
For Satan finds some mischief still
For idle hands to do.
In books, or work, or healthful play,
Let my first years be passed,
That I may give for every day
Some good account at last.
Isaac Watts [1674-1748]
THE BROWN THRUSH
There's a merry brown thrush sitting up in the tree.
"He's singing to me! He's singing to me!"
And what does he say, little girl, little boy?
"Oh, the world's running over with joy!
Don't you hear? Don't you see?
Hush! Look! In my tree,
I'm as happy as happy can be!"
And the brown thrush keeps singing, "A nest do you see,
And five eggs, hid by me in the juniper-tree?
Don't meddle! Don't touch! little girl, little boy,
Or the world will lose some of its joy!
Now I'm glad! Now I'm free!
And I always shall be,
If you never bring sorrow to me."
So the merry brown thrush sings away in the tree,
To you and to me, to you and to me;
And he sings all the day, little girl, little boy,
"Oh, the world's running over with joy!
But long it won't be,
Don't you know? Don't you see?
Unless we're as good as can be."
Lucy Larcom [1824-1893]
THE SLUGGARD
'Tis the voice of a sluggard; I heard him complain, "You have waked me too soon; I must slumber again"; As the door on its hinges, so he on his bed Turns his sides, and his shoulders, and his heavy head.
"A little more sleep, and a little more slumber"; Thus he wastes half his days, and his hours without number; And when he gets up, he sits folding his hands Or walks about saunt'ring, or trifling he stands.
I passed by his garden, and saw the wild brier The thorn and the thistle grow broader and higher; The clothes that hang on him are turning to rags; And his money still wastes till he starves or he begs.
I made him a visit, still hoping to find That he took better care for improving his mind; He told me his dreams, talked of eating and drinking. But he scarce reads his Bible, and never loves thinking.
Said I then to my heart, "Here's a lesson for me; That man's but a picture of what I might be; But thanks to my friends for their care in my breeding, Who taught me betimes to love working and reading."
Isaac Watts [1674-1748]
THE VIOLET
Down in a green and shady bed
A modest violet grew;
Its stalk was bent, it hung its head,
As if to hide from view.
And yet it was a lovely flower,
Its colors bright and fair;
It might have graced a rosy bower,
Instead of hiding there.
Yet there it was content to bloom,
In modest tints arrayed;
And there diffused a sweet perfume,
Within the silent shade.
Then let me to the valley go,
This pretty flower to see;
That I may also learn to grow
In sweet humility.
Jane Taylor [1783-1824]
DIRTY JIM
There was one little Jim,
'Tis reported of him,
And must be to his lasting disgrace,
That he never was seen
With hands at all clean,
Nor yet ever clean was his face.
His friends were much hurt
To see so much dirt,
And often they made him quite clean;
But all was in vain,
He got dirty again,
And not at all fit to be seen.
It gave him no pain
To hear them complain,
Nor his own dirty clothes to survey;
His indolent mind
No pleasure could find
In tidy and wholesome array.
The idle and bad,
Like this little lad,
May love dirty ways, to be sure;
But good boys are seen,
To be decent and clean,
Although they are ever so poor.
Jane Taylor [1783-1824]
THE PIN
"Dear me! what signifies a pin,
Wedged in a rotten board?
I'm certain that I won't begin,
At ten years old, to hoard;
I never will be called a miser,
That I'm determined," said Eliza.
So onward tripped the little maid,
And left the pin behind,
Which very snug and quiet lay,
To its hard fate resigned;
Nor did she think (a careless chit)
'Twas worth her while to stoop for it.
Next day a party was to ride,
To see an air balloon;
And all the company beside
Were dressed and ready soon;
But she a woeful case was in,
For want of just a single pin.
In vain her eager eyes she brings,
To every darksome crack;
There was not one, and yet her things
Were dropping off her back.
She cut her pincushion in two,
But no, not one had fallen through.
At last, as hunting on the floor,
Over a crack she lay,
The carriage rattled to the door,
Then rattled fast away;
But poor Eliza was not in,
For want of just - a single pin!
There's hardly anything so small,
So trifling or so mean,
That we may never want at all,
For service unforeseen;
And wilful waste, depend upon't,
Brings, almost always, woeful want!
Ann Taylor [1782-1866]
JANE AND ELIZA
There were two little girls, neither handsome nor plain, One's name was Eliza, the other's was Jane; They were both of one height, as I've heard people say, And both of one age, I believe, to a day.
'Twas fancied by some, who but slightly had seen them, There was not a pin to be chosen between them; But no one for long in this notion persisted, So great a distinction there really existed.
Eliza knew well that she could not be pleasing, While fretting and fuming, while sulking or teasing; And therefore in company artfully tried, Not to break her bad habits, but only to hide.
So, when she was out, with much labor and pain, She contrived to look almost as pleasant as Jane; But then you might see that, in forcing a smile, Her mouth was uneasy, and ached all the while.
And in spite of her care it would sometimes befall That some cross event happened to ruin it all; And because it might chance that her share was the worst, Her temper broke loose, and her dimples dispersed.
But Jane, who had nothing she wanted to hide, And therefore these troublesome arts never tried, Had none of the care and fatigue of concealing, But her face always showed what her bosom was feeling.
At home or abroad there was peace in her smile, A cheerful good nature that needed no guile. And Eliza worked hard, but could never obtain The affection that freely was given to Jane.
Ann Taylor [1782-1866]
MEDDLESOME MATTY
One ugly trick has often spoiled
The sweetest and the best;
Matilda, though a pleasant child,
One ugly trick possessed,
Which, like a cloud before the skies,
Hid all her better qualities.
Sometimes she'd lift the tea-pot lid,
To peep at what was in it;
Or tilt the kettle, if you did
But turn your back a minute.
In vain you told her not to touch,
Her trick of meddling grew so much.
Her grandmamma went out one day,
And by mistake she laid
Her spectacles and snuff-box gay
Too near the little maid;
"Ah! well," thought she, "I'll try them on,
As soon as grandmamma is gone."
Forthwith she placed upon her nose
The glasses large and wide;
And looking round, as I suppose,
The snuff-box too she spied:
"Oh! what a pretty box is that;
I'll open it," said little Matt.
"I know that grandmamma would say,
'Don't meddle with it, dear';
But then, she's far enough away,
And no one else is near:
Besides, what can there be amiss
In opening such a box as this?"
So thumb and finger went to work
To move the stubborn lid,
And presently a mighty jerk
The mighty mischief did;
For all at once, ah! woeful case,
The snuff came puffing in her face.
Poor eyes, and nose, and mouth, beside,
A dismal sight presented;
In vain, as bitterly she cried,
Her folly she repented.
In vain she ran about for ease;
She could do nothing now but sneeze.
She dashed the spectacles away,
To wipe her tingling eyes,
And as in twenty bits they lay,
Her grandmamma she spies.
"Heydey! and what's the matter now?"
Cried grandmamma, with lifted brow.
Matilda, smarting with the pain,
And tingling still, and sore,
Made many a promise to refrain
From meddling evermore.
And 'tis a fact, as I have heard,
She ever since has kept her word.
Ann Taylor [1782-1866]
CONTENTED JOHN
One honest John Tomkins, a hedger and ditcher, Although he was poor, did not want to be richer; For all such vain wishes in him were prevented By a fortunate habit of being contented.
Though cold were the weather, or dear were the food, John never was found in a murmuring mood; For this he was constantly heard to declare, - What he could not prevent he would cheerfully bear.
"For why should I grumble and murmur?" he said; "If I cannot get meat, I'll be thankful for bread; And, though fretting may make my calamities deeper, It can never cause bread and cheese to be cheaper."
If John was afflicted with sickness or pain, He wished himself better, but did not complain, Nor lie down to fret in despondence and sorrow, But said that he hoped to be better to-morrow.
If any one wronged him or treated him ill, Why, John was good-natured and sociable still; For he said that revenging the injury done Would be making two rogues when there need be but one.
And thus honest John, though his station was humble, Passed through this sad world without even a grumble; And I wish that some folks, who are greater and richer, Would copy John Tomkins, the hedger and ditcher.
Jane Taylor [1783-1824]
FRIENDS
How good to lie a little while
And look up through the tree!
The Sky is like a kind big smile
Bent sweetly over me.
The Sunshine flickers through the lace
Of leaves above my head,
And kisses me upon the face
Like Mother, before bed.
The Wind comes stealing o'er the grass
To whisper pretty things;
And though I cannot see him pass,
I feel his careful wings.
So many gentle Friends are near
Whom one can scarcely see,
A child should never feel a fear,
Wherever he may be.
Abbie Farwell Brown [1875-1927]
ANGER
Anger in its time and place
May assume a kind of grace.
It must have some reason in it,
And not last beyond a minute.
If to further lengths it go,
It does into malice grow.
'Tis the difference that we see
'Twixt the serpent and the bee.
If the latter you provoke,
It inflicts a hasty stroke,
Puts you to some little pain,
But it never stings again.
Close in tufted bush or brake
Lurks the poison-swelled snake
Nursing up his cherished wrath;
In the purlieus of his path,
In the cold, or in the warm,
Mean him good, or mean him harm,
Wheresoever fate may bring you,
The vile snake will always sting you.
Charles and Mary Lamb
"THERE WAS A LITTLE GIRL"
There was a little girl, who had a little curl
Right in the middle of her forehead,
And when she was good she was very, very good,
But when she was bad she was horrid.
She stood on her head, on her little trundle-bed,
With nobody by for to hinder;
She screamed and she squalled, she yelled and she bawled,
And drummed her little heels against the winder.
Her mother heard the noise, and thought it was the boys
Playing in the empty attic,
She rushed upstairs, and caught her unawares,
And spanked her, most emphatic.
Henry Wadsworth Longfellow [1807-1882]
THE REFORMATION OF GODFREY GORE
Godfrey Gordon Gustavus Gore -
No doubt you have heard the name before -
Was a boy who never would shut a door!
The wind might whistle, the wind might roar, And teeth be aching and throats be sore, But still he never would shut the door.
His father would beg, his mother implore,
"Godfrey Gordon Gustavus Gore,
We really do wish you would shut the door!"
Their hands they wrung, their hair they tore;
But Godfrey Gordon Gustavus Gore
Was deaf as the buoy out at the Nore.
When he walked forth the folks would roar,
"Godfrey Gordon Gustavus Gore,
Why don't you think to shut the door?"
They rigged out a Shutter with sail and oar, And threatened to pack off Gustavus Gore On a voyage of penance to Singapore.
But he begged for mercy, and said, "No more!
Pray do not send me to Singapore
On a Shutter, and then I will shut the door!"
"You will?" said his parents; "then keep on shore! But mind you do! For the plague is sore Of a fellow that never will shut the door, Godfrey Gordon Gustavus Gore!"
William Brighty Rands [1823-1882]
THE BEST FIRM
A pretty good firm is "Watch & Waite,"
And another is "Attit, Early & Layte;"
And still another is "Doo & Dairet;"
But the best is probably "Grinn & Barrett."
Walter G. Doty [1876-
A LITTLE PAGE'S SONG
(13th Century)
God's lark at morning I would be!
I'd set my heart within a tree
Close to His bed and sing to Him
Right merrily
A sunrise hymn.
At night I'd be God's troubadour!
Beneath His starry walls I'd pour
Across the moat such roundelays
He'd love me sure -
And maybe praise!
William Alexander Percy [1885-
HOW THE LITTLE KITE LEARNED TO FLY
"I never can do it," the little kite said,
As he looked at the others high over his head;
"I know I should fall if I tried to fly."
"Try," said the big kite; "only try!
Or I fear you never will learn at all."
But the little kite said, "I'm afraid I'll fall."
The big kite nodded: "Ah well, goodby;
I'm off;" and he rose toward the tranquil sky.
Then the little kite's paper stirred at the sight,
And trembling he shook himself free for flight.
First whirling and frightened, then braver grown,
Up, up he rose through the air alone,
Till the big kite looking down could see
The little one rising steadily.
Then how the little kite thrilled with pride,
As he sailed with the big kite side by side!
While far below he could see the ground,
And the boys like small spots moving round.
They rested high in the quiet air,
And only the birds and the clouds were there.
"Oh, how happy I am!" the little kite cried,
"And all because I was brave, and tried."
Unknown
THE BUTTERFLY AND THE BEE
Methought I heard a butterfly
Say to a laboring bee;
"Thou hast no colors of the sky
On painted wings like me."
"Poor child of vanity! those dyes,
And colors bright and rare,"
With mild reproof, the bee replies,
"Are all beneath my care."
"Content I toil from morn till eve,
And, scorning idleness,
To tribes of gaudy sloth I leave
The vanity of dress."
William Lisle Bowles [1762-1850]
THE BUTTERFLY
The butterfly, an idle thing,
Nor honey makes, nor yet can sing,
As do the bee and bird;
Nor does it, like the prudent ant,
Lay up the grain for times of want,
A wise and cautious hoard.
My youth is but a summer's day:
Then like the bee and ant I'll lay
A store of learning by;
And though from flower to flower I rove,
My stock of wisdom I'll improve,
Nor be a butterfly.
Adelaide O'Keefe [1776-1855]
MORNING
The lark is up to meet the sun,
The bee is on the wing,
The ant her labor has begun,
The woods with music ring.
Shall birds and bees and ants be wise,
While I my moments waste?
Oh, let me with the morning rise,
And to my duties haste.
Why should I sleep till beams of morn
Their light and glory shed?
Immortal beings were not born
To waste their time in bed.
Jane Taylor [1783-1824]
BUTTERCUPS AND DAISIES
Buttercups and daisies,
Oh, the pretty flowers;
Coming ere the spring time,
To tell of sunny hours,
While the trees are leafless,
While the fields are bare,
Buttercups and daisies
Spring up here and there.
Ere the snow-drop peepeth,
Ere the crocus bold,
Ere the early primrose
Opes its paly gold, -
Somewhere on the sunny bank
Buttercups are bright;
Somewhere midst the frozen grass
Peeps the daisy white.
Little hardy flowers,
Like to children poor,
Playing in their sturdy health
By their mother's door.
Purple with the north-wind,
Yet alert and bold;
Fearing not, and caring not,
Though they be a-cold!
What to them is winter!
What are stormy showers!
Buttercups and daisies
Are these human flowers!
He who gave them hardships
And a life of care,
Gave them likewise hardy strength
And patient hearts to bear.
Mary Howitt [1799-1888]
THE ANT AND THE CRICKET
A silly young cricket, accustomed to sing
Through the warm, sunny months of gay summer and spring,
Began to complain, when he found that at home
His cupboard was empty and winter was come.
Not a crumb to be found
On the snow-covered ground;
Not a flower could he see,
Not a leaf on a tree:
"Oh, what will become," says the cricket, "of me?"
At last by starvation and famine made bold,
All dripping with wet and all trembling with cold,
Away he set off to a miserly ant,
To see if, to keep him alive, he would grant
Him shelter from rain:
A mouthful of grain
He wished only to borrow,
He'd repay it to-morrow:
If not, he must die of starvation and sorrow.
Says the ant to the cricket, "I'm your servant and friend,
But we ants never borrow, we ants never lend;
But tell me, dear sir, did you lay nothing by
When the weather was warm?" Said the cricket, "Not I.
My heart was so light
That I sang day and night,
For all nature looked gay."
"You sang, sir, you say?
Go then," said the ant, "and dance winter away."
Thus ending, he hastily lifted the wicket
And out of the door turned the poor little cricket.
Though this is a fable, the moral is good:
If you live without work, you must live without food.
Unknown
AFTER WINGS
This was your butterfly, you see, -
His fine wings made him vain:
The caterpillars crawl, but he
Passed them in rich disdain. -
My pretty boy says, "Let him be
Only a worm again!"
O child, when things have learned to wear
Wings once, they must be fain
To keep them always high and fair:
Think of the creeping pain
Which even a butterfly must bear
To be a worm again!
Sarah M. B. Piatt [1836-1919]
DEEDS OF KINDNESS
Suppose the little Cowslip
Should hang its golden cup
And say, "I'm such a little flower
I'd better not grow up!"
How many a weary traveller
Would miss its fragrant smell,
How many a little child would grieve
To lose it from the dell!
Suppose the glistening Dewdrop
Upon the grass should say,
"What can a little dewdrop do?
I'd better roll away!"
The blade on which it rested,
Before the day was done,
Without a drop to moisten it,
Would wither in the sun.
Suppose the little Breezes,
Upon a summer's day,
Should think themselves too small to cool
The traveller on his way:
Who would not miss the smallest
And softest ones that blow,
And think they made a great mistake
If they were acting so?
How many deed of kindness
A little child can do,
Although it has but little strength
And little wisdom too!
It wants a loving spirit
Much more than strength, to prove
How many things a child may do
For others by its love.
Epes Sargent [1813-1880]
THE LION AND THE MOUSE
A lion with the heat oppressed,
One day composed himself to rest:
But while he dozed as he intended,
A mouse, his royal back ascended;
Nor thought of harm, as Aesop tells,
Mistaking him for someone else;
And travelled over him, and round him,
And might have left him as she found him
Had she not - tremble when you hear -
Tried to explore the monarch's ear!
Who straightway woke, with wrath immense,
And shook his head to cast her thence.
"You rascal, what are you about?"
Said he, when he had turned her out,
"I'll teach you soon," the lion said,
"To make a mouse-hole in my head!"
So saying, he prepared his foot
To crush the trembling tiny brute;
But she (the mouse) with tearful eye,
Implored the lion's clemency,
Who thought it best at last to give
His little prisoner a reprieve.
'Twas nearly twelve months after this,
The lion chanced his way to miss;
When pressing forward, heedless yet,
He got entangled in a net.
With dreadful rage, he stamped and tore,
And straight commenced a lordly roar;
When the poor mouse, who heard the noise,
Attended, for she knew his voice.
Then what the lion's utmost strength
Could not effect, she did at length;
With patient labor she applied
Her teeth, the network to divide;
And so at last forth issued he,
A lion, by a mouse set free.
Few are so small or weak, I guess,
But may assist us in distress,
Nor shall we ever, if we're wise,
The meanest, or the least despise.
Jeffreys Taylor [1792-1853]
THE BOY AND THE WOLF
A little Boy was set to keep
A little flock of goats or sheep;
He thought the task too solitary,
And took a strange perverse vagary:
To call the people out of fun,
To see them leave their work and run,
He cried and screamed with all his might, -
"Wolf! wolf!" in a pretended fright.
Some people, working at a distance,
Came running in to his assistance.
They searched the fields and bushes round,
The Wolf was nowhere to be found.
The Boy, delighted with his game,
A few days after did the same,
And once again the people came.
The trick was many times repeated,
At last they found that they were cheated.
One day the Wolf appeared in sight,
The Boy was in a real fright,
He cried, "Wolf! wolf!" - the neighbors heard,
But not a single creature stirred.
"We need not go from our employ, -
'Tis nothing but that idle boy."
The little Boy cried out again,
"Help, help! the Wolf!" he cried in vain.
At last his master came to beat him.
He came too late, the Wolf had eat him.
This shows the bad effect of lying,
And likewise of continual crying.
If I had heard you scream and roar,
For nothing, twenty times before,
Although you might have broke your arm,
Or met with any serious harm,
Your cries could give me no alarm;
They would not make me move the faster,
Nor apprehend the least disaster;
I should be sorry when I came,
But you yourself would be to blame.
John Hookham Frere [1769-1846]
THE STORY OF AUGUSTUS, WHO WOULD NOT HAVE ANY SOUP
Augustus was a chubby lad;
Fat, ruddy cheeks Augustus had;
And everybody saw with joy
The plump and hearty, healthy boy.
He ate and drank as he was told,
And never let his soup get cold.
But one day, one cold winter's day,
He screamed out - "Take the soup away!
O take the nasty soup away!
I won't have any soup to-day."
Next day begins his tale of woes;
Quite lank and lean Augustus grows.
Yet, though he feels so weak and ill,
The naughty fellow cries out still -
"Not any soup for me, I say:
O take the nasty soup away!
I won't have any soup to-day."
The third day comes; O what a sin!
To make himself so pale and thin.
Yet, when the soup is put on table,
He screams, as loud as he is able, -
"Not any soup for me, I say:
O take the nasty soup away!
I won't have any soup to-day."
Look at him, now the fourth day's come!
He scarcely weighs a sugar-plum;
He's like a little bit of thread,
And on the fifth day, he was - dead!
From the German of Heinrich Hoffman [1798-1874]
THE STORY OF LITTLE SUCK-A-THUMB
One day, mamma said: "Conrad dear,
I must go out and leave you here.
But mind now, Conrad, what I say,
Don't suck your thumb while I'm away.
The great tall tailor always comes
To little boys that suck their thumbs;
And ere they dream what he's about,
He takes his great sharp scissors out
And cuts their thumbs clean off, - and then,
You know, they never grow again."
Mamma had scarcely turned her back,
The thumb was in, alack! alack!
The door flew open, in he ran,
The great, long, red-legged scissors-man.
Oh, children, see! the tailor's come
And caught our little Suck-a-Thumb.
Snip! snap! snip! the scissors go;
And Conrad cries out - "Oh! oh! oh!"
Snip! snap! Snip! They go so fast,
That both his thumbs are off at last.
Mamma comes home; there Conrad stands,
And looks quite sad, and shows his hands; -
"Ah!" said mamma, "I knew he'd come
To naughty little Suck-a-Thumb."
From the German of Heinrich Hoffman [1798-1874]
WRITTEN IN A LITTLE LADY'S LITTLE ALBUM
Hearts good and true
Have wishes few
In narrow circles bounded,
And hope that lives
On what God gives
Is Christian hope well founded.
Small things are best;
Grief and unrest
To rank and wealth are given;
But little things
On little wings
Bear little souls to heaven.
Frederick William Faber [1814-1863]
MY LADY WIND
My Lady Wind, my Lady Wind,
Went round about the house to find
A chink to set her foot in;
She tried the keyhole in the door,
She tried the crevice in the floor,
And drove the chimney soot in.
And then one night when it was dark
She blew up such a tiny spark
That all the town was bothered;
From it she raised such flame and smoke
That many in great terror woke,
And many more were smothered.
And thus when once, my little dears,
A whisper reaches itching ears -
The same will come, you'll find:
Take my advice, restrain the tongue,
Remember what old nurse has sung
Of busy Lady Wind.
Unknown
TO A CHILD
Small service is true service while it lasts: Of humblest friends, bright creature! scorn not one: The daisy, by the shadow that it casts, Protects the lingering dewdrop from the sun.
William Wordsworth [1770-1850]
A FAREWELL
My fairest child, I have no song to give you; No lark could pipe to skies so dull and gray: Yet, if you will, one quiet hint I'll leave you For every day.
I'll tell you how to sing a clearer carol
Than lark who hails the dawn on breezy down;
To earn yourself a purer poet's laurel
Than Shakespeare's crown.
Be good, sweet maid, and let who will be clever; Do noble things, not dream them, all day long: And so make Life, and Death, and that For Ever One grand sweet song.
Charles Kingsley [1819-1875]
RHYMES OF CHILDHOOD
REEDS OF INNOCENCE
Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:
"Pipe a song about a lamb!"
So I piped with merry cheer.
"Piper, pipe that song again;"
So I piped: he wept to hear.
"Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!"
So I sang the same again,
While he wept with joy to hear.
"Piper, sit thee down and write
In a book that all may read."
So he vanished from my sight;
And I plucked a hollow reed,
And I made a rural pen,
And I stained the water clear,
And I wrote my happy songs
Every child may joy to hear.
William Blake [1757-1827]
THE WONDERFUL WORLD
Great, wide, beautiful, wonderful World, With the wonderful water round you curled, And the wonderful grass upon your breast, World, you are beautifully dressed.
The wonderful air is over me,
And the wonderful wind is shaking the tree -
It walks on the water, and whirls the mills,
And talks to itself on the tops of the hills.
You friendly Earth, how far do you go,
With the wheat-fields that nod and the rivers that flow,
With cities and gardens, and cliffs and isles,
And people upon you for thousands of miles?
Ah! you are so great, and I am so small,
I tremble to think of you, World, at all;
And yet, when I said my prayers to-day,
A whisper inside me seemed to say,
"You are more than the Earth, though you are such a dot:
You can love and think, and the Earth cannot!"
William Brighty Rands [1823-1882]
THE WORLD'S MUSIC
The world's a very happy place,
Where every child should dance and sing,
And always have a smiling face,
And never sulk for anything.
I waken when the morning's come,
And feel the air and light alive
With strange sweet music like the hum
Of bees about their busy hive.
The linnets play among the leaves
At hide-and-seek, and chirp and sing;
While, flashing to and from the eaves,
The swallows twitter on the wing.
The twigs that shake, and boughs that sway;
And tall old trees you could not climb;
And winds that come, but cannot stay,
Are gaily singing all the time.
From dawn to dark the old mill-wheel
Makes music, going round and round;
And dusty-white with flour and meal,
The miller whistles to its sound.
And if you listen to the rain
When leaves and birds and bees are dumb,
You hear it pattering on the pane
Like Andrew beating on his drum.
The coals beneath the kettle croon,
And clap their hands and dance in glee;
And even the kettle hums a tune
To tell you when it's time for tea.
The world is such a happy place,
That children, whether big or small,
Should always have a smiling face,
And never, never sulk at all.
Gabriel Setoun [1861-
A BOY'S SONG
Where the pools are bright and deep,
Where the gray trout lies asleep,
Up the river and over the lea,
That's the way for Billy and me.
Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest,
Where the nestlings chirp and flee,
That's the way for Billy and me.
Where the mowers mow the cleanest,
Where the hay lies thick and greenest,
There to track the homeward bee,
That's the way for Billy and me.
Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That's the way for Billy and me.
Why the boys should drive away
Little sweet maidens from the play,
Or love to banter and fight so well,
That's the thing I never could tell.
But this I know, I love to play
Through the meadow, among the hay;
Up the water and over the lea,
That's the way for Billy and me.
James Hogg [1770-1835]
GOING DOWN HILL ON A BICYCLE
A Boy's Song
With lifted feet, hands still,
I am poised, and down the hill
Dart, with heedful mind;
The air goes by in a wind.
Swifter and yet more swift,
Till the heart with a mighty lift
Makes the lungs laugh, the throat cry: -
"O bird, see; see, bird, I fly.
"Is this, is this your joy?
O bird, then I, though a boy,
For a golden moment share
Your feathery life in air!"
Say, heart, is there aught like this
In a world that is full of bliss?
'Tis more than skating, bound
Steel-shod to the level ground.
Speed slackens now, I float
Awhile in my airy boat;
Till, when the wheels scarce crawl,
My feet to the treadles fall.
Alas, that the longest hill
Must end in a vale; but still,
Who climbs with toil, wheresoe'er,
Shall find wings waiting there.
Henry Charles Beeching [1859-1919]
PLAYGROUNDS
In summer I am very glad
We children are so small,
For we can see a thousand things
That men can't see at all.
They don't know much about the moss
And all the stones they pass:
They never lie and play among
The forests in the grass:
They walk about a long way off;
And, when we're at the sea,
Let father stoop as best he can
He can't find things like me.
But, when the snow is on the ground
And all the puddles freeze,
I wish that I were very tall,
High up above the trees.
Laurence Alma-Tadema [18 -
"WHO HAS SEEN THE WIND?"
Who has seen the wind?
Neither I nor you:
But when the leaves hang trembling,
The wind is passing through.
Who has seen the wind?
Neither you nor I:
But when the trees bow down their heads,
The wind is passing by.
Christina Georgina Rossetti [1830-1894]
THE WIND'S SONG
O winds that blow across the sea,
What is the story that you bring?
Leaves clap their hands on every tree
And birds about their branches sing.
You sing to flowers and trees and birds
Your sea-songs over all the land.
Could you not stay and whisper words
A little child might understand?
The roses nod to hear you sing;
But though I listen all the day,
You never tell me anything
Of father's ship so far away.
Its masts are taller than the trees;
Its sails are silver in the sun;
There's not a ship upon the seas
So beautiful as father's one.
With wings spread out it flies so fast
It leaves the waves all white with foam.
Just whisper to me, blowing past,
If you have seen it sailing home.
I feel your breath upon my cheek,
And in my hair, and on my brow.
Dear winds, if you could only speak,
I know that you would tell me now.
My father's coming home, you'd say,
With precious presents, one, two, three;
A shawl for mother, beads for May,
And eggs and shells for Rob and me.
The winds sing songs where'er they roam;
The leaves all clap their little hands;
For father's ship is coming home
With wondrous things from foreign lands.
Gabriel Setoun [1861-
THE PIPER ON THE HILL
A Child's Song
There sits a piper on the hill
Who pipes the livelong day,
And when he pipes both loud and shrill,
The frightened people say:
"The wind, the wind is blowing up
'Tis rising to a gale."
The women hurry to the shore
To watch some distant sail.
The wind, the wind, the wind, the wind,
Is blowing to a gale.
But when he pipes all sweet and low,
The piper on the hill,
I hear the merry women go
With laughter, loud and shrill:
"The wind, the wind is coming south
'Twill blow a gentle day."
They gather on the meadow-land
To toss the yellow hay.
The wind, the wind, the wind, the wind,
Is blowing south to-day.
And in the morn, when winter comes,
To keep the piper warm,
The little Angels shake their wings
To make a feather storm:
"The snow, the snow has come at last!"
The happy children call,
And "ring around" they dance in glee,
And watch the snowflakes fall.
The wind, the wind, the wind, the wind,
Has spread a snowy pall.
But when at night the piper plays,
I have not any fear,
Because God's windows open wide
The pretty tune to hear;
And when each crowding spirit looks,
From its star window-pane,
A watching mother may behold
Her little child again.
The wind, the wind, the wind, the wind,
May blow her home again.
Dora Sigerson Shorter [1862-1918]
THE WIND AND THE MOON
Said the Wind to the Moon, "I will blow you out;
You stare
In the air
Like a ghost in a chair,
Always looking what I am about -
I hate to be watched; I'll blow you out."
The Wind blew hard, and out went the Moon.
So, deep
On a heap
Of clouds to sleep,
Down lay the Wind, and slumbered soon,
Muttering low, "I've done for that Moon."
He turned in his bed; she was there again!
On high
In the sky,
With her one ghost eye,
The Moon shone white and alive and plain.
Said the Wind, "I will blow you out again."
The Wind blew hard, and the Moon grew dim.
"With my sledge,
And my wedge,
I have knocked off her edge!
If only I blow right fierce and grim,
The creature will soon be dimmer than dim."
He blew and he blew, and she thinned to a thread.
"One puff
More's enough
To blow her to snuff!
One good puff more where the last was bred,
And glimmer, glimmer, glum will go the thread."
He blew a great blast, and the thread was gone.
In the air
Nowhere
Was a moonbeam bare;
Far off and harmless the shy stars shone -
Sure and certain the Moon was gone!
The Wind he took to his revels once more;
On down,
In town,
Like a merry-mad clown,
He leaped and halloed with whistle and roar -
"What's that?" The glimmering thread once more!
He flew in a rage - he danced and blew;
But in vain
Was the pain
Of his bursting brain;
For still the broader the Moon-scrap grew,
The broader he swelled his big cheeks and blew.
Slowly she grew - till she filled the night,
And shone
On her throne
In the sky alone,
A matchless, wonderful silvery light,
Radiant and lovely, the queen of the night.
Said the Wind: "What a marvel of power am I!
With my breath,
Good faith!
I blew her to death -
First blew her away right out of the sky -
Then blew her in; what strength have I!
But the Moon she knew nothing about the affair;
For high
In the sky,
With her one white eye,
Motionless, miles above the air,
She had never heard the great Wind blare.
George Macdonald [1824-1905]
CHILD'S SONG IN SPRING
The silver birch is a dainty lady,
She wears a satin gown;
The elm tree makes the old churchyard shady,
She will not live in town.
The English oak is a sturdy fellow,
He gets his green coat late;
The willow is smart in a suit of yellow,
While brown the beech trees wait.
Such a gay green gown God gives the larches -
As green as He is good!
The hazels hold up their arms for arches
When Spring rides through the wood.
The chestnut's proud, and the lilac's pretty,
The poplar's gentle and tall,
But the plane tree's kind to the poor dull city -
I love him best of all!
Edith Nesbit [1858-1924]
BABY SEED SONG
Little brown brother, oh! little brown brother,
Are you awake in the dark?
Here we lie cosily, close to each other:
Hark to the song of the lark -
"Waken!" the lark says, "waken and dress you;
Put on your green coats and gay,
Blue sky will shine on you, sunshine caress you -
Waken! 'tis morning - 'tis May!"
Little brown brother, oh! little brown brother,
What kind of flower will you be?
I'll be a poppy - all white, like my mother;
Do be a poppy like me.
What! you're a sun-flower? How I shall miss you
When you're grown golden and high!
But I shall send all the bees up to kiss you;
Little brown brother, good-bye.
Edith Nesbit [1858-1924]
LITTLE DANDELION
Gay little Dandelion
Lights up the meads,
Swings on her slender foot,
Telleth her beads,
Lists to the robin's note
Poured from above;
Wise little Dandelion
Asks not for love.
Cold lie the daisy banks
Clothed but in green,
Where, in the days agone,
Bright hues were seen.
Wild pinks are slumbering,
Violets delay;
True little Dandelion
Greeteth the May.
Brave little Dandelion!
Fast falls the snow,
Bending the daffodil's
Haughty head low.
Under that fleecy tent,
Careless of cold,
Blithe little Dandelion
Counteth her gold.
Meek little Dandelion
Groweth more fair,
Till dies the amber dew
Out from her hair.
High rides the thirsty sun,
Fiercely and high;
Faint little Dandelion
Closeth her eye.
Pale little Dandelion,
In her white shroud,
Heareth the angel-breeze
Call from the cloud;
Tiny plumes fluttering
Make no delay;
Little winged Dandelion
Soareth away.
Helen Barron Bostwick [1826- ? ]
LITTLE WHITE LILY
From "Within and Without"
Little White Lily sat by a stone,
Drooping and waiting till the sun shone.
Little White Lily sunshine has fed;
Little White Lily is lifting her head.
Little White Lily said: "It is good,
Little White Lily's clothing and food."
Little White Lily dressed like a bride!
Shining with whiteness, and crowned beside!
Little White Lily drooping with pain,
Waiting and waiting for the wet rain,
Little White Lily holdeth her cup;
Rain is fast falling and filling it up.
Little White Lily said: "Good again,
When I am thirsty to have the nice rain.
Now I am stronger, now I am cool;
Heat cannot burn me, my veins are so full."
Little White Lily smells very sweet;
On her head sunshine, rain at her feet.
Thanks to the sunshine, thanks to the rain,
Little White Lily is happy again.
George Macdonald [1824-1905]
WISHING
Ring-ting! I wish I were a Primrose,
A bright yellow Primrose, blowing in the Spring!
The stooping bough above me,
The wandering bee to love me,
The fern and moss to creep across,
And the Elm-tree for our King!
Nay, - stay! I wish I were an Elm-tree,
A great lofty Elm-tree, with green leaves gay!
The winds would set them dancing,
The sun and moonshine glance in,
The Birds would house among the boughs,
And sweetly sing!
O - no! I wish I were a Robin,
A Robin or a little Wren, everywhere to go;
Through forest, field, or garden,
And ask no leave or pardon,
Till Winter comes with icy thumbs
To ruffle up our wing.
Well - tell! Where should I fly to,
Where go to sleep in the dark wood or dell?
Before a day was over,
Home comes the rover,
For Mother's kiss, - sweeter this
Than any other thing!
William Allingham [1824-1889]
IN THE GARDEN
I spied beside the garden bed
A tiny lass of ours,
Who stopped and bent her sunny head
Above the red June flowers.
Pushing the leaves and thorns apart,
She singled out a rose,
And in its inmost crimson heart,
Enraptured, plunged her nose.
"O dear, dear rose, come, tell me true -
Come, tell me true," said she,
"If I smell just as sweet to you
As you smell sweet to me!"
Ernest Crosby [1856-1907]
THE GLADNESS OF NATURE
Is this a time to be cloudy and sad,
When our mother Nature laughs around;
When even the deep blue heavens look glad,
And gladness breathes from the blossoming ground?
There are notes of joy from the hang-bird and wren, And the gossip of swallows through all the sky; The ground-squirrel gaily chirps by his den, And the wilding bee hums merrily by.
The clouds are at play in the azure space And their shadows at play on the bright-green vale, And here they stretch to the frolic chase, And there they roll on the easy gale.
There's a dance of leaves in that aspen bower, There's a titter of winds in that beechen tree, There's a smile on the fruit, and a smile on the flower, And a laugh from the brook that runs to the sea.
And look at the broad-faced sun, how he smiles On the dewy earth that smiles in his ray, On the leaping waters and gay young isles; Ay, look, and he'll smile thy gloom away.
William Cullen Bryant [1794-1878]
GLAD DAY
Here's another day, dear,
Here's the sun again
Peeping in his pleasant way
Through the window pane.
Rise and let him in, dear,
Hail him "hip hurray!"
Now the fun will all begin.
Here's another day!
Down the coppice path, dear,
Through the dewy glade,
(When the Morning took her bath
What a splash she made!)
Up the wet wood-way, dear,
Under dripping green
Run to meet another day,
Brightest ever seen.
Mushrooms in the field, dear,
Show their silver gleam.
What a dainty crop they yield
Firm as clouted cream,
Cool as balls of snow, dear,
Sweet and fresh and round!
Ere the early dew can go
We must clear the ground.
Such a lot to do, dear,
Such a lot to see!
How we ever can get through
Fairly puzzles me.
Hurry up and out, dear,
Then - away! away!
In and out and round about,
Here's another day!
W. Graham Robertson [1867-
THE TIGER
Tiger! Tiger! burning bright,
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?
And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?
What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?
When the stars threw down their spears,
And watered heaven with their tears,
Did He smile His work to see?
Did He who made the Lamb, make thee?
Tiger! Tiger! burning bright,
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?
William Blake [1757-1827]
ANSWER TO A CHILD'S QUESTION
Do you ask what the birds say? The Sparrow, the Dove, The Linnet and Thrush say, "I love and I love!" In the winter they're silent - the wind is so strong; What it says, I don't know, but it sings a loud song. But green leaves, and blossoms, and sunny warm weather, And singing, and loving - all come back together. But the Lark is so brimful of gladness and love, The green fields below him, the blue sky above, That he sings, and he sings, and for ever sings he - "I love my Love, and my Love loves me!"
Samuel Taylor Coleridge [1772-1834]
HOW THE LEAVES CAME DOWN
I'll tell you how the leaves came down.
The great Tree to his children said:
"You're getting sleepy, Yellow and Brown,
Yes, very sleepy, little Red.
It is quite time to go to bed."
"Ah!" begged each silly, pouting leaf,
"Let us a little longer stay;
Dear Father Tree, behold our grief!
'Tis such a very pleasant day,
We do not want to go away."
So, just for one more merry day
To the great Tree the leaflets clung,
Frolicked and danced, and had their way,
Upon the autumn breezes swung,
Whispering all their sports among -
"Perhaps the great Tree will forget,
And let us stay until the spring,
If we all beg, and coax, and fret."
But the great Tree did no such thing;
He smiled to hear them whispering.
"Come, children, all to bed," he cried;
And ere the leaves could urge their prayer,
He shook his head, and far and wide,
Fluttering and rustling everywhere,
Down sped the leaflets through the air.
I saw them; on the ground they lay,
Golden and red, a huddled swarm,
Waiting till one from far away,
White bedclothes heaped upon her arm,
Should come to wrap them safe and warm.
The great bare Tree looked down and smiled.
"Goodnight dear little leaves," he said.
And from below each sleepy child
Replied, "Goodnight," and murmured,
"It is so nice to go to bed!"
Susan Coolidge [1835-1905]
A LEGEND OF THE NORTHLAND
Away, away in the Northland,
Where the hours of the day are few,
And the nights are so long in winter
That they cannot sleep them through;
Where they harness the swift reindeer
To the sledges, when it snows;
And the children look like bear's cubs
In their funny, furry clothes:
They tell them a curious story -
I don't believe 'tis true;
And yet you may learn a lesson
If I tell the tale to you.
Once, when the good Saint Peter
Lived in the world below,
And walked about it, preaching,
Just as he did, you know,
He came to the door of a cottage,
In traveling round the earth,
Where a little woman was making cakes,
And baking them on the hearth;
And being faint with fasting,
For the day was almost done,
He asked her, from her store of cakes,
To give him a single one.
So she made a very little cake,
But as it baking lay,
She looked at it, and thought it seemed
Too large to give away.
Therefore she kneaded another,
And still a smaller one;
But it looked, when she turned it over,
As large as the first had done.
Then she took a tiny scrap of dough,
And rolled and rolled it flat;
And baked it thin as a wafer -
But she couldn't part with that.
For she said, "My cakes that seem too small
When I eat of them myself,
Are yet too large to give away."
So she put them on the shelf.
Then good Saint Peter grew angry,
For he was hungry and faint;
And surely such a woman
Was enough to provoke a saint.
And he said, "You are far too selfish
To dwell in a human form,
To have both food and shelter,
And fire to keep you warm.
"Now, you shall build as the birds do,
And shall get your scanty food
By boring, and boring, and boring,
All day in the hard, dry wood."
Then up she went through the chimney,
Never speaking a word,
And out of the top flew a woodpecker,
For she was changed to a bird.
She had a scarlet cap on her head,
And that was left the same,
But all the rest of her clothes were burned
Black as a coal in the flame.
And every country school-boy
Has seen her in the wood,
Where she lives in the trees till this very day,
Boring and boring for food.
And this is the lesson she teaches:
Live not for yourself alone,
Lest the needs you will not pity
Shall one day be your own.
Give plenty of what is given to you,
Listen to pity's call;
Don't think the little you give is great,
And the much you get is small.
Now, my little boy, remember that,
And try to be kind and good,
When you see the woodpecker's sooty dress,
And see her scarlet hood.
You mayn't be changed to a bird though you live
As selfishly as you can;
But you will be changed to a smaller thing -
A mean and selfish man.
Phoebe Cary [1824-1871]
THE CRICKET'S STORY
The high and mighty lord of Glendare,
The owner of acres both broad and fair,
Searched, once on a time, his vast domains,
His deep, green forest, and yellow plains,
For some rare singer, to make complete
The studied charms of his country-seat;
But found, for all his pains and labors,
No sweeter songster than had his neighbors.
Ah, what shall my lord of the manor do?
He pondered the day and the whole night through.
He called on the gentry of hill-top and dale;
And at last on Madame the Nightingale, -
Inviting, in his majestical way,
Her pupils to sing at his grand soiree,
That perchance among them my lord might find
Some singer to whom his heart inclined.
What wonder, then, when the evening came,
And the castle gardens were all aflame
With the many curious lights that hung
O'er the ivied porches, and flared among
The grand old trees and the banners proud,
That many a heart beat high and loud,
While the famous choir of Glendare Bog,
Established and led by the Brothers Frog,
Sat thrumming as hoarsely as they were able,
In front of the manager's mushroom table!
The overture closed with a crash - then, hark!
Across the stage comes the sweet-voiced Lark.
She daintily sways, with an airy grace,
And flutters a bit of gossamer lace,
While the leafy alcove echoes and thrills
With her liquid runs and lingering trills.
Miss Goldfinch came next, in her satin gown,
And shaking her feathery flounces down,
With much expression and feeling sung
Some "Oh's" and "Ah's" in a foreign tongue;
While to give the affair a classic tone,
Miss Katydid rendered a song of her own,
In which each line closed as it had begun,
With some wonderful deed which she had done.
Then the Misses Sparrow, so prim and set,
Twittered and chirped through a long duet;
And poor little Wren, who tried with a will,
But who couldn't tell "Heber" from "Ortonville,"
Unconscious of sarcasm, piped away
And courtesied low o'er a huge bouquet
Of crimson clover-heads, culled by the dozen,
By some brown-coated, plebeian cousin.
But you should have heard the red Robin sing
His English ballad, "Come, beautiful Spring!"
And Master Owlet's melodious tune,
"O, meet me under the silvery moon!"
Then, as flighty Miss Humming-bird didn't care
To sing for the high and mighty Glendare,
The close of the evening's performance fell
To the fair young Nightingale, Mademoiselle.
Ah! the wealth of each wonderful note
That came from the depths of her tiny throat!
She carolled, she trilled, and she held her breath,
Till she seemed to hang at the point of death:
She ran the chromatics through every key,
And ended triumphant on upper C;
Airing the graces her mother had taught her
In a manner quite worthy of Madame's daughter.
But his lordship glared down the leafy aisle
With never so much as a nod or smile,
Till, out in the shade of a blackberry thicket,
He all of a sudden spied little Miss Cricket;
And, roused from his gloom, like an angry bat,
He sternly demanded, "Who is that?"
"Miss Cricket, my lord, may it please you so,
A charity scholar - ahem! - you know -
Quite worthy, of course, but we couldn't bring" -
Thundered His Mightiness, "Let her sing!"
The Nightingale opened her little eyes
Extremely wide in her blank surprise;
But catching a glimpse of his lordship's rage,
Led little Miss Cricket upon the stage,
Where she modestly sang, in her simple measures,
Of "Home, sweet Home," and its humble pleasures.
And the lord of Glendare cried out in his glee,
"This little Miss Cricket shall sing for me!"
Of course, of comment there was no need;
But the world said, "Really!" and "Ah, indeed!"
Yet, notwithstanding, we find it true
As his lordship does will the neighbors do;
So this is the way, as the legends tell,
In the very beginning it befell
That the Crickets came, in the evening's gloom,
To sing at our hearths of "Home, sweet Home."
Emma Huntington Nason [1845-1921]
THE SINGING-LESSON
A nightingale made a mistake;
She sang a few notes out of tune;
Her heart was ready to break,
And she hid away from the moon.
She wrung her claws, poor thing!
But was far too proud to weep;
She tucked her head under her wing,
And pretended to be asleep.
A lark, arm in arm with a thrush,
Came sauntering up to the place;
The nightingale felt herself blush,
Though feathers hid her face.
She knew they had heard her song,
She felt them snicker and sneer;
She thought that life was too long,
And wished she could skip a year.
"Oh, Nightingale," cooed a dove -
"Oh, Nightingale, what's the use?
You bird of beauty and love,
Why behave like a goose?
Don't skulk away from our sight,
Like a common, contemptible fowl;
You bird of joy and delight,
Why behave like an owl?
"Only think of all you have done,
Only think of all you can do;
A false note is really fun
From such a bird as you!
Lift up your proud little crest,
Open your musical beak;
Other birds have to do their best -
You need only to speak."
The nightingale shyly took
Her head from under her wing,
And, giving the dove a look,
Straightway began to sing.
There was never a bird could pass;
The night was divinely calm,
And the people stood on the grass
To hear that wonderful psalm.
The nightingale did not care;
She only sang to the skies;
Her song ascended there,
And there she fixed her eyes.
The people that stood below
She knew but little about;
And this tale has a moral, I know,
If you'll try to find it out.
Jean Ingelow [1820-1897]
CHANTICLEER
Of all the birds from East to West
That tuneful are and dear,
I love that farmyard bird the best,
They call him Chanticleer.
Gold plume and copper plume,
Comb of scarlet gay;
'Tis he that scatters night and gloom,
And whistles back the day!
He is the sun's brave herald
That, ringing his blithe horn,
Calls round a world dew-pearled
The heavenly airs of morn.
O clear gold, shrill and bold!
He calls through creeping mist
The mountains from the night and cold
To rose and amethyst.
He sets the birds to singing,
And calls the flowers to rise;
The morning cometh, bringing
Sweet sleep to heavy eyes.
Gold plume and silver plume,
Comb of coral gay;
'Tis he packs off the night and gloom,
And summons home the day!
Black fear he sends it flying,
Black care he drives afar;
And creeping shadows sighing
Before the morning star.
The birds of all the forest
Have dear and pleasant cheer,
But yet I hold the rarest
The farmyard Chanticleer.
Red cock or black cock,
Gold cock or white,
The flower of all the feathered flock,
He whistles back the light!
Katherine Tynan Hinkson [1861-1931]
"WHAT DOES LITTLE BIRDIE SAY?"
From "Sea Dreams"
What does little birdie say
In her nest at peep of day?
Let me fly, says little birdie,
Mother, let me fly away.
Birdie, rest a little longer,
Till the little wings are stronger.
So she rests a little longer,
Then she flies away.
What does little baby say,
In her bed at peep of day?
Baby says, like little birdie,
Let me rise and fly away.
Baby, sleep a little longer,
Till the little limbs are stronger,
If she sleeps a little longer,
Baby too shall fly away.
Alfred Tennyson [1809-1892]
NURSE'S SONG
When the voices of children are heard on the green
And laughing is heard on the hill,
My heart is at rest within my breast,
And everything else is still.
"Then come home, my children, the sun is gone down,
And the dews of the night arise;
Come, come, leave off play, and let us away
Till the morning appears in the skies."
"No, no, let us play, for it is yet day,
And we cannot go to sleep;
Besides in the sky the little birds fly,
And the hills are all covered with sheep."
"Well, well, go and play till the light fades away,
And then go home to bed."
The little ones leaped and shouted and laughed;
And all the hills echoed.
William Blake [1757-1827]
JACK FROST
The door was shut, as doors should be,
Before you went to bed last night;
Yet Jack Frost has got in, you see,
And left your window silver white.
He must have waited till you slept;
And not a single word he spoke,
But pencilled o'er the panes and crept
Away again before you woke.
And now you cannot see the hills
Nor fields that stretch beyond the lane;
But there are fairer things than these
His fingers traced on every pane.
Rocks and castles towering high;
Hills and dales, and streams and fields;
And knights in armor riding by,
With nodding plumes and shining shields.
And here are little boats, and there
Big ships with sails spread to the breeze;
And yonder, palm trees waving fair
On islands set in silver seas.
And butterflies with gauzy wings;
And herds of cows and flocks of sheep;
And fruit and flowers and all the things
You see when you are sound asleep.
For creeping softly underneath
The door when all the lights are out,
Jack Frost takes every breath you breathe,
And knows the things you think about.
He paints them on the window pane
In fairy lines with frozen steam;
And when you wake you see again
The lovely things you saw in dream.
Gabriel Setoun [1861-
OCTOBER'S PARTY
October gave a party;
The leaves by hundreds came -
The Chestnuts, Oaks, and Maples,
And leaves of every name.
The Sunshine spread a carpet,
And everything was grand,
Miss Weather led the dancing,
Professor Wind the band.
The Chestnuts came in yellow,
The Oaks in crimson dressed;
The lovely Misses Maple
In scarlet looked their best;
All balanced to their partners,
And gaily fluttered by;
The sight was like a rainbow
New fallen from the sky.
Then, in the rustic hollow,
At hide-and-seek they played,
The party closed at sundown,
And everybody stayed.
Professor Wind played louder;
They flew along the ground;
And then the party ended
In jolly "hands around."
George Cooper [1840-1927]
THE SHEPHERD
How sweet is the Shepherd's sweet lot!
From the morn to the evening he strays;
He shall follow his sheep all the day,
And his tongue shall be filled with praise.
For he hears the lamb's innocent call,
And he hears the ewe's tender reply;
He is watchful, while they are in peace,
For they know when their Shepherd is nigh.
William Blake [1757-1827]
NIKOLINA
O tell me, little children, have you seen her -
The tiny maid from Norway, Nikolina?
O, her eyes are blue as cornflowers, mid the corn,
And her cheeks are rosy red as skies of morn!
Nikolina! swift she turns if any call her, As she stands among the poppies, hardly taller, Breaking off their scarlet cups for you, With spikes of slender larkspur, burning blue.
In her little garden many a flower is growing - Red, gold, and purple in the soft wind blowing, But the child that stands amid the blossoms gay Is sweeter, quainter, brighter e'en than they.
Celia Thaxter [1835-1894]
LITTLE GUSTAVA
Little Gustava sits in the sun,
Safe in the porch, and the little drops run
From the icicles under the eaves so fast,
For the bright spring sun shines warm at last,
And glad is little Gustava.
She wears a quaint little scarlet cap,
And a little green bowl she holds in her lap,
Filled with bread and milk to the brim,
And a wreath of marigolds round the rim:
"Ha! ha!" laughs little Gustava.
Up comes her little gray coaxing cat
With her little pink nose, and she mews, "What's that?"
Gustava feeds her, - she begs for more;
And a little brown hen walks in at the door:
"Good day!" cries little Gustava.
She scatters crumbs for the little brown hen. There comes a rush and a flutter, and then Down fly her little white doves so sweet, With their snowy wings and crimson feet: "Welcome!" cries little Gustava.
So dainty and eager they pick up the crumbs. But who is this through the doorway comes? Little Scotch terrier, little dog Rags, Looks in her face, and his funny tail wags: "Ha! ha!" laughs little Gustava.
"You want some breakfast too?" and down She sets her bowl on the brick floor brown; And little dog Rags drinks up her milk, While she strokes his shaggy locks like silk: "Dear Rags!" says little Gustava.
Waiting without stood sparrow and crow, Cooling their feet in the melting snow: "Won't you come in, good folk?" she cried. But they were too bashful, and stood outside Though "Pray come in!" cried Gustava.
So the last she threw them, and knelt on the mat
With doves and biddy and dog and cat.
And her mother came to the open house-door:
"Dear little daughter, I bring you some more.
My merry little Gustava!"
Kitty and terrier, biddy and doves,
All things harmless Gustava loves.
The shy, kind creatures 'tis joy to feed,
And oh, her breakfast is sweet indeed
To happy little Gustava!
Celia Thaxter [1835-1894]
PRINCE TATTERS
Little Prince Tatters has lost his cap!
Over the hedge he threw it;
Into the river it fell "kerslap!"
Stupid old thing to do it!
Now Mother may sigh and Nurse may fume
For the gay little cap with its eagle plume.
"One cannot be thinking all day of such matters!
Trifles are trifles!" says little Prince Tatters.
Little Prince Tatters has lost his coat!
Playing, he did not need it;
"Left it right there, by the nanny-goat,
And nobody never seed it!"
Now Mother and Nurse may search till night
For the little new coat with its buttons bright;
But - "Coat-sleeves or shirt-sleeves, how little it matters!
Trifles are trifles!" says little Prince Tatters.
Little Prince Tatters has LOST HIS BALL!
Rolled away down the street!
Somebody'll have to find it, that's all,
Before he can sleep or eat.
Now raise the neighborhood, quickly, do!
And send for the crier and constable too!
"Trifles are trifles; but serious matters,
They must be seen to," says little Prince Tatters.
Laura E. Richards [1850-
THE LITTLE BLACK BOY
My mother bore me in the southern wild, And I am black, but oh, my soul is white! White as an angel is the English child, But I am black, as if bereaved of light.
My mother taught me underneath a tree,
And, sitting down before the heat of day,
She took me on her lap and kissed me,
And, pointing to the East, began to say:
"Look on the rising sun, - there God does live, And gives His light, and gives His heat away; And flowers and trees and beasts and men receive Comfort in morning, joy in the noonday.
"And we are put on earth a little space, That we may learn to bear the beams of love; And these black bodies and this sunburnt face Are but a cloud, and like a shady grove.
"For, when our souls have learned the heat to bear, The cloud will vanish, we shall hear His voice, Saying: 'Come out from the grove, My love and care, And round My golden tent like lambs rejoice.'"
Thus did my mother say, and kissed me;
And thus I say to little English boy.
When I from black, and he from white cloud free,
And round the tent of God like lambs we joy,
I'll shade him from the heat, till he can bear
To lean in joy upon our Father's knee;
And then I'll stand and stroke his silver hair,
And be like him, and he will then love me.
William Blake [1757-1827]
THE BLIND BOY
O say what is that thing called Light,
Which I must ne'er enjoy;
What are the blessings of the sight,
O tell your poor blind boy!
You talk of wondrous things you see,
You say the sun shines bright;
I feel him warm, but how can he,
Or make it day or night?
My day or night myself I make
Whene'er I sleep or play;
And could I ever keep awake
With me 'twere always day.
With heavy sighs I often hear
You mourn my hapless woe;
But sure with patience I can bear
A loss I ne'er can know.
Then let not what I cannot have
My cheer of mind destroy:
Whilst thus I sing, I am a king,
Although a poor blind boy.
Colley Cibber [1671-1757]
BUNCHES OF GRAPES
"Bunches of grapes," says Timothy,
"Pomegranates pink," says Elaine;
"A junket of cream and a cranberry tart
For me," says Jane.
"Love-in-a-mist," says Timothy,
"Primroses pale," says Elaine;
"A nosegay of pinks and mignonette
For me," says Jane.
"Chariots of gold," says Timothy,
"Silvery wings," says Elaine;
"A bumpety ride in a wagon of hay
For me," says Jane.
Walter de la Mare [1873-
MY SHADOW
I have a little shadow that goes in and out with me, And what can be the use of him is more than I can see. He is very, very like me from the heels up to the head; And I see him jump before me, when I jump into my bed.
The funniest thing about him is the way he likes to grow - Not at all like proper children, which is always very slow; For he sometimes shoots up taller like an India-rubber ball, And he sometimes gets so little that there's none of him at all.
He hasn't got a notion of how children ought to play, And can only make a fool of me in every sort of way. He stays so close beside me, he's a coward you can see; I'd think shame to stick to nursie as that shadow sticks to me!
One morning, very early, before the sun was up, I rose and found the shining dew on every buttercup; But my lazy little shadow, like an arrant sleepy-head, Had stayed at home behind me and was fast asleep in bed.
Robert Louis Stevenson [1850-1894]
THE LAND OF COUNTERPANE
When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay
To keep me happy all the day.
And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;
And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.
I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.
Robert Louis Stevenson [1850-1894]
THE LAND OF STORY-BOOKS
At evening when the lamp is lit,
Around the fire my parents sit;
They sit at home and talk and sing,
And do not play at anything.
Now, with my little gun, I crawl
All in the dark along the wall,
And follow round the forest track
Away behind the sofa back.
There, in the night, where none can spy,
All in my hunter's camp I lie,
And play at books that I have read
Till it is time to go to bed.
These are the hills, these are the woods,
These are my starry solitudes;
And there the river by whose brink
The roaring lions come to drink.
I see the others far away
As if in firelit camp they lay,
And I, like to an Indian scout,
Around their party prowled about.
So, when my nurse comes in for me,
Home I return across the sea,
And go to bed with backward looks
At my dear land of Story-books.
Robert Louis Stevenson [1850-1894]
THE GARDENER
The gardener does not love to talk,
He makes me keep the gravel walk;
And when he puts his tools away,
He locks the door and takes the key.
Away behind the currant row
Where no one else but cook may go,
Far in the plots, I see him dig,
Old and serious, brown and big.
He digs the flowers, green, red, and blue,
Nor wishes to be spoken to.
He digs the flowers and cuts the hay,
And never seems to want to play.
Silly gardener! summer goes,
And winter comes with pinching toes,
When in the garden bare and brown
You must lay your barrow down.
Well now, and while the summer stays,
To profit by these garden days
O how much wiser you would be
To play at Indian wars with me!
Robert Louis Stevenson [1850-1894]
FOREIGN LANDS
Up into the cherry tree
Who should climb but little me?
I held the trunk with both my hands
And looked abroad on foreign lands.
I saw the next door garden lie,
Adorned with flowers, before my eye,
And many pleasant places more
That I had never seen before.
I saw the dimpling river pass
And be the sky's blue looking-glass;
The dusty roads go up and down
With people tramping in to town.
If I could find a higher tree,
Farther and farther I should see,
To where the grown-up river slips
Into the sea among the ships;
To where the roads on either hand
Lead onward into fairy land,
Where all the children dine at five,
And all the playthings come alive.
Robert Louis Stevenson [1850-1894]
MY BED IS A BOAT
My bed is like a little boat;
Nurse helps me in when I embark;
She girds me in my sailor's coat
And starts me in the dark.
At night, I go on board and say
Good night to all my friends on shore;
I shut my eyes and sail away
And see and hear no more.
And sometimes things to bed I take,
As prudent sailors have to do;
Perhaps a slice of wedding-cake,
Perhaps a toy or two.
All night across the dark we steer;
But when the day returns at last,
Safe in my room, beside the pier,
I find my vessel fast.
Robert Louis Stevenson [1850-1894]
THE PEDDLER'S CARAVAN
I wish I lived in a caravan,
With a horse to drive, like a peddler-man!
Where he comes from nobody knows,
Or where he goes to, but on he goes!
His caravan has windows two,
And a chimney of tin, that the smoke comes through;
He has a wife, with a baby brown,
And they go riding from town to town.
Chairs to mend, and delf to sell!
He clashes the basins like a bell;
Tea-trays, baskets ranged in order,
Plates, with alphabets round the border!
The roads are brown, and the sea is green,
But his house is like a bathing-machine;
The world is round, and he can ride,
Rumble and slash, to the other side!
With the peddler-man I should like to roam,
And write a book when I came home;
All the people would read my book,
Just like the Travels of Captain Cook!
William Brighty Rands [1823-1882]
MR. COGGS
A watch will tell the time of day,
Or tell it nearly, any way,
Excepting when it's overwound,
Or when you drop it on the ground.
If any of our watches stop,
We haste to Mr. Coggs's shop;
For though to scold us he pretends,
He's quite among our special friends.
He fits a dice-box in his eye,
And takes a long and thoughtful spy,
And prods the wheels, and says, "Dear, dear!
More carelessness, I greatly fear."
And then he lays the dice-box down
And frowns a most prodigious frown;
But if we ask him what's the time,
He'll make his gold repeater chime.
Edward Verrall Lucas [1868-
THE BUILDING OF THE NEST
They'll come again to the apple tree -
Robin and all the rest -
When the orchard branches are fair to see,
In the snow of the blossoms dressed;
And the prettiest thing in the world will be
The building of the nest.
Weaving it well, so round and trim,
Hollowing it with care, -
Nothing too far away for him,
Nothing for her too fair, -
Hanging it safe on the topmost limb,
Their castle in the air.
Ah! mother bird, you'll have weary days
When the eggs are under your breast,
And shadow may darken the dancing rays
When the wee ones leave the nest;
But they'll find their wings in a glad amaze.
And God will see to the rest.
So come to the trees with all your train
When the apple blossoms blow;
Through the April shimmer of sun and rain,
Go flying to and fro;
And sing to our hearts as we watch again
Your fairy building grow.
Margaret Sangster [1838-1912]
"THERE WAS A JOLLY MILLER"
From "Love in a Village"
There was a jolly miller once lived on the river Dee; He danced and sang from morn till night, no lark so blithe as he; And this the burden of his song forever used to be: - "I care for nobody, no not I, if nobody cares for me.
"I live by my mill, God bless her! she's kindred, child, and wife; I would not change my station for any other in life; No lawyer, surgeon, or doctor e'er had a groat from me; I care for nobody, no not I if nobody cares for me."
When spring begins his merry career, oh, how his heart grows gay; No summer's drought alarms his fear, nor winter's cold decay; No foresight mars the miller's joy, who's wont to sing and say, "Let others toil from year to year, I live from day to day."
Thus, like the miller, bold and free, let us rejoice and sing; The days of youth are made for glee, and time is on the wing; This song shall pass from me to thee, along the jovial ring; Let heart and voice and all agree to say, "Long live the king."
Isaac Bickerstaff [ ? -1812?]
ONE AND ONE
Two little girls are better than one,
Two little boys can double the fun,
Two little birds can build a fine nest,
Two little arms can love mother best.
Two little ponies must go to a span;
Two little pockets has my little man;
Two little eyes to open and close,
Two little ears and one little nose,
Two little elbows, dimpled and sweet,
Two little shoes on two little feet,
Two little lips and one little chin,
Two little cheeks with a rose shut in;
Two little shoulders, chubby and strong,
Two little legs running all day long.
Two little prayers does my darling say,
Twice does he kneel by my side each day,
Two little folded hands, soft and brown,
Two little eyelids cast meekly down,
And two little angels guard him in bed,
"One at the foot, and one at the head."
Mary Mapes Dodge [1831-1905]
A NURSERY SONG
Oh, Peterkin Pout and Gregory Grout
Are two little goblins black.
Full oft from my house I've driven them out,
But somehow they still come back.
They clamber up to the baby's mouth,
And pull the corners down;
They perch aloft on the baby's brow,
And twist it into a frown.
Chorus:
And one says "Must!" and t'other says "Can't!"
And one says "Shall!" and t'other says "Shan't!"
Oh, Peterkin Pout and Gregory Grout,
I pray you now from my house keep out!
But Samuel Smile and Lemuel Laugh
Are two little fairies bright;
They're always ready for fun and chaff,
And sunshine is their delight.
And when they creep into Baby's eyes,
Why, there the sunbeams are;
And when they peep through her rosy lips,
Her laughter rings near and far.
Chorus:
And one says "Please!" and t'other says "Do!"
And both together say "I love you!"
So, Lemuel Laugh and Samuel Smile,
Come in, my dears, and tarry awhile!
Laura E. Richards [1850-
A MORTIFYING MISTAKE
I studied my tables over and over, and backward and forward, too; But I couldn't remember six times nine, and I didn't know what to do, Till sister told me to play with my doll, and not to bother my head. "If you call her 'Fifty-four' for a while, you'll learn it by heart," she said.
So I took my favorite, Mary Ann (though I thought 'twas a dreadful shame To give such a perfectly lovely child such a perfectly horrid name), And I called her my dear little "Fifty-four" a hundred times, till I knew The answer of six times nine as well as the answer of two times two.
Next day Elizabeth Wigglesworth, who always acts so proud, Said, "Six times nine is fifty-two," and I nearly laughed aloud! But I wished I hadn't when teacher said, "Now, Dorothy, tell if you can." For I thought of my doll and - sakes alive! - I answered, "Mary Ann!"
Anna Maria Pratt [18 -
THE RAGGEDY MAN
O the Raggedy Man! He works fer Pa;
An' he's the goodest man ever you saw!
He comes to our house every day,
An' waters the horses, an' feeds 'em hay;
An' he opens the shed - an' we all ist laugh
When he drives out our little old wobble-ly calf;
An' nen - ef our hired girl says he can -
He milks the cow fer 'Lizabuth Ann. -
Ain't he a' awful good Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
W'y, the Raggedy Man - he's ist so good
He splits the kindlin' an' chops the wood;
An' nen he spades in our garden, too,
An' does most things 'at boys can't do. -
He clumbed clean up in our big tree
An' shooked a' apple down fer me -
An' nother'n', too, fer 'Lizabuth Ann -
An' nother'n', too, fer the Raggedy Man. -
Ain't he a' awful kind Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
An' the Raggedy Man, be knows most rhymes
An' tells 'em, ef I be good, sometimes:
Knows 'bout Giunts, an' Griffuns, an' Elves,
An' the Squidgicum-Squees 'at swallers therselves!
An', wite by the pump in our pasture-lot,
He showed me the hole 'at the Wunks is got,
'At lives 'way deep in the ground, an' can
Turn into me, er 'Lizabuth Ann!
Er Ma, er Pa, er the Raggedy Man!
Ain't he a funny old Raggedy Man?
Raggedy! Raggedy! Raggedy Man!
The Raggedy Man - one time when he
Was makin' a little bow-n'-orry fer me,
Says, "When you're big like your Pa is,
Air you go' to keep a fine store like his -
An' be a rich merchunt - an' wear fine clothes? -
Er what air you go' to be, goodness knows?"
An' nen he laughed at 'Lizabuth Ann,
An' I says "'M go' to be a Raggedy Man! -
I'm ist go' to be a nice Raggedy Man!"
Raggedy! Raggedy! Raggedy Man!
James Whitcomb Riley [1849-1916]
THE MAN IN THE MOON
Said the Raggedy Man, on a hot afternoon,
"My!
Sakes!
What a lot o' mistakes
Some little folks makes on The Man in the Moon!
But people that's b'en up to see him, like me,
And calls on him frequent and intimutly,
Might drop a few facts that would interest you
Clean!
Through! -
If you wanted 'em to -
Some actual facts that might interest you!
"O The Man in the Moon has a crick in his back;
Whee!
Whimm!
Ain't you sorry for him?
And a mole on his nose that is purple and black;
And his eyes are so weak that they water and run
If he dares to dream even he looks at the sun. -
So he jes' dreams of stars, as the doctors advise -
My!
Eyes!
But isn't he wise -
To jes' dream of stars, as the doctors advise?
"And The Man in the Moon has a boil on his ear, -
Whee!
Whing!
What a singular thing!
I know! but these facts are authentic, my dear, -
There's a boil on his ear; and a corn on his chin, -
He calls it a dimple - but dimples stick in -
Yet it might be a dimple turned over, you know!
Whang!
Ho!
Why, certainly so! -
It might be a dimple turned over, you know!
"And The Man in the Moon has a rheumatic knee, -
Gee!
Whizz!
What a pity that is!
And his toes have worked round where his heels ought to be.
So whenever he wants to go North he goes South,
And comes back with porridge crumbs all round his mouth,
And he brushes them off with a Japanese fan.
Whing!
Whann!
What a marvelous man!
What a very remarkably marvelous man!
"And The Man in the Moon," sighed the Raggedy Man,
"Gits!
So!
Sullonesome, you know, -
Up there by hisse'f sence creation began! -
That when I call on him and then come away,
He grabs me and holds me and begs me to stay, -
Till - Well! if it wasn't fer Jimmy-cum-Jim,
Dadd!
Limb!
I'd go pardners with him -
Jes' jump my job here and be pardners with him!"
James Whitcomb Riley [1849-1916]
LITTLE ORPHANT ANNIE
Little Orphant Annie's come to our house to stay,
An' wash the cups an' saucers up, an' brush the crumbs away,
An' shoo the chickens off the porch, an' dust the hearth, an' sweep,
An' make the fire, an' bake the bread, an' earn her board an'-keep;
An' all us other children, when the supper things is done,
We set around the kitchen fire an' has the mostest fun
A-list'nin' to the witch-tales 'at Annie tells about,
An' the Gobble-uns 'at gits you
Ef you
Don't
Watch
Out!
Onc't they was a little boy wouldn't say his prayers -
An' when he went to bed at night, away up stairs,
His Mammy heered him holler, an' his Daddy heered him bawl,
An' when they turn't the kivvers down, he wasn't there at all!
An' they seeked him in the rafter-room, an' cubby-hole, an' press,
An' seeked him up the chimbly-flue, an' ever'wheres, I guess;
But all they ever found was thist his pants an' roundabout:
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' one time a little girl 'ud allus laugh an' grin,
An' make fun of ever' one, an' all her blood-an'-kin;
An' onc't when they was "company," an' ole folks was there,
She mocked 'em an' shocked 'em, an' said she didn't care!
An' thist as she kicked her heels, an' turn't to run an' hide,
They was two great big Black Things a-standin' by her side,
An' they snatched her through the ceilin' 'fore she knowed what
she's about!
An' the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
An' little Orphant Annie says, when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away, -
You better mind yer parents, an' yer teachers fond and dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns 'll git you
Ef you
Don't
Watch
Out!
James Whitcomb Riley [1849-1916]
OUR HIRED GIRL
Our hired girl, she's 'Lizabuth Ann;
An' she can cook best things to eat!
She ist puts dough in our pie-pan,
An' pours in somepin' 'at's good an' sweet;
An' nen she salts it all on top
With cinnamon; an' nen she'll stop
An' stoop an' slide it, ist as slow,
In th' old cook-stove, so's 'twon't slop
An' git all spilled; nen bakes it, so
It's custard-pie, first thing you know!
An' nen she'll say,
"Clear out o' my way!
They's time fer work, an' time fer play!
Take yer dough, an' run, child, run!
Er I cain't git no cookin' done!"
When our hired girl 'tends like she's mad,
An' says folks got to walk the chalk
When she's around, er wisht they had!
I play out on our porch an' talk
To Th' Raggedy Man 'at mows our lawn;
An' he says, "Whew!" an' nen leans on
His old crook-scythe, and blinks his eyes,
An' sniffs all 'round an' says, "I swawn!
Ef my old nose don't tell me lies,
It 'pears like I smell custard-pies!"
An' nen he'll say,
"Clear out o' my way!
They's time fer work, an' time for play!
Take yer dough, an' run, child, run!
Er she cain't git no cookin' done!"
Wunst our hired girl, when she
Got the supper, an' we all et,
An' it wuz night, an' Ma an' me
An' Pa went wher' the "Social" met, -
An' nen when we come home, an' see
A light in the kitchen door, an' we
Heerd a maccordeun, Pa says, "Lan' -
O'-Gracious, who can her beau be?"
An' I marched in, an' 'Lizabuth Ann
Wuz parchin' corn fer The Raggedy Man!
Better say,
"Clear out o' the way!
They's time fer work, an' time fer play!
Take the hint, an' run, child, run!
Er we cain't git no courtin' done!"
James Whitcomb Riley [1849-1916]
SEEIN' THINGS
I ain't afeard uv snakes, or toads, or bugs, or worms, or mice, An' things 'at girls are skeered uv I think are awful nice! I'm pretty brave, I guess; an' yet I hate to go to bed, For, when I'm tucked up warm an' snug an' when my prayers are said, Mother tells me "Happy Dreams!" an' takes away the light, An' leaves me lyin' all alone an' seein' things at night!
Sometimes they're in the corner, sometimes they're by the door, Sometimes they're all a-standin' in the middle uv the floor; Sometimes they are a-sittin' down, sometimes they're walkin' round So softly and so creepylike they never make a sound! Sometimes they are as black as ink, an' other times they're white - But the color ain't no difference when you see things at night!
Once, when I licked a feller 'at had just moved on our street, An' father sent me up to bed without a bite to eat, I woke up in the dark an' saw things standin' in a row, A-lookin' at me cross-eyed an' p'intin' at me - so! Oh, my! I wuz so skeered that time I never slep' a mite - It's almost alluz when I'm bad I see things at night!
Lucky thing I ain't a girl, or I'd be skeered to death! Bein' I'm a boy, I duck my head an' hold my breath; An' I am, oh, so sorry I'm a naughty boy, an' then I promise to be better an' I say my prayers again! Gran'ma tells me that's the only way to make it right When a feller has been wicked an' sees things at night!
An' so, when other naughty boys would coax me into sin, I try to skwush the Tempter's voice 'at urges me within; An' when they's pie for supper, or cakes 'at's big an' nice, I want to - but I do not pass my plate f'r them things twice! No, ruther let Starvation wipe me slowly out o' sight Than I should keep a-livin' on an' seein' things at night!
Eugene Field [1850-1895]
THE DUEL
The gingham dog and the calico cat
Side by side on the table sat;
'Twas half past twelve, and (what do you think!)
Nor one nor t'other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there: I simply state
What was told to me by the Chinese plate!)
The gingham dog went, "Bow-wow-wow!"
And the calico cat replied, "Mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney-place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind; I'm only telling you
What the old Dutch clock declares is true!)
The Chinese plate looked very blue,
And wailed, "Oh, dear! what shall we do!"
But the gingham dog and the calico cat
Wallowed this way and tumbled that,
Employing every tooth and claw
In the awfullest way you ever saw -
And, oh! how the gingham and calico flew!
(Don't fancy I exaggerate -
I got my news from the Chinese plate!)
Next morning, where the two had sat
They found no trace of dog or cat:
And some folks think unto this day
That burglars stole that pair away!
But the truth about the cat and pup
Is this: they ate each other up!
Now what do you really think of that!
(The old Dutch clock it told me so,
And that is how I came to know.)
Eugene Field [1850-1895]
HOLY THURSDAY
'Twas on a Holy Thursday, their innocent faces clean, Came children walking two and two, in red, and blue, and green; Gray-headed beadles walked before, with wands as white as snow, Till into the high dome of Paul's they like Thames waters flow.
Oh what a multitude they seemed, these flowers of London town! Seated in companies they sit, with radiance all their own. The hum of multitudes was there, but multitudes of lambs, Thousands of little boys and girls raising their innocent hands.
Now like a mighty wind they raise to heaven the voice of song, Or like harmonious thunderings the seats of heaven among: Beneath them sit the aged men, wise guardians of the poor. Then cherish pity, lest you drive an angel from your door.
William Blake [1757-1827]
A STORY FOR A CHILD
Little one, come to my knee!
Hark, how the rain is pouring
Over the roof, in the pitch-black night,
And the wind in the woods a-roaring!
Hush, my darling, and listen,
Then pay for the story with kisses;
Father was lost in the pitch-black night,
In just such a storm as this is!
High up on the lonely mountains,
Where the wild men watched and waited;
Wolves in the forest, and bears in the bush,
And I on my path belated.
The rain and the night together
Came down and the wind came after,
Bending the props of the pine-tree roof,
And snapping many a rafter.
I crept along in the darkness,
Stunned, and bruised, and blinded, -
Crept to a fir with thick-set boughs,
And a sheltering rock behind it.
There, from the blowing and raining,
Crouching, I sought to hide me:
Something rustled, two green eyes shone,
And a wolf lay down beside me.
Little one, be not frightened;
I and the wolf together,
Side by side, through the long, long night,
Hid from the awful weather.
His wet fur pressed against me;
Each of us warmed the other;
Each of us felt, in the stormy dark,
That beast and man was brother.
And when the falling forest
No longer crashed in warning,
Each of us went from our hiding-place
Forth in the wild, wet morning.
Darling, kiss me payment!
Hark, how the wind is roaring;
Father's house is a better place
When the stormy rain is pouring!
Bayard Taylor [1825-1878]
THE SPIDER AND THE FLY
"Will you walk into my parlor?" said the Spider to the Fly. "'Tis the prettiest little parlor that ever you did spy; The way into my parlor is up a winding stair, And I have many curious things to show when you are there." "Oh no, no," said the little Fly, "to ask me is in vain; For who goes up your winding stair can ne'er come down again."
"I'm sure you must be weary, dear, with soaring up so high; Will you rest upon my little bed?" said the Spider to the Fly. "There are pretty curtains drawn around, the sheets are fine and thin; And if you like to rest a while, I'll snugly tuck you in!" "Oh no, no," said the little Fly, "for I've often heard it said, They never, never wake again, who sleep upon your bed!"
Said the cunning Spider to the Fly, "Dear friend, what can I do To prove the warm affection I've always felt for you? I have, within my pantry, good store of all that's nice; I'm sure you're very welcome - will you please to take a slice?" "Oh no, no," said the little Fly, "kind sir, that cannot be, I've heard what's in your pantry, and I do not wish to see!"
"Sweet creature," said the Spider, "you're witty and you're wise; How handsome are your gauzy wings, how brilliant are your eyes! I have a little looking-glass upon my parlor shelf; If you'll step in one moment, dear, you shall behold yourself." "I thank you, gentle sir," she said, "for what you're pleased to say, And bidding you good morning now, I'll call another day."
The Spider turned him round about, and went into his den, For well he knew the silly Fly would soon be back again; So he wove a subtle web in a little corner sly, And set his table ready to dine upon the Fly. Then he came out to his door again, and merrily did sing, - "Come hither, hither, pretty Fly, with the pearl and silver wing; Your robes are green and purple, there's a crest upon your head; Your eyes are like the diamond bright, but mine are dull as lead."
Alas, alas! how very soon this silly little Fly, Hearing his wily, flattering words, came slowly flitting by: With buzzing wings she hung aloft, then near and nearer drew, - Thinking only of her brilliant eyes, and green and purple hue; Thinking only of her crested head - poor foolish thing! At last, Up jumped the cunning Spider, and fiercely held her fast. He dragged her up his winding stair, into his dismal den Within his little parlor - but she ne'er came out again!
And now, dear little children, who may this story read, To idle, silly, flattering words, I pray you ne'er give heed; Unto an evil counsellor close heart, and ear, and eye, And take a lesson from this tale of the Spider and the Fly.
Mary Howitt [1799-1888]
THE CAPTAIN'S DAUGHTER
We were crowded in the cabin,
Not a soul would dare to sleep, -
It was midnight on the waters,
And a storm was on the deep.
'Tis a fearful thing in winter
To be shattered by the blast,
And to hear the rattling trumpet
Thunder, "Cut away the mast!"
So we shuddered there in silence, -
For the stoutest held his breath,
While the hungry sea was roaring
And the breakers talked with death.
As thus we sat in darkness,
Each one busy with his prayers,
"We are lost!" the captain shouted,
As he staggered down the stairs.
But his little daughter whispered,
As she took his icy hand,
"Isn't God upon the ocean,
Just the same as on the land?"
Then we kissed the little maiden,
And we spake in better cheer,
And we anchored safe in harbor
When the morn was shining clear.
James Thomas Fields [1816-1881]
THE NIGHTINGALE AND GLOW-WORM
A nightingale, that all day long
Had cheered the village with his song,
Nor yet at eve his note suspended,
Nor yet when eventide was ended,
Began to feel, as well he might,
The keen demands of appetite;
When, looking eagerly around,
He spied far off, upon the ground,
A something shining in the dark,
And knew the glow-worm by his spark;
So, stooping down from hawthorn top,
He thought to put him in his crop.
The worm, aware of his intent,
Harangued him thus, right eloquent:
"Did you admire my lamp," quoth he,
"As much as I your minstrelsy,
You would abhor to do me wrong,
As much as I to spoil your song;
For 'twas the self-same Power Divine
Taught you to sing, and me to shine;
That you with music, I with light,
Might beautify and cheer the night."
The songster heard his short oration,
And warbling out his approbation,
Released him, as my story tells,
And found a supper somewhere else.
Hence jarring sectaries may learn
Their real interest to discern;
That brother should not war with brother,
And worry and devour each other;
But sing and shine by sweet consent,
Till life's poor transient night is spent,
Respecting in each other's case
The gifts of nature and of grace.
Those Christians best deserve the name
Who studiously make peace their aim;
Peace both the duty and the prize
Of him that creeps and him that flies.
William Cowper [1731-1808]
SIR LARK AND KING SUN: A PARABLE
From "Adela Cathcart"
"Good morrow, my lord!" in the sky alone,
Sang the lark, as the sun ascended his throne.
"Shine on me, my lord; I only am come,
Of all your servants, to welcome you home.
I have flown right up, a whole hour, I swear,
To catch the first shine of your golden hair."
"Must I thank you, then," said the king, "Sir Lark,
For flying so high and hating the dark?
You ask a full cup for half a thirst:
Half was love of me, and half love to be first.
There's many a bird makes no such haste,
But waits till I come: that's as much to my taste."
And King Sun hid his head in a turban of cloud, And Sir Lark stopped singing, quite vexed and cowed; But he flew up higher, and thought, "Anon The wrath of the king will be over and gone; And his crown, shining out of its cloudy fold, Will change my brown feathers to a glory of gold."
So he flew - with the strength of a lark he flew;
But, as he rose, the cloud rose too;
And not one gleam of the golden hair
Came through the depths of the misty air;
Till, weary with flying, with sighing sore,
The strong sun-seeker could do no more.
His wings had had no chrism of gold:
And his feathers felt withered and worn and old;
He faltered, and sank, and dropped like a stone.
And there on her nest, where he left her, alone
Sat his little wife on her little eggs,
Keeping them warm with wings and legs.
Did I say alone? Ah, no such thing!
Full in her face was shining the king.
"Welcome, Sir Lark! You look tired," said he;
"Up is not always the best way to me.
While you have been singing so high and away,
I've been shining to your little wife all day."
He had set his crown all about the nest, And out of the midst shone her little brown breast; And so glorious was she in russet gold, That for wonder and awe Sir Lark grew cold. He popped his head under her wing, and lay As still as a stone, till King Sun was away.
George Macdonald [1824-1905]
THE COURTSHIP, MERRY MARRIAGE, AND PICNIC DINNER OF COCK ROBIN AND JENNY WREN
It was a merry time
When Jenny Wren was young,
So neatly as she danced,
And so sweetly as she sung,
Robin Redbreast lost his heart:
He was a gallant bird;
He doffed his hat to Jenny,
And thus to her he said: -
"My dearest Jenny Wren,
If you will but be mine,
You shall dine on cherry pie,
And drink nice currant wine.
I'll dress you like a Goldfinch,
Or like a Peacock gay;
So if you'll have me, Jenny,
Let us appoint the day."
Jenny blushed behind her fan,
And thus declared her mind:
"Then let it be to-morrow, Bob,
I take your offer kind -
Cherry pie is very good!
So is currant wine!
But I will wear my brown gown,
And never dress too fine."
Robin rose up early
At the break of day;
He flew to Jenny Wren's house,
To sing a roundelay.
He met the Cock and Hen,
And bid the Cock declare,
This was his wedding-day
With Jenny Wren, the fair.
The Cock then blew his horn,
To let the neighbors know,
This was Robin's wedding-day,
And they might see the show.
And first came Parson Rook,
With his spectacles and band,
And one of Mother Hubbard's books
He held within his hand.
Then followed him the Lark,
For he could sweetly sing,
And he was to be clerk
At Cock Robin's wedding.
He sang of Robin's love
For little Jenny Wren;
And when he came unto the end,
Then he began again.
Then came the bride and bridegroom;
Quite plainly was she dressed,
And blushed so much, her cheeks were
As red as Robin's breast.
But Robin cheered her up;
"My pretty Jen," said he,
"We're going to be married
And happy we shall be."
The Goldfinch came on next,
To give away the bride;
The Linnet, being bride's maid,
Walked by Jenny's side;
And, as she was a-walking,
She said, "Upon my word,
I think that your Cock Robin
Is a very pretty bird."
The Bulfinch walked by Robin,
And thus to him did say,
"Pray, mark, friend Robin Redbreast,
That Goldfinch, dressed so gay;
What though her gay apparel
Becomes her very well,
Yet Jenny's modest dress and look
Must bear away the bell."
The Blackbird and the Thrush,
And charming Nightingale,
Whose sweet jug sweetly echoes
Through every grove and dale;
The Sparrow and Tom Tit,
And many more, were there:
All came to see the wedding
Of Jenny Wren, the fair.
"O then," says Parson Rook,
"Who gives this maid away?"
"I do," says the Goldfinch,
"And her fortune I will pay:
Here's a bag of grain of many sorts,
And other things beside;
Now happy be the bridegroom,
And happy be the bride!"
"And will you have her, Robin,
To be your wedded wife?"
"Yes, I will," says Robin,
"And love her all my life."
"And will you have him, Jenny,
Your husband now to be?"
"Yes, I will," says Jenny,
"And love him heartily."
Then on her finger fair
Cock Robin put the ring;
"You're married now," says Parson Rook,
While the Lark aloud did sing:
"Happy be the bridegroom,
And happy be the bride!
And may not man, nor bird, nor beast,
This happy pair divide."
The birds were asked to dine;
Not Jenny's friends alone,
But every pretty songster
That had Cock Robin known.
They had a cherry pie,
Beside some currant wine,
And every guest brought something,
That sumptuous they might dine.
Now they all sat or stood
To eat and to drink;
And every one said what
He happened to think:
They each took a bumper,
And drank to the pair:
Cock Robin, the bridegroom,
And Jenny Wren, the fair.
The dinner-things removed,
They all began to sing;
And soon they made the place
Near a mile round to ring.
The concert it was fine;
And every bird tried
Who best could sing for Robin
And Jenny Wren, the bride.
Then in came the Cuckoo and made a great rout; He caught hold of Jenny and pulled her about. Cock Robin was angry, and so was the Sparrow, Who fetched in a hurry his bow and his arrow.
His aim then he took, but he took it not right; His skill was not good, or he shot in a fright; For the Cuckoo he missed, but Cock Robin killed! - And all the birds mourned that his blood was so spilled.
Unknown
THE BABES IN THE WOOD
Now ponder well, you parents dear,
These words, which I shall write;
A doleful story you shall hear,
In time brought forth to light.
A gentleman of good account
In Norfolk dwelt of late,
Who did in honor far surmount
Most men of his estate.
Sore sick was he, and like to die,
No help his life could save;
His wife by him as sick did lie,
And both possessed one grave.
No love between these two was lost,
Each was to other kind;
In love they lived, in loved they died,
And left two babes behind:
The one a fine and pretty boy,
Not passing three years old;
The other a girl more young than he,
And framed in beauty's mold.
The father left his little son,
As plainly does appear,
When he to perfect age should come,
Three hundred pounds a year.
And to his little daughter Jane
Five hundred pounds in gold,
To be paid down on marriage-day,
Which might not be controlled:
But if the children chance to die,
Ere they to age should come,
Their uncle should possess their wealth;
For so the will did run.
"Now, brother," said the dying man,
"Look to my children dear;
Be good unto my boy and girl,
No friends else have they here:
To God and you I recommend
My children dear this day;
But little while be sure we have
Within this world to stay.
"You must be father and mother both,
And uncle all in one;
God knows what will become of them,
When I am dead and gone."
With that bespake their mother dear,
"O brother kind," quoth she,
"You are the man must bring our babes
To wealth or misery.
"And if you keep them carefully
Then God will you reward;
But if you otherwise should deal,
God will your deeds regard."
With lips as cold as any stone,
They kissed their children small:
"God bless you both, my children dear;"
With that the tears did fall.
These speeches then their brother spake
To this sick couple there,
"The keeping of your little ones,
Sweet sister, do not fear;
God never prosper me nor mine,
Nor aught else that I have,
If I do wrong your children dear,
When you are laid in grave."
The parents being dead and gone,
The children home he takes,
And brings them straight into his house,
Where much of them he makes.
He had not kept these pretty babes
A twelvemonth and a day,
But, for their wealth, he did devise
To make them both away.
He bargained with two ruffians strong,
Which were of furious mood,
That they should take these children young,
And slay them in a wood.
He told his wife an artful tale,
He would the children send
To be brought up in fair London,
With one that was his friend.
Away then went these pretty babes,
Rejoicing at that tide,
Rejoicing with a merry mind,
They should on cock-horse ride.
They prate and prattle pleasantly,
As they rode on the way,
To those that should their butchers be,
And work their lives' decay:
So that the pretty speech they had,
Made Murder's heart relent;
And they that undertook the deed,
Full sore did now repent.
Yet one of them more hard of heart,
Did vow to do his charge,
Because the wretch that hired him,
Had paid him very large.
The other won't agree thereto,
So here they fall to strife;
With one another they did fight,
About the children's life:
And he that was of mildest mood,
Did slay the other there,
Within an unfrequented wood;
The babes did quake for fear!
He took the children by the hand,
Tears standing in their eye,
And bade them straightway follow him,
And look they did not cry:
And two long miles he led them on,
While they for food complain:
"Stay here," quoth he, "I'll bring you bread,
When I come back again."
These pretty babes, with hand in hand,
Went wandering up and down,
But never more could see the man
Approaching from the town;
Their pretty lips with black-berries
Were all besmeared and dyed,
And, when they saw the darksome night,
They sat them down and cried.
Thus wandered these poor innocents,
Till death did end their grief;
In one another's arms they died,
As wanting due relief:
No burial this pretty pair
Of any man receives,
Till Robin-red-breast piously
Did cover them with leaves.
And now the heavy wrath of God
Upon their uncle fell;
Yea, fearful fiends did haunt his house,
His conscience felt an hell:
His barns were fired, his goods consumed,
His lands were barren made,
His cattle died within the field,
And nothing with him stayed.
And in a voyage to Portugal
Two of his sons did die;
And, to conclude, himself was brought
To want and misery:
He pawned and mortgaged all his land
Ere seven years came about,
And now at length his wicked act
Did by this means come out:
The fellow, that did take in hand
These children for to kill,
Was for a robbery judged to die,
Such was God's blessed will:
Who did confess the very truth
As here hath been displayed:
Their uncle having died in jail,
Where he for debt was laid.
You that executors be made,
And overseers eke
Of children that be fatherless,
And infants mild and meek;
Take you example by this thing,
And yield to each his right,
Lest God with such like misery
Your wicked minds requite.
Unknown
GOD'S JUDGMENT ON A WICKED BISHOP
The summer and autumn had been so wet,
That in winter the corn was growing yet:
'Twas a piteous sight to see, all around,
The grain lie rotting on the ground.
Every day the starving poor
Crowded around Bishop Hatto's door;
For he had a plentiful last-year's store,
And all the neighborhood could tell
His granaries were furnished well.
At last Bishop Hatto appointed a day
To quiet the poor without delay;
He bade them to his great barn repair,
And they should have food for the winter there.
Rejoiced such tidings good to hear,
The poor folk flocked from far and near;
The great barn was full as it could hold
Of women and children, and young and old.
Then, when he saw it could hold no more,
Bishop Hatto he made fast the door;
And, while for mercy on Christ they call,
He set fire to the barn, and burnt them all.
"I' faith, 'tis an excellent bonfire!" quoth he; "And the country is greatly obliged to me For ridding it, in these times forlorn, Of rats that only consume the corn."
So then to his palace returned he,
And he sat down to supper merrily,
And he slept that night like an innocent man;
But Bishop Hatto never slept again.
In the morning, as he entered the hall,
Where his picture hung against the wall,
A sweat like death all over him came,
For the rats had eaten it out of the frame.
As he looked, there came a man from his farm, -
He had a countenance white with alarm:
"My Lord, I opened your granaries this morn,
And the rats had eaten all your corn."
Another came running presently,
And he was pale as pale could be.
"Fly! my Lord Bishop, fly!" quoth he,
"Ten thousand rats are coming this way, -
The Lord forgive you for yesterday!"
"I'll go to my tower in the Rhine," replied he;
"'Tis the safest place in Germany, -
The walls are high, and the shores are steep,
And the tide is strong, and the water deep."
Bishop Hatto fearfully hastened away,
And he crossed the Rhine without delay,
And reached his tower, and barred with care
All the windows, and doors, and loop-holes there.
He laid him down and closed his eyes,
But soon a scream made him arise;
He started, and saw two eyes of flame
On his pillow, from whence the screaming came.
He listened and looked, - it was only the cat;
But the Bishop he grew more fearful for that,
For she sat screaming, mad with fear,
At the army of rats that were drawing near.
For they have swum over the river so deep,
And they have climbed the shores so steep,
And now by thousands up they crawl
To the holes and the windows in the wall.
Down on his knees the Bishop fell,
And faster and faster his beads did he tell,
As louder and louder, drawing near,
The saw of their teeth without he could hear.
And in at the windows, and in at the door, And through the walls by thousands they pour; And down from the ceiling and up through the floor, From the right and the left, from behind and before, From within and without, from above and below, - And all at once to the Bishop they go.
They have whetted their teeth against the stones,
And now they pick the Bishop's bones;
They gnawed the flesh from every limb,
For they were sent to do judgment on him!
Robert Southey [1774-1843]
THE PIED PIPER OF HAMELIN
A Child's Story
I
Hamelin Town's in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin was a pity.
II
Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats,
And licked the soup from the cooks' own ladles,
Split open the kegs of salted sprats,
Made nests inside men's Sunday hats,
And even spoiled the women's chats
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.
III
At last the people in a body
To the Town Hall came flocking:
"'Tis clear," cried they, "our Mayor's a noddy;
And as for our Corporation, - shocking
To think we buy gowns lined with ermine
For dolts that can't or won't determine
What's best to rid us of our vermin!
You hope, because you're old and obese,
To find in the furry civic robe ease?
Rouse up, sirs! Give your brains a racking,
To find the remedy we're lacking,
Or, sure as fate, we'll send you packing!"
At this the Mayor and Corporation
Quaked with a mighty consternation.
IV
An hour they sat in council, -
At length the Mayor broke silence:
"For a guilder I'd my ermine gown sell;
I wish I were a mile hence!
It's easy to bid one rack one's brain, -
I'm sure my poor head aches again,
I've scratched it so, and all in vain.
Oh for a trap, a trap, a trap!"
Just as he said this, what should hap
At the chamber-door but a gentle tap?
"Bless us," cried the Mayor, "what's that?"
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
"Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!"
V
"Come in!" the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin,
No tuft on cheek nor beard on chin,
But lips where smiles went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: "It's as my great-grandsire,
Starting up at the Trump of Doom's tone,
Had walked this way from his painted tombstone!"
VI
He advanced to the council-table:
And, "Please your honors," said he, I'm able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper."
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the self-same check,
And at the scarf's end hung a pipe;
And his fingers, they noticed, were ever straying
As if impatient to he playing
Upon this pipe, as low it dangled
Over his vesture so old-fangled.)
"Yet," said he, "poor piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats;
I eased in Asia the Nizam
Of a monstrous brood of vampire-bats;
And as for what your brain bewilders, -
If I can rid your town of rats,
Will you give me a thousand guilders?"
"One? fifty thousand!" was the exclamation
Of the astonished Mayor and Corporation.
VII
Into the street the Piper stepped,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled,
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, gray rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers;
Families by tens and dozens,
Brothers, sisters, husbands, wives, -
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser,
Wherein all plunged and perished!
- Save one who, stout as Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary,
Which was: "At the first shrill notes of the pipe,
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press's gripe, -
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks;
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out, 'Oh rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!'
And just as a bulky sugar-puncheon,
Already staved, like a great sun shone
Glorious scarce an inch before me,
Just as methought it said, 'Come, bore me!' -
I found the Weser rolling o'er me."
VIII
You should have heard the Hamelin people
Ringing the bells till they rocked the steeple;
"Go," cried the Mayor, "and get long poles!
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!" - when suddenly, up the face
Of the Piper perked in the market-place,
With a "First, if you please, my thousand guilders!"
IX
A thousand guilders! the Mayor looked blue;
So did the Corporation too.
For council-dinners made rare havoc
With Claret, Moselle, Via-de-Grave, Hock;
And half the money would replenish
Their cellar's biggest butt with Rhenish.
To pay this sum to a wandering fellow
With a gypsy coat of red and yellow!
"Beside," quoth the Mayor, with a knowing wink,
"Our business was done at the river's brink;
We saw with our eyes the vermin sink,
And what's dead can't come to life, I think.
So, friend, we're not the folks to shrink
From the duty of giving you something to drink,
And a matter of money to put in your poke;
But as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty;
A thousand guilders! Come, take fifty!"
X
The Piper's face fell, and he cried,
"No trifling! I can't wait! beside,
I've promised to visit by dinner time
Bagdat, and accept the prime
Of the Head Cook's pottage, all he's rich in,
For having left, in the Caliph's kitchen,
Of a nest of scorpions no survivor:
With him I proved no bargain-driver;
With you, don't think I'll bate a stiver!
And folks who put me in a passion
May find me pipe after another fashion."
XI
"How?" cried the Mayor, "d'ye think I brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!"
XII
Once more he stepped into the street;
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes (such sweet
Soft notes as yet musician's cunning
Never gave the enraptured air)
There was a rustling that seemed like a bustling
Of merry crowds justling at pitching and hustling;
Small feet were pattering, wooden shoes clattering,
Little hands clapping, and little tongues chattering;
And, like fowls in a farm-yard when barley is scattering,
Out came the children running:
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls,
Tripping and skipping, ran merrily after
The wonderful music with shouting and laughter.
XIII
The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by, -
And could only follow with the eye
That joyous crowd at the Piper's back.
But how the Mayor was on the rack,
And the wretched Council's bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However, he turned from south to west,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
"He never can cross that mighty top!
He's forced to let the piping drop,
And we shall see our children stop!"
When, lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed;
And when all were in, to the very last,
The door in the mountain-side shut fast.
Did I say, all? No! One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say, -
"It's dull in our town since my playmates left!
I can't forget that I'm bereft
Of all the pleasant sights they see,
Which the Piper also promised me;
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed, and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles' wings;
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!
XIV
Alas, alas for Hamelin!
There came into many a burgher's pate
A text which says that heaven's gate
Opes to the rich at as easy rate
As the needle's eye takes a camel in!
The Mayor sent East, West, North and South,
To offer the Piper, by word of mouth,
Wherever it was men's lot to find him,
Silver and gold to his heart's content,
If he'd only return the way he went,
And bring the children behind him.
But when they saw 'twas a lost endeavor,
And piper and dancers were gone forever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
"And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six:"
And the better in memory to fix
The place of the children's last retreat,
They called it, the Pied Piper's Street -
Where any one playing on pipe or tabor
Was sure for the future to lose his labor.
Nor suffered they hostlery or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there's a tribe
Of alien people who ascribe
The outlandish ways and dress
On which their neighbors lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don't understand.
XV
So, Willy, let me and you be wipers
Of scores out with all men - especially pipers!
And, whether they pipe us free from rats or from mice,
If we've promised them aught, let us keep our promise!
Robert Browning [1812-1889]
THE GLAD EVANGEL
A CAROL
He came all so still
Where His mother was,
As dew in April
That falleth on the grass.
He came all so still
Where His mother lay,
As dew in April
That falleth on the spray.
He came all so still
To His mother's bower,
As dew in April
That falleth on the flower.
Mother and maiden
Was never none but she!
Well might such a lady
God's mother be.
Unknown
"GOD REST YOU MERRY, GENTLEMEN"
God rest you merry, gentlemen,
Let nothing you dismay,
For Jesus Christ, our Saviour,
Was born upon this day,
To save us all from Satan's power
When we were gone astray.
O tidings of comfort and joy!
For Jesus Christ, our Saviour,
Was born on Christmas Day.
In Bethlehem, in Jewry,
This blessed babe was born,
And laid within a manger,
Upon this blessed morn;
The which His mother, Mary,
Nothing did take in scorn.
From God our Heavenly Father,
A blessed angel came;
And unto certain shepherds
Brought tidings of the same:
How that in Bethlehem was born
The Son of God by name.
"Fear not," then said the angel,
"Let nothing you affright,
This day is born a Saviour
Of virtue, power, and might,
So frequently to vanquish all
The friends of Satan quite."
The shepherds at these tidings
Rejoiced much in mind,
And left their flocks a-feeding
In tempest, storm, and wind,
And went to Bethlehem straightway,
This blessed babe to find.
But when to Bethlehem they came,
Whereat this infant lay,
They found Him in a manger,
Where oxen feed on hay,
His mother Mary kneeling,
Unto the Lord did pray.
Now to the Lord sing praises,
All you within this place,
And with true love and brotherhood
Each other now embrace;
This holy tide of Christmas
All others doth deface.
O tidings of comfort and joy!
For Jesus Christ, our Saviour,
Was born in Christmas Day.
Unknown
"O LITTLE TOWN OF BETHLEHEM"
O little town of Bethlehem,
How still we see thee lie!
Above thy deep and dreamless sleep
The silent stars go by;
Yet in thy dark streets shineth
The everlasting Light;
The hopes and fears of all the years
Are met in thee to-night.
For Christ is born of Mary,
And, gathered all above,
While mortals sleep, the angels keep
Their watch of wondering love.
O morning stars, together
Proclaim the holy birth!
And praises sing to God the King,
And peace to men on earth.
How silently, how silently,
The wondrous gift is given!
So God imparts to human hearts
The blessings of His heaven.
No ear may hear His coming,
But in this world of sin,
Where meek souls will receive Him still,
The dear Christ enters in.
O holy Child of Bethlehem!
Descend to us, we pray;
Cast out our sin, and enter in,
Be born in us to-day.
We hear the Christmas angels
The great glad tidings tell;
Oh come to us, abide with us,
Our Lord Emmanuel!
Phillips Brooks [1835-1893]
A CHRISTMAS HYMN
Old Style: 1837
It was the calm and silent night!
Seven hundred years and fifty-three
Had Rome been growing up to might,
And now was Queen of land and sea.
No sound was heard of clashing wars;
Peace brooded o'er the hushed domain;
Apollo, Pallas, Jove and Mars,
Held undisturbed their ancient reign,
In the solemn midnight
Centuries ago.
'Twas in the calm and silent night!
The senator of haughty Rome
Impatient urged his chariot's flight,
From lordly revel rolling home.
Triumphal arches gleaming swell
His breast with thoughts of boundless sway;
What recked the Roman what befell
A paltry province far away,
In the solemn midnight
Centuries ago!
Within that province far away
Went plodding home a weary boor:
A streak of light before him lay,
Fall'n through a half-shut stable door
Across his path. He passed - for naught
Told what was going on within;
How keen the stars! his only thought;
The air how calm and cold and thin,
In the solemn midnight
Centuries ago!
O strange indifference! - low and high
Drowsed over common joys and cares:
The earth was still - but knew not why;
The world was listening - unawares.
How calm a moment may precede
One that shall thrill the world for ever!
To that still moment none would heed,
Man's doom was linked, no more to sever,
In the solemn midnight
Centuries ago.
It is the calm and solemn night!
A thousand bells ring out, and throw
Their joyous peals abroad, and smite
The darkness, charmed and holy now.
The night that erst no name had worn,
To it a happy name is given;
For in that stable lay new-born
The peaceful Prince of Earth and Heaven,
In the solemn midnight
Centuries ago.
Alfred Domett [1811-1887]
"WHILE SHEPHERDS WATCHED THEIR FLOCKS BY NIGHT"
While shepherds watched their flocks by night,
All seated on the ground,
The angel of the Lord came down,
And glory shone around.
"Fear not," said he, for mighty dread
Had seized their troubled mind;
"Glad tidings of great joy I bring
To you and all mankind.
"To you, in David's town, this day
Is born, of David's line,
The Saviour, who is Christ the Lord,
And this shall be the sign:
"The heavenly babe you there shall find
To human view displayed,
All meanly wrapped in swaddling bands,
And in a manger laid."
Thus spake the seraph; and forthwith
Appeared a shining throng
Of angels, praising God, who thus
Addressed their joyful song:
"All glory be to God on high,
And to the earth be peace;
Good will henceforth from Heaven to men
Begin and never cease."
Nahum Tate [1652-1715]
CHRISTMAS CAROLS
It came upon the midnight clear,
That glorious song of old,
From angels bending near the earth
To touch their harps of gold:
"Peace on the earth, good will to men
From heaven's all-gracious King" -
The world in solemn stillness lay
To hear the angels sing.
Still through the cloven skies they come
With peaceful wings unfurled,
And still their heavenly music floats
O'er all the weary world;
Above its sad and lowly plains
They bend on hovering wing,
And ever o'er its Babel-sounds
The blessed angels sing.
But with the woes of sin and strife
The world has suffered long;
Beneath the angel-strain have rolled
Two thousand years of wrong;
And man, at war with man, hears not
The love-song which they bring; -
Oh, hush the noise, ye men of strife,
And hear the angels sing!
And ye, beneath life's crushing load,
Whose forms are bending low,
Who toil along the climbing way
With painful steps and slow,
Look now! for glad and golden hours
Come swiftly on the wing; -
Oh, rest beside the weary road
And hear the angels sing!
For lo! the days are hastening on
By prophet bards foretold,
When with the ever circling years
Comes round the age of gold;
When Peace shall over all the earth
Its ancient splendors fling,
And the whole world give back the song
Which now the angels sing.
Edmund Hamilton Sears [1810-1876]
THE ANGELS
From "Flowers of Sion"
Run, shepherds, run where Bethlehem blest appears.
We bring the best of news; be not dismayed:
A Saviour there is born more old than years,
Amidst heaven's rolling heights this earth who stayed.
In a poor cottage inned, a virgin maid,
A weakling did him bear, who all upbears;
There is he poorly swaddled, in manger laid,
To whom too narrow swaddlings are our spheres:
Run, shepherds, run, and solemnize his birth.
This is that night - no, day, grown great with bliss,
In which the power of Satan broken is:
In heaven be glory, peace unto the earth!
Thus singing, through the air the angels swarm,
And cope of stars re-echoed the same.
William Drummond [1585-1649]
THE BURNING BABE
As I in hoary winter's night
Stood shivering in the snow,
Surprised I was with sudden heat
Which made my heart to glow;
And lifting up a fearful eye
To view what fire was near,
A pretty babe all burning bright
Did in the air appear;
Who, scorched with excessive heat,
Such floods of tears did shed,
As though His floods should quench His flames,
Which with His tears were bred:
"Alas!" quoth He, "but newly born
In fiery heats I fry,
Yet none approach to warm their hearts
Or feel my fire but I!
"My faultless breast the furnace is;
The fuel, wounding thorns;
Love is the fire, and sighs the smoke;
The ashes, shames and scorns;
The fuel Justice layeth on,
And Mercy blows the coals,
The metal in this furnace wrought
Are men's defiled souls:
For which, as now on fire I am
To work them to their good,
So will I melt into a bath,
To wash them in my blood."
With this He vanished out of sight
And swiftly shrunk away,
And straight I called unto mind
That it was Christmas Day.
Robert Southwell [1561?-1595]
TRYSTE NOEL
The Ox he openeth wide the Doore,
And from the Snowe he calls her inne,
And he hath seen her Smile therefor,
Our Ladye without Sinne.
Now soone from Sleep
A Starre shall leap,
And soone arrive both King and Hinde:
Amen, Amen:
But O, the Place co'd I but finde!
The Ox hath hushed his voyce and bent
Trewe eyes of Pitty ore the Mow,
And on his lovelie Neck, forspent,
The Blessed layes her Browe.
Around her feet
Full Warme and Sweete
His bowerie Breath doth meeklie dwell:
Amen, Amen:
But sore am I with Vaine Travel!
The Ox is host in Judah stall
And Host of more than onelie one,
For close she gathereth withal
Our Lorde her littel Sonne.
Glad Hinde and King
Their Gyfte may bring,
But wo'd to-night my Teares were there,
Amen, Amen:
Between her Bosom and His hayre!
Louise Imogen Guiney [1861-1920]
CHRISTMAS CAROL
As Joseph was a-waukin',
He heard an angel sing,
"This night shall be the birthnight
Of Christ our heavenly King.
"His birth-bed shall be neither
In housen nor in hall,
Nor in the place of paradise,
But in the oxen's stall.
"He neither shall be rocked
In silver nor in gold,
But in the wooden manger
That lieth in the mould.
"He neither shall be washen
With white wine nor with red,
But with the fair spring water
That on you shall be shed.
"He neither shall be clothed
In purple nor in pall,
But in the fair, white linen
That usen babies all."
As Joseph was a-waukin',
Thus did the angel sing,
And Mary's son at midnight
Was born to be our King.
Then be you glad, good people,
At this time of the year;
And light you up your candles,
For His star it shineth clear.
Unknown
"BRIGHTEST AND BEST OF THE SONS OF THE MORNING"
Brightest and best of the Sons of the morning! Dawn on our darkness and lend us thine aid! Star of the East, the horizon adorning, Guide where our Infant Redeemer is laid!
Cold on His cradle the dewdrops are shining,
Low lies His head with the beasts of the stall;
Angels adore Him in slumber reclining,
Maker and Monarch and Saviour of all!
Say, shall we yield Him, in costly devotion,
Odors of Edom and offerings divine?
Gems of the mountain and pearls of the ocean,
Myrrh from the forest, or gold from the mine?
Vainly we offer each ample oblation;
Vainly with gifts would His favor secure:
Richer by far is the heart's adoration;
Dearer to God are the prayers of the poor.
Brightest and best of the Sons of the morning! Dawn on our darkness and lend us thine aid! Star of the East, the horizon adorning, Guide where our Infant Redeemer is laid!
Reginald Heber [1783-1826]
CHRISTMAS BELLS
I heard the bells on Christmas Day
Their old, familiar carols play,
And wild and sweet
The words repeat
Of peace on earth, good-will to men!
And thought how, as the day had come,
The belfries of all Christendom
Had rolled along
The unbroken song
Of peace on earth, good-will to men!
Till, ringing, singing on its way,
The world revolved from night to day,
A voice, a chime,
A chant sublime
Of peace on earth, good-will to men!
Then from each black, accursed mouth
The cannon thundered in the South,
And with the sound
The carols drowned
Of peace on earth, good-will to men!
It was as if an earthquake rent
The hearth-stones of a continent,
And made forlorn
The households born
Of peace on earth, good-will to men!
And in despair I bowed my head;
"There is no peace on earth," I said,
"For hate is strong,
And mocks the song
Of peace on earth, good-will to men!"
Then pealed the bells more loud and deep:
"God is not dead, nor doth He sleep!
The Wrong shall fail,
The Right prevail,
With peace on earth, good-will to men!"
Henry Wadsworth Longfellow [1807-1882]
A CHRISTMAS CAROL
The Christ-child lay on Mary's lap,
His hair was like a light.
(O weary, weary were the world,
But here is all aright.)
The Christ-child lay on Mary's breast,
His hair was like a star.
(O stern and cunning are the kings,
But here the true hearts are.)
The Christ-child lay on Mary's heart,
His hair was like a fire.
(O weary, weary is the world,
But here the world's desire.)
The Christ-child stood at Mary's knee,
His hair was like a crown,
And all the flowers looked up at Him,
And all the stars looked down.
Gilbert Keith Chesterton [1874-1936]
THE HOUSE OF CHRISTMAS
There fared a mother driven forth
Out of an inn to roam;
In the place where she was homeless
All men are at home.
The crazy stable close at hand,
With shaking timber and shifting sand,
Grew a stronger thing to abide and stand
Than the square stones of Rome.
For men are homesick in their homes,
And strangers under the sun,
And they lay their heads in a foreign land
Whenever the day is done.
Here we have battle and blazing eyes,
And chance and honor and high surprise,
But our homes are under miraculous skies
Where the yule tale was begun.
A Child in a foul stable,
Where the beasts feed and foam,
Only where He was homeless
Are you and I at home;
We have hands that fashion and heads that know,
But our hearts we lost - how long ago!
In a place no chart nor ship can show
Under the sky's dome.
This world is wild as an old wives' tale,
And strange the plain things are,
The earth is enough and the air is enough
For our wonder and our war;
But our rest is as far as the fire-drake swings
And our peace is put in impossible things
Where clashed and thundered unthinkable wings
Round an incredible star.
To an open house in the evening
Home shall men come,
To an older place than Eden
And a taller town than Rome.
To the end of the way of the wandering star,
To the things that cannot be and that are,
To the place where God was homeless
And all men are at home.
Gilbert Keith Chesterton [1874-1936]
THE FEAST OF THE SNOW
There is heard a hymn when the panes are dim,
And never before or again,
When the nights are strong with a darkness long,
And the dark is alive with rain.
Never we know but in sleet and snow
The place where the great fires are,
That the midst of earth is a raging mirth,
And the heart of the earth a star.
And at night we win to the ancient inn, Where the Child in the frost is furled, We follow the feet where all souls meet, At the inn at the end of the world.
The gods lie dead where the leaves lie red,
For the flame of the sun is flown;
The gods lie cold where the leaves are gold,
And a Child comes forth alone.
Gilbert Keith Chesterton [1874-1936]
MARY'S BABY
Joseph, mild and noble, bent above the straw:
A pale girl, a frail girl, suffering he saw;
"O my Love, my Mary, my bride, I pity thee!"
"Nay, Dear," said Mary, "all is well with me!"
"Baby, my baby, O my babe," she sang.
Suddenly the golden night all with music rang.
Angels leading shepherds, shepherds leading sheep:
The silence of worship broke the mother's sleep.
All the meek and lowly of all the world were there;
Smiling, she showed them that her Child was fair,
"Baby, my baby," kissing Him she said.
Suddenly a flaming star through the heavens sped.
Three old men and weary knelt them side by side,
The world's wealth forswearing, majesty and pride;
Worldly might and wisdom before the Babe bent low:
Weeping, maid Mary said, "I love Him so!"
"Baby, my baby," and the Baby slept.
Suddenly on Calvary all the olives wept.
Shaemas OSheel [1886-
GATES AND DOORS
A Ballad of Christmas Eve
There was a gentle hostler
(And blessed be his name!)
He opened up the stable
The night Our Lady came.
Our Lady and St. Joseph,
He gave them food and bed,
And Jesus Christ has given him
A glory round his head.
So let the gate swing open
However poor the yard,
Lest weary People visit you
And find their Passage barred.
Unlatch the door at midnight
And let your lantern's glow
Shine out to guide the traveler's feet
To you across the snow.
There was a courteous hostler
(He is in Heaven to-night)
He held Our Lady's bridle
And helped her to alight.
He spread clean straw before her
Whereon she might lie down,
And Jesus Christ has given him
An everlasting crown.
Unlock the door this evening
And let your gate swing wide,
Let all who ask for shelter
Come speedily inside.
What if your yard be narrow?
What if your house be small?
There is a Guest is coming
Will glorify it all.
There was a joyous hostler
Who knelt on Christmas morn
Beside the radiant manger
Wherein his Lord was born.
His heart was full of laughter,
His soul was full of bliss
When Jesus, on His Mother's lap,
Gave him His hand to kiss.
Unbar your heart this evening
And keep no stranger out,
Take from your soul's great portal
The barrier of doubt.
To humble folk and weary
Give hearty welcoming,
Your breast shall be to-morrow
The cradle of a King.
Joyce Kilmer [1886-1918]
THE THREE KINGS
Three Kings came riding from far away,
Melchior and Gaspar and Baltasar;
Three Wise Men out of the East were they,
And they travelled by night and they slept by day,
For their guide was a beautiful, wonderful star.
The star was so beautiful, large and clear,
That all the other stars of the sky
Became a white mist in the atmosphere;
And by this they knew that the coming was near
Of the Prince foretold in the prophecy.
Three caskets they bore on their saddle-bows, Three caskets of gold with golden keys; Their robes were of crimson silk, with rows Of bells and pomegranates and furbelows, Their turbans like blossoming almond-trees.
And so the Three Kings rode into the West, Through the dusk of night, over hill and dell, And sometimes they nodded with beard on breast, And sometimes talked, as they paused to rest, With the people they met at some wayside well.
"Of the child that is born," said Baltasar,
"Good people, I pray you, tell us the news,
For we in the East have seen his star,
And have ridden fast, and have ridden far,
To find and worship the King of the Jews."
And the people answered, "You ask in vain; We know of no king but Herod the Great!" They thought the Wise Men were men insane, As they spurred their horses across the plain Like riders in haste, and who cannot wait.
And when they came to Jerusalem,
Herod the Great, who had heard this thing,
Sent for the Wise Men and questioned them;
And said, "Go down unto Bethlehem,
And bring me tidings of this new king."
So they rode away, and the star stood still,
The only one in the gray of morn;
Yes, it stopped, - it stood still of its own free will,
Right over Bethlehem on the hill,
The city of David, where Christ was born.
And the Three Kings rode through the gate and the guard, Through the silent street, till their horses turned And neighed as they entered the great inn-yard; But the windows were closed, and the doors were barred, And only a light in the stable burned.
And cradled there in the scented hay,
In the air made sweet by the breath of kine,
The little child in the manger lay,
The Child that would be King one day
Of a kingdom not human, but divine.
His mother, Mary of Nazareth,
Sat watching beside his place of rest,
Watching the even flow of his breath,
For the joy of life and the terror of death
Were mingled together in her breast.
They laid their offerings at his feet:
The gold was their tribute to a King;
The frankincense, with its odor sweet,
Was for the Priest, the Paraclete;
The myrrh for the body's burying.
And the mother wondered and bowed her head,
And sat as still as a statue of stone;
Her heart was troubled yet comforted,
Remembering what the Angel had said
Of an endless reign and of David's throne.
Then the Kings rode out of the city gate, With a clatter of hoofs in proud array; But they went not back to Herod the Great, For they knew his malice and feared his hate, And returned to their homes by another way.
Henry Wadsworth Longfellow [1807-1882]
LULLABY IN BETHLEHEM
There hath come an host to see Thee,
Baby dear,
Bearded men with eyes of flame
And lips of fear,
For the heavens, they say, have broken
Into blinding gulfs of glory,
And the Lord, they say, hath spoken
In a little wondrous story,
Baby dear.
There have come three kings to greet Thee,
Baby dear,
Crowned with gold, and clad in purple,
They draw near.
They have brought rare silks to bind Thee,
At Thy feet, behold, they spread them,
From their thrones they sprang to find Thee,
And a blazing star hath led them,
Baby dear.
I have neither jade nor jasper,
Baby dear,
Thou art all my hope and glory,
And my fear,
Yet for all the gems that strew Thee,
And the costly gowns that fold Thee,
Yea, though all the world should woo Thee,
Thou art mine - and fast I hold Thee,
Baby dear.
Henry Howarth Bashford [1880-
A CHILD'S SONG OF CHRISTMAS
My counterpane is soft as silk,
My blankets white as creamy milk.
The hay was soft to Him, I know,
Our little Lord of long ago.
Above the roofs the pigeons fly
In silver wheels across the sky.
The stable-doves they cooed to them,
Mary and Christ in Bethlehem.
Bright shines the sun across the drifts,
And bright upon my Christmas gifts.
They brought Him incense, myrrh, and gold,
Our little Lord who lived of old.
Oh, soft and clear our mother sings
Of Christmas joys and Christmas things.
God's holy angels sang to them,
Mary and Christ in Bethlehem.
Our hearts they hold all Christmas dear,
And earth seems sweet and heaven seems near,
Oh, heaven was in His sight, I know,
That little Child of long ago.
Marjorie L. C. Pickthall [1883-1922]
JEST 'FORE CHRISTMAS
Father calls me William, sister calls me Will, Mother calls me Willie, but the fellers call me Bill! Mighty glad I ain't a girl - ruther be a boy, Without them sashes, curls, an' things that's worn by Fauntleroy! Love to chawnk green apples an' go swimmin' in the lake - Hate to take the castor-ile they give for belly-ache! 'Most all the time, the whole year round, there ain't no flies on me, But jest 'fore Christmas I'm as good as I kin be!
Got a yeller dog named Sport, sick him on the cat; First thing she knows she doesn't know where she is at! Got a clipper sled, an' when us kids goes out to slide, 'Long comes the grocery cart an' we all hook a ride! But sometimes when the grocery man is worrited an' cross, He reaches at us with his whip, an' larrups up his hoss, An' then I laff an' holler, "Oh, ye never teched me!" But jest 'fore Christmas I'm as good as I kin be!
Gran'ma says she hopes that when I git to be a man, I'll be a missionarer like her oldest brother, Dan, As was et up by the cannibuls that lives in Ceylon's Isle, Where every prospeck pleases, an' only man is vile! But gran'ma she has never been to see a Wild West show, Nor read the Life of Daniel Boone, or else I guess she'd know That Buff'lo Bill and cow-boys is good enough for me! Excep' jest 'fore Christmas, when I'm good as I kin be!
And then old Sport he hangs around, so solemn-like an' still, His eyes they keep a-sayin': "What's the matter, little Bill?" The old cat sneaks down off her perch an' wonders what's become Of them two enemies of hern that used to make things hum! But I am so perlite an' 'tend so earnestly to biz, That mother says to father: "How improved our Willie is!" But father, havin' been a boy hisself, suspicions me When jest 'fore Christmas, I'm as good as I kin be!
For Christmas, with its lots an' lots of candies, cakes an' toys, Was made, they say, for proper kids an' not for naughty boys; So wash yer face an' bresh yer hair, an' mind yer p's an' q's, An' don't bust out yer pantaloons, an' don't wear out yer shoes; Say "Yessum" to the ladies, an' "Yessur" to the men, An' when they's company, don't pass yer plate for pie again; But, thinking of the things yer'd like to see upon that tree, Jest 'fore Christmas be as good as yer kin be!
Eugene Field [1850-1895]
A VTSTT FROM ST. NICHOLAS
'Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds, While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from the bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow Gave the lustre of mid-day to objects below, When, what to my wondering eyes should appear, But a miniature sleigh, and eight tiny reindeer, With a little old driver, so lively and quick, I knew in a moment it must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name; "Now, Dasher! now, Dancer! now, Prancer and Vixen! On, Comet! on Cupid! on, Donder and Blitzen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As dry leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky, So up to the house-top the coursers they flew, With the sleigh full of toys, and St. Nicholas too. And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a peddler just opening his pack. His eyes - how they twinkled! his dimples how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard of his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke it encircled his head like a wreath; He had a broad face and a little round belly, That shook, when he laughed, like a bowlful of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head, Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight, "Happy Christmas to all, and to all a good-night."
Clement Clarke Moore [1779-1863]
CEREMONIES FOR CHRISTMAS
Come, bring with a noise,
My merry, merry boys,
The Christmas log to the firing;
While my good dame, she
Bids ye all be free;
And drink to your hearts' desiring.
With the last year's brand
Light the new block, and
For good success in his spending,
On your psaltries play,
That sweet luck may
Come while the log is a-tending.
Drink now the strong beer,
Cut the white loaf here,
The while the meat is a-shredding;
For the rare mince-pie
And the plums stand by
To fill the paste that's a-kneading.
Robert Herrick [1591-1674]
ON THE MORNING OF CHRIST'S NATIVITY
This is the month, and this the happy morn
Wherein the Son of Heaven's Eternal King,
Of wedded maid and virgin mother born,
Our great redemption from above did bring;
For so the holy sages once did sing
That he our deadly forfeit should release,
And with his Father work us a perpetual peace.
That glorious Form, that Light unsufferable,
And that far-beaming blaze of Majesty
Wherewith he wont at Heaven's high council-ta
To sit the midst of Trinal Unity,
He laid aside; and, here with us to be,
Forsook the courts of everlasting day,
And chose with us a darksome house of mortal clay.
Say, Heavenly Muse, shall not thy sacred vein
Afford a present to the Infant God?
Hast thou no verse, no hymn, or solemn strain
To welcome him to this his new abode,
Now while the heaven, by the sun's team untrod,
Hath took no print of the approaching light,
And all the spangled host keep watch in squadrons bright?
See how from far, upon the eastern road,
The star-led wizards haste with odors sweet!
O run, prevent them with thy humble ode
And lay it lowly at his blessed feet;
Have thou the honor first thy Lord to greet,
And join thy voice unto the angel choir
From out his secret altar touched with hallowed fire.
THE HYMN
It was the winter wild
While the heaven-born Child
All meanly wrapped in the rude manger lies;
Nature in awe to Him
Had doffed her gaudy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the sun, her lusty paramour.
Only with speeches fair
She woos the gentle air
To hide her guilty front with innocent snow;
And on her naked shame,
Pollute with sinful blame,
The saintly veil of maiden white to throw;
Confounded, that her Maker's eyes
Should look so near upon her foul deformities.
But he, her fears to cease,
Sent down the meek-eyed Peace;
She, crowned with olive green, came softly sliding
Down through the turning sphere,
His ready harbinger,
With turtle wing and amorous clouds dividing;
And waving wide her myrtle wand,
She strikes a universal peace through sea and land.
No war, or battle's sound
Was heard the world around:
The idle spear and shield were high uphung;
The hooked chariot stood
Unstained with hostile blood;
The trumpet spake not to the armed throng;
And kings sat still with awful eye,
As if they surely knew their sovereign Lord was by.
But peaceful was the night
Wherein the Prince of Light
His reign of peace upon the earth began:
The winds, with wonder whist,
Smoothly the waters kissed,
Whispering new joys to the mild ocean -
Who now hath quite forgot to rave,
While birds of calm sit brooding on the charmed wave.
The stars, with deep amaze,
Stand fixed in steadfast gaze,
Bending one way their precious influence;
And will not take their flight
For all the morning light,
Or Lucifer that often warned them thence;
But in their glimmering orbs did glow
Until their Lord himself bespake, and bid them go.
And though the shady gloom
Had given day her room,
The sun himself withheld his wonted speed,
And hid his head for shame,
As his inferior flame
The new-enlightened world no more should need;
He saw a greater Sun appear
Than his bright throne, or burning axletree, could bear.
The shepherds on the lawn
Or ere the point of dawn
Sat simply chatting in a rustic row;
Full little thought they then
That the mighty Pan
Was kindly come to live with them below;
Perhaps their loves, or else their sheep,
Was all that did their silly thoughts so busy keep.
When such music sweet
Their hearts and ears did greet
As never was by mortal finger strook -
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blissful rapture took:
The air, such pleasure loth to lose,
With thousand echoes still prolongs each heavenly close.
Nature, that heard such sound
Beneath the hollow round
Of Cynthia's seat the airy region thrilling,
Now was almost won
To think her part was done,
And that her reign had here its last fulfilling;
She knew such harmony alone
Could hold all heaven and earth in happier union.
At last surrounds their sight
A globe of circular light
That with long beams the shamefaced night arrayed;
The helmed Cherubim
And sworded Seraphim
Are seen in glittering ranks with wings displayed,
Harping in loud and solemn choir
With unexpressive notes, to Heaven's new-born Heir.
Such music (as 'tis said)
Before was never made
But when of old the sons of morning sung,
While the Creator great
His constellations set
And the well-balanced world on hinges hung;
And cast the dark foundations deep,
And bid the weltering waves their oozy channel keep.
Ring out, ye crystal spheres!
Once bless our human ears,
If ye have power to touch our senses so;
And let your silver chime
Move in melodious time;
And let the bass of Heaven's deep organ blow;
And with your ninefold harmony
Make up full consort to the angelic symphony.
For if such holy song
Enwrap our fancy long,
Time will run back, and fetch the age of gold;
And speckled vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould;
And Hell itself will pass away,
And leave her dolorous mansions to the peering day.
Yea, Truth and Justice then
Will down return to men,
Orbed in a rainbow; and, like glories wearing,
Mercy will sit between
Throned in celestial sheen,
With radiant feet the tissued clouds down steering;
And Heaven, as at some festival,
Will open wide the gates of her high palace hall.
But wisest Fate says No;
This must not yet be so;
The Babe yet lies in smiling infancy
That on the bitter cross
Must redeem our loss;
So both himself and us to glorify:
Yet first, to those ychained in sleep
The wakeful trump of doom must thunder through the deep;
With such a horrid clang
As on Mount Sinai rang
While the red fire and smouldering clouds outbrake:
The aged Earth aghast
With terror of that blast
Shall from the surface to the centre shake,
When, at the world's last session,
The dreadful Judge in middle air shall spread His throne.
And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
The old Dragon under ground,
In straiter limits bound,
Not half so far casts his usurped sway;
And, wroth to see his kingdom fail,
Swinges the scaly horror of his folded tail.
The oracles are dumb;
No voice or hideous hum
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving:
No nightly trance or breathed spell
Inspires the pale-eyed priest from the prophetic cell.
The lonely mountains o'er
And the resounding shore
A voice of weeping heard, and loud lament;
From haunted spring and dale
Edged with poplar pale
The parting Genius is with sighing sent;
With flower-inwoven tresses torn
The Nymphs in twilight shade of tangled thickets mourn.
In consecrated earth
And on the holy hearth
The Lars and Lemures moan with midnight plaint;
In urns, and altars round
A drear and dying sound
Affrights the Flamens at their service quaint;
And the chill marble seems to sweat,
While each peculiar Power foregoes his wonted seat.
Peor and Baalim
Forsake their temples dim,
With that twice-battered god of Palestine;
And mooned Ashtaroth
Heaven's queen and mother both,
Now sits not girt with tapers' holy shine;
The Lybic Hammon shrinks his horn:
In vain the Tyrian maids their wounded Thammuz mourn.
And sullen Moloch, fled,
Hath left in shadows dread
His burning idol all of blackest hue;
In vain with cymbals' ring
They call the grisly king,
In dismal dance about the furnace blue;
The brutish gods of Nile as fast,
Isis, and Orus, and the dog Anubis, haste.
Nor is Osiris seen
In Memphian grove, or green,
Trampling the unshowered grass with lowings loud:
Nor can he be at rest
Within his sacred chest;
Naught but profoundest Hell can be his shroud;
In vain with timbrelled anthems dark
The sable stoled sorcerers bear his worshiped ark.
He feels from Juda's land
The dreaded Infant's hand;
The rays of Bethlehem blind his dusky eyen;
Nor all the gods beside
Longer dare abide
Nor Typhon huge ending in snaky twine:
Our Babe, to show his Godhead true,
Can in His swaddling bands control the damned crew.
So, when the sun in bed
Curtained with cloudy red
Pillows his chin upon an orient wave,
The flocking shadows pale
Troop to the infernal jail,
Each fettered ghost slips to his several grave:
And the yellow-skirted fays
Fly after the night-steeds, leaving their moon-loved maze.
But see! the Virgin blest
Hath laid her Babe to rest;
Time is, our tedious song should here have ending:
Heaven's youngest teemed star
Hath fixed her polished car,
Her sleeping Lord with hand-maid lamp attending:
And all about the courtly stable
Bright-harnessed Angels sit in order serviceable.
John Milton [1608-1674]
FAIRYLAND
THE FAIRY BOOK
In summer, when the grass is thick, if mother has the time, She shows me with her pencil how a poet makes a rhyme, And often she is sweet enough to choose a leafy nook, Where I cuddle up so closely when she reads the Fairybook.
In winter, when the corn's asleep, and birds are not in song, And crocuses and violets have been away too long, Dear mother puts her thimble by in answer to my look, And I cuddle up so closely when she reads the Fairybook.
And mother tells the servants that of course they must contrive To manage all the household things from four till half-past five, For we really cannot suffer interruption from the cook, When we cuddle close together with the happy Fairybook.
Norman Gale [1862-
FAIRY SONGS
I
From "A Midsummer-Night's Dream"
Over hill, over dale,
Through bush, through brier,
Over park, over pale,
Through flood, through fire,
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the fairy queen,
To dew her orbs upon the green:
The cowslips tall her pensioners be;
In their gold coats spots you see;
Those be rubies, fairy favors,
In those freckles live their savors:
I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.
II
From "A Midsummer-Night's Dream"
You spotted snakes with double tongue,
Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong;
Come not near our fairy queen.
Philomel, with melody,
Sing in our sweet lullaby;
Lulla, lulla, lullaby; lulla, lulla, lullaby!
Never harm,
Nor spell nor charm,
Come our lovely lady nigh;
So, good night, with lullaby.
Weaving spiders, come not here;
Hence, you long-legged spinners, hence!
Beetles black, approach not near;
Worm nor snail, do no offence.
Philomel, with melody,
Sing in our sweet lullaby;
Lulla, lulla, lullaby; lulla, lulla, lullaby!
Never harm,
Nor spell nor charm,
Come our lovely lady nigh;
So, good-night, with lullaby.
III
From "The Tempest"
Come unto these yellow sands,
And then take hands:
Court'sied when you have, and kissed, -
The wild waves whist, -
Foot it featly here and there;
And, sweet sprites, the burthen bear.
Hark, hark!
Bow, wow,
The watch-dogs bark:
Bow, wow.
Hark, hark! I hear
The strain of strutting chanticleer
Cry, Cock-a-diddle-dow!
IV
From "The Tempest"
Where the bee sucks, there suck I:
In a cowslip's bell I lie;
There I couch when owls do cry.
On the bat's back I do fly
After summer merrily:
Merrily, merrily, shall I live now,
Under the blossom that hangs on the bough.
William Shakespeare [1564-1616]
QUEEN MAB
From "The Satyr"
This is Mab, the Mistress-Fairy,
That doth nightly rob the dairy
And can hurt or help the churning,
As she please without discerning.
She that pinches country wenches
If they rub not clean their benches,
And with sharper nails remembers
When they rake not up their embers:
But if so they chance to feast her,
In a shoe she drops a tester.
This is she that empties cradles,
Takes out children, puts in ladles:
Trains forth old wives in their slumber
With a sieve the holes to number;
And then leads them from her burrows,
Home through ponds and water-furrows.
She can start our Franklins' daughters,
In their sleep, with shrieks and laughters:
And on sweet Saint Anna's night
Feed them with a promised sight,
Some of husbands, some of lovers,
Which an empty dream discovers.
Ben Jonson [1573?-1637]
THE ELF AND THE DORMOUSE
Under a toadstool crept a wee Elf,
Out of the rain, to shelter himself.
Under the toadstool sound asleep,
Sat a big Dormouse all in a heap.
Trembled the wee Elf, frightened, and yet Fearing to fly away lest he get wet.
To the next shelter - maybe a mile!
Sudden the wee Elf smiled a wee smile,
Tugged till the toadstool toppled in two. Holding it over him, gayly he flew.
Soon he was safe home, dry as could be. Soon woke the Dormouse - "Good gracious me!
"Where is my toadstool?" loud he lamented. - And that's how umbrellas first were invented.
Oliver Herford [1863-1935]
"OH! WHERE DO FAIRIES HIDE THEIR HEADS?"
Oh! where do fairies hide their heads,
When snow lies on the hills,
When frost has spoiled their mossy beds,
And crystallized their rills?
Beneath the moon they cannot trip
In circles o'er the plain;
And draughts of dew they cannot sip,
Till green leaves come again.
Perhaps, in small, blue diving-bells
They plunge beneath the waves,
Inhabiting the wreathed shells
That lie in coral caves.
Perhaps, in red Vesuvius
Carousals they maintain;
And cheer their little spirits thus,
Till green leaves come again.
When they return, there will be mirth
And music in the air.
And fairy wings upon the earth,
And mischief everywhere.
The maids, to keep the elves aloof,
Will bar the doors in vain;
No key-hole will he fairy-proof
When green leaves come again.
Thomas Haynes Bayly [1797-1839]
FAIRY SONG
From "Amyntas"
We the Fairies, blithe and antic,
Of dimensions not gigantic,
Though the moonshine mostly keep us,
Oft in orchards frisk and peep us.
Stolen sweets are always sweeter,
Stolen kisses much completer,
Stolen looks are nice in chapels,
Stolen, stolen be your apples.
When to bed the world is bobbing,
Then's the time for orchard-robbing;
Yet the fruit were scarce worth peeling
Were it not for stealing, stealing.
Translated by Leigh Hunt from the Latin of Thomas Randolph [1605-1635]
DREAM SONG
I come from woods enchaunted,
Starlit and pixey-haunted,
Where 'twixt the bracken and the trees
The goblins lie and take their ease
By winter moods undaunted.
There down the golden gravel
The laughing rivers travel;
Elves wake at nights and whisper low
Between the bracken and the snow
Their dreamings to unravel.
Twisted and lank and hairy,
With wanton eyes and wary,
They stretch and chuckle in the wind,
For one has found a mermaid kind,
And one has kissed a fairy.
They know no melancholy,
But fashion crowns of holly,
And gather sleep within the brake
To deck a kingdom when they wake,
And bless the dreamer's folly.
Ah! would that I might follow
The servants of Apollo!
But it is sweet to heap the hours
With quiet dreams and poppy-flowers,
Down in the pixies' hollow.
Richard Middleton [1882-1911]
FAIRY SONG
Shed no tear! O, shed no tear!
The flower will bloom another year.
Weep no more! O, weep no more!
Young buds sleep in the root's white core.
Dry your eyes! O, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies, -
Shed no tear.
Overhead! look overhead!
'Mong the blossoms white and red, -
Look up, look up! I flutter now
On this flush pomegranate bough.
See me! 'tis this silvery bill
Ever cures the good man's ill, -
Shed no tear! O, shed no tear!
The flower will bloom another year.
Adieu, adieu - I fly - adieu!
I vanish in the heaven's blue, -
Adieu, adieu!
John Keats [1795-1821]
QUEEN MAB
A little fairy comes at night,
Her eyes are blue, her hair is brown,
With silver spots upon her wings,
And from the moon she flutters down.
She has a little silver wand,
And when a good child goes to bed
She waves her hand from right to left,
And makes a circle round its head.
And then it dreams of pleasant things,
Of fountains filled with fairy fish,
And trees that bear delicious fruit,
And bow their branches at a wish:
Of arbors filled with dainty scents
From lovely flowers that never fade;
Bright flies that glitter in the sun,
And glow-worms shining in the shade:
And talking birds with gifted tongues,
For singing songs and telling tales,
And pretty dwarfs to show the way
Through fairy hills and fairy dales.
But when a bad child goes to bed,
From left to right she weaves her rings,
And then it dreams all through the night
Of only ugly horrid things!
Then lions come with glaring eyes,
And tigers growl, a dreadful noise,
And ogres draw their cruel knives,
To shed the blood of girls and boys.
Then stormy waves rush on to drown,
Or raging flames come scorching round,
Fierce dragons hover in the air,
And serpents crawl along the ground.
Then wicked children wake and weep,
And wish the long black gloom away;
But good ones love the dark, and find
The night as pleasant as the day.
Thomas Hood [1799-1845]
THE FAIRIES OF THE CALDON-LOW
A Midsummer Legend
"And where have you been, my Mary,
And where have you been from me?"
"I've been to the top of the Caldon-Low,
The midsummer night to see!"
"And what did you see, my Mary,
All up on the Caldon-Low?"
"I saw the glad sunshine come down,
And I saw the merry winds blow."
"And what did you hear, my Mary,
All up on the Caldon-Hill?"
"I heard the drops of the water made,
And the ears of the green corn fill."
"Oh, tell me all, my Mary -
All - all that ever you know;
For you must have seen the fairies
Last night on the Caldon-Low!"
"Then take me on your knee, mother,
And listen, mother of mine:
A hundred fairies danced last night,
And the harpers they were nine.
"And their harp-strings rang so merrily
To their dancing feet so small;
But, oh! the words of their talking
Were merrier far than all!"
"And what were the words, my Mary,
That you did hear them say?"
"I'll tell you all, my mother,
But let me have my way.
"Some of them played with the water,
And rolled it down the hill;
'And this,' they said, 'shall speedily turn
The poor old miller's mill.
"'For there has been no water
Ever since the first of May;
And a busy man will the miller be
At the dawning of the day!
"'Oh! the miller, how he will laugh,
When he sees the mill-dam rise!
The jolly old miller, how he will laugh,
Till the tears fill both his eyes!'
"And some they seized the little winds,
That sounded over the hill,
And each put a horn into his mouth,
And blew both loud and shrill:
"'And there,' said they, 'the merry winds go
Away from every horn;
And they shall clear the mildew dank
From the blind old widow's corn:
"'Oh, the poor blind widow -
Though she has been blind so long,
She'll be merry enough when the mildew's gone,
And the corn stands tall and strong!'
"And some they brought the brown linseed
And flung it down the Low:
'And this,' said they, 'by the sunrise
In the weaver's croft shall grow!
"'Oh, the poor lame weaver!
How will he laugh outright
When he sees his dwindling flax-field
All full of flowers by night!'
"And then outspoke a brownie,
With a long beard on his chin:
'I have spun up all the tow,' said he,
'And I want some more to spin.
"'I've spun a piece of hempen cloth
And I want to spin another -
A little sheet for Mary's bed,
And an apron for her mother!'
"With that I could not help but laugh,
And I laughed out loud and free;
And then on the top of the Caldon-Low
There was no one left but me.
"And all on the top of the Caldon-Low
The mists were cold and gray,
And nothing I saw but the mossy stones
That round about me lay.
"But, coming down from the hill-top,
I heard, afar below,
How busy the jolly miller was,
And how merry the wheel did go!
"And I peeped into the widow's field,
And, sure enough, was seen
The yellow ears of the mildewed corn
All standing stout and green.
"And down the weaver's croft I stole,
To see if the flax were sprung;
And I met the weaver at his gate
With the good news on his tongue!
"Now, this is all I heard, mother,
And all that I did see;
So, prithee, make my bed, mother,
For I'm tired as I can be!"
Mary Howitt [1799-1888]
THE FAIRIES
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs,
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He's nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music
On cold starry nights
To sup with the Queen
Of the gay Northern Lights.
They stole little Bridget
For seven years long;
When she came down again
Her friends were all gone.
They took her lightly back,
Between the night and morrow,
They thought that she was fast asleep,
But she was dead with sorrow.
They have kept her ever since
Deep within the lake,
On a bed of flag-leaves,
Watching till she wake.
By the craggy hill-side,
Through the mosses bare,
They have planted thorn-trees
For pleasure here and there.
If any man so daring
As dig them up in spite,
He shall find their sharpest thorns
In his bed at night.
Up the airy mountain,
Down the rushy glen,
We daren't go a-hunting
For fear of little men;
Wee folk, good folk,
Trooping all together;
Green jacket, red cap,
And white owl's feather!
William Allingham [1824-1889]
THE FAIRY THRALL
On gossamer nights when the moon is low,
And stars in the mist are hiding,
Over the hill where the foxgloves grow
You may see the fairies riding.
Kling! Klang! Kling!
Their stirrups and their bridles ring,
And their horns are loud and their bugles blow,
When the moon is low.
They sweep through the night like a whistling wind,
They pass and have left no traces;
But one of them lingers far behind
The flight of the fairy faces.
She makes no moan,
She sorrows in the dark alone,
She wails for the love of human kind,
Like a whistling wind.
"Ah! why did I roam where the elfins ride,
Their glimmering steps to follow?
They bore me far from my loved one's side,
To wander o'er hill and hollow.
Kling! Klang! Kling!
Their stirrups and their bridles ring,
But my heart is cold in the cold night-tide,
Where the elfins ride."
Mary C. G. Byron [1861-
FAREWELL TO THE FAIRIES
Farewell, rewards and fairies!
Good housewives now may say,
For now foul sluts in dairies
Do fare as well as they.
And though they sweep their hearths no less
Than maids were wont to do,
Yet who of late, for cleanliness,
Finds sixpence in her shoe?
Lament, lament, old abbeys,
The fairies' lost command!
They did but change priests' babies,
But some have changed your land;
And all your children sprung from thence,
Are now grown Puritanes;
Who live as changelings ever since,
For love of your demains.
At morning and at evening both
You merry were and glad;
So little care of sleep or sloth
These pretty ladies had;
When Tom came home from labor,
Or Ciss to milking rose,
Then merrily merrily went their tabor
And nimbly went their toes.
Witness those rings and roundelays
Of theirs, which yet remain,
Were footed in Queen Mary's days
On many a grassy plain;
But since of late, Elizabeth,
And later, James came in,
They never danced on any heath
As when the time hath been.
By which we note the fairies
Were of the old profession;
Their songs were Ave-Maries,
Their dances were procession.
But now, alas! they all are dead,
Or gone beyond the seas;
Or farther for religion fled;
Or else they take their ease.
A tell-tale in their company
They never could endure;
And whoso kept not secretly
Their mirth, was punished sure;
It was a just and Christian deed
To pinch such black and blue:
Oh, how the Commonwealth doth need
Such justices as you!
Richard Corbet [1582-1635]
THE FAIRY FOLK
Come cuddle close in daddy's coat
Beside the fire so bright,
And hear about the fairy folk
That wander in the night.
For when the stars are shining clear
And all the world is still,
They float across the silver moon
From hill to cloudy hill.
Their caps of red, their cloaks of green,
Are hung with silver bells,
And when they're shaken with the wind
Their merry ringing swells.
And riding on the crimson moth,
With black spots on her wings,
They guide them down the purple sky
With golden bridle rings.
They love to visit girls and boys
To see how sweet they sleep,
To stand beside their cosy cots
And at their faces peep.
For in the whole of fairy-land
They have no finer sight
Than little children sleeping sound
With faces rosy bright.
On tip-toe crowding round their heads,
When bright the moonlight beams,
They whisper little tender words
That fill their minds with dreams;
And when they see a sunny smile,
With lightest finger tips
They lay a hundred kisses sweet
Upon the ruddy lips.
And then the little spotted moths
Spread out their crimson wings,
And bear away the fairy crowd
With shaking bridle rings.
Come, bairnies, hide in daddy's coat,
Beside the fire so bright -
Perhaps the little fairy folk
Will visit you to-night.
Robert Bird [1867-
THE FAIRY BOOK
When Mother takes the Fairy Book
And we curl up to hear,
'Tis "All aboard for Fairyland!"
Which seems to be so near.
For soon we reach the pleasant place
Of Once Upon a Time,
Where birdies sing the hour of day,
And flowers talk in rhyme;
Where Bobby is a velvet Prince,
And where I am a Queen;
Where one can talk with animals,
And walk about unseen;
Where Little People live in nuts,
And ride on butterflies,
And wonders kindly come to pass
Before your very eyes;
Where candy grows on every bush,
And playthings on the trees,
And visitors pick basketfuls
As often as they please.
It is the nicest time of day -
Though Bedtime is so near, -
When Mother takes the Fairy Book
And we curl up to hear.
Abbie Farwell Brown [1875-1927]
THE VISITOR
The white goat Amaryllis,
She wandered at her will
At time of daffodillies
Afar and up the hill:
We hunted and we holloa'd
And back she came at dawn,
But what d'you think had followed? -
A little, pagan Faun!
His face was like a berry.
His ears were high and pricked:
Tip-tap - his hoofs came merry
As up the path he clicked;
A junket for his winning
We set in dairy delf;
He eat it - peart and grinning
As Christian as yourself!
He stayed about the steading
A fortnight, say, or more;
A blanket for his bedding
We spread beside the door;
And when the cocks crowed clearly
Before the dawn was ripe,
He'd call the milkmaids cheerly
Upon a reedy pipe!
That fortnight of his staying
The work went smooth as silk:
The hens were all in laying,
The cows were all in milk;
And then - and then one morning
The maids woke up at day
Without his oaten warning, -
And found he'd gone away.
He left no trace behind him;
But still the milkmaids deem
That they, perhaps, may find him
With butter and with cream:
Beside the door they set them
In bowl and golden pat,
But no one comes to get them -
Unless, maybe, the cat.
The white goat Amaryllis,
She wanders at her will
At time of daffodillies,
Away up Woolcombe hill;
She stays until the morrow,
Then back she comes at dawn;
But never - to our sorrow -
The little, pagan Faun.
Patrick R. Chalmers [18
THE LITTLE ELF
I met a little Elf-man, once,
Down where the lilies blow.
I asked him why he was so small,
And why he didn't grow.
He slightly frowned, and with his eye
He looked me through and through.
"I'm quite as big for me," said he,
"As you are big for you."
John Kendrick Bangs [1862-1922]
THE SATYRS AND THE MOON
Within the wood behind the hill
The moon got tangled in the trees.
Her splendor made the branches thrill
And thrilled the breeze.
The satyrs in the grotto bent
Their heads to see the wondrous sight.
"It is a god in banishment
That stirs the night."
The little satyr looked and guessed:
"It is an apple that one sees,
Brought from that garden of the West -
Hesperides."
"It is a cyclops' glaring eye."
"A temple dome from Babylon."
"A Titan's cup of ivory."
"A little sun."
The tiny satyr jumped for joy,
And kicked hoofs in utmost glee.
"It is a wondrous silver toy -
Bring it to me!"
A great wind whistled through the blue
And caught the moon and tossed it high;
A bubble of pale fire it flew
Across the sky.
The satyrs gasped and looked and smiled,
And wagged their heads from side to side,
Except their shaggy little child,
Who cried and cried.
Herbert S. Gorman [1893-
THE CHILDREN
THE CHILDREN
When the lessons and tasks are all ended,
And the school for the day is dismissed,
The little ones gather around me,
To bid me good night and be kissed;
Oh, the little white arms that encircle
My neck in their tender embrace!
Oh, the smiles that are halos of heaven,
Shedding sunshine of love on my face!
And when they are gone, I sit dreaming
Of my childhood too lovely to last, -
Of joy that my heart will remember,
While it wakes to the pulse of the past,
Ere the world and its wickedness made me
A partner of sorrow and sin,
When the glory of God was about me,
And the glory of gladness within.
All my heart grows as weak as a woman's,
And the fountain of feeling will flow,
When I think of the paths steep and stony,
Where the feet of the dear ones must go, -
Of the mountains of sin hanging o'er them,
Of the tempest of fate blowing wild; -
Oh, there's nothing on earth half so holy
As the innocent heart of a child!
They are idols of hearts and of households;
They are angels of God in disguise;
His sunlight still sleeps in their tresses,
His glory still shines in their eyes;
Those truants from home and from heaven, -
They have made me more manly and mild;
And I know now how Jesus could liken
The kingdom of God to a child.
I ask not a life for the dear ones,
All radiant, as others have done,
But that life may have just enough shadow
To temper the glare of the sun;
I would pray God to guard them from evil,
But my prayer would bound back to myself; -
Ah! a seraph may pray for a sinner,
But a sinner must pray for himself.
The twig is so easily bended,
I have banished the rule and the rod
I have taught them the goodness of knowledge,
They have taught me the goodness of God:
My heart is the dungeon of darkness
Where I shut them for breaking a rule;
My frown is sufficient correction;
My love is the law of the school.
I shall leave the old house in the autumn,
To traverse its threshold no more;
Ah, how I shall sigh for the dear ones
That meet me each morn at the door!
I shall miss the "good nights" and the kisses,
And the gush of their innocent glee,
The group on the green, and the flowers
That are brought every morning for me.
I shall miss them at morn and at even,
Their song in the school and the street;
I shall miss the low hum of their voices,
And the tread of their delicate feet.
When the lessons of life are all ended,
And death says: "The school is dismissed!"
May the little ones gather around me,
To bid me good night and be kissed!
Charles Monroe Dickinson [1842-1924]
THE CHILDREN'S HOUR
Between the dark and the daylight,
When the night is beginning to lower,
Comes a pause in the day's occupations,
That is known as the Children's Hour.
I hear in the chamber above me
The patter of little feet,
The sound of a door that is opened,
And voices soft and sweet.
From my study I see in the lamplight,
Descending the broad hall stair,
Grave Alice, and laughing Allegra,
And Edith with golden hair.
A whisper, and then a silence:
Yet I know by their merry eyes
They are plotting and planning together
To take me by surprise.
A sudden rush from the stairway,
A sudden raid from the hall!
By three doors left unguarded
They enter my castle wall!
They climb up into my turret
O'er the arms and back of my chair;
If I try to escape, they surround me;
They seem to be everywhere.
They almost devour me with kisses,
Their arms about me entwine,
Till I think of the Bishop of Bingen
In his Mouse-Tower on the Rhine!
Do you think, O blue-eyed banditti,
Because you have scaled the wall,
Such an old mustache as I am
Is not a match for you all!
I have you fast in my fortress,
And will not let you depart,
But put you down into the dungeon
In the round-tower of my heart.
And there will I keep you forever,
Yes, forever and a day,
Till the walls shall crumble to ruin,
And moulder in dust away.
Henry Wadsworth Longfellow [1807-1882]
LAUS INFANTIUM
In praise of little children I will say
God first made man, then found a better way
For woman, but his third way was the best.
Of all created things, the loveliest
And most divine are children. Nothing here
Can be to us more gracious or more dear.
And though, when God saw all his works were good,
There was no rosy flower of babyhood,
'Twas said of children in a later day
That none could enter Heaven save such as they.
The earth, which feels the flowering of a thorn, Was glad, O little child, when you were born; The earth, which thrills when skylarks scale the blue, Soared up itself to God's own Heaven in you; And Heaven, which loves to lean down and to glass Its beauty in each dewdrop on the grass, - Heaven laughed to find your face so pure and fair, And left, O little child, its reflex there.
William Canton [1845-
THE DESIRE
Give me no mansions ivory white
Nor palaces of pearl and gold;
Give me a child for all delight,
Just four years old.
Give me no wings of rosy shine
Nor snowy raiment, fold on fold,
Give me a little boy all mine,
Just four years old.
Give me no gold and starry crown
Nor harps, nor palm branches unrolled;
Give me a nestling head of brown,
Just four years old.
Give me a cheek that's like the peach,
Two arms to clasp me from the cold;
And all my heaven's within my reach,
Just four years old.
Dear God, You give me from Your skies
A little paradise to hold,
As Mary once her Paradise,
Just four years old.
Katherine Tynan Hinkson [1861-1931]
A CHILD'S LAUGHTER
All the bells of heaven may ring,
All the birds of heaven may sing,
All the wells on earth may spring,
All the winds on earth may bring
All sweet sounds together;
Sweeter far then all things heard,
Hand of harper, tone of bird,
Sound of woods at sundawn stirred,
Welling water's winsome word,
Wind in warm, wan weather.
One thing yet there is, that none,
Hearing ere its chime be done,
Knows not well the sweetest one
Heard of man beneath the sun,
Hoped in heaven hereafter;
Soft and strong and loud and light,
Very sound of very light,
Heard from morning's rosiest height,
When the soul of all delight,
Fills a child's clear laughter.
Golden bells of welcome rolled
Never forth such note, nor told
Hours so blithe in tones so bold,
As the radiant mouth of gold
Here that rings forth heaven.
If the golden-crested wren
Were a nightingale - why, then
Something seen and heard of men
Might be half as sweet as when
Laughs a child of seven.
Algernon Charles Swinburne [1837-1909]
SEVEN YEARS OLD
Seven white roses on one tree,
Seven white loaves of blameless leaven,
Seven white sails on one soft sea,
Seven white swans on one lake's lea,
Seven white flowerlike stars in Heaven,
All are types unmeet to be
For a birthday's crown of seven.
Not the radiance of the roses,
Not the blessing of the bread,
Not the breeze that ere day grows is
Fresh for sails and swans, and closes
Wings above the sun's grave spread
When the starshine on the snows is
Sweet as sleep on sorrow shed.
Nothing sweeter, nothing best,
Holds so good and sweet a treasure
As the love wherewith once blest
Joy grows holy, grief takes rest,
Life, half tired with hours to measure,
Fills his eyes and lips and breast
With most light and breath of pleasure;
As the rapture unpolluted,
As the passion undefiled,
By whose force all pains heart-rooted
Are transfigured and transmuted,
Recompensed and reconciled,
Through the imperial, undisputed,
Present godhead of a child.
Brown bright eyes and fair bright head,
Worth a worthier crown than this is,
Worth a worthier song instead,
Sweet grave wise round mouth, full fed
With the joy of love, whose bliss is
More than mortal wine and bread,
Lips whose words are sweet as kisses.
Little hands so glad of giving,
Little heart so glad of love,
Little soul so glad of living,
While the strong swift hours are weaving
Light with darkness woven above,
Time for mirth and time for grieving,
Plume of raven and plume of dove.
I can give you but a word
Warm with love therein for leaven,
But a song that falls unheard
Yet on ears of sense unstirred
Yet by song so far from Heaven,
Whence you came the brightest bird,
Seven years since, of seven times seven.
Algernon Charles Swinburne [1837-1909]
CREEP AFORE YE GANG
Creep awa', my bairnie, creep afore ye gang, Cock ye baith your lugs to your auld Grannie's sang: Gin ye gang as far ye will think the road lang, Creep awa', my bairnie, creep afore ye gang.
Creep awa', my bairnie, ye're ower young to learn To tot up and down yet, my bonnie wee bairn; Better creepin' cannie, than fa'in' wi' a bang, Duntin' a' your wee brow, - creep afore ye gang.
Ye'll creep, an' ye'll hotch, an' ye'll nod to your mither, Watchin' ilka step o' your wee dousy brither; Rest ye on the floor till your wee limbs grow strang, An' ye'll be a braw chiel yet, - creep afore ye gang.
The wee birdie fa's when it tries ower soon to flee, Folks are sure to tumble, when they climb ower hie; They wha canna walk right are sure to come to wrang, Creep awa', my bairnie, creep afore ye gang.
James Ballantine [1808-1877]
CASTLES IN THE AIR
The bonnie, bonnie bairn who sits poking in the ase, Glowering in the fire wi' his wee round face, Laughing at the fuffin' lowe - what sees he there? Ha! the young dreamer's bigging castles in the air.
His wee chubby face and his touzie curly pow Are laughing and nodding to the dancing lowe; He'll brown his rosy cheeks, and singe his sunny hair, Glowering at the imps wi' their castles in the air.
He sees muckle castles towering to the moon; He sees little sodgers pu'ing them a' doun; Warlds whommlin' up and doun, bleezing wi' a flare, - See how he loups as they glimmer in the air!
For a' sae sage he looks, what can the laddie ken? He's thinking upon naething, like mony mighty men: A wee thing mak's us think, a sma' thing mak's us stare, - There are mair folk than him bigging castles in the air.
Sic a night in winter may weel mak' him cauld: His chin upon his buffy hand will soon mak' him auld; His brow is brent sae braid - O pray that daddy Care Wad let the wean alane wi' his castles in the air!
He'll glower at the fire, and he'll keek at the light; But mony sparkling stars are swallowed up by Night: Aulder e'en than his are glamored by a glare, - Hearts are broken, heads are turned, wi' castles in the air.
James Ballantine [1808-1877]
UNDER MY WINDOW
Under my window, under my window,
All in the Midsummer weather,
Three little girls with fluttering curls
Flit to and fro together: -
There's Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
Under my window, under my window,
Leaning stealthily over,
Merry and clear, the voice I hear
Of each glad-hearted rover.
Ah! sly little Kate, she steals my roses;
And Maud and Bell twine wreaths and posies,
As merry as bees in clover.
Under my window, under my window,
In the blue Midsummer weather,
Stealing slow, on a hushed tiptoe,
I catch them all together: -
Bell with her bonnet of satin sheen,
And Maud with her mantle of silver-green,
And Kate with her scarlet feather.
Under my window, under my window,
And off through the orchard closes;
While Maud she flouts, and Bell she pouts,
They scamper and drop their posies;
But dear little Kate takes naught amiss,
And leaps in my arms with a loving kiss,
And I give her all my roses.
Thomas Westwood [1814?-1888]
LITTLE BELL
He prayeth well who loveth well
Both man and bird and beast.
The Ancient Mariner
Piped the blackbird on the beechwood spray
"Pretty maid, slow wandering this way,
What's your name?" quoth he -
"What's your name? Oh stop and straight unfold,
Pretty maid with showery curls of gold," -
"Little Bell," said she.
Little Bell sat down beneath the rocks -
Tossed aside her gleaming golden locks -
"Bonny bird," quoth she,
"Sing me your best song before I go."
"Here's the very finest song I know,
Little Bell," said he.
And the blackbird piped; you never heard
Half so gay a song from any bird -
Full of quips and wiles,
Now so round and rich, now soft and slow.
All for love of that sweet face below,
Dimpled o'er with smiles.
And the while the bonny bird did pour
His full heart out freely o'er and o'er
'Neath the morning skies.
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine forth in happy overflow
From the blue, bright eyes.
Down the dell she tripped and through the glade,
Peeped the squirrel from the hazel shade,
And from out the tree
Swung, and leaped, and frolicked, void of fear, -
While bold blackbird piped that all might hear -
"Little Bell," piped he.
Little Bell sat down amid the fern -
"Squirrel, to your task return -
Bring me nuts," quoth she.
Up, away the frisky squirrel hies -
Golden wood-lights glancing in his eyes -
And adown the tree,
Great ripe nuts, kissed brown by July sun,
In the little lap dropped one by one -
Hark, how blackbird pipes to see the fun!
"Happy Bell," pipes he.
Little Bell looked up and down the glade -
"Squirrel, squirrel, if you're not afraid,
Come and share with me!"
Down came squirrel eager for his fare -
Down came bonny blackbird I declare;
Little Bell gave each his honest share -
Ah the merry three!
And the while these frolic playmates twain
Piped and frisked from bough to bough again,
'Neath the morning skies,
In the little childish heart below
All the sweetness seemed to grow and grow,
And shine out in happy overflow
From her blue, bright eyes.
By her snow-white cot at close of day,
Knelt sweet Bell, with folded palms to pray -
Very calm and clear
Rose the praying voice to where, unseen,
In blue heaven, an angel shape serene
Paused awhile to hear -
"What good child is this," the angel said,
"That, with happy heart, beside her bed
Prays so lovingly?"
Low and soft, oh! very low and soft,
Crooned the blackbird in the orchard croft,
"Bell, dear Bell!" crooned he.
"Whom God's creatures love," the angel fair
Murmured, "God doth bless with angels' care;
Child, thy bed shall be
Folded safe from harm - Love deep and kind
Shall watch around and leave good gifts behind,
Little Bell, for thee!"
Thomas Westwood [1814?-1888]
THE BAREFOOT BOY
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
John Greenleaf Whittier [1807-1892]
THE HERITAGE
Thee rich man's son inherits lands,
And piles of brick and stone, and gold,
And he inherits soft white hands,
And tender flesh that fears the cold,
Nor dares to wear a garment old;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich man's son inherits cares;
The bank may break, the factory burn,
A breath may burst his bubble shares,
And soft white hands could hardly earn
A living that would serve his turn;
A heritage, it seems to me,
One scarce would wish to hold in fee.
The rich man's son inherits wants,
His stomach craves for dainty fare;
With sated heart, he hears the pants
Of toiling hinds with brown arms bare,
And wearies in his easy-chair;
A heritage, it seems to me,
One scarce would wish to hold in fee.
What doth the poor man's son inherit?
Stout muscles and a sinewy heart,
A hardy frame, a hardier spirit,
King of two hands, he does his part
In every useful toil and art;
A heritage, it seems to me,
A king might wish to hold in fee.
What doth the poor man's son inherit?
Wishes o'erjoyed with humble things,
A rank adjudged by toil-won merit,
Content that from employment springs,
A heart that in his labor sings;
A heritage, it seems to me,
A king might wish to hold in fee.
What doth the poor man's son inherit?
A patience learned of being poor,
Courage, if sorrow come, to bear it,
A fellow-feeling that is sure
To make the outcast bless his door;
A heritage, it seems to me,
A king might wish to hold in fee.
O rich man's son! there is a toil
That with all others level stands;
Large charity doth never soil,
But only whiten, soft white hands;
This is the best crop from thy lands,
A heritage, it seems to me,
Worth being rich to hold in fee.
O poor man's son! scorn not thy state;
There is worse weariness than thine,
In merely being rich and great;
Toil only gives the soul to shine,
And makes rest fragrant and benign;
A heritage, it seems to me,
Worth being poor to hold in fee.
Both, heirs to some six feet of sod,
Are equal in the earth at last;
Both, children of the same dear God,
Prove title to your heirship vast
By record of a well-filled past;
A heritage, it seems to me,
Well worth a life to hold in fee.
James Russell Lowell [1819-1891]
LETTY'S GLOBE
Or Some Irregularities In A First Lesson In Geography
When Letty had scarce passed her third glad year, And her young artless words began to flow, One day we gave the child a colored sphere Of the wide Earth, that she might mark and know, By tint and outline, all its sea and land. She patted all the world; old Empires peeped Between her baby fingers; her soft hand Was welcome at all frontiers. How she leaped, And laughed and prattled in her world-wide bliss! But when we turned her sweet unlearned eye On our own Isle, she raised a joyous cry, - "O yes! I see it, Letty's home is there!" And while she hid all England with a kiss, Bright over Europe fell her golden hair.
Charles Tennyson Turner [1808-1879]
DOVE'S NEST
"Sylvia, hush!" I said, "come here,
Come see a fairy-tale, my dear!
Tales told are good, tales seen are best!"
The dove was brooding on the nest
In the lowest crotch of the apple tree.
I lifted her up so quietly,
That when she could have touched the bird
The soft gray creature had not stirred.
It looked at us with a wild dark eye.
But, "Birdie, fly!" was Sylvia's cry,
Impatient Sylvia, "Birdie, fly."
Ah, well: but when I touched the nest,
The child recoiled upon my breast.
Was ever such a startling thing?
Sudden silver and purple wing,
The dove was out, away, across,
Struggling heart-break on the grass.
And there in the cup within the tree
Two milk-white eggs were ours to see.
Was ever thing so pretty? Alack,
"Birdie!" Sylvia cried, "come back!"
Joseph Russell Taylor [1868-1933]
THE ORACLE
I lay upon the summer grass.
A gold-haired, sunny child came by,
And looked at me, as loath to pass,
With questions in her lingering eye.
She stopped and wavered, then drew near,
(Ah! the pale gold around her head!)
And o'er my shoulder stopped to peer.
"Why do you read?" she said.
"I read a poet of old time,
Who sang through all his living hours -
Beauty of earth - the streams, the flowers -
And stars, more lovely than his rhyme.
"And now I read him, since men go,
Forgetful of these sweetest things;
Since he and I love brooks that flow,
And dawns, and bees, and flash of wings!"
She stared at me with laughing look,
Then clasped her hands upon my knees:
"How strange to read it in a book!
I could have told you all of these!"
Arthur Davison Ficke [1883-
TO A LITTLE GIRL
You taught me ways of gracefulness and fashions of address, The mode of plucking pansies and the art of sowing cress, And how to handle puppies, with propitiatory pats For mother dogs, and little acts of courtesy to cats.
O connoisseur of pebbles, colored leaves and trickling rills, Whom seasons fit as do the sheaths that wrap the daffodils, Whose eyes' divine expectancy foretells some starry goal, You taught me here docility - and how to save my soul.
Helen Parry Eden [18
TO A LITTLE GIRL
Her eyes are like forget-me-nots,
So loving, kind and true;
Her lips are like a pink sea-shell
Just as the sun shines through;
Her hair is like the waving grain
In summer's golden light;
And, best of all, her little soul
Is, like a lily, white.
Gustav Kobbe [1857-1918]
A PARENTAL ODE TO MY SON
Aged Three Years And Five Months
Thou happy, happy elf!
(But stop, - first let me kiss away that tear!)
Thou tiny image of myself!
(My love, he's poking peas into his ear!)
Thou merry, laughing sprite,
With spirits feather-light,
Untouched by sorrow, and unsoiled by sin, -
(My dear, the child is swallowing a pin!)
Thou little tricksy Puck!
With antic toys so funnily bestuck,
Light as the singing bird that wings the air, -
(The door! the door! he'll tumble down the stair!)
Thou darling of thy sire!
(Why, Jane, he'll set his pinafore afire!)
Thou imp of mirth and joy!
In Love's dear chain so strong and bright a link,
Thou idol of thy parents, - (Drat the boy!
There goes my ink!)
Thou cherub, - but of earth;
Fit playfellow for Fays, by moonlight pale,
In harmless sport and mirth,
(That dog will bite him, if he pulls its tail!)
Thou human humming-bee, extracting honey
From every blossom in the world that blows,
Singing in youth's Elysium ever sunny. -
(Another tumble! That's his precious nose!)
Thy father's pride and hope!
(He'll break the mirror with that skipping-rope!)
With pure heart newly stamped from nature's mint,
(Where did he learn that squint?)
Thou young domestic dove!
(He'll have that jug off with another shove!)
Dear nursling of the hymeneal nest!
(Are these torn clothes his best?)
Little epitome of man!
(He'll climb upon the table, that's his plan!)
Touched with the beauteous tints of dawning life, -
(He's got a knife!)
Thou enviable being!
No storms, no clouds, in thy blue sky foreseeing,
Play on, play on,
My elfin John!
Toss the light ball, bestride the stick, -
(I knew so many cakes would make him sick!)
With fancies, buoyant as the thistle-down,
Prompting the face grotesque, and antic brisk,
With many a lamb-like frisk!
(He's got the scissors, snipping at your gown!)
Thou pretty opening rose!
(Go to your mother, child, and wipe your nose!)
Balmy and breathing music like the South, -
(He really brings my heart into my mouth!)
Fresh as the morn, and brilliant as its star, -
(I wish that window had an iron bar!)
Bold as the hawk, yet gentle as the dove; -
(I'll tell you what, my love,
I cannot write unless he's sent above.)
Thomas Hood [1799-1845]
A NEW POET
I write. He sits beside my chair,
And scribbles, too, in hushed delight,
He dips his pen in charmed air:
What is it he pretends to write?
He toils and toils; the paper gives
No clue to aught he thinks. What then?
His little heart is glad; he lives
The poems that he cannot pen.
Strange fancies throng that baby brain.
What grave, sweet looks! What earnest eyes!
He stops - reflects - and now again
His unrecording pen he plies.
It seems a satire on myself, -
These dreamy nothings scrawled in air,
This thought, this work! Oh tricksy elf,
Wouldst drive thy father to despair?
Despair! Ah, no; the heart, the mind
Persists in hoping, - schemes and strives
That there may linger with our kind
Some memory of our little lives.
Beneath his rock in the early world
Smiling the naked hunter lay,
And sketched on horn the spear he hurled,
The urus which he made his prey.
Like him I strive in hope my rhymes
May keep my name a little while, -
O child, who knows how many times
We two have made the angels smile!
William Canton [1845-
TO LAURA W--, TWO YEARS OLD
Bright be the skies that cover thee,
Child of the sunny brow, -
Bright as the dream flung over thee
By all that meets thee now, -
Thy heart is beating joyously,
Thy voice is like a bird's,
And sweetly breaks the melody
Of thy imperfect words.
I know no fount that gushes out
As gladly as thy tiny shout.
I would that thou might'st ever be
As beautiful as now,
That time might ever leave as free
Thy yet unwritten brow.
I would life were all poetry
To gentle measure set,
That naught but chastened melody
Might stain thine eye of jet,
Nor one discordant note be spoken,
Till God the cunning harp hath broken.
I would - but deeper things than these
With woman's lot are wove:
Wrought of intensest sympathies,
And nerved by purest love;
By the strong spirit's discipline,
By the fierce wrong forgiven,
By all that wrings the heart of sin,
Is woman won to heaven.
"Her lot is on thee," lovely child -
God keep thy spirit undefiled!
I fear thy gentle loveliness,
Thy witching tone and air,
Thine eye's beseeching earnestness
May be to thee a snare.
The silver stars may purely shine,
The waters taintless flow:
But they who kneel at woman's shrine
Breathe on it as they bow.
Peace may fling back the gift again,
But the crushed flower will leave a stain.
What shall preserve thee, beautiful child?
Keep thee as thou art now?
Bring thee, a spirit undefiled,
At God's pure throne to bow?
The world is but a broken reed,
And life grows early dim -
Who shall be near thee in thy need,
To lead thee up to Him?
He who himself was "undefiled?"
With Him we trust thee, beautiful child!
Nathaniel Parker Willis [1806-1867]
TO ROSE
Rose, when I remember you,
Little lady, scarcely two,
I am suddenly aware
Of the angels in the air.
All your softly gracious ways
Make an island in my days
Where my thoughts fly back to be
Sheltered from too strong a sea.
All your luminous delight
Shines before me in the night
When I grope for sleep and find
Only shadows in my mind.
Rose, when I remember you,
White and glowing, pink and new,
With so swift a sense of fun
Although life has just begun;
With so sure a pride of place
In your very infant face,
I should like to make a prayer
To the angels in the air:
"If an angel ever brings
Me a baby in her wings,
Please be certain that it grows
Very, very much like Rose."
Sara Teasdale [1884-1933]
TO CHARLOTTE PULTENEY
Timely blossom, Infant fair,
Fondling of a happy pair,
Every morn and every night
Their solicitous delight,
Sleeping, waking, still at ease,
Pleasing, without skill to please;
Little gossip, blithe and hale,
Tattling many a broken tale,
Singing many a tuneless song,
Lavish of a heedless tongue;
Simple maiden, void of art,
Babbling out the very heart,
Yet abandoned to thy will,
Yet imagining no ill,
Yet too innocent to blush;
Like the linnet in the bush
To the mother-linnet's note
Moduling her slender throat;
Chirping forth thy pretty joys,
Wanton in the change of toys,
Like the linnet green, in May
Flitting to each bloomy spray;
Wearied then and glad of rest,
Like the linnet in the nest: -
This thy present happy lot,
This, in time will be forgot:
Other pleasures, other cares,
Ever-busy Time prepares;
And thou shalt in thy daughter see,
This picture, once, resembled thee.
Ambrose Philips [1675?-1749]
THE PICTURE OF LITTLE T. C. IN A PROSPECT OF FLOWERS
See with what simplicity
This nymph begins her golden days!
In the green grass she loves to lie,
And there with her fair aspect tames
The wilder flowers, and gives them names;
But only with the roses plays,
And them does tell
What color best becomes them, and what smell.
Who can foretell for what high cause
This darling of the gods was born?
Yet this is she whose chaster laws
The wanton Love shall one day fear,
And, under her command severe,
See his bow broke, and ensigns torn.
Happy who can
Appease this virtuous enemy of man!
O then let me in time compound
And parley with those conquering eyes,
Ere they have tried their force to wound,
Ere with their glancing wheels they drive
In triumph over hearts that strive,
And them that yield but more despise:
Let me be laid
Where I may see the glories from some shade.
Meantime, whilst every verdant thing
Itself does at thy beauty charm,
Reform the errors of the Spring;
Make that the tulips may have share
Of sweetness, seeing they are fair,
And roses of their thorns disarm
But most procure
That violets may a longer age endure.
But O young beauty of the woods,
Whom Nature courts with fruits and flowers,
Gather the flowers, but spare the buds;
Lest Flora, angry at thy crime
To kill her infants in their prime,
Do quickly make the example yours;
And, ere we see,
Nip, in the blossom, all our hopes and thee.
Andrew Marvell [1621-1678]
TO HARTLEY COLERIDGE
Six Years Old
O thou! whose fancies from afar are brought:
Who of thy words dost make a mock apparel,
And fittest to unutterable thought
The breeze-like motion and the self-born carol;
Thou fairy voyager! that dost float
In such clear water, that thy boat
May rather seem
To brood on air than on an earthly stream;
Suspended in a stream as clear as sky,
Where earth and heaven do make one imagery:
O blessed vision! happy child!
Thou art so exquisitely wild,
I think of thee with many fears
For what may be thy lot in future years.
I thought of times when Pain might be thy guest,
Lord of thy house and hospitality;
And Grief, uneasy lover! never rest
But when she sate within the touch of thee.
O too industrious folly!
O vain and causeless melancholy!
Nature will either end thee quite;
Or, lengthening out thy season of delight,
Preserve for thee, by individual right,
A young lamb's heart among the full-grown flocks.
What hast thou to do with sorrow,
Or the injuries of to-morrow?
Thou art a dew-drop, which the morn brings forth,
Ill-fitted to sustain unkindly shocks,
Or to be trailed along the soiling earth;
A gem that glitters while it lives,
And no forewarning gives;
But, at the touch of wrong, without a strife,
Slips in a moment out of life.
William Wordsworth [1770-1850]
TO A CHILD OF QUALITY
Five Years Old, 1704, The Author Then Forty
Lords, knights, and squires, the numerous band
That wear the fair Miss Mary's fetters,
Were summoned by her high command
To show their passions by their letters.
My pen amongst the rest I took,
Lest those bright eyes, that cannot read,
Should dart their kindling fires, and look
The power they have to be obeyed.
Nor quality, nor reputation,
Forbids me yet my flame to tell;
Dear Five-years-old befriends my passion,
And I may write till she can spell.
For, while she makes her silkworms' beds
With all the tender things I swear;
Whilst all the house my passion reads,
In papers round her baby's hair;
She may receive and own my flame;
For, though the strictest prudes should know it,
She'll pass for a most virtuous dame,
And I for an unhappy poet.
Then too, alas! when she shall tear
The rhymes some younger rival sends,
She'll give me leave to write, I fear,
And we shall still continue friends.
For, as our different ages move,
'Tis so ordained (would Fate but mend it!),
That I shall be past making love
When she begins to comprehend it.
Matthew Prior [1664-1721]
EX ORE INFANTIUM
Little Jesus, wast Thou shy
Once, and just so small as I?
And what did it feel like to be
Out of Heaven, and just like me?
Didst Thou sometimes think of there,
And ask where all the angels were?
I should think that I would cry
For my house all made of sky;
I would look about the air,
And wonder where my angels were;
And at waking 'twould distress me -
Not an angel there to dress me!
Hadst Thou ever any toys,
Like us little girls and boys?
And didst Thou play in Heaven with all
The angels, that were not too tall,
With stars for marbles? Did the things
Play Can you see me? through their wings?
Didst Thou kneel at night to pray,
And didst Thou join Thy hands, this way?
And did they tire sometimes, being young,
And make the prayer seem very long?
And dost Thou like it best, that we
Should join our hands to pray to Thee?
I used to think, before I knew,
The prayer not said unless we do.
And did Thy Mother at the night
Kiss Thee, and fold the clothes in right?
And didst Thou feel quite good in bed,
Kissed, and sweet, and Thy prayers said?
Thou canst not have forgotten all
That it feels like to be small:
And Thou know'st I cannot pray
To Thee in my father's way -
When Thou wast so little, say,
Could'st Thou talk Thy Father's way? -
So, a little Child, come down
And hear a child's tongue like Thy own;
Take me by the hand and walk,
And listen to my baby-talk.
To Thy Father show my prayer
(He will look, Thou art so fair),
And say: "O Father, I, Thy Son,
Bring the prayer of a little one."
And He will smile, that children's tongue Has not changed since Thou wast young!
Francis Thompson [1859-1907]
OBITUARY
Finding Francesca full of tears, I said,
"Tell me thy trouble." "Oh, my dog is dead!
Murdered by poison! - no one knows for what! -
Was ever dog born capable of that?"
"Child," - I began to say, but checked my thought, -
"A better dog can easily be bought."
For no - what animal could him replace?
Those loving eyes! That fond, confiding face!
Those dear, dumb touches! Therefore I was dumb.
From word of mine could any comfort come?
A bitter sorrow 'tis to lose a brute
Friend, dog or horse, for grief must then be mute, -
So many smile to see the rivers shed
Of tears for one poor, speechless creature dead.
When parents die there's many a word to say -
Kind words, consoling_- one can always pray;
When children die 'tis natural to tell
Their mother, "Certainly, with them 'tis well!"
But for a dog, 'twas all the life he had,
Since death is end of dogs, or good or bad.
This was his world; he was contented here;
Imagined nothing better, naught more dear,
Than his young mistress; sought no brighter sphere;
Having no sin, asked not to be forgiven;
Ne'er guessed at God nor ever dreamed of heaven.
Now he has passed away, so much of love
Goes from our life, without one hope above!
When a dog dies there's nothing to be said
But - kiss me, darling! - dear old Smiler's dead.
Thomas William Parsons [1819-1892]
THE CHILD'S HERITAGE
On, there are those, a sordid clan,
With pride in gaud and faith in gold,
Who prize the sacred soul of man
For what his hands have sold.
And these shall deem thee humbly bred:
They shall not hear, they shall not see
The kings among the lordly dead
Who walk and talk with thee!
A tattered cloak may be thy dole,
And thine the roof that Jesus had:
The broidered garment of the soul
Shall keep thee purple-clad!
The blood of men hath dyed its brede,
And it was wrought by holy seers
With sombre dream and golden deed,
And pearled with women's tears.
With Eld thy chain of days is one:
The seas are still Homeric seas;
Thy skies shall glow with Pindar's sun,
The stars of Socrates!
Unaged the ancient tide shall surge,
The old Spring burn along the bough:
For thee, new and old converge
In one eternal Now!
I give thy feet the hopeful sod,
Thy mouth, the priceless boon of breath;
The glory of the search for God
Be thine in life and death!
Unto thy flesh, the soothing dust;
Thy soul, the gift of being free:
The torch my fathers gave in trust,
Thy father gives to thee!
John G. Neihardt [1881-
A GIRL OF POMPEII
A public haunt they found her in:
She lay asleep, a lovely child;
The only thing left undefiled
Where all things else bore taint of sin.
Her supple outlines fixed in clay
The universal law suspend,
And turn Time's chariot back, and blend
A thousand years with yesterday.
A sinless touch, austere yet warm,
Around her girlish figure pressed,
Caught the sweet imprint of her breast,
And held her, surely clasped, from harm.
Truer than work of sculptor's art
Comes this dear maid of long ago,
Sheltered from woeful chance, to show
A spirit's lovely counterpart,
And bid mistrustful men be sure
That form shall fate of flesh escape,
And, quit of earth's corruptions, shape
Itself, imperishably pure.
Edward Sandford Martin [1856-
ON THE PICTURE OF A "CHILD TIRED OF PLAY"
Tired of play! Tired of play!
What hast thou done this live-long day!
The bird is silent and so is the bee,
The shadow is creeping up steeple and tree;
The doves have flown to the sheltering eaves,
And the nests are dark with the drooping leaves;
Twilight gathers, and day is done, -
How hast thou spent it, restless one?
Playing! And what hast thou done beside
To tell thy mother at eventide?
What promise of morn is left unbroken?
What kind word to thy playmate spoken?
Whom hast thou pitied, and whom forgiven?
How with thy faults has duty striven?
What hast thou learned by field and hill,
By greenwood path and by singing rill?
There will come an eve to a longer day
That will find thee tired, - but not with play!
And thou wilt learn, as thou learnest now,
With wearied limbs and aching brow,
And wish the shadows would faster creep
And long to go to thy quiet sleep.
Well will it be for thee then if thou
Art as free from sin and shame as now!
Well for thee if thy tongue can tell
A tale like this, of a day spent well!
If thine open hand hath relieved distress,
And thy pity hath sprung to wretchedness -
If thou hast forgiven the sore offence
And humbled thy heart with penitence;
If Nature's voices have spoken to thee
With her holy meanings, eloquently -
If every creature hath won thy love,
From the creeping worm to the brooding dove -
If never a sad, low-spoken word
Hath plead with thy human heart unheard -
Then, when the night steals on, as now
It will bring relief to thine aching brow,
And, with joy and peace at the thought of rest,
Thou wilt sink to sleep on thy mother's breast.
Nathaniel Parker Willis [1806-1867]
THE REVERIE OF POOR SUSAN
At the corner of Wood Street, when daylight appears, Hangs a Thrush that sings loud, it has sung for three years: Poor Susan has passed by the spot, and has heard In the silence of morning the song of the Bird.
'Tis a note of enchantment; what ails her? She sees A mountain ascending, a vision of trees; Bright volumes of vapor through Lothbury glide, And a river flows on through the vale of Cheapside.
Green pastures she views in the midst of the dale, Down which she so often has tripped with her pail; And a single small cottage, a nest like a dove's, The one only dwelling on earth that she loves.
She looks, and her heart is in heaven: but they fade, The mist and the river, the hill and the shade: The stream will not flow, and the hill will not rise, And the colors have all passed away from her eyes!
William Wordsworth [1770-1850]
CHILDREN'S SONG
Sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we'd like to know
Why the weather alters so.
When the weather's really good
We go nutting in the wood;
When it rains we stay at home,
And then sometimes other some
Of the neighbors' children come.
Sometimes we have jam and meat,
All the things we like to eat;
Sometimes we make do with bread
And potatoes boiled instead.
Once when we were put to bed
We had nowt and mother cried,
But that was after father died.
So, sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we'd like to know
If things will always alter so.
Ford Madox Ford [1873-
THE MITHERLESS BAIRN
When a' other bairnies are hushed to their hame By aunty, or cousin, or frecky grand-dame, Wha stands last and lanely, an' naebody carin'? 'Tis the puir doited loonie, - the mitherless bairn!
The mitherless bairn gangs to his lane bed; Nane covers his cauld back, or haps his bare head; His wee hackit heelies are hard as the airn, An' litheless the lair o' the mitherless bairn.
Aneath his cauld brow siccan dreams hover there, O' hands that wont kindly to kame his dark hair; But mornin' brings clutches, a' reckless an' stern, That lo'e na the locks o' the mitherless bairn!
Yon sister that sang o'er his saftly rocked bed Now rests in the mools where her mammie is laid; The father toils sair their wee bannock to earn, An' kens na the wrangs o' his mitherless bairn.
Her spirit, that passed in yon hour o' his birth, Still watches his wearisome wanderings on earth; Recording in heaven the blessings they earn Wha couthilie deal wi' the mitherless bairn!
O, speak him na harshly, - he trembles the while, He bends to your bidding, and blesses your smile; In their dark hour o' anguish the heartless shall learn That God deals the blow, for the mitherless bairn!
William Thom [1798?-1848]
THE CRY OF THE CHILDREN
Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers,
And that cannot stop their tears.
The young lambs are bleating in the meadows,
The young birds are chirping in the nest,
The young fawns are playing with the shadows,
The young flowers are blowing toward the west -
But the young, young children, O my brothers,
They are weeping bitterly!
They are weeping in the playtime of the others,
In the country of the free.
Do you question the young children in the sorrow,
Why their tears are falling so?
The old man may weep for his to-morrow
Which is lost in Long Ago;
The old tree is leafless in the forest,
The old year is ending in the frost,
The old wound, if stricken, is the sorest,
The old hope is hardest to be lost:
But the young, young children, O my brothers,
Do you ask them why they stand
Weeping sore before the bosoms of their mothers,
In our happy Fatherland?
They look up with their pale and sunken faces,
And their looks are sad to see,
For the man's hoary anguish draws and presses
Down the cheeks of infancy;
"Your old earth," they say, "is very dreary;
Our young feet" they say, "are very weak;
Few paces have we taken, yet are weary -
Our grave-rest is very far to seek:
Ask the aged why they weep, and not the children
For the outside earth is cold,
And we young ones stand without, in our bewildering,
And the graves are for the old.
"True," say the children, "it may happen
That we die before our time:
Little Alice died last year - her grave is shapen
Like a snowball, in the rime.
We looked into the pit prepared to take her:
Was no room for any work in the close clay!
From the sleep wherein she lieth none will wake her,
Crying, 'Get up, little Alice! it is day.'
If you listen by that grave, in sun and shower,
With your ear down, little Alice never cries;
Could we see her face, be sure we should not know her,
For the smile has time for growing in her eyes:
And merry go her moments, lulled and stilled in
The shroud by the kirk-chime.
It is good when it happens," say the children,
"That we die before our time."
Alas, alas, the children! they are seeking
Death in life, as best to have!
They are binding up their hearts away from breaking,
With a cerement from the grave.
Go out, children, from the mine and from the city,
Sing out, children, as the little thrushes do;
Pluck your handfuls of the meadow cowslips pretty;
Laugh aloud, to feel your fingers let them through!
But they answer, "Are your cowslips of the meadows
Like our weeds anear the mine?
Leave us quiet in the dark of the coal-shadows,
From your pleasures fair and fine!
"For oh," say the children, "we are weary,
And we cannot run or leap;
If we cared for any meadows, it were merely
To drop down in them and sleep.
Our knees tremble sorely in the stooping,
We fall upon our faces, trying to go;
And, underneath our heavy eyelids drooping,
The reddest flower would look as pale as snow.
For, all day, we drag our burden tiring,
Through the coal-dark, underground;
Or, all day, we drive the wheels of iron
In the factories, round and round.
"For, all day, the wheels are droning, turning;
Their wind comes in our faces,
Till our hearts turn, our heads, with pulses burning,
And the walls turn in their places:
Turns the sky in the high window blank and reeling,
Turns the long light that drops adown the wall,
Turn the black flies that crawl along the ceiling:
All are turning, all the day, and we with all.
And all day, the iron wheels are droning;
And sometimes we could pray,
'O ye wheels, (breaking out in a mad moaning)
'Stop! be silent for to-day!'"
Ay, be silent! Let them hear each other breathing
For a moment, mouth to mouth!
Let them touch each other's hands, in a fresh wreathing
Of their tender human youth!
Let them feel that this cold metallic motion
Is not all the life God fashions or reveals:
Let them prove their living souls against the notion
That they live in you, or under you, O wheels!
Still, all day, the iron wheels go onward,
Grinding life down from its mark;
And the children's souls, which God is calling sunward,
Spin on blindly in the dark.
Now tell the poor young children, O my brothers,
To look up to Him and pray;
So the blessed One, who blesseth all the others,
Will bless them another day.
They answer, "Who is God that He should hear us,
While the rushing of the iron wheels is stirred?
When we sob aloud, the human creatures near us
Pass by, hearing not, or answer not a word!
And we hear not (for the wheels in their resounding)
Strangers speaking at the door:
Is it likely God, with angels singing round Him,
Hears our weeping any more?
"Two words, indeed, of praying we remember,
And at midnight's hour of harm,
'Our Father,' looking upward in the chamber,
We say softly for a charm.
We know no other words except 'Our Father,'
And we think that, in some pause of angels' song,
God may pluck them with the silence sweet to gather,
And hold both within his right hand which is strong.
'Our Father!' If He heard us, He would surely
(For they call Him good and mild)
Answer, smiling down the steep world very purely,
'Come and rest with me, my child.'
"But no!" say the children, weeping faster,
"He is speechless as a stone;
And they tell us, of His image is the master
Who commands us to work on.
Go to!" say the children, - "Up in Heaven,
Dark, wheel-like, turning clouds are all we find.
Do not mock us; grief has made us unbelieving:
We look up for God, but tears have made us blind."
Do you hear the children weeping and disproving,
O my brothers, what ye preach?
For God's possible is taught by His world's loving,
And the children doubt of each.
And well may the children weep before you!
They are weary ere they run;
They have never seen the sunshine, nor the glory
Which is brighter than the sun.
They know the grief of man, without its wisdom;
They sink in man's despair, without its calm;
Are slaves, without the liberty in Christdom,
Are martyrs, by the pang without the palm:
Are worn as if with age, yet unretrievingly
The harvest of its memories cannot reap, -
Are orphans of the earthly love and heavenly.
Let them weep! let them weep!
They look up, with their pale and sunken faces,
And their look is dread to see,
For they mind you of their angels in high places,
With eyes turned on Deity.
"How long," they say, "how long, O cruel nation,
Will you stand, to move the world, on a child's heart, -
Stifle down with a mailed heel its palpitation,
And tread onward to your throne amid the mart?
Our blood splashes upward, O gold-heaper,
And your purple shows your path;
But the child's sob in the silence curses deeper
Than the strong man in his wrath!"
Elizabeth Barrett Browning [1806-1861]
THE SHADOW-CHILD
Why do the wheels go whirring round,
Mother, mother?
Oh, mother, are they giants bound,
And will they growl forever?
Yes, fiery giants underground,
Daughter, little daughter,
Forever turn the wheels around,
And rumble-grumble ever.
Why do I pick the threads all day,
Mother, mother?
While sunshine children are at play?
And must I work forever?
Yes, shadow-child; the live-long day,
Daughter, little daughter,
Your hands must pick the threads away,
And feel the sunshine never.
Why do the birds sing in the sun,
Mother, mother?
If all day long I run and run,
Run with the wheels forever?
The birds may sing till day is done,
Daughter, little daughter,
But with the wheels your feet must run -
Run with the wheels forever.
Why do I feel so tired each night,
Mother, mother?
The wheels are always buzzing bright;
Do they grow sleepy never?
Oh, baby thing, so soft and white,
Daughter, little daughter,
The big wheels grind us in their might,
And they will grind forever.
And is the white thread never spun,
Mother, mother?
And is the white cloth never done,
For you and me done never?
Oh, yes, our thread will all be spun,
Daughter, little daughter,
When we lie down out in the sun,
And work no more forever.
And when will come that happy day,
Mother, mother?
Oh, shall we laugh and sing and play
Out in the sun forever?
Nay, shadow-child, we'll rest all day,
Daughter, little daughter,
Where green grass grows and roses gay,
There in the sun forever.
Harriet Monroe [1860-1936]
MOTHER WEPT
Mother wept, and father sighed;
With delight aglow
Cried the lad, "To-morrow," cried,
"To the pit I go."
Up and down the place he sped, -
Greeted old and young;
Far and wide the tidings spread;
Clapt his hands and sung.
Came his cronies; some to gaze
Wrapped in wonder; some
Free with counsel; some with praise:
Some with envy dumb.
"May he," many a gossip cried,
"Be from peril kept."
Father hid his face and sighed,
Mother turned and wept.
Joseph Skipsey [1832-1903]
DUTY
So nigh is grandeur to our dust,
So near is God to man,
When Duty whispers low, "Thou must,"
The youth replies, "I can."
Ralph Waldo Emerson [1803-1882]
LUCY GRAY
Or Solitude
Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see, at break of day,
The solitary child.
No mate, no comrade Lucy knew;
She dwelt on a wide moor,
The sweetest thing that ever grew
Beside a human door!
You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night, -
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow."
"That, Father, will I gladly do:
'Tis scarcely afternoon, -
The minster-clock has just struck two,
And yonder is the moon!"
At this the Father raised his hook,
And snapped a fagot-brand.
He plied his work; - and Lucy took
The lantern in her hand.
Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.
The storm came on before its time:
She wandered up and down:
And many a hill did Lucy climb:
But never reached the town.
The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At daybreak on the hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.
They wept, - and, turning homeward, cried,
"In heaven we all shall meet;"
When in the snow the mother spied
The print of Lucy's feet.
Then downwards from the steep hill's edge
They tracked the footmarks small:
And through the broken hawthorn-hedge,
And by the low stone-wall;
And then an open field they crossed -
The marks were still the same -
They tracked them on, nor ever lost;
And to the bridge they came.
They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!
- Yet some maintain that to this day She is a living child; That you may see sweet Lucy Gray Upon the lonesome wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
William Wordsworth [1770-1850]
IN THE CHILDREN'S HOSPITAL
Emmie
Our doctor had called in another, I never had seen him before, But he sent a chill to my heart when I saw him come in at the door, Fresh from the surgery-schools of France and of other lands - Harsh red hair, big voice, big chest, big merciless hands! Wonderful cures he had done, O yes, but they said too of him He was happier using the knife than in trying to save the limb, And that I can well believe, for he looked so coarse and so red, I could think he was one of those who would break their jests on the dead, And mangle the living dog that had loved him and fawned at his knee - Drenched with the hellish oorali - that ever such things should be!
Here was a boy - I am sure that some of our children would die But for the voice of love, and the smile, and the comforting eye - Here was a boy in the ward, every bone seemed out of its place - Caught in a mill and crushed - it was all but a hopeless case: And he handled him gently enough; but his voice and his face were not kind, And it was but a hopeless case, he had seen it and made up his mind, And he said to me roughly "The lad will need little more of your care." "All the more need," I told him, "to seek the Lord Jesus in prayer; They are all His children here, and I pray for them all as my own:" But he turned to me, "Ay, good woman, can prayer set a broken bone?" Then he muttered half to himself, but I know that I heard him say, "All very well - but the good Lord Jesus has had his day."
Had? has it come? It has only dawned. It will come by and by. O, how could I serve in the wards if the hope of the world were a lie? How could I bear with the sights and the loathsome smells of disease But that He said "Ye do it to me, when ye do it to these"?
So he went. And we passed to this ward where the younger children are laid: Here is the cot of our orphan, our darling, our meek little maid; Empty you see just now! We have lost her who loved her so much - Patient of pain though as quick as a sensitive plant to the touch; Hers was the prettiest prattle, it often moved me to tears, Hers was the gratefullest heart I have found in a child of her years - Nay you remember our Emmie; you used to send her the flowers; How she would smile at 'em, play with 'em, talk to 'em hours after hours!
They that can wander at will where the works of the Lord are revealed
Little guess what joy can be got from a cowslip out of the field;
Flowers to these "spirits in prison" are all they can know of the spring,
They freshen and sweeten the wards like the waft of an angel's wing;
And she lay with a flower in one hand and her thin hands crossed on
her breast -
Wan, but as pretty as heart can desire, and we thought her at rest,
Quietly sleeping - so quiet, our doctor said, "Poor little dear,
Nurse, I must do it to-morrow; she'll never live through it, I fear."
I walked with our kindly old doctor as far as the head of the stair, Then I returned to the ward; the child didn't see I was there.
Never since I was nurse, had I been so grieved and so vexed! Emmie had heard him. Softly she called from her cot to the next, "He says I shall never live through it; O Annie, what shall I do?" Annie considered. "If I," said the wise little Annie, "was you, I should cry to the dear Lord Jesus to help me, for, Emmie, you see, It's all in the picture there: 'Little children should come to Me.'" - (Meaning the print that you gave us, I find that it always can please Our children, the dear Lord Jesus with children about His knees.) "Yes, and I will," said Emmie, "but then if I call to the Lord, How should He know that it's me? such a lot of beds in the ward?" That was a puzzle for Annie. Again she considered and said: "Emmie, you put out your arms, and you leave 'em outside on the bed - The Lord has so much to see to! but, Emmie, you tell it Him plain, It's the little girl with her arms lying out on the counterpane."
I had sat three nights by the child - I could not watch her for four - My brain had begun to reel - I felt I could do it no more. That was my sleeping-night, but I thought that it never would pass. There was a thunderclap once, and a clatter of hail on the glass, And there was a phantom cry that I heard as I tossed about, The motherless bleat of a lamb in the storm and the darkness without; My sleep was broken besides with dreams of the dreadful knife And fears for our delicate Emmie who scarce would escape with her life; Then in the gray of the morning it seemed she stood by me and smiled, And the doctor came at his hour, and we went to see the child.
He had brought his ghastly tools: we believed her asleep again - Her dear, long, lean, little arms lying out on the counterpane; - Say that His day is done! Ah, why should we care what they say? The Lord of the children had heard her, and Emmie had passed away.
Alfred Tennyson [1809-1892]
"IF I WERE DEAD"
"If I were dead, you'd sometimes say, Poor Child!"
The dear lips quivered as they spake,
And the tears brake
From eyes which, not to grieve me, brightly smiled.
Poor Child, poor Child!
I seem to hear your laugh, your talk, your song.
It is not true that Love will do no wrong.
Poor Child!
And did you think, when you so cried and smiled,
How I, in lonely nights, should lie awake,
And of those words your full avengers make?
Poor Child, poor Child!
And now, unless it be
That sweet amends thrice told are come to thee,
O God, have Thou no mercy upon me!
Poor Child!
Coventry Patmore [1823-1896]
THE TOYS
My little Son, who looked from thoughtful eyes
And moved and spoke in quiet grown-up wise,
Having my law the seventh time disobeyed,
I struck him, and dismissed
With hard words and unkissed,
- His Mother, who was patient, being dead.
Then, fearing lest his grief should hinder sleep,
I visited his bed,
But found him slumbering deep,
With darkened eyelids, and their lashes yet
From his late sobbing wet.
And I, with moan,
Kissing away his tears, left others of my own;
For, on a table drawn beside his head,
He had put, within his reach,
A box of counters and a red-veined stone,
A piece of glass abraded by the beach,
And six or seven shells,
A bottle with bluebells,
And two French copper coins, ranged there with careful art,
To comfort his sad heart.
So when that night I prayed
To God, I wept, and said:
Ah, when at last we lie with tranced breath,
Not vexing Thee in death,
And Thou rememberest of what toys
We made our joys,
How weakly understood
Thy great commanded good,
Then, fatherly not less
Than I whom Thou hast moulded from the clay,
Thou'lt leave Thy wrath, and say,
"I will be sorry for their childishness."
Coventry Patmore [1823-1896]
A SONG OF TWILIGHT
Oh, to come home once more, when the dusk is falling, To see the nursery lighted and the children's table spread; "Mother, mother, mother!" the eager voices calling, "The baby was so sleepy that he had to go to bed!"
Oh, to come home once more, and see the smiling faces, Dark head, bright head, clustered at the pane; Much the years have taken, when the heart its path retraces, But until time is not for me, the image will remain.
Men and women now they are, standing straight and steady, Grave heart, gay heart, fit for life's emprise; Shoulder set to shoulder, how should they be but ready! The future shines before them with the light of their own eyes.
Still each answers to my call; no good has been denied me, My burdens have been fitted to the little strength that's mine, Beauty, pride and peace have walked by day beside me, The evening closes gently in, and how can I repine?
But oh, to see once more, when the early dusk is falling, The nursery windows glowing and the children's table spread; "Mother, mother, mother!" the high child voices calling, "He couldn't stay awake for you, he had to go to bed!"
Unknown
LITTLE BOY BLUE
The little toy dog is covered with dust,
But sturdy and stanch he stands;
And the little toy soldier is red with rust,
And his musket moulds in his hands.
Time was when the little toy dog was new,
And the soldier was passing fair;
And that was the time when our Little Boy Blue
Kissed them and put them there.
"Now, don't you go till I come," he said,
"And don't you make any noise!"
So, toddling off to his trundle-bed,
He dreamt of the pretty toys;
And, as he was dreaming, an angel song
Awakened our Little Boy Blue -
Oh! the years are many, the years are long,
But the little toy friends are true!
Ay, faithful to Little Boy Blue they stand,
Each in the same old place,
Awaiting the touch of a little hand,
The smile of a little face;
And they wonder, as waiting the long years through
In the dust of that little chair,
What has become of our Little Boy Blue,
Since he kissed them and put them there.
Eugene Field [1850-1895]
THE DISCOVERER
I have a little kinsman
Whose earthly summers are but three,
And yet a voyager is he
Greater then Drake or Frobisher,
Than all their peers together!
He is a brave discoverer,
And, far beyond the tether
Of them who seek the frozen Pole,
Has sailed where the noiseless surges roll.
Ay, he has travelled whither
A winged pilot steered his bark
Through the portals of the dark,
Past hoary Mimir's well and tree,
Across the unknown sea.
Suddenly, in his fair young hour,
Came one who bore a flower,
And laid it in his dimpled hand
With this command:
"Henceforth thou art a rover!
Thou must make a voyage far,
Sail beneath the evening star,
And a wondrous land discover."
- With his sweet smile innocent
Our little kinsman went.
Since that time no word
From the absent has been heard.
Who can tell
How he fares, or answer well
What the little one has found
Since he left us, outward bound?
Would that he might return!
Then should we learn
From the pricking of his chart
How the skyey roadways part.
Hush! does not the baby this way bring,
To lay beside this severed curl,
Some starry offering
Of chrysolite or pearl?
Ah, no! not so!
We may follow on his track,
But he comes not back.
And yet I dare aver
He is a brave discoverer
Of climes his elders do not know.
He has more learning than appears
On the scroll of twice three thousand years,
More than in the groves is taught,
Or from furthest Indies brought;
He knows, perchance, how spirits fare, -
What shapes the angels wear,
What is their guise and speech
In those lands beyond our reach, -
And his eyes behold
Things that shall never, never be to mortal hearers told.
Edmund Clarence Stedman [1833-1908]
A CHRYSALIS
My little Madchen found one day
A curious something in her play,
That was not fruit, nor flower, nor seed;
It was not anything that grew,
Or crept, or climbed, or swam, or flew;
Had neither legs nor wings, indeed;
And yet she was not sure, she said,
Whether it was alive or dead.
She brought in her tiny hand
To see if I would understand,
And wondered when I made reply,
"You've found a baby butterfly."
"A butterfly is not like this,"
With doubtful look she answered me.
So then I told her what would be
Some day within the chrysalis;
How, slowly, in the dull brown thing
Now still as death, a spotted wing,
And then another, would unfold,
Till from the empty shell would fly
A pretty creature, by and by,
All radiant in blue and gold.
"And will it, truly?" questioned she -
Her laughing lips and eager eyes
All in a sparkle of surprise -
"And shall your little Madchen see?"
"She shall! I said. How could I tell
That ere the worm within its shell
Its gauzy, splendid wings had spread,
My little Madchen would be dead?
To-day the butterfly has flown, -
She was not here to see it fly, -
And sorrowing I wonder why
The empty shell is mine alone.
Perhaps the secret lies in this:
I too had found a chrysalis,
And Death that robbed me of delight
Was but the radiant creature's flight!
Mary Emily Bradley [1835-1898]
MATER DOLOROSA
I'd a dream to-night
As I fell asleep,
O! the touching sight
Makes me still to weep:
Of my little lad,
Gone to leave me sad,
Ay, the child I had,
But was not to keep.
As in heaven high,
I my child did seek,
There in train came by
Children fair and meek,
Each in lily white,
With a lamp alight;
Each was clear to sight,
But they did not speak.
Then, a little sad,
Came my child in turn,
But the lamp he had,
O it did not burn!
He, to clear my doubt,
Said, half-turned about,
"Your tears put it out;
Mother, never mourn."
William Barnes [1801-1886]
THE LITTLE GHOST
The stars began to peep
Gone was the bitter day.
She heard the milky ewes
Bleat to their lambs astray.
Her heart cried for her lamb
Lapped cold in the churchyard sod,
She could not think on the happy children
At play with the Lamb of God.
She heard the calling ewes
And the lambs' answer, alas!
She heard her heart's blood drip in the night
As the ewes' milk on the grass.
Her tears that burnt like fire
So bitter and slow ran down
She could not think on the new-washed children
Playing by Mary's gown.
Oh who is this comes in
Over her threshold stone?
And why is the old dog wild with joy
Who all day long made moan?
This fair little radiant ghost,
Her one little son of seven,
New 'scaped from the band of merry children
In the nurseries of Heaven.
He was all clad in white
Without a speck or stain;
His curls had a ring of light
That rose and fell again.
"Now come with me, my own mother,
And you shall have great ease,
For you shall see the lost children
Gathered to Mary's knees."
Oh, lightly sprang she up
Nor waked her sleeping man,
And hand in hand with the little ghost
Through the dark night she ran.
She is gone swift as a fawn,
As a bird homes to its nest,
She has seen them lie, the sleepy children
Twixt Mary's arm and breast.
At morning she came back;
Her eyes were strange to see.
She will not fear the long journey,
However long it be.
As she goes in and out
She sings unto hersel';
For she has seen the mothers' children
And knows that it is well.
Katherine Tynan Hinkson [1861-1931]
MOTHERHOOD
The night throbs on; O, let me pray, dear lad! Crush off his name a moment from my mouth. To Thee my eyes would turn, but they go back, Back to my arm beside me, where he lay - So little, Lord, so little and so warm!
I cannot think that Thou hadst need of him! He was so little, Lord, he cannot sing, He cannot praise Thee; all his life had learned Was to hold fast my kisses in the night.
Give him to me - he is not happy there! He had not felt this life; his lovely eyes Just knew me for his mother, and he died.
Hast Thou an angel there to mother him?
I say be loves me best - if he forgets,
If Thou allow it that my child forgets
And runs not out to meet me when I come -
What are my curses to Thee? Thou hast heard The curse of Abel's mother, and since then We have not ceased to threaten at Thy throne, To threat and pray Thee that Thou hold them still In memory of us.
See Thou tend him well,
Thou God of all the mothers. If he lack
One of his kisses - ah, my heart, my heart,
Do angels kiss in heaven? Give him back!
Forgive me, Lord, but I am sick with grief, And tired of tears, and cold to comforting. Thou art wise, I know, and tender, aye, and good, Thou hast my child, and he is safe in Thee, And I believe -
Ah, God, my child shall go
Orphaned among the angels! All alone.
So little and alone! He knows not Thee,
He only knows his mother - give him back.
Josephine Daskam Bacon [1876-
THE MOTHER'S PRAYER
The good Lord gave, the Lord has taken from me, Blessed be His name, His holy will be done. The mourners all have gone, all save I, his mother, The little grave lies lonely in the sun.
Nay! I would not follow, though they did beseech me, For the angels come now waiting for my dead. Heaven's door is open, so my whispers soar there, While the gentle angels lift him from his bed.
Oh Lord, when Thou gavest he was weak and helpless, Could not rise nor wander from my shielding arm; Lovely is he now and strong with four sweet summers, Laughing, running, tumbling, hard to keep from harm.
If some tender mother, whose babe on earth is living, Takes his little hand to guide his stranger feet 'Mid the countless hosts that cross the floor of heaven, Thou wilt not reprove her for Thy pity sweet.
If upon her breast she holds his baby beauty, All his golden hair will fall about her hand, Laughing let her fingers pull it into ringlets - Long and lovely ringlets. She will understand.
Wilful are his ways and full of merry mischief; If he prove unruly, lay the blame on me. Never did I chide him for his noise or riot, Smiled upon his folly, glad his joy to see.
Each eve shall I come beside his bed so lowly; "Hush-a-by, my baby," softly shall I sing, So, if he be frightened, full of sleep and anger, The song he loved shall reach him and sure comfort bring.
Lord, if in my praying, Thou shouldst hear me weeping, Ever was I wayward, always full of tears, Take no heed of this grief. Sweet the gift Thou gavest All the cherished treasure of those golden years.
Do not, therefore, hold me to Thy will ungrateful: Soon I shall stand upright, smiling, strong, and brave, With a son in heaven the sad earth forgetting, But 'tis lonely yet, Lord, by the little grave. Oh, 'tis lonely, lonely, by the little grave!
Dora Sigerson Shorter [1862-1918]
DA LEETLA BOY
Da spreeng ees com'; but oh, da joy
Eet ees too late!
He was so cold, my leetla boy,
He no could wait.
I no can count how manny week,
How manny day, dat he ees seeck;
How manny night I seet an' hold
Da leetla hand dat was so cold.
He was so patience, oh, so sweet!
Eet hurts my throat for theenk of eet;
An' all he evra ask ees w'en
Ees gona com' da spreeng agen.
Wan day, wan brighta sunny day,
He see, across da alleyway,
Da leetla girl dat's livin' dere
Ees raise her window for da air,
An' put outside a leetla pot
Of - w'at-you-call? - forgat-me-not.
So smalla flower, so leetla theeng!
But steell eet mak' hees hearta seeng:
"Oh, now, at las', ees com' da spreeng!
Da leetla plant ees glad for know
Da sun ees com' for mak' eet grow.
So, too, I am grow warm and strong."
So lika dat he seeng hees song.
But, ah! da night com' down an' den
Da weenter ees sneak back agen,
An' een da alley all da night
Ees fall da snow, so cold, so white,
An' cover up da leetla pot
Of - w'at-you-call? - forgat-me-not.
All night da leetla hand I hold
Ees grow so cold, so cold, so cold!
Da spreeng ees com'; but, oh, da joy
Eet ees too late!
He was so cold, my leetla boy,
He no could wait.
Thomas Augustin Daly [1871-
ON THE MOOR
I
I met a child upon the moor
A-wading down the heather;
She put her hand into my own,
We crossed the fields together.
I led her to her father's door -
A cottage midst the clover.
I left her - and the world grew poor
To me, a childless rover.
II
I met a maid upon the moor,
The morrow was her wedding.
Love lit her eyes with lovelier hues
Than the eve-star was shedding.
She looked a sweet good-bye to me,
And o'er the stile went singing.
Down all the lonely night I heard
But bridal bells a-ringing.
III
I met a mother on the moor,
By a new grave a-praying.
The happy swallows in the blue
Upon the winds were playing.
"Would I were in his grave," I said,
"And he beside her standing!"
There was no heart to break if death
For me had made demanding.
Cale Young Rice [1872-
EPITAPH OF DIONYSIA
Here doth Dionysia lie:
She whose little wanton foot,
Tripping (ah, too carelessly!)
Touched this tomb, and fell into 't.
Trip no more shall she, nor fall.
And her trippings were so few!
Summers only eight in all
Had the sweet child wandered through.
But, already, life's few suns
Love's strong seeds had ripened warm.
All her ways were winning ones;
All her cunning was to charm.
And the fancy, in the flower,
While the flesh was in the bud,
Childhood's dawning sex did dower
With warm gusts of womanhood.
Oh what joys by hope begun,
Oh what kisses kissed by thought,
What love-deeds by fancy done,
Death to endless dust hath wrought!
Had the fates been kind as thou,
Who, till now, was never cold,
Once Love's aptest scholar, now
Thou hadst been his teacher bold;
But, if buried seeds upthrow
Fruits and flowers; if flower and fruit
By their nature fitly show
What the seeds are, whence they shoot,
Dionysia, o'er this tomb,
Where thy buried beauties be,
From their dust shall spring and bloom
Loves and graces like to thee.
Unknown
FOR CHARLIE'S SAKE
The night is late, the house is still;
The angels of the hour fulfil
Their tender ministries, and move
From couch to couch in cares of love.
They drop into thy dreams, sweet wife,
The happiest smile of Charlie's life,
And lay on baby's lips a kiss,
Fresh from his angel-brother's bliss;
And, as they pass, they seem to make
A strange, dim hymn, "For Charlie's sake."
My listening heart takes up the strain,
And gives it to the night again,
Fitted with words of lowly praise,
And patience learned of mournful days,
And memories of the dead child's ways.
His will be done, His will be done!
Who gave and took away my son,
In "the far land" to shine and sing
Before the Beautiful, the King,
Who every day doth Christmas make,
All starred and belled for Charlie's sake.
For Charlie's sake I will arise;
I will anoint me where he lies,
And change my raiment, and go in
To the Lord's house, and leave my sin
Without, and seat me at his board,
Eat, and be glad, and praise the Lord.
For wherefore should I fast and weep,
And sullen moods of mourning keep?
I cannot bring him back, nor he,
For any calling, come to me.
The bond the angel Death did sign,
God sealed - for Charlie's sake, and mine.
I'm very poor - this slender stone
Marks all the narrow field I own;
Yet, patient husbandman, I till
With faith and prayers, that precious hill,
Sow it with penitential pains,
And, hopeful, wait the latter rains;
Content if, after all, the spot
Yield barely one forget-me-not -
Whether or figs or thistles make
My crop, content for Charlie's sake.
I have no houses, builded well -
Only that little lonesome cell,
Where never romping playmates come,
Nor bashful sweethearts, cunning-dumb -
An April burst of girls and boys,
Their rainbowed cloud of glooms and joys
Born with their songs, gone with their toys;
Nor ever is its stillness stirred
By purr of cat, or chirp of bird,
Or mother's twilight legend, told
Of Horner's pie, or Tiddler's gold,
Or fairy hobbling to the door,
Red-cloaked and weird, banned and poor,
To bless the good child's gracious eyes,
The good child's wistful charities,
And crippled changeling's hunch to make
Dance on his crutch, for good child's sake.
How is it with the child? 'Tis well;
Nor would I any miracle
Might stir my sleeper's tranquil trance,
Or plague his painless countenance:
I would not any seer might place
His staff on my immortal's face,
Or lip to lip, and eye to eye,
Charm back his pale mortality.
No, Shunamite! I would not break
God's stillness. Let them weep who wake.
For Charlie's sake my lot is blest:
No comfort like his mother's breast,
No praise like hers; no charm expressed
In fairest forms hath half her zest.
For Charlie's sake this bird's caressed
That death left lonely in the nest;
For Charlie's sake my heart is dressed,
As for its birthday, in its best;
For Charlie's sake we leave the rest
To Him who gave, and who did take,
And saved us twice, for Charlie's sake.
John Williamson Palmer [1825-1906]
"ARE THE CHILDREN AT HOME?"
Each day, when the glow of sunset
Fades in the western sky,
And the wee ones, tired of playing,
Go tripping lightly by,
I steal away from my husband,
Asleep in his easy-chair,
And watch from the open doorway
Their faces fresh and fair.
Alone in the dear old homestead
That once was full of life,
Ringing with girlish laughter,
Echoing boyish strife,
We two are waiting together;
And oft, as the shadows come,
With tremulous voice he calls me,
"It is night! are the children home?"
"Yes, love!" I answer him gently,
"They're all home long ago;" -
And I sing, in my quivering treble,
A song so soft and low,
Till the old man drops to slumber,
With his head upon his hand,
And I tell to myself the number
At home in the better land.
At home, where never a sorrow
Shall dim their eyes with tears!
Where the smile of God is on them
Through all the summer years!
I know, - yet my arms are empty,
That fondly folded seven,
And the mother-heart within me
Is almost starved for heaven.
Sometimes, in the dusk of evening,
I only shut my eyes,
And the children are all about me,
A vision from the skies:
The babes whose dimpled fingers
Lost the way to my breast,
And the beautiful ones, the angels,
Passed to the world of the blest.
With never a cloud upon them,
I see their radiant brows;
My boys that I gave to freedom, -
The red sword sealed their vows!
In a tangled Southern forest,
Twin brothers bold and brave,
They fell; and the flag they died for,
Thank God! floats over their grave.
A breath, and the vision is lifted
Away on wings of light,
And again we two are together,
All alone in the night.
They tell me his mind is failing,
But I smile at idle fears;
He is only back with the children,
In the dear and peaceful years.
And still, as the summer sunset
Fades away in the west,
And the wee ones, tired of playing,
Go trooping home to rest,
My husband calls from his corner,
"Say, love, have the children come?"
And I answer, with eyes uplifted,
"Yes, dear! they are all at home."
Margaret Sangster [1838-1919]
THE MORNING-GLORY
We wreathed about our darling's head
The morning-glory bright;
Her little face looked out beneath,
So full of life and light,
So lit as with a sunrise,
That we could only say,
"She is the morning-glory true,
And her poor types are they."
So always from that happy time
We called her by their name,
And very fitting did it seem -
For, sure as morning came,
Behind her cradle bars she smiled
To catch the first faint ray,
As from the trellis smiles the flower
And opens to the day.
But not so beautiful they rear
Their airy cups of blue,
As turned her sweet eyes to the light,
Brimmed with sleep's tender dew;
And not so close their tendrils fine
Round their supports are thrown,
As those dear arms whose outstretched plea
Clasped all hearts to her own.
We used to think how she had come,
Even as comes the flower,
The last and perfect added gift
To crown Love's morning hour;
And how in her was imaged forth
The love we could not say,
As on the little dewdrops round
Shines back the heart of day.
We never could have thought, O God,
That she must wither up,
Almost before a day was flown,
Like the morning-glory's cup;
We never thought to see her droop
Her fair and noble head,
Till she lay stretched before our eyes,
Wilted, and cold, and dead!
The morning-glory's blossoming
Will soon be coming round -
We see the rows of heart-shaped leaves
Upspringing from the ground;
The tender things the winter killed
Renew again their birth,
But the glory of our morning
Has passed away from earth.
O Earth! in vain our aching eyes
Stretch over thy green plain!
Too harsh thy dews, too gross thine air
Her spirit to sustain;
But up in groves of Paradise
Full surely we shall see
Our morning-glory beautiful
Twine round our dear Lord's knee.
Maria White Lowell [1821-1855]
SHE CAME AND WENT
As a twig trembles, which a bird
Lights on to sing, then leaves unbent,
So is my memory thrilled and stirred; -
I only know she came and went.
As clasps some lake, by gusts unriven,
The blue dome's measureless content,
So my soul held that moment's heaven; -
I only know she came and went.
As, at one bound, our swift spring heaps
The orchards full of bloom and scent,
So clove her May my wintry sleeps; -
I only know she came and went.
An angel stood and met my gaze,
Through the low doorway of my tent;
The tent is struck, the vision stays; -
I only know she came and went.
Oh, when the room grows slowly dim,
And life's last oil is nearly spent,
One gush of light these eyes will brim,
Only to think she came and went.
James Russell Lowell [1819-1891]
THE FIRST SNOW-FALL
The snow had begun in the gloaming,
And busily all the night
Had been heaping field and highway
With a silence deep and white.
Every pine and fir and hemlock
Wore ermine too dear for an earl,
And the poorest twig on the elm-tree
Was ridged inch deep with pearl.
From sheds new-roofed with Carrara
Came Chanticleer's muffled crow,
The stiff rails softened to swan's-down,
And still fluttered down the snow.
I stood and watched by the window
The noiseless work of the sky,
And the sudden flurries of snow-birds,
Like brown leaves whirling by.
I thought of a mound in sweet Auburn
Where a little headstone stood;
How the flakes were folding it gently,
As did robins the babes in the wood.
Up spoke our own little Mabel,
Saying, "Father, who makes it snow?"
And I told of the good All-father
Who cares for us here below.
Again I looked at the snow-fall,
And thought of the leaden sky
That arched o'er our first great sorrow,
When that mound was heaped so high.
I remembered the gradual patience
That fell from that cloud like snow,
Flake by flake, healing and hiding
The scar that renewed our woe.
And again to the child I whispered,
"The snow that husheth all,
Darling, the merciful Father
Alone can make it fall"
Then, with eyes that saw not, I kissed her;
And she, kissing back, could not know
That my kiss was given to her sister,
Folded close under deepening snow.
James Russell Lowell [1819-1891]
"WE ARE SEVEN"
A simple Child,
That lightly draws its breath,
And feels its life in every limb,
What should it know of death?
I met a little cottage Girl:
She was eight years