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Zuleika Dobson

by Max Beerbohm

August, 1999; revised February, 2000 [Etext #1845]

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This Etext prepared by Judy Boss, of Omaha, NE

ZULEIKA DOBSON

OR AN OXFORD LOVE STORY

by

Max Beerbohm

NOTE to the 1922 edition

I was in Italy when this book was first published.

A year later (1912) I visited London, and I found

that most of my friends and acquaintances spoke to

me of Zu-like-a -- a name which I hardly recognised

and thoroughly disapproved. I had always thought

of the lady as Zu-leek-a. Surely it was thus that

Joseph thought of his Wife, and Selim of his Bride?

And I do hope that it is thus that any reader of

these pages will think of Miss Dobson.

M.B.

Rapallo, 1922.

ILLI ALMAE MATRI

ZULEIKA DOBSON

I

That old bell, presage of a train, had just sounded through Oxford

station; and the undergraduates who were waiting there, gay figures

in tweed or flannel, moved to the margin of the platform and gazed

idly up the line. Young and careless, in the glow of the afternoon

sunshine, they struck a sharp note of incongruity with the worn boards

they stood on, with the fading signals and grey eternal walls of that

antique station, which, familiar to them and insignificant, does yet

whisper to the tourist the last enchantments of the Middle Age.

At the door of the first-class waiting-room, aloof and venerable,

stood the Warden of Judas. An ebon pillar of tradition seemed he, in

his garb of old-fashioned cleric. Aloft, between the wide brim of his

silk hat and the white extent of his shirt-front, appeared those eyes

which hawks, that nose which eagles, had often envied. He supported

his years on an ebon stick. He alone was worthy of the background.

Came a whistle from the distance. The breast of an engine was

descried, and a long train curving after it, under a flight of smoke.

It grew and grew. Louder and louder, its noise foreran it. It became a

furious, enormous monster, and, with an instinct for safety, all men

receded from the platform's margin. (Yet came there with it, unknown

to them, a danger far more terrible than itself.) Into the station it

came blustering, with cloud and clangour. Ere it had yet stopped, the

door of one carriage flew open, and from it, in a white travelling

dress, in a toque a-twinkle with fine diamonds, a lithe and radiant

creature slipped nimbly down to the platform.

A cynosure indeed! A hundred eyes were fixed on her, and half as many

hearts lost to her. The Warden of Judas himself had mounted on his

nose a pair of black-rimmed glasses. Him espying, the nymph darted in

his direction. The throng made way for her. She was at his side.

"Grandpapa!" she cried, and kissed the old man on either cheek. (Not a

youth there but would have bartered fifty years of his future for that

salute.)

"My dear Zuleika," he said, "welcome to Oxford! Have you no luggage?"

"Heaps!" she answered. "And a maid who will find it."

"Then," said the Warden, "let us drive straight to College." He

offered her his arm, and they proceeded slowly to the entrance. She

chatted gaily, blushing not in the long avenue of eyes she passed

through. All the youths, under her spell, were now quite oblivious of

the relatives they had come to meet. Parents, sisters, cousins, ran

unclaimed about the platform. Undutiful, all the youths were forming a

serried suite to their enchantress. In silence they followed her. They

saw her leap into the Warden's landau, they saw the Warden seat

himself upon her left. Nor was it until the landau was lost to sight

that they turned--how slowly, and with how bad a grace!--to look for

their relatives.

Through those slums which connect Oxford with the world, the landau

rolled on towards Judas. Not many youths occurred, for nearly all--it

was the Monday of Eights Week--were down by the river, cheering the

crews. There did, however, come spurring by, on a polo-pony, a very

splendid youth. His straw hat was encircled with a riband of blue and

white, and he raised it to the Warden.

"That," said the Warden, "is the Duke of Dorset, a member of my

College. He dines at my table to-night."

Zuleika, turning to regard his Grace, saw that he had not reined in

and was not even glancing back at her over his shoulder. She gave a

little start of dismay, but scarcely had her lips pouted ere they

curved to a smile--a smile with no malice in its corners.

As the landau rolled into "the Corn," another youth--a pedestrian, and

very different--saluted the Warden. He wore a black jacket, rusty and

amorphous. His trousers were too short, and he himself was too short:

almost a dwarf. His face was as plain as his gait was undistinguished.

He squinted behind spectacles.

"And who is that?" asked Zuleika.

A deep flush overspread the cheek of the Warden. "That," he said, "is

also a member of Judas. His name, I believe, is Noaks."

"Is he dining with us to-night?" asked Zuleika.

"Certainly not," said the Warden. "Most decidedly not."

Noaks, unlike the Duke, had stopped for an ardent retrospect. He gazed

till the landau was out of his short sight; then, sighing, resumed his

solitary walk.

The landau was rolling into "the Broad," over that ground which had

once blackened under the fagots lit for Latimer and Ridley. It rolled

past the portals of Balliol and of Trinity, past the Ashmolean. From

those pedestals which intersperse the railing of the Sheldonian, the

high grim busts of the Roman Emperors stared down at the fair stranger

in the equipage. Zuleika returned their stare with but a casual

glance. The inanimate had little charm for her.

A moment later, a certain old don emerged from Blackwell's, where he

had been buying books. Looking across the road, he saw, to his

amazement, great beads of perspiration glistening on the brows of

those Emperors. He trembled, and hurried away. That evening, in Common

Room, he told what he had seen; and no amount of polite scepticism

would convince him that it was but the hallucination of one who had

been reading too much Mommsen. He persisted that he had seen what he

described. It was not until two days had elapsed that some credence

was accorded him.

Yes, as the landau rolled by, sweat started from the brows of the

Emperors. They, at least, foresaw the peril that was overhanging

Oxford, and they gave such warning as they could. Let that be

remembered to their credit. Let that incline us to think more gently

of them. In their lives we know, they were infamous, some of them--

"nihil non commiserunt stupri, saevitiae, impietatis." But are they

too little punished, after all? Here in Oxford, exposed eternally and

inexorably to heat and frost, to the four winds that lash them and the

rains that wear them away, they are expiating, in effigy, the

abominations of their pride and cruelty and lust. Who were lechers,

they are without bodies; who were tyrants, they are crowned never but

with crowns of snow; who made themselves even with the gods, they are

by American visitors frequently mistaken for the Twelve Apostles. It

is but a little way down the road that the two Bishops perished for

their faith, and even now we do never pass the spot without a tear for

them. Yet how quickly they died in the flames! To these Emperors, for

whom none weeps, time will give no surcease. Surely, it is sign of

some grace in them that they rejoiced not, this bright afternoon, in

the evil that was to befall the city of their penance.

II

The sun streamed through the bay-window of a "best" bedroom in the

Warden's house, and glorified the pale crayon-portraits on the wall,

the dimity curtains, the old fresh chintz. He invaded the many trunks

which--all painted Z. D.--gaped, in various stages of excavation,

around the room. The doors of the huge wardrobe stood, like the doors

of Janus' temple in time of war, majestically open; and the sun seized

this opportunity of exploring the mahogany recesses. But the carpet,

which had faded under his immemorial visitations, was now almost

ENTIRELY hidden from him, hidden under layers of fair fine linen,

layers of silk, brocade, satin, chiffon, muslin. All the colours of

the rainbow, materialised by modistes, were there. Stacked on chairs

were I know not what of sachets, glove-cases, fan-cases. There were

innumerable packages in silver-paper and pink ribands. There was a

pyramid of bandboxes. There was a virgin forest of boot-trees. And

rustling quickly hither and thither, in and out of this profusion,

with armfuls of finery, was an obviously French maid. Alert, unerring,

like a swallow she dipped and darted. Nothing escaped her, and she

never rested. She had the air of the born unpacker--swift and firm,

yet withal tender. Scarce had her arms been laden but their loads were

lying lightly between shelves or tightly in drawers. To calculate,

catch, distribute, seemed in her but a single process. She was one of

those who are born to make chaos cosmic.

Insomuch that ere the loud chapel-clock tolled another hour all the

trunks had been sent empty away. The carpet was unflecked by any scrap

of silver-paper. From the mantelpiece, photographs of Zuleika surveyed

the room with a possessive air. Zuleika's pincushion, a-bristle with

new pins, lay on the dimity-flounced toilet-table, and round it stood

a multitude of multiform glass vessels, domed, all of them, with dull

gold, on which Z. D., in zianites and diamonds, was encrusted. On a

small table stood a great casket of malachite, initialled in like

fashion. On another small table stood Zuleika's library. Both books

were in covers of dull gold. On the back of one cover BRADSHAW, in

beryls, was encrusted; on the back of the other, A.B.C. GUIDE, in

amethysts, beryls, chrysoprases, and garnets. And Zuleika's great

cheval-glass stood ready to reflect her. Always it travelled with her,

in a great case specially made for it. It was framed in ivory, and of

fluted ivory were the slim columns it swung between. Of gold were its

twin sconces, and four tall tapers stood in each of them.

The door opened, and the Warden, with hospitable words, left his

grand-daughter at the threshold.

Zuleika wandered to her mirror. "Undress me, Melisande," she said.

Like all who are wont to appear by night before the public, she had

the habit of resting towards sunset.

Presently Melisande withdrew. Her mistress, in a white peignoir tied

with a blue sash, lay in a great chintz chair, gazing out of the

bay-window. The quadrangle below was very beautiful, with its walls of

rugged grey, its cloisters, its grass carpet. But to her it was of no

more interest than if it had been the rattling court-yard to one of

those hotels in which she spent her life. She saw it, but heeded it

not. She seemed to be thinking of herself, or of something she

desired, or of some one she had never met. There was ennui, and there

was wistfulness, in her gaze. Yet one would have guessed these things

to be transient--to be no more than the little shadows that sometimes

pass between a bright mirror and the brightness it reflects.

Zuleika was not strictly beautiful. Her eyes were a trifle large, and

their lashes longer than they need have been. An anarchy of small

curls was her chevelure, a dark upland of misrule, every hair

asserting its rights over a not discreditable brow. For the rest, her

features were not at all original. They seemed to have been derived

rather from a gallimaufry of familiar models. From Madame la Marquise

de Saint-Ouen came the shapely tilt of the nose. The mouth was a mere

replica of Cupid's bow, lacquered scarlet and strung with the littlest

pearls. No apple-tree, no wall of peaches, had not been robbed, nor

any Tyrian rose-garden, for the glory of Miss Dobson's cheeks. Her

neck was imitation-marble. Her hands and feet were of very mean

proportions. She had no waist to speak of.

Yet, though a Greek would have railed at her asymmetry, and an

Elizabethan have called her "gipsy," Miss Dobson now, in the midst of

the Edvardian Era, was the toast of two hemispheres. Late in her

'teens she had become an orphan and a governess. Her grandfather had

refused her appeal for a home or an allowance, on the ground that he

would not be burdened with the upshot of a marriage which he had once

forbidden and not yet forgiven. Lately, however, prompted by curiosity

or by remorse, he had asked her to spend a week or so of his declining

years with him. And she, "resting" between two engagements--one at

Hammerstein's Victoria, N.Y.C., the other at the Folies Bergeres,

Paris--and having never been in Oxford, had so far let bygones be

bygones as to come and gratify the old man's whim.

It may be that she still resented his indifference to those early

struggles which, even now, she shuddered to recall. For a governess'

life she had been, indeed, notably unfit. Hard she had thought it,

that penury should force her back into the school-room she was scarce

out of, there to champion the sums and maps and conjugations she had

never tried to master. Hating her work, she had failed signally to

pick up any learning from her little pupils, and had been driven from

house to house, a sullen and most ineffectual maiden. The sequence of

her situations was the swifter by reason of her pretty face. Was there

a grown-up son, always he fell in love with her, and she would let his

eyes trifle boldly with hers across the dinner-table. When he offered

her his hand, she would refuse it--not because she "knew her place,"

but because she did not love him. Even had she been a good teacher,

her presence could not have been tolerated thereafter. Her corded

trunk, heavier by another packet of billets-doux and a month's salary

in advance, was soon carried up the stairs of some other house.

It chanced that she came, at length, to be governess in a large family

that had Gibbs for its name and Notting Hill for its background.

Edward, the eldest son, was a clerk in the city, who spent his

evenings in the practice of amateur conjuring. He was a freckled

youth, with hair that bristled in places where it should have lain

smooth, and he fell in love with Zuleika duly, at first sight, during

high-tea. In the course of the evening, he sought to win her

admiration by a display of all his tricks. These were familiar to this

household, and the children had been sent to bed, the mother was

dozing, long before the seance was at an end. But Miss Dobson,

unaccustomed to any gaieties, sat fascinated by the young man's

sleight of hand, marvelling that a top-hat could hold so many

goldfish, and a handkerchief turn so swiftly into a silver florin. All

that night, she lay wide awake, haunted by the miracles he had

wrought. Next evening, when she asked him to repeat them, "Nay," he

whispered, "I cannot bear to deceive the girl I love. Permit me to

explain the tricks." So he explained them. His eyes sought hers across

the bowl of gold-fish, his fingers trembled as he taught her to

manipulate the magic canister. One by one, she mastered the paltry

secrets. Her respect for him waned with every revelation. He

complimented her on her skill. "I could not do it more neatly myself!"

he said. "Oh, dear Miss Dobson, will you but accept my hand, all these

things shall be yours--the cards, the canister, the goldfish, the

demon egg-cup--all yours!" Zuleika, with ravishing coyness, answered

that if he would give her them now, she would "think it over." The

swain consented, and at bed-time she retired with the gift under her

arm. In the light of her bedroom candle Marguerite hung not in greater

ecstasy over the jewel-casket than hung Zuleika over the box of

tricks. She clasped her hands over the tremendous possibilities it

held for her--manumission from her bondage, wealth, fame, power.

Stealthily, so soon as the house slumbered, she packed her small

outfit, embedding therein the precious gift. Noiselessly, she shut the

lid of her trunk, corded it, shouldered it, stole down the stairs with

it. Outside--how that chain had grated! and her shoulder, how it was

aching!--she soon found a cab. She took a night's sanctuary in some

railway-hotel. Next day, she moved into a small room in a lodging-

house off the Edgware Road, and there for a whole week she was

sedulous in the practice of her tricks. Then she inscribed her name on

the books of a "Juvenile Party Entertainments Agency."

The Christmas holidays were at hand, and before long she got an

engagement. It was a great evening for her. Her repertory was, it must

be confessed, old and obvious; but the children, in deference to their

hostess, pretended not to know how the tricks were done, and assumed

their prettiest airs of wonder and delight. One of them even pretended

to be frightened, and was led howling from the room. In fact, the

whole thing went off splendidly. The hostess was charmed, and told

Zuleika that a glass of lemonade would be served to her in the hall.

Other engagements soon followed. Zuleika was very, very happy. I

cannot claim for her that she had a genuine passion for her art. The

true conjurer finds his guerdon in the consciousness of work done

perfectly and for its own sake. Lucre and applause are not necessary

to him. If he were set down, with the materials of his art, on a

desert island, he would yet be quite happy. He would not cease to

produce the barber's-pole from his mouth. To the indifferent winds he

would still speak his patter, and even in the last throes of

starvation would not eat his live rabbit or his gold-fish. Zuleika, on

a desert island, would have spent most of her time in looking for a

man's foot-print. She was, indeed, far too human a creature to care

much for art. I do not say that she took her work lightly. She thought

she had genius, and she liked to be told that this was so. But mainly

she loved her work as a means of mere self-display. The frank

admiration which, into whatsoever house she entered, the grown-up sons

flashed on her; their eagerness to see her to the door; their

impressive way of putting her into her omnibus--these were the things

she revelled in. She was a nymph to whom men's admiration was the

greater part of life. By day, whenever she went into the streets, she

was conscious that no man passed her without a stare; and this

consciousness gave a sharp zest to her outings. Sometimes she was

followed to her door--crude flattery which she was too innocent to

fear. Even when she went into the haberdasher's to make some little

purchase of tape or riband, or into the grocer's--for she was an

epicure in her humble way--to buy a tin of potted meat for her supper,

the homage of the young men behind the counter did flatter and

exhilarate her. As the homage of men became for her, more and more, a

matter of course, the more subtly necessary was it to her happiness.

The more she won of it, the more she treasured it. She was alone in

the world, and it saved her from any moment of regret that she had

neither home nor friends. For her the streets that lay around her had

no squalor, since she paced them always in the gold nimbus of her

fascinations. Her bedroom seemed not mean nor lonely to her, since the

little square of glass, nailed above the wash-stand, was ever there to

reflect her face. Thereinto, indeed, she was ever peering. She would

droop her head from side to side, she would bend it forward and see

herself from beneath her eyelashes, then tilt it back and watch

herself over her supercilious chin. And she would smile, frown, pout,

languish--let all the emotions hover upon her face; and always she

seemed to herself lovelier than she had ever been.

Yet was there nothing Narcissine in her spirit. Her love for her own

image was not cold aestheticism. She valued that image not for its own

sake, but for sake of the glory it always won for her. In the little

remote music-hall, where she was soon appearing nightly as an "early

turn," she reaped glory in a nightly harvest. She could feel that all

the gallery-boys, because of her, were scornful of the sweethearts

wedged between them, and she knew that she had but to say "Will any

gentleman in the audience be so good as to lend me his hat?" for the

stalls to rise as one man and rush towards the platform. But greater

things were in store for her. She was engaged at two halls in the West

End. Her horizon was fast receding and expanding. Homage became

nightly tangible in bouquets, rings, brooches--things acceptable and

(luckier than their donors) accepted. Even Sunday was not barren for

Zuleika: modish hostesses gave her postprandially to their guests.

Came that Sunday night, notanda candidissimo calculo! when she

received certain guttural compliments which made absolute her vogue

and enabled her to command, thenceforth, whatever terms she asked for.

Already, indeed, she was rich. She was living at the most exorbitant

hotel in all Mayfair. She had innumerable gowns and no necessity to

buy jewels; and she also had, which pleased her most, the fine cheval-

glass I have described. At the close of the Season, Paris claimed her

for a month's engagement. Paris saw her and was prostrate. Boldini did

a portrait of her. Jules Bloch wrote a song about her; and this, for a

whole month, was howled up and down the cobbled alleys of Montmartre.

And all the little dandies were mad for "la Zuleika." The jewellers of

the Rue de la Paix soon had nothing left to put in their windows--

everything had been bought for "la Zuleika." For a whole month,

baccarat was not played at the Jockey Club--every member had succumbed

to a nobler passion. For a whole month, the whole demi-monde was

forgotten for one English virgin. Never, even in Paris, had a woman

triumphed so. When the day came for her departure, the city wore such

an air of sullen mourning as it had not worn since the Prussians

marched to its Elysee. Zuleika, quite untouched, would not linger in

the conquered city. Agents had come to her from every capital in

Europe, and, for a year, she ranged, in triumphal nomady, from one

capital to another. In Berlin, every night, the students escorted her

home with torches. Prince Vierfuenfsechs-Siebenachtneun offered her

his hand, and was condemned by the Kaiser to six months' confinement

in his little castle. In Yildiz Kiosk, the tyrant who still throve

there conferred on her the Order of Chastity, and offered her the

central couch in his seraglio. She gave her performance in the

Quirinal, and, from the Vatican, the Pope launched against her a Bull

which fell utterly flat. In Petersburg, the Grand Duke Salamander

Salamandrovitch fell enamoured of her. Of every article in the

apparatus of her conjuring-tricks he caused a replica to be made in

finest gold. These treasures he presented to her in that great

malachite casket which now stood on the little table in her room; and

thenceforth it was with these that she performed her wonders. They did

not mark the limit of the Grand Duke's generosity. He was for

bestowing on Zuleika the half of his immensurable estates. The Grand

Duchess appealed to the Tzar. Zuleika was conducted across the

frontier, by an escort of love-sick Cossacks. On the Sunday before she

left Madrid, a great bull-fight was held in her honour. Fifteen bulls

received the coup-de-grace, and Alvarez, the matador of matadors, died

in the arena with her name on his lips. He had tried to kill the last

bull without taking his eyes off la divina senorita. A prettier

compliment had never been paid her, and she was immensely pleased with

it. For that matter, she was immensely pleased with everything. She

moved proudly to the incessant music of a paean, aye! of a paean that

was always crescendo.

Its echoes followed her when she crossed the Atlantic, till they were

lost in the louder, deeper, more blatant paean that rose for her from

the shores beyond. All the stops of that "mighty organ, many-piped,"

the New York press, were pulled out simultaneously, as far as they

could be pulled, in Zuleika's honour. She delighted in the din. She

read every line that was printed about her, tasting her triumph as she

had never tasted it before. And how she revelled in the Brobdingnagian

drawings of her, which, printed in nineteen colours, towered between

the columns or sprawled across them! There she was, measuring herself

back to back with the Statue of Liberty; scudding through the

firmament on a comet, whilst a crowd of tiny men in evening-dress

stared up at her from the terrestrial globe; peering through a

microscope held by Cupid over a diminutive Uncle Sam; teaching the

American Eagle to stand on its head; and doing a hundred-and-one other

things--whatever suggested itself to the fancy of native art. And

through all this iridescent maze of symbolism were scattered many

little slabs of realism. At home, on the street, Zuleika was the

smiling target of all snap-shooters, and all the snap-shots were

snapped up by the press and reproduced with annotations: Zuleika

Dobson walking on Broadway in the sables gifted her by Grand Duke

Salamander--she says "You can bounce blizzards in them"; Zuleika

Dobson yawning over a love-letter from millionaire Edelweiss;

relishing a cup of clam-broth--she says "They don't use clams out

there"; ordering her maid to fix her a warm bath; finding a split in

the gloves she has just drawn on before starting for the musicale

given in her honour by Mrs. Suetonius X. Meistersinger, the most

exclusive woman in New York; chatting at the telephone to Miss Camille

Van Spook, the best-born girl in New York; laughing over the

recollection of a compliment made her by George Abimelech Post, the

best-groomed man in New York; meditating a new trick; admonishing a

waiter who has upset a cocktail over her skirt; having herself

manicured; drinking tea in bed. Thus was Zuleika enabled daily to be,

as one might say, a spectator of her own wonderful life. On her

departure from New York, the papers spoke no more than the truth when

they said she had had "a lovely time." The further she went West--

millionaire Edelweiss had loaned her his private car--the lovelier her

time was. Chicago drowned the echoes of New York; final Frisco dwarfed

the headlines of Chicago. Like one of its own prairie-fires, she swept

the country from end to end. Then she swept back, and sailed for

England. She was to return for a second season in the coming Fall. At

present, she was, as I have said, "resting."

As she sat here in the bay-window of her room, she was not reviewing

the splendid pageant of her past. She was a young person whose

reveries never were in retrospect. For her the past was no treasury of

distinct memories, all hoarded and classified, some brighter than

others and more highly valued. All memories were for her but as the

motes in one fused radiance that followed her and made more luminous

the pathway of her future. She was always looking forward. She was

looking forward now--that shade of ennui had passed from her face--to

the week she was to spend in Oxford. A new city was a new toy to her,

and--for it was youth's homage that she loved best--this city of

youths was a toy after her own heart.

Aye, and it was youths who gave homage to her most freely. She was of

that high-stepping and flamboyant type that captivates youth most

surely. Old men and men of middle age admired her, but she had not

that flower-like quality of shyness and helplessness, that look of

innocence, so dear to men who carry life's secrets in their heads. Yet

Zuleika WAS very innocent, really. She was as pure as that young

shepherdess Marcella, who, all unguarded, roved the mountains and was

by all the shepherds adored. Like Marcella, she had given her heart to

no man, had preferred none. Youths were reputed to have died for love

of her, as Chrysostom died for love of the shepherdess; and she, like

the shepherdess, had shed no tear. When Chrysostom was lying on his

bier in the valley, and Marcella looked down from the high rock,

Ambrosio, the dead man's comrade, cried out on her, upbraiding her

with bitter words--"Oh basilisk of our mountains!" Nor do I think

Ambrosio spoke too strongly. Marcella cared nothing for men's

admiration, and yet, instead of retiring to one of those nunneries

which are founded for her kind, she chose to rove the mountains,

causing despair to all the shepherds. Zuleika, with her peculiar

temperament, would have gone mad in a nunnery. "But," you may argue,

"ought not she to have taken the veil, even at the cost of her reason,

rather than cause so much despair in the world? If Marcella was a

basilisk, as you seem to think, how about Miss Dobson?" Ah, but

Marcella knew quite well, boasted even, that she never would or could

love any man. Zuleika, on the other hand, was a woman of really

passionate fibre. She may not have had that conscious, separate, and

quite explicit desire to be a mother with which modern playwrights

credit every unmated member of her sex. But she did know that she

could love. And, surely, no woman who knows that of herself can be

rightly censured for not recluding herself from the world: it is only

women without the power to love who have no right to provoke men's

love.

Though Zuleika had never given her heart, strong in her were the

desire and the need that it should be given. Whithersoever she had

fared, she had seen nothing but youths fatuously prostrate to her--not

one upright figure which she could respect. There were the middle-aged

men, the old men, who did not bow down to her; but from middle-age, as

from eld, she had a sanguine aversion. She could love none but a

youth. Nor--though she herself, womanly, would utterly abase herself

before her ideal--could she love one who fell prone before her. And

before her all youths always did fall prone. She was an empress, and

all youths were her slaves. Their bondage delighted her, as I have

said. But no empress who has any pride can adore one of her slaves.

Whom, then, could proud Zuleika adore? It was a question which

sometimes troubled her. There were even moments when, looking into her

cheval-glass, she cried out against that arrangement in comely lines

and tints which got for her the dulia she delighted in. To be able to

love once--would not that be better than all the homage in the world?

But would she ever meet whom, looking up to him, she could love--she,

the omnisubjugant? Would she ever, ever meet him?

It was when she wondered thus, that the wistfulness came into her

eyes. Even now, as she sat by the window, that shadow returned to

them. She was wondering, shyly, had she met him at length? That young

equestrian who had not turned to look at her; whom she was to meet at

dinner to-night . . . was it he? The ends of her blue sash lay across

her lap, and she was lazily unravelling their fringes. "Blue and

white!" she remembered. "They were the colours he wore round his hat."

And she gave a little laugh of coquetry. She laughed, and, long after,

her lips were still parted in a smile.

So did she sit, smiling, wondering, with the fringes of her sash

between her fingers, while the sun sank behind the opposite wall of

the quadrangle, and the shadows crept out across the grass, thirsty

for the dew.

III

The clock in the Warden's drawing-room had just struck eight, and

already the ducal feet were beautiful on the white bearskin hearthrug.

So slim and long were they, of instep so nobly arched, that only with

a pair of glazed ox-tongues on a breakfast-table were they comparable.

Incomparable quite, the figure and face and vesture of him who ended

in them.

The Warden was talking to him, with all the deference of elderly

commoner to patrician boy. The other guests--an Oriel don and his

wife--were listening with earnest smile and submissive droop, at a

slight distance. Now and again, to put themselves at their ease, they

exchanged in undertone a word or two about the weather.

"The young lady whom you may have noticed with me," the Warden was

saying, "is my orphaned grand-daughter." (The wife of the Oriel don

discarded her smile, and sighed, with a glance at the Duke, who was

himself an orphan.) "She has come to stay with me." (The Duke glanced

quickly round the room.) "I cannot think why she is not down yet."

(The Oriel don fixed his eyes on the clock, as though he suspected it

of being fast.) "I must ask you to forgive her. She appears to be a

bright, pleasant young woman."

"Married?" asked the Duke.

"No," said the Warden; and a cloud of annoyance crossed the boy's

face. "No; she devotes her life entirely to good works."

"A hospital nurse?" the Duke murmured.

"No, Zuleika's appointed task is to induce delightful wonder rather

than to alleviate pain. She performs conjuring-tricks."

"Not--not Miss Zuleika Dobson?" cried the Duke.

"Ah yes. I forgot that she had achieved some fame in the outer world.

Perhaps she has already met you?"

"Never," said the young man coldly. "But of course I have heard of

Miss Dobson. I did not know she was related to you."

The Duke had an intense horror of unmarried girls. All his vacations

were spent in eluding them and their chaperons. That he should be

confronted with one of them--with such an one of them!--in Oxford,

seemed to him sheer violation of sanctuary. The tone, therefore, in

which he said "I shall be charmed," in answer to the Warden's request

that he would take Zuleika into dinner, was very glacial. So was his

gaze when, a moment later, the young lady made her entry.

"She did not look like an orphan," said the wife of the Oriel don,

subsequently, on the way home. The criticism was a just one. Zuleika

would have looked singular in one of those lowly double-files of

straw-bonnets and drab cloaks which are so steadying a feature of our

social system. Tall and lissom, she was sheathed from the bosom

downwards in flamingo silk, and she was liberally festooned with

emeralds. Her dark hair was not even strained back from her forehead

and behind her ears, as an orphan's should be. Parted somewhere at the

side, it fell in an avalanche of curls upon one eyebrow. From her

right ear drooped heavily a black pearl, from her left a pink; and

their difference gave an odd, bewildering witchery to the little face

between.

Was the young Duke bewitched? Instantly, utterly. But none could have

guessed as much from his cold stare, his easy and impassive bow.

Throughout dinner, none guessed that his shirt-front was but the

screen of a fierce warfare waged between pride and passion. Zuleika,

at the foot of the table, fondly supposed him indifferent to her.

Though he sat on her right, not one word or glance would he give her.

All his conversation was addressed to the unassuming lady who sat on

his other side, next to the Warden. Her he edified and flustered

beyond measure by his insistent courtesy. Her husband, alone on the

other side of the table, was mortified by his utter failure to engage

Zuleika in small-talk. Zuleika was sitting with her profile turned to

him--the profile with the pink pearl--and was gazing full at the young

Duke. She was hardly more affable than a cameo. "Yes," "No," "I don't

know," were the only answers she would vouchsafe to his questions. A

vague "Oh really?" was all he got for his timid little offerings of

information. In vain he started the topic of modern conjuring-tricks

as compared with the conjuring-tricks performed by the ancient

Egyptians. Zuleika did not even say "Oh really?" when he told her

about the metamorphosis of the bulls in the Temple of Osiris. He

primed himself with a glass of sherry, cleared his throat. "And what,"

he asked, with a note of firmness, "did you think of our cousins

across the water?" Zuleika said "Yes;" and then he gave in. Nor was

she conscious that he ceased talking to her. At intervals throughout

the rest of dinner, she murmured "Yes," and "No," and "Oh really?"

though the poor little don was now listening silently to the Duke and

the Warden.

She was in a trance of sheer happiness. At last, she thought, her hope

was fulfilled--that hope which, although she had seldom remembered it

in the joy of her constant triumphs, had been always lurking in her,

lying near to her heart and chafing her, like the shift of sackcloth

which that young brilliant girl, loved and lost of Giacopone di Todi,

wore always in secret submission to her own soul, under the fair soft

robes and the rubies men saw on her. At last, here was the youth who

would not bow down to her; whom, looking up to him, she could adore.

She ate and drank automatically, never taking her gaze from him. She

felt not one touch of pique at his behaviour. She was tremulous with a

joy that was new to her, greater than any joy she had known. Her soul

was as a flower in its opetide. She was in love. Rapt, she studied

every lineament of the pale and perfect face--the brow from which

bronze-coloured hair rose in tiers of burnished ripples; the large

steel-coloured eyes, with their carven lids; the carven nose, and the

plastic lips. She noted how long and slim were his fingers, and how

slender his wrists. She noted the glint cast by the candles upon his

shirt-front. The two large white pearls there seemed to her symbols of

his nature. They were like two moons: cold, remote, radiant. Even when

she gazed at the Duke's face, she was aware of them in her vision.

Nor was the Duke unconscious, as he seemed to be, of her scrutiny.

Though he kept his head averse, he knew that always her eyes were

watching him. Obliquely, he saw them; saw, too, the contour of the

face, and the black pearl and the pink; could not blind himself, try

as he would. And he knew that he was in love.

Like Zuleika herself, this young Duke was in love for the first time.

Wooed though he had been by almost as many maidens as she by youths,

his heart, like hers, had remained cold. But he had never felt, as she

had, the desire to love. He was not now rejoicing, as she was, in the

sensation of first love; nay, he was furiously mortified by it, and

struggled with all his might against it. He had always fancied himself

secure against any so vulgar peril; always fancied that by him at

least, the proud old motto of his family--"Pas si bete"--would not be

belied. And I daresay, indeed, that had he never met Zuleika, the

irresistible, he would have lived, and at a very ripe old age died, a

dandy without reproach. For in him the dandiacal temper had been

absolute hitherto, quite untainted and unruffled. He was too much

concerned with his own perfection ever to think of admiring any one

else. Different from Zuleika, he cared for his wardrobe and his

toilet-table not as a means to making others admire him the more, but

merely as a means through which he could intensify, a ritual in which

to express and realise, his own idolatry. At Eton he had been called

"Peacock," and this nick-name had followed him up to Oxford. It was

not wholly apposite, however. For, whereas the peacock is a fool even

among birds, the Duke had already taken (besides a particularly

brilliant First in Mods) the Stanhope, the Newdigate, the Lothian, and

the Gaisford Prize for Greek Verse. And these things he had achieved

currente calamo, "wielding his pen," as Scott said of Byron, "with the

easy negligence of a nobleman." He was now in his third year of

residence, and was reading, a little, for Literae Humaniores. There is

no doubt that but for his untimely death he would have taken a

particularly brilliant First in that school also.

For the rest, he had many accomplishments. He was adroit in the

killing of all birds and fishes, stags and foxes. He played polo,

cricket, racquets, chess, and billiards as well as such things can be

played. He was fluent in all modern languages, had a very real talent

in water-colour, and was accounted, by those who had had the privilege

of hearing him, the best amateur pianist on this side of the Tweed.

Little wonder, then, that he was idolised by the undergraduates of his

day. He did not, however, honour many of them with his friendship. He

had a theoretic liking for them as a class, as the "young barbarians

all at play" in that little antique city; but individually they jarred

on him, and he saw little of them. Yet he sympathised with them

always, and, on occasion, would actively take their part against the

dons. In the middle of his second year, he had gone so far that a

College Meeting had to be held, and he was sent down for the rest of

term. The Warden placed his own landau at the disposal of the

illustrious young exile, who therein was driven to the station,

followed by a long, vociferous procession of undergraduates in cabs.

Now, it happened that this was a time of political excitement in

London. The Liberals, who were in power, had passed through the House

of Commons a measure more than usually socialistic; and this measure

was down for its second reading in the Lords on the very day that the

Duke left Oxford, an exile. It was but a few weeks since he had taken

his seat in the Lords; and this afternoon, for the want of anything

better to do, he strayed in. The Leader of the House was already

droning his speech for the bill, and the Duke found himself on one of

the opposite benches. There sat his compeers, sullenly waiting to vote

for a bill which every one of them detested. As the speaker subsided,

the Duke, for the fun of the thing, rose. He made a long speech

against the bill. His gibes at the Government were so scathing, so

utterly destructive his criticism of the bill itself, so lofty and so

irresistible the flights of his eloquence, that, when he resumed his

seat, there was only one course left to the Leader of the House. He

rose and, in a few husky phrases, moved that the bill "be read this

day six months." All England rang with the name of the young Duke. He

himself seemed to be the one person unmoved by his exploit. He did not

re-appear in the Upper Chamber, and was heard to speak in slighting

terms of its architecture, as well as of its upholstery. Nevertheless,

the Prime Minister became so nervous that he procured for him, a month

later, the Sovereign's offer of a Garter which had just fallen vacant.

The Duke accepted it. He was, I understand, the only undergraduate on

whom this Order had ever been conferred. He was very much pleased with

the insignia, and when, on great occasions, he wore them, no one dared

say that the Prime Minister's choice was not fully justified. But you

must not imagine that he cared for them as symbols of achievement and

power. The dark blue riband, and the star scintillating to eight

points, the heavy mantle of blue velvet, with its lining of taffeta

and shoulder-knots of white satin, the crimson surcoat, the great

embullioned tassels, and the chain of linked gold, and the plumes of

ostrich and heron uprising from the black velvet hat--these things had

for him little significance save as a fine setting, a finer setting

than the most elaborate smoking-suit, for that perfection of aspect

which the gods had given him. This was indeed the gift he valued

beyond all others. He knew well, however, that women care little for a

man's appearance, and that what they seek in a man is strength of

character, and rank, and wealth. These three gifts the Duke had in a

high degree, and he was by women much courted because of them.

Conscious that every maiden he met was eager to be his Duchess, he had

assumed always a manner of high austerity among maidens, and even if

he had wished to flirt with Zuleika he would hardly have known how to

do it. But he did not wish to flirt with her. That she had bewitched

him did but make it the more needful that he should shun all converse

with her. It was imperative that he should banish her from his mind,

quickly. He must not dilute his own soul's essence. He must not

surrender to any passion his dandihood. The dandy must be celibate,

cloistral; is, indeed, but a monk with a mirror for beads and breviary

--an anchorite, mortifying his soul that his body may be perfect. Till

he met Zuleika, the Duke had not known the meaning of temptation. He

fought now, a St. Anthony, against the apparition. He would not look

at her, and he hated her. He loved her, and he could not help seeing

her. The black pearl and the pink seemed to dangle ever nearer and

clearer to him, mocking him and beguiling. Inexpellible was her image.

So fierce was the conflict in him that his outward nonchalance

gradually gave way. As dinner drew to its close, his conversation with

the wife of the Oriel don flagged and halted. He sank, at length, into

a deep silence. He sat with downcast eyes, utterly distracted.

Suddenly, something fell, plump! into the dark whirlpool of his

thoughts. He started. The Warden was leaning forward, had just said

something to him.

"I beg your pardon?" asked the Duke. Dessert, he noticed, was on the

table, and he was paring an apple. The Oriel don was looking at him

with sympathy, as at one who had swooned and was just "coming to."

"Is it true, my dear Duke," the Warden repeated, "that you have been

persuaded to play to-morrow evening at the Judas concert?"

"Ah yes, I am going to play something."

Zuleika bent suddenly forward, addressed him. "Oh," she cried,

clasping her hands beneath her chin, "will you let me come and turn

over the leaves for you?"

He looked her full in the face. It was like seeing suddenly at close

quarters some great bright monument that one has long known only as a

sun-caught speck in the distance. He saw the large violet eyes open to

him, and their lashes curling to him; the vivid parted lips; and the

black pearl, and the pink.

"You are very kind," he murmured, in a voice which sounded to him

quite far away. "But I always play without notes."

Zuleika blushed. Not with shame, but with delirious pleasure. For that

snub she would just then have bartered all the homage she had hoarded.

This, she felt, was the climax. She would not outstay it. She rose,

smiling to the wife of the Oriel don. Every one rose. The Oriel don

held open the door, and the two ladies passed out of the room.

The Duke drew out his cigarette case. As he looked down at the

cigarettes, he was vaguely conscious of some strange phenomenon

somewhere between them and his eyes. Foredone by the agitation of the

past hour, he did not at once realise what it was that he saw. His

impression was of something in bad taste, some discord in his costume

. . . a black pearl and a pink pearl in his shirt-front!

Just for a moment, absurdly over-estimating poor Zuleika's skill, he

supposed himself a victim of legerdemain. Another moment, and the

import of the studs revealed itself. He staggered up from his chair,

covering his breast with one arm, and murmured that he was faint. As

he hurried from the room, the Oriel don was pouring out a tumbler of

water and suggesting burnt feathers. The Warden, solicitous, followed

him into the hall. He snatched up his hat, gasping that he had spent a

delightful evening--was very sorry--was subject to these attacks. Once

outside, he took frankly to his heels.

At the corner of the Broad, he looked back over his shoulder. He had

half expected a scarlet figure skimming in pursuit. There was nothing.

He halted. Before him, the Broad lay empty beneath the moon. He went

slowly, mechanically, to his rooms.

The high grim busts of the Emperors stared down at him, their faces

more than ever tragically cavernous and distorted. They saw and read

in that moonlight the symbols on his breast. As he stood on his

doorstep, waiting for the door to be opened, he must have seemed to

them a thing for infinite compassion. For were they not privy to the

doom that the morrow, or the morrow's morrow, held for him--held not

indeed for him alone, yet for him especially, as it were, and for him

most lamentably?

IV

The breakfast-things were not yet cleared away. A plate freaked with

fine strains of marmalade, an empty toast-rack, a broken roll--these

and other things bore witness to a day inaugurated in the right

spirit.

Away from them, reclining along his window-seat, was the Duke. Blue

spirals rose from his cigarette, nothing in the still air to trouble

them. From their railing, across the road, the Emperors gazed at him.

For a young man, sleep is a sure solvent of distress. There whirls not

for him in the night any so hideous a phantasmagoria as will not

become, in the clarity of next morning, a spruce procession for him to

lead. Brief the vague horror of his awakening; memory sweeps back to

him, and he sees nothing dreadful after all. "Why not?" is the sun's

bright message to him, and "Why not indeed?" his answer. After hours

of agony and doubt prolonged to cock-crow, sleep had stolen to the

Duke's bed-side. He awoke late, with a heavy sense of disaster; but

lo! when he remembered, everything took on a new aspect. He was in

love. "Why not?" He mocked himself for the morbid vigil he had spent

in probing and vainly binding the wounds of his false pride. The old

life was done with. He laughed as he stepped into his bath. Why should

the disseizin of his soul have seemed shameful to him? He had had no

soul till it passed out of his keeping. His body thrilled to the cold

water, his soul as to a new sacrament. He was in love, and that was

all he wished for . . . There, on the dressing-table, lay the two

studs, visible symbols of his love. Dear to him, now, the colours of

them! He took them in his hand, one by one, fondling them. He wished

he could wear them in the day-time; but this, of course, was

impossible. His toilet finished, he dropped them into the left pocket

of his waistcoat.

Therein, near to his heart, they were lying now, as he looked out at

the changed world--the world that had become Zuleika. "Zuleika!" his

recurrent murmur, was really an apostrophe to the whole world.

Piled against the wall were certain boxes of black japanned tin, which

had just been sent to him from London. At any other time he would

certainly not have left them unopened. For they contained his robes of

the Garter. Thursday, the day after to-morrow, was the date fixed for

the investiture of a foreign king who was now visiting England: and

the full chapter of Knights had been commanded to Windsor for the

ceremony. Yesterday the Duke had looked keenly forward to his

excursion. It was only in those too rarely required robes that he had

the sense of being fully dressed. But to-day not a thought had he of

them.

Some clock clove with silver the stillness of the morning. Ere came

the second stroke, another and nearer clock was striking. And now

there were others chiming in. The air was confused with the sweet

babel of its many spires, some of them booming deep, measured

sequences, some tinkling impatiently and outwitting others which had

begun before them. And when this anthem of jealous antiphonies and

uneven rhythms had dwindled quite away and fainted in one last

solitary note of silver, there started somewhere another sequence; and

this, almost at its last stroke, was interrupted by yet another, which

went on to tell the hour of noon in its own way, quite slowly and

significantly, as though none knew it.

And now Oxford was astir with footsteps and laughter--the laughter and

quick footsteps of youths released from lecture-rooms. The Duke

shifted from the window. Somehow, he did not care to be observed,

though it was usually at this hour that he showed himself for the

setting of some new fashion in costume. Many an undergraduate, looking

up, missed the picture in the window-frame.

The Duke paced to and fro, smiling ecstatically. He took the two studs

from his pocket and gazed at them. He looked in the glass, as one

seeking the sympathy of a familiar. For the first time in his life, he

turned impatiently aside. It was a new kind of sympathy he needed

to-day.

The front door slammed, and the staircase creaked to the ascent of two

heavy boots. The Duke listened, waited irresolute. The boots passed

his door, were already clumping up the next flight. "Noaks!" he cried.

The boots paused, then clumped down again. The door opened and

disclosed that homely figure which Zuleika had seen on her way to

Judas.

Sensitive reader, start not at the apparition! Oxford is a plexus of

anomalies. These two youths were (odd as it may seem to you) subject

to the same Statutes, affiliated to the same College, reading for the

same School; aye! and though the one had inherited half a score of

noble and castellated roofs, whose mere repairs cost him annually

thousands and thousands of pounds, and the other's people had but one

little mean square of lead, from which the fireworks of the Crystal

Palace were clearly visible every Thursday evening, in Oxford one roof

sheltered both of them. Furthermore, there was even some measure of

intimacy between them. It was the Duke's whim to condescend further in

the direction of Noaks than in any other. He saw in Noaks his own foil

and antithesis, and made a point of walking up the High with him at

least once in every term. Noaks, for his part, regarded the Duke with

feelings mingled of idolatry and disapproval. The Duke's First in Mods

oppressed him (who, by dint of dogged industry, had scraped a Second)

more than all the other differences between them. But the dullard's

envy of brilliant men is always assuaged by the suspicion that they

will come to a bad end. Noaks may have regarded the Duke as a rather

pathetic figure, on the whole.

"Come in, Noaks," said the Duke. "You have been to a lecture?"

"Aristotle's Politics," nodded Noaks.

"And what were they?" asked the Duke. He was eager for sympathy in his

love. But so little used was he to seeking sympathy that he could not

unburden himself. He temporised. Noaks muttered something about

getting back to work, and fumbled with the door-handle.

"Oh, my dear fellow, don't go," said the Duke. "Sit down. Our Schools

don't come on for another year. A few minutes can't make a difference

in your Class. I want to--to tell you something, Noaks. Do sit down."

Noaks sat down on the edge of a chair. The Duke leaned against the

mantel-piece, facing him. "I suppose, Noaks," he said, "you have never

been in love."

"Why shouldn't I have been in love?" asked the little man, angrily.

"I can't imagine you in love," said the Duke, smiling.

"And I can't imagine YOU. You're too pleased with yourself," growled

Noaks.

"Spur your imagination, Noaks," said his friend. "I AM in love."

"So am I," was an unexpected answer, and the Duke (whose need of

sympathy was too new to have taught him sympathy with others) laughed

aloud. "Whom do you love?" he asked, throwing himself into an

arm-chair.

"I don't know who she is," was another unexpected answer.

"When did you meet her?" asked the Duke. "Where? What did you say to

her?"

"Yesterday. In the Corn. I didn't SAY anything to her."

"Is she beautiful?"

"Yes. What's that to you?"

"Dark or fair?"

"She's dark. She looks like a foreigner. She looks like--like one of

those photographs in the shop-windows."

"A rhapsody, Noaks! What became of her? Was she alone?"

"She was with the old Warden, in his carriage."

Zuleika--Noaks! The Duke started, as at an affront, and glared. Next

moment, he saw the absurdity of the situation. He relapsed into his

chair, smiling. "She's the Warden's niece," he said. "I dined at the

Warden's last night."

Noaks sat still, peering across at the Duke. For the first time in his

life, he was resentful of the Duke's great elegance and average

stature, his high lineage and incomputable wealth. Hitherto, these

things had been too remote for envy. But now, suddenly, they seemed

near to him--nearer and more overpowering than the First in Mods had

ever been. "And of course she's in love with you?" he snarled.

Really, this was for the Duke a new issue. So salient was his own

passion that he had not had time to wonder whether it were returned.

Zuleika's behaviour during dinner . . . But that was how so many young

women had behaved. It was no sign of disinterested love. It might mean

merely . . . Yet no! Surely, looking into her eyes, he had seen there

a radiance finer than could have been lit by common ambition. Love,

none other, must have lit in those purple depths the torches whose

clear flames had leapt out to him. She loved him. She, the beautiful,

the wonderful, had not tried to conceal her love for him. She had

shown him all--had shown all, poor darling! only to be snubbed by a

prig, driven away by a boor, fled from by a fool. To the nethermost

corner of his soul, he cursed himself for what he had done, and for

all he had left undone. He would go to her on his knees. He would

implore her to impose on him insufferable penances. There was no

penance, how bittersweet soever, could make him a little worthy of

her.

"Come in!" he cried mechanically. Entered the landlady's daughter.

"A lady downstairs," she said, "asking to see your Grace. Says she'll

step round again later if your Grace is busy."

"What is her name?" asked the Duke, vacantly. He was gazing at the

girl with pain-shot eyes.

"Miss Zuleika Dobson," pronounced the girl.

He rose.

"Show Miss Dobson up," he said.

Noaks had darted to the looking-glass and was smoothing his hair with

a tremulous, enormous hand.

"Go!" said the Duke, pointing to the door. Noaks went, quickly. Echoes

of his boots fell from the upper stairs and met the ascending susurrus

of a silk skirt.

The lovers met. There was an interchange of ordinary greetings: from

the Duke, a comment on the weather; from Zuleika, a hope that he was

well again--they had been so sorry to lose him last night. Then came a

pause. The landlady's daughter was clearing away the breakfast-things.

Zuleika glanced comprehensively at the room, and the Duke gazed at the

hearthrug. The landlady's daughter clattered out with her freight.

They were alone.

"How pretty!" said Zuleika. She was looking at his star of the Garter,

which sparkled from a litter of books and papers on a small

side-table.

"Yes," he answered. "It is pretty, isn't it?"

"Awfully pretty!" she rejoined.

This dialogue led them to another hollow pause. The Duke's heart beat

violently within him. Why had he not asked her to take the star and

keep it as a gift? Too late now! Why could he not throw himself at her

feet? Here were two beings, lovers of each other, with none by. And

yet . . .

She was examining a water-colour on the wall, seemed to be absorbed by

it. He watched her. She was even lovelier than he had remembered; or

rather her loveliness had been, in some subtle way, transmuted.

Something had given to her a graver, nobler beauty. Last night's nymph

had become the Madonna of this morning. Despite her dress, which was

of a tremendous tartan, she diffused the pale authentic radiance of a

spirituality most high, most simple. The Duke wondered where lay the

change in her. He could not understand. Suddenly she turned to him,

and he understood. No longer the black pearl and the pink, but two

white pearls! . . . He thrilled to his heart's core.

"I hope," said Zuleika, "you aren't awfully vexed with me for coming

like this?"

"Not at all," said the Duke. "I am delighted to see you." How

inadequate the words sounded, how formal and stupid!

"The fact is," she continued, "I don't know a soul in Oxford. And I

thought perhaps you'd give me luncheon, and take me to see the

boat-races. Will you?"

"I shall be charmed," he said, pulling the bell-rope. Poor fool! he

attributed the shade of disappointment on Zuleika's face to the

coldness of his tone. He would dispel that shade. He would avow

himself. He would leave her no longer in this false position. So soon

as he had told them about the meal, he would proclaim his passion.

The bell was answered by the landlady's daughter.

"Miss Dobson will stay to luncheon," said the Duke. The girl withdrew.

He wished he could have asked her not to.

He steeled himself. "Miss Dobson," he said, "I wish to apologise to

you."

Zuleika looked at him eagerly. "You can't give me luncheon? You've got

something better to do?"

"No. I wish to ask you to forgive me for my behaviour last night."

"There is nothing to forgive."

"There is. My manners were vile. I know well what happened. Though

you, too, cannot have forgotten, I won't spare myself the recital. You

were my hostess, and I ignored you. Magnanimous, you paid me the

prettiest compliment woman ever paid to man, and I insulted you. I

left the house in order that I might not see you again. To the

doorsteps down which he should have kicked me, your grandfather

followed me with words of kindliest courtesy. If he had sped me with a

kick so skilful that my skull had been shattered on the kerb, neither

would he have outstepped those bounds set to the conduct of English

gentlemen, nor would you have garnered more than a trifle on account

of your proper reckoning. I do not say that you are the first person

whom I have wantonly injured. But it is a fact that I, in whom pride

has ever been the topmost quality, have never expressed sorrow to any

one for anything. Thus, I might urge that my present abjectness must

be intolerably painful to me, and should incline you to forgive. But

such an argument were specious merely. I will be quite frank with you.

I will confess to you that, in this humbling of myself before you, I

take a pleasure as passionate as it is strange. A confusion of

feelings? Yet you, with a woman's instinct, will have already caught

the clue to it. It needs no mirror to assure me that the clue is here

for you, in my eyes. It needs no dictionary of quotations to remind me

that the eyes are the windows of the soul. And I know that from two

open windows my soul has been leaning and signalling to you, in a code

far more definitive and swifter than words of mine, that I love you."

Zuleika, listening to him, had grown gradually paler and paler. She

had raised her hands and cowered as though he were about to strike

her. And then, as he pronounced the last three words, she had clasped

her hands to her face and with a wild sob darted away from him. She

was leaning now against the window, her head bowed and her shoulders

quivering.

The Duke came softly behind her. "Why should you cry? Why should you

turn away from me? Did I frighten you with the suddenness of my words?

I am not versed in the tricks of wooing. I should have been more

patient. But I love you so much that I could hardly have waited. A

secret hope that you loved me too emboldened me, compelled me. You DO

love me. I know it. And, knowing it, I do but ask you to give yourself

to me, to be my wife. Why should you cry? Why should you shrink from

me? Dear, if there were anything . . . any secret . . . if you had

ever loved and been deceived, do you think I should honour you the

less deeply, should not cherish you the more tenderly? Enough for me,

that you are mine. Do you think I should ever reproach you for

anything that may have--"

Zuleika turned on him. "How dare you?" she gasped. "How dare you speak

to me like that?"

The Duke reeled back. Horror had come into his eyes. "You do not love

me!" he cried.

"LOVE you?" she retorted. "YOU?"

"You no longer love me. Why? Why?"

"What do you mean?"

"You loved me. Don't trifle with me. You came to me loving me with all

your heart."

"How do you know?"

"Look in the glass." She went at his bidding. He followed her. "You

see them?" he said, after a long pause. Zuleika nodded. The two pearls

quivered to her nod.

"They were white when you came to me," he sighed. "They were white

because you loved me. From them it was that I knew you loved me even

as I loved you. But their old colours have come back to them. That is

how I know that your love for me is dead."

Zuleika stood gazing pensively, twitching the two pearls between her

fingers. Tears gathered in her eyes. She met the reflection of her

lover's eyes, and her tears brimmed over. She buried her face in her

hands, and sobbed like a child.

Like a child's, her sobbing ceased quite suddenly. She groped for her

handkerchief, angrily dried her eyes, and straightened and smoothed

herself.

"Now I'm going," she said.

"You came here of your own accord, because you loved me," said the

Duke. "And you shall not go till you have told me why you have left

off loving me."

"How did you know I loved you?" she asked after a pause. "How did you

know I hadn't simply put on another pair of ear-rings?"

The Duke, with a melancholy laugh, drew the two studs from his

waistcoat-pocket. "These are the studs I wore last night," he said.

Zuleika gazed at them. "I see," she said; then, looking up, "When did

they become like that?"

"It was when you left the dining-room that I saw the change in them."

"How strange! It was when I went into the drawing-room that I noticed

mine. I was looking in the glass, and"-- She started. "Then you were

in love with me last night?"

"I began to be in love with you from the moment I saw you."

"Then how could you have behaved as you did?"

"Because I was a pedant. I tried to ignore you, as pedants always do

try to ignore any fact they cannot fit into their pet system. The

basis of my pet system was celibacy. I don't mean the mere state of

being a bachelor. I mean celibacy of the soul--egoism, in fact. You

have converted me from that. I am now a confirmed tuist."

"How dared you insult me?" she cried, with a stamp of her foot. "How

dared you make a fool of me before those people? Oh, it is too

infamous!"

"I have already asked you to forgive me for that. You said there was

nothing to forgive."

"I didn't dream that you were in love with me."

"What difference can that make?"

"All the difference! All the difference in life!"

"Sit down! You bewilder me," said the Duke. "Explain yourself!" he

commanded.

"Isn't that rather much for a man to ask of a woman?"

"I don't know. I have no experience of women. In the abstract, it

seems to me that every man has a right to some explanation from the

woman who has ruined his life."

"You are frightfully sorry for yourself," said Zuleika, with a bitter

laugh. "Of course it doesn't occur to you that _I_ am at all to be

pitied. No! you are blind with selfishness. You love me--I don't love

you: that is all you can realise. Probably you think you are the first

man who has ever fallen on such a plight."

Said the Duke, bowing over a deprecatory hand, "If there were to pass

my window one tithe of them whose hearts have been lost to Miss

Dobson, I should win no solace from that interminable parade."

Zuleika blushed. "Yet," she said more gently, "be sure they would all

be not a little envious of YOU! Not one of them ever touched the

surface of my heart. You stirred my heart to its very depths. Yes, you

made me love you madly. The pearls told you no lie. You were my

idol--the one thing in the wide world to me. You were so different

from any man I had ever seen except in dreams. You did not make a fool

of yourself. I admired you. I respected you. I was all afire with

adoration of you. And now," she passed her hand across her eyes, "now

it is all over. The idol has come sliding down its pedestal to fawn

and grovel with all the other infatuates in the dust about my feet."

The Duke looked thoughtfully at her. "I thought," he said, "that you

revelled in your power over men's hearts. I had always heard that you

lived for admiration."

"Oh," said Zuleika, "of course I like being admired. Oh yes, I like

all that very much indeed. In a way, I suppose, I'm even pleased that

YOU admire me. But oh, what a little miserable pleasure that is in

comparison with the rapture I have forfeited! I had never known the

rapture of being in love. I had longed for it, but I had never guessed

how wonderfully wonderful it was. It came to me. I shuddered and

wavered like a fountain in the wind. I was more helpless and flew

lightlier than a shred of thistledown among the stars. All night long,

I could not sleep for love of you; nor had I any desire of sleep, save

that it might take me to you in a dream. I remember nothing that

happened to me this morning before I found myself at your door."

"Why did you ring the bell? Why didn't you walk away?"

"Why? I had come to see you, to be near you, to be WITH you."

"To force yourself on me."

"Yes."

"You know the meaning of the term 'effective occupation'? Having

marched in, how could you have held your position, unless"--

"Oh, a man doesn't necessarily drive a woman away because he isn't in

love with her."

"Yet that was what you thought I had done to you last night."

"Yes, but I didn't suppose you would take the trouble to do it again.

And if you had, I should have only loved you the more. I thought you

would most likely be rather amused, rather touched, by my importunity.

I thought you would take a listless advantage, make a plaything of me

--the diversion of a few idle hours in summer, and then, when you had

tired of me, would cast me aside, forget me, break my heart. I desired

nothing better than that. That is what I must have been vaguely hoping

for. But I had no definite scheme. I wanted to be with you and I came

to you. It seems years ago, now! How my heart beat as I waited on the

doorstep! 'Is his Grace at home?' 'I don't know. I'll inquire. What

name shall I say?' I saw in the girl's eyes that she, too, loved you.

Have YOU seen that?"

"I have never looked at her," said the Duke.

"No wonder, then, that she loves you," sighed Zuleika. "She read my

secret at a glance. Women who love the same man have a kind of bitter

freemasonry. We resented each other. She envied me my beauty, my

dress. I envied the little fool her privilege of being always near to

you. Loving you, I could conceive no life sweeter than hers--to be

always near you; to black your boots, carry up your coals, scrub your

doorstep; always to be working for you, hard and humbly and without

thanks. If you had refused to see me, I would have bribed that girl

with all my jewels to cede me her position."

The Duke made a step towards her. "You would do it still," he said in

a low voice.

Zuleika raised her eyebrows. "I would not offer her one garnet," she

said, "now."

"You SHALL love me again," he cried. "I will force you to. You said

just now that you had ceased to love me because I was just like other

men. I am not. My heart is no tablet of mere wax, from which an

instant's heat can dissolve whatever impress it may bear, leaving it

blank and soft for another impress, and another, and another. My heart

is a bright hard gem, proof against any die. Came Cupid, with one of

his arrow-points for graver, and what he cut on the gem's surface

never can be effaced. There, deeply and forever, your image is

intagliated. No years, nor fires, nor cataclysm of total Nature, can

efface from that great gem your image."

"My dear Duke," said Zuleika, "don't be so silly. Look at the matter

sensibly. I know that lovers don't try to regulate their emotions

according to logic; but they do, nevertheless, unconsciously conform

with some sort of logical system. I left off loving you when I found

that you loved me. There is the premiss. Very well! Is it likely that

I shall begin to love you again because you can't leave off loving

me?"

The Duke groaned. There was a clatter of plates outside, and she whom

Zuleika had envied came to lay the table for luncheon.

A smile flickered across Zuleika's lips; and "Not one garnet!" she

murmured.

V

Luncheon passed in almost unbroken silence. Both Zuleika and the Duke

were ravenously hungry, as people always are after the stress of any

great emotional crisis. Between them, they made very short work of a

cold chicken, a salad, a gooseberry-tart and a Camembert. The Duke

filled his glass again and again. The cold classicism of his face had

been routed by the new romantic movement which had swept over his

soul. He looked two or three months older than when first I showed him

to my reader.

He drank his coffee at one draught, pushed back his chair, threw away

the cigarette he had just lit. "Listen!" he said.

Zuleika folded her hands on her lap.

"You do not love me. I accept as final your hint that you never will

love me. I need not say--could not, indeed, ever say--how deeply,

deeply you have pained me. As lover, I am rejected. But that

rejection," he continued, striking the table, "is no stopper to my

suit. It does but drive me to the use of arguments. My pride shrinks

from them. Love, however, is greater than pride; and I, John, Albert,

Edward, Claude, Orde, Angus, Tankerton,* Tanville-Tankerton,**

fourteenth Duke of Dorset, Marquis of Dorset, Earl of Grove, Earl of

Chastermaine, Viscount Brewsby, Baron Grove, Baron Petstrap, and Baron

Wolock, in the Peerage of England, offer you my hand. Do not interrupt

me. Do not toss your head. Consider well what I am saying. Weigh the

advantages you would gain by acceptance of my hand. Indeed, they are

manifold and tremendous. They are also obvious: do not shut your eyes

to them. You, Miss Dobson, what are you? A conjurer, and a vagrant;

without means, save such as you can earn by the sleight of your hand;

without position; without a home; all unguarded but by your own self-

respect. That you follow an honourable calling, I do not for one

moment deny. I do, however, ask you to consider how great are its

perils and hardships, its fatigues and inconveniences. From all these

evils I offer you instant refuge. I offer you, Miss Dobson, a refuge

more glorious and more augustly gilded than you, in your airiest

flights of fancy, can ever have hoped for or imagined. I own about

340,000 acres. My town-residence is in St. James's Square. Tankerton,

of which you may have seen photographs, is the chief of my country-

seats. It is a Tudor house, set on the ridge of a valley. The valley,

its park, is halved by a stream so narrow that the deer leap across.

The gardens are estraded upon the slope. Round the house runs a wide

paven terrace. There are always two or three peacocks trailing their

sheathed feathers along the balustrade, and stepping how stiffly! as

though they had just been unharnessed from Juno's chariot. Two flights

of shallow steps lead down to the flowers and fountains. Oh, the

gardens are wonderful. There is a Jacobean garden of white roses.

Between the ends of two pleached alleys, under a dome of branches, is

a little lake, with a Triton of black marble, and with water-lilies.

Hither and thither under the archipelago of water-lilies, dart gold-

fish--tongues of flame in the dark water. There is also a long strait

alley of clipped yew. It ends in an alcove for a pagoda of painted

porcelain which the Prince Regent--peace be to his ashes!--presented

to my great-grandfather. There are many twisting paths, and sudden

aspects, and devious, fantastic arbours. Are you fond of horses? In my

stables of pine-wood and plated-silver seventy are installed. Not all

of them together could vie in power with one of the meanest of my

motor-cars."

*Pronounced as Tacton.

**Pronounced as Tavvle-Tacton.

"Oh, I never go in motors," said Zuleika. "They make one look like

nothing on earth, and like everybody else."

"I myself," said the Duke, "use them little for that very reason. Are

you interested in farming? At Tankerton there is a model farm which

would at any rate amuse you, with its heifers and hens and pigs that

are like so many big new toys. There is a tiny dairy, which is called

'Her Grace's.' You could make, therein, real butter with your own

hands, and round it into little pats, and press every pat with a

different device. The boudoir that would be yours is a blue room. Four

Watteaus hang in it. In the dining-hall hang portraits of my

forefathers--in petto, your forefathers-in-law--by many masters. Are

you fond of peasants? My tenantry are delightful creatures, and there

is not one of them who remembers the bringing of the news of the

Battle of Waterloo. When a new Duchess is brought to Tankerton, the

oldest elm in the park must be felled. That is one of many strange old

customs. As she is driven through the village, the children of the

tenantry must strew the road with daisies. The bridal chamber must be

lighted with as many candles as years have elapsed since the creation

of the Dukedom. If you came into it, there would be"--and the youth,

closing his eyes, made a rapid calculation--"exactly three hundred and

eighty-eight candles. On the eve of the death of a Duke of Dorset, two

black owls come and perch on the battlements. They remain there

through the night, hooting. At dawn they fly away, none knows whither.

On the eve of the death of any other Tanville-Tankerton, comes (no

matter what be the time of year) a cuckoo. It stays for an hour,

cooing, then flies away, none knows whither. Whenever this portent

occurs, my steward telegraphs to me, that I, as head of the family, be

not unsteeled against the shock of a bereavement, and that my

authority be sooner given for the unsealing and garnishing of the

family-vault. Not every forefather of mine rests quiet beneath his

escutcheoned marble. There are they who revisit, in their wrath or

their remorse, the places wherein erst they suffered or wrought evil.

There is one who, every Halloween, flits into the dining-hall, and

hovers before the portrait which Hans Holbein made of him, and flings

his diaphanous grey form against the canvas, hoping, maybe, to catch

from it the fiery flesh-tints and the solid limbs that were his, and

so to be re-incarnate. He flies against the painting, only to find

himself t'other side of the wall it hangs on. There are five ghosts

permanently residing in the right wing of the house, two in the left,

and eleven in the park. But all are quite noiseless and quite

harmless. My servants, when they meet them in the corridors or on the

stairs, stand aside to let them pass, thus paying them the respect due

to guests of mine; but not even the rawest housemaid ever screams or

flees at sight of them. I, their host, often waylay them and try to

commune with them; but always they glide past me. And how gracefully

they glide, these ghosts! It is a pleasure to watch them. It is a

lesson in deportment. May they never be laid! Of all my household-

pets, they are the dearest to me. I am Duke of Strathsporran and

Cairngorm, Marquis of Sorby, and Earl Cairngorm, in the Peerage of

Scotland. In the glens of the hills about Strathsporran are many noble

and nimble stags. But I have never set foot in my house there, for it

is carpeted throughout with the tartan of my clan. You seem to like

tartan. What tartan is it you are wearing?"

Zuleika looked down at her skirt. "I don't know," she said. "I got it

in Paris."

"Well," said the Duke, "it is very ugly. The Dalbraith tartan is

harmonious in comparison, and has, at least, the excuse of history. If

you married me, you would have the right to wear it. You would have

many strange and fascinating rights. You would go to Court. I admit

that the Hanoverian Court is not much. Still, it is better than

nothing. At your presentation, moreover, you would be given the

entree. Is that nothing to you? You would be driven to Court in my

statecoach. It is swung so high that the streetsters can hardly see

its occupant. It is lined with rose-silk; and on its panels, and on

its hammer-cloth, my arms are emblazoned--no one has ever been able to

count the quarterings. You would be wearing the family-jewels,

reluctantly surrendered to you by my aunt. They are many and

marvellous, in their antique settings. I don't want to brag. It

humiliates me to speak to you as I am speaking. But I am heart-set on

you, and to win you there is not a precious stone I would leave

unturned. Conceive a parure all of white stones--diamonds, white

sapphires, white topazes, tourmalines. Another, of rubies and

amethysts, set in gold filigree. Rings that once were poison-combs on

Florentine fingers. Red roses for your hair--every petal a hollowed

ruby. Amulets and ape-buckles, zones and fillets. Aye! know that you

would be weeping for wonder before you had seen a tithe of these

gauds. Know, too, Miss Dobson, that in the Peerage of France I am Duc

d'Etretat et de la Roche Guillaume. Louis Napoleon gave the title to

my father for not cutting him in the Bois. I have a house in the

Champs Elysees. There is a Swiss in its courtyard. He stands six-foot-

seven in his stockings, and the chasseurs are hardly less tall than

he. Wherever I go, there are two chefs in my retinue. Both are masters

in their art, and furiously jealous of each other. When I compliment

either of them on some dish, the other challenges him. They fight with

rapiers, next morning, in the garden of whatever house I am occupying.

I do not know whether you are greedy? If so, it may interest you to

learn that I have a third chef, who makes only souffles, and an

Italian pastry-cook; to say nothing of a Spaniard for salads, an

Englishwoman for roasts, and an Abyssinian for coffee. You found no

trace of their handiwork in the meal you have just had with me? No;

for in Oxford it is a whim of mine--I may say a point of honour--to

lead the ordinary life of an undergraduate. What I eat in this room is

cooked by the heavy and unaided hand of Mrs. Batch, my landlady. It is

set before me by the unaided and--or are you in error?--loving hand of

her daughter. Other ministers have I none here. I dispense with my

private secretaries. I am unattended by a single valet. So simple a

way of life repels you? You would never be called upon to share it. If

you married me, I should take my name off the books of my College. I

propose that we should spend our honeymoon at Baiae. I have a villa at

Baiae. It is there that I keep my grandfather's collection of

majolica. The sun shines there always. A long olive-grove secretes the

garden from the sea. When you walk in the garden, you know the sea

only in blue glimpses through the vacillating leaves. White-gleaming

from the bosky shade of this grove are several goddesses. Do you care

for Canova? I don't myself. If you do, these figures will appeal to

you: they are in his best manner. Do you love the sea? This is not the

only house of mine that looks out on it. On the coast of County Clare

--am I not Earl of Enniskerry and Baron Shandrin in the Peerage of

Ireland?--I have an ancient castle. Sheer from a rock stands it, and

the sea has always raged up against its walls. Many ships lie wrecked

under that loud implacable sea. But mine is a brave strong castle. No

storm affrights it; and not the centuries, clustering houris, with

their caresses can seduce it from its hard austerity. I have several

titles which for the moment escape me. Baron Llffthwchl am I, and

. . . and . . . but you can find them for yourself in Debrett. In me

you behold a Prince of the Holy Roman Empire, and a Knight of the Most

Noble Order of the Garter. Look well at me! I am Hereditary Comber of

the Queen's Lap-Dogs. I am young. I am handsome. My temper is sweet,

and my character without blemish. In fine, Miss Dobson, I am a most

desirable parti."

"But," said Zuleika, "I don't love you."

The Duke stamped his foot. "I beg your pardon," he said hastily. "I ought not to have done

that. But--you seem to have entirely missed the point of what I was

saying."

"No, I haven't," said Zuleika.

"Then what," cried the Duke, standing over her, "what is your reply?"

Said Zuleika, looking up at him, "My reply is that I think you are an

awful snob."

The Duke turned on his heel, and strode to the other end of the room.

There he stood for some moments, his back to Zuleika.

"I think," she resumed in a slow, meditative voice, "that you are,

with the possible exception of a Mr. Edelweiss, THE most awful snob I

have ever met."

he Duke looked back over his shoulder. He gave Zuleika the stinging

reprimand of silence. She was sorry, and showed it in her eyes. She

felt she had gone too far. True, he was nothing to her now. But she

had loved him once. She could not forget that.

"Come!" she said. "Let us be good friends. Give me your hand!" He came

to her, slowly. "There!"

The Duke withdrew his fingers before she unclasped them. That twice-

flung taunt rankled still. It was monstrous to have been called a

snob. A snob!--he, whose readiness to form what would certainly be

regarded as a shocking misalliance ought to have stifled the charge,

not merely vindicated him from it! He had forgotten, in the blindness

of his love, how shocking the misalliance would be. Perhaps she,

unloving, had not been so forgetful? Perhaps her refusal had been

made, generously, for his own sake. Nay, rather for her own.

Evidently, she had felt that the high sphere from which he beckoned

was no place for the likes of her. Evidently, she feared she would

pine away among those strange splendours, never be acclimatised,

always be unworthy. He had thought to overwhelm her, and he had done

his work too thoroughly. Now he must try to lighten the load he had

imposed.

Seating himself opposite to her, "You remember," he said, "that there

is a dairy at Tankerton?"

"A dairy? Oh yes."

"Do you remember what it is called?"

Zuleika knit her brows.

He helped her out. "It is called 'Her Grace's'."

"Oh, of course!" said Zuleika.

"Do you know WHY it is called so?"

"Well, let's see . . . I know you told me."

"Did I? I think not. I will tell you now . . . That cool out-house

dates from the middle of the eighteenth century. My great-great-

grandfather, when he was a very old man, married en troisiemes noces a

dairy-maid on the Tankerton estate. Meg Speedwell was her name. He had

seen her walking across a field, not many months after the interment

of his second Duchess, Maria, that great and gifted lady. I know not

whether it was that her bonny mien fanned in him some embers of his

youth, or that he was loth to be outdone in gracious eccentricity by

his crony the Duke of Dewlap, who himself had just taken a bride from

a dairy. (You have read Meredith's account of that affair? No? You

should.) Whether it was veritable love or mere modishness that formed

my ancestor's resolve, presently the bells were ringing out, and the

oldest elm in the park was being felled, in Meg Speedwell's honour,

and the children were strewing daisies on which Meg Speedwell trod, a

proud young hoyden of a bride, with her head in the air and her heart

in the seventh heaven. The Duke had given her already a horde of fine

gifts; but these, he had said, were nothing--trash in comparison with

the gift that was to ensure for her a perdurable felicity. After the

wedding-breakfast, when all the squires had ridden away on their cobs,

and all the squires' ladies in their coaches, the Duke led his bride

forth from the hall, leaning on her arm, till they came to a little

edifice of new white stone, very spick and span, with two lattice-

windows and a bright green door between. This he bade her enter.

A-flutter with excitement, she turned the handle. In a moment she

flounced back, red with shame and anger--flounced forth from the

fairest, whitest, dapperest dairy, wherein was all of the best that

the keenest dairy-maid might need. The Duke bade her dry her eyes, for

that it ill befitted a great lady to be weeping on her wedding-day.

'As for gratitude,' he chuckled, 'zounds! that is a wine all the

better for the keeping.' Duchess Meg soon forgot this unworthy

wedding-gift, such was her rapture in the other, the so august,

appurtenances of her new life. What with her fine silk gowns and

farthingales, and her powder-closet, and the canopied bed she slept

in--a bed bigger far than the room she had slept in with her sisters,

and standing in a room far bigger than her father's cottage; and what

with Betty, her maid, who had pinched and teased her at the

village-school, but now waited on her so meekly and trembled so

fearfully at a scolding; and what with the fine hot dishes that were

set before her every day, and the gallant speeches and glances of the

fine young gentlemen whom the Duke invited from London, Duchess Meg

was quite the happiest Duchess in all England. For a while, she was

like a child in a hay-rick. But anon, as the sheer delight of novelty

wore away, she began to take a more serious view of her position. She

began to realise her responsibilities. She was determined to do all

that a great lady ought to do. Twice every day she assumed the

vapours. She schooled herself in the mysteries of Ombre, of Macao. She

spent hours over the tambour-frame. She rode out on horse-back, with a

riding-master. She had a music-master to teach her the spinet; a

dancing-master, too, to teach her the Minuet and the Triumph and the

Gaudy. All these accomplishments she found mighty hard. She was afraid

of her horse. All the morning, she dreaded the hour when it would be

brought round from the stables. She dreaded her dancing-lesson. Try as

she would, she could but stamp her feet flat on the parquet, as though

it had been the village-green. She dreaded her music-lesson. Her

fingers, disobedient to her ambition, clumsily thumped the keys of the

spinet, and by the notes of the score propped up before her she was as

cruelly perplexed as by the black and red pips of the cards she conned

at the gaming-table, or by the red and gold threads that were always

straying and snapping on her tambour-frame. Still she persevered. Day

in, day out, sullenly, she worked hard to be a great lady. But skill

came not to her, and hope dwindled; only the dull effort remained. One

accomplishment she did master--to wit, the vapours: they became for

her a dreadful reality. She lost her appetite for the fine hot dishes.

All night long she lay awake, restless, tearful, under the fine silk

canopy, till dawn stared her into slumber. She seldom scolded Betty.

She who had been so lusty and so blooming saw in her mirror that she

was pale and thin now; and the fine young gentlemen, seeing it too,

paid more heed now to their wine and their dice than to her. And

always, when she met him, the Duke smiled the same mocking smile.

Duchess Meg was pining slowly and surely away . . . One morning, in

Spring-time, she altogether vanished. Betty, bringing the cup of

chocolate to the bedside, found the bed empty. She raised the alarm

among her fellows. They searched high and low. Nowhere was their

mistress. The news was broken to their master, who, without comment,

rose, bade his man dress him, and presently walked out to the place

where he knew he would find her. And there, to be sure, she was,

churning, churning for dear life. Her sleeves were rolled above her

elbows, and her skirt was kilted high; and, as she looked back over

her shoulder and saw the Duke, there was the flush of roses in her

cheeks, and the light of a thousand thanks in her eyes. 'Oh,' she

cried, 'what a curtsey I would drop you, but that to let go the handle

were to spoil all!' And every morning, ever after, she woke when the

birds woke, rose when they rose, and went singing through the dawn to

the dairy, there to practise for her pleasure that sweet and lowly

handicraft which she had once practised for her need. And every

evening, with her milking-stool under her arm, and her milk-pail in

her hand, she went into the field and called the cows to her, as she

had been wont to do. To those other, those so august, accomplishments

she no more pretended. She gave them the go-by. And all the old zest

and joyousness of her life came back to her. Soundlier than ever slept

she, and sweetlier dreamed, under the fine silk canopy, till the birds

called her to her work. Greater than ever was her love of the fine

furbelows that were hers to flaunt in, and sharper her appetite for

the fine hot dishes, and more tempestuous her scolding of Betty, poor

maid. She was more than ever now the cynosure, the adored, of the fine

young gentlemen. And as for her husband, she looked up to him as the

wisest, kindest man in all the world."

"And the fine young gentlemen," said Zuleika, "did she fall in love

with any of them?"

"You forget," said the Duke coldly, "she was married to a member of my

family."

"Oh, I beg your pardon. But tell me: did they ALL adore her?"

"Yes. Every one of them, wildly, madly."

"Ah," murmured Zuleika, with a smile of understanding. A shadow

crossed her face, "Even so," she said, with some pique, "I don't

suppose she had so very many adorers. She never went out into the

world."

"Tankerton," said the Duke drily, "is a large house, and my great-

great-grandfather was the most hospitable of men. However," he added,

marvelling that she had again missed the point so utterly, "my purpose

was not to confront you with a past rival in conquest, but to set at

rest a fear which I had, I think, roused in you by my somewhat full

description of the high majestic life to which you, as my bride, would

be translated."

"A fear? What sort of a fear?"

"That you would not breathe freely--that you would starve (if I may

use a somewhat fantastic figure) among those strawberry-leaves. And so

I told you the story of Meg Speedwell, and how she lived happily ever

after. Nay, hear me out! The blood of Meg Speedwell's lord flows in my

veins. I think I may boast that I have inherited something of his

sagacity. In any case, I can profit by his example. Do not fear that

I, if you were to wed me, should demand a metamorphosis of your

present self. I should take you as you are, gladly. I should encourage

you to be always exactly as you are--a radiant, irresistible member of

the upper middle-class, with a certain freedom of manner acquired

through a life of peculiar liberty. Can you guess what would be my

principal wedding-gift to you? Meg Speedwell had her dairy. For you,

would be built another outhouse--a neat hall wherein you would perform

your conjuring-tricks, every evening except Sunday, before me and my

tenants and my servants, and before such of my neighbours as might

care to come. None would respect you the less, seeing that I approved.

Thus in you would the pleasant history of Meg Speedwell repeat itself.

You, practising for your pleasure--nay, hear me out!--that sweet and

lowly handicraft which--"

"I won't listen to another word!" cried Zuleika. "You are the most

insolent person I have ever met. I happen to come of a particularly

good family. I move in the best society. My manners are absolutely

perfect. If I found myself in the shoes of twenty Duchesses

simultaneously, I should know quite well how to behave. As for the one

pair you can offer me, I kick them away--so. I kick them back at you.

I tell you--"

"Hush," said the Duke, "hush! You are over-excited. There will be a

crowd under my window. There, there! I am sorry. I thought--"

"Oh, I know what you thought," said Zuleika, in a quieter tone. "I am

sure you meant well. I am sorry I lost my temper. Only, you might have

given me credit for meaning what I said: that I would not marry you,

because I did not love you. I daresay there would be great advantages

in being your Duchess. But the fact is, I have no worldly wisdom. To

me, marriage is a sacrament. I could no more marry a man about whom I

could not make a fool of myself than I could marry one who made a fool

of himself about me. Else had I long ceased to be a spinster. Oh my

friend, do not imagine that I have not rejected, in my day, a score of

suitors quite as eligible as you."

"As eligible? Who were they?" frowned the Duke.

"Oh, Archduke this, and Grand Duke that, and His Serene Highness the

other. I have a wretched memory for names."

"And my name, too, will soon escape you, perhaps?"

"No. Oh, no. I shall always remember yours. You see, I was in love

with you. You deceived me into loving you . . ." She sighed. "Oh, had

you but been as strong as I thought you . . . Still, a swain the more.

That is something." She leaned forward, smiling archly. "Those

studs--show me them again."

The Duke displayed them in the hollow of his hand. She touched them

lightly, reverently, as a tourist touches a sacred relic in a church.

At length, "Do give me them," she said. "I will keep them in a little

secret partition of my jewel-case." The Duke had closed his fist.

"Do!" she pleaded. "My other jewels--they have no separate meanings

for me. I never remember who gave me this one or that. These would be

quite different. I should always remember their history . . . Do!"

"Ask me for anything else," said the Duke. "These are the one thing I

could not part with--even to you, for whose sake they are hallowed."

Zuleika pouted. On the verge of persisting, she changed her mind, and

was silent.

"Well!" she said abruptly, "how about these races? Are you going to

take me to see them?"

"Races? What races?" murmured the Duke. "Oh yes. I had forgotten. Do

you really mean that you want to see them?"

"Why, of course! They are great fun, aren't they?"

"And you are in a mood for great fun? Well, there is plenty of time.

The Second Division is not rowed till half-past four."

"The Second Division? Why not take me to the First?"

"That is not rowed till six."

"Isn't this rather an odd arrangement?"

"No doubt. But Oxford never pretended to be strong in mathematics."

"Why, it's not yet three!" cried Zuleika, with a woebegone stare at

the clock. "What is to be done in the meantime?"

"Am not I sufficiently diverting?" asked the Duke bitterly.

"Quite candidly, no. Have you any friend lodging with you here?"

"One, overhead. A man named Noaks."

"A small man, with spectacles?"

"Very small, with very large spectacles."

"He was pointed out to me yesterday, as I was driving from the Station

. . . No, I don't think I want to meet him. What can you have in

common with him?"

"One frailty, at least: he, too, Miss Dobson, loves you."

"But of course he does. He saw me drive past. Very few of the others,"

she said, rising and shaking herself, "have set eyes on me. Do let us

go out and look at the Colleges. I do need change of scene. If you

were a doctor, you would have prescribed that long ago. It is very bad

for me to be here, a kind of Cinderella, moping over the ashes of my

love for you. Where is your hat?"

Looking round, she caught sight of herself in the glass. "Oh," she

cried, "what a fright I do look! I must never be seen like this!"

"You look very beautiful."

"I don't. That is a lover's illusion. You yourself told me that this

tartan was perfectly hideous. There was no need to tell me that. I

came thus because I was coming to see you. I chose this frock in the

deliberate fear that you, if I made myself presentable, might succumb

at second sight of me. I would have sent out for a sack and dressed

myself in that, I would have blacked my face all over with burnt cork,

only I was afraid of being mobbed on the way to you."

"Even so, you would but have been mobbed for your incorrigible

beauty."

"My beauty! How I hate it!" sighed Zuleika. "Still, here it is, and I

must needs make the best of it. Come! Take me to Judas. I will change

my things. Then I shall be fit for the races."

As these two emerged, side by side, into the street, the Emperors

exchanged stony sidelong glances. For they saw the more than normal

pallor of the Duke's face, and something very like desperation in his

eyes. They saw the tragedy progressing to its foreseen close. Unable

to stay its course, they were grimly fascinated now.

VI

"The evil that men do lives after them; the good is oft interred with

their bones." At any rate, the sinner has a better chance than the

saint of being hereafter remembered. We, in whom original sin

preponderates, find him easier to understand. He is near to us, clear

to us. The saint is remote, dim. A very great saint may, of course, be

remembered through some sheer force of originality in him; and then

the very mystery that involves him for us makes him the harder to

forget: he haunts us the more surely because we shall never understand

him. But the ordinary saints grow faint to posterity; whilst quite

ordinary sinners pass vividly down the ages.

Of the disciples of Jesus, which is he that is most often remembered

and cited by us? Not the disciple whom Jesus loved; neither of the

Boanerges, nor any other of them who so steadfastly followed Him and

served Him; but the disciple who betrayed Him for thirty pieces of

silver. Judas Iscariot it is who outstands, overshadowing those other

fishermen. And perhaps it was by reason of this precedence that

Christopher Whitrid, Knight, in the reign of Henry VI., gave the name

of Judas to the College which he had founded. Or perhaps it was

because he felt that in a Christian community not even the meanest and

basest of men should be accounted beneath contempt, beyond redemption.

At any rate, thus he named his foundation. And, though for Oxford men

the savour of the name itself has long evaporated through its local

connexion, many things show that for the Founder himself it was no

empty vocable. In a niche above the gate stands a rudely carved statue

of Judas, holding a money-bag in his right hand. Among the original

statutes of the College is one by which the Bursar is enjoined to

distribute in Passion Week thirty pieces of silver among the needier

scholars "for saike of atonynge." The meadow adjoining the back of the

College has been called from time immemorial "the Potter's Field." And

the name of Salt Cellar is not less ancient and significant.

Salt Cellar, that grey and green quadrangle visible from the room

assigned to Zuleika, is very beautiful, as I have said. So tranquil is

it as to seem remote not merely from the world, but even from Oxford,

so deeply is it hidden away in the core of Oxford's heart. So tranquil

is it, one would guess that nothing had ever happened in it. For five

centuries these walls have stood, and during that time have beheld,

one would say, no sight less seemly than the good work of weeding,

mowing, rolling, that has made, at length, so exemplary the lawn.

These cloisters that grace the south and east sides--five centuries

have passed through them, leaving in them no echo, leaving on them no

sign, of all that the outer world, for good or evil, has been doing so

fiercely, so raucously.

And yet, if you are versed in the antiquities of Oxford, you know that

this small, still quadrangle has played its part in the rough-and-

tumble of history, and has been the background of high passions and

strange fates. The sun-dial in its midst has told the hours to more

than one bygone King. Charles I. lay for twelve nights in Judas; and

it was here, in this very quadrangle, that he heard from the lips of a

breathless and blood-stained messenger the news of Chalgrove Field.

Sixty years later, James, his son, came hither, black with threats,

and from one of the hind-windows of the Warden's house--maybe, from

the very room where now Zuleika was changing her frock--addressed the

Fellows, and presented to them the Papist by him chosen to be their

Warden, instead of the Protestant whom they had elected. They were not

of so stern a stuff as the Fellows of Magdalen, who, despite His

Majesty's menaces, had just rejected Bishop Farmer. The Papist was

elected, there and then, al fresco, without dissent. Cannot one see

them, these Fellows of Judas, huddled together round the sun-dial,

like so many sheep in a storm? The King's wrath, according to a

contemporary record, was so appeased by their pliancy that he deigned

to lie for two nights in Judas, and at a grand refection in Hall "was

gracious and merrie." Perhaps it was in lingering gratitude for such

patronage that Judas remained so pious to his memory even after smug

Herrenhausen had been dumped down on us for ever. Certainly, of all

the Colleges none was more ardent than Judas for James Stuart. Thither

it was that young Sir Harry Esson led, under cover of night, three-

score recruits whom he had enlisted in the surrounding villages. The

cloisters of Salt Cellar were piled with arms and stores; and on its

grass--its sacred grass!--the squad was incessantly drilled, against

the good day when Ormond should land his men in Devon. For a whole

month Salt Cellar was a secret camp. But somehow, at length--woe to

"lost causes and impossible loyalties"--Herrenhausen had wind of it;

and one night, when the soldiers of the white cockade lay snoring

beneath the stars, stealthily the white-faced Warden unbarred his

postern--that very postern through which now Zuleika had passed on the

way to her bedroom--and stealthily through it, one by one on tip-toe,

came the King's foot-guards. Not many shots rang out, nor many swords

clashed, in the night air, before the trick was won for law and order.

Most of the rebels were overpowered in their sleep; and those who had

time to snatch arms were too dazed to make good resistance. Sir Harry

Esson himself was the only one who did not live to be hanged. He had

sprung up alert, sword in hand, at the first alarm, setting his back

to the cloisters. There he fought calmly, ferociously, till a bullet

went through his chest. "By God, this College is well-named!" were the

words he uttered as he fell forward and died.

Comparatively tame was the scene now being enacted in this place. The

Duke, with bowed head, was pacing the path between the lawn and the

cloisters. Two other undergraduates stood watching him, whispering to

each other, under the archway that leads to the Front Quadrangle.

Presently, in a sheepish way, they approached him. He halted and

looked up.

"I say," stammered the spokesman.

"Well?" asked the Duke. Both youths were slightly acquainted with him;

but he was not used to being spoken to by those whom he had not first

addressed. Moreover, he was loth to be thus disturbed in his sombre

reverie. His manner was not encouraging.

"Isn't it a lovely day for the Eights?" faltered the spokesman.

"I conceive," the Duke said, "that you hold back some other question."

The spokesman smiled weakly. Nudged by the other, he muttered "Ask him

yourself!"

The Duke diverted his gaze to the other, who, with an angry look at

the one, cleared his throat, and said "I was going to ask if you

thought Miss Dobson would come and have luncheon with me to-morrow?"

"A sister of mine will be there," explained the one, knowing the Duke

to be a precisian.

"If you are acquainted with Miss Dobson, a direct invitation should be

sent to her," said the Duke. "If you are not--" The aposiopesis was

icy.

"Well, you see," said the other of the two, "that is just the

difficulty. I AM acquainted with her. But is she acquainted with ME? I

met her at breakfast this morning, at the Warden's."

"So did I," added the one.

"But she--well," continued the other, "she didn't take much notice of

us. She seemed to be in a sort of dream."

"Ah!" murmured the Duke, with melancholy interest.

"The only time she opened her lips," said the other, "was when she

asked us whether we took tea or coffee."

"She put hot milk in my tea," volunteered the one, "and upset the cup

over my hand, and smiled vaguely."

"And smiled vaguely," sighed the Duke.

"She left us long before the marmalade stage," said the one.

"Without a word," said the other.

"Without a glance?" asked the Duke. It was testified by the